‘From’ Is the Scariest Show with the Worst Title

In TV horror, appearances can be deceiving, where the most spine-chilling narrative hides behind a perhaps simple narrative or even an underwhelming title. Right now, one television show has a horrifying and secret weapon hidden beneath the veneer of its awkward title, a name that’s an SEO nightmare but doesn’t summon actual nightmares which horror fans would be interested in.

Premiering in 2020, FROM was created by writer John Griffen, who was credited with writing an episode of Jordan Peele’s Twilight Zone. It’s also accompanied by a very cool theme song, a cover of “Que Sera, Sera,” recorded by none other than the American alt-rockers, the Pixies. But with all this going for it, there’s still no shying away from the fact that the scariest show on TV has the worst title.

‘FROM’ Brings You to a Town with No Name

In a nightmarish scenario, an unsuspecting town becomes a supernatural trap for travelers. The town’s sheriff, Boyd Stevens (played by the wonderful Harold Perrineau, who also starred in the comparable Lost), leads the community’s survival efforts. The Matthews family becomes central to the narrative, with Jim (Eion Bailey) and Tabitha (Catalina Sandino Moreno) struggling to protect their two children.

Anyone who enters the town soon discovers they cannot leave. They find themselves held captive in an unsettling landscape surrounded by monstrous creatures that disguise themselves as humans before revealing their true form, hunting humans to kill at night.

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The residents, a mix of long-term captives and new arrivals, must band together to survive, creating a makeshift community while desperately trying to understand the rules of their puzzling prison. By day, they strengthen their defenses and search for escape routes. By night, they fight for survival against predatory beings that defy explanation, turning the town into a battlefield where hope and terror coexist.

But Why Choose the Title ‘FROM?’

The title FROM may be intentionally cryptic to get viewers’ cognitive wheels turning. At its core, it suggests the show’s themes of arrival and departure, which are embedded in the series’ DNA. It could represent the characters’ mysterious transportation “from” somewhere else, their everlasting state of being trapped “from” the outside world, or even the supernatural entities’ origins “from” an unknown realm. There is a risk, though, and is it worth taking? The title’s blandness might actively discourage casual viewers, creating an unintentional filter. Sure, horror enthusiasts, with their thorough research, might take a chance. However, mainstream audiences could scroll right past, missing their new favorite watch.

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FROM has opted for a minimalist approach compared to its peers, such as The Walking Dead or the American Horror Story universe, shows that announce their genre explicitly — FROM remains intentionally ambiguous. Similarly, underwhelming titles like Lost succeeded in converting initial viewer confusion into intrigue. Interestingly, Hey, Have You Seen…? said about FROM: “So, while the premise owes a lot to Lost, I’d say the show itself is more like The Walking Dead in tone and construction.”

‘FROM’ Received Critical Acclaim & Unravels Slowly

The show is red-hot for reviewers, with countless favorable musings. People’s Word found it a surreal story that stacks up with our current reality: “It’s a frightful series with an engrossing mystery. It also feels like a near-perfect horror allegory of what happens when a society is in peril and the people are left to attempt some form of normalcy in dire circumstances.”

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While FROM may never shake off comparisons to Lost, it’s much more than an imitation, filling a void left by its predecessor. The series looks beyond surface appearances, both in television and in life. Its unassuming title becomes a metaphor for the show itself: a normal exterior concealing dark complexity. By trapping characters in a world full of nightmare logic, FROM brings to the forefront human anxieties about control, survival, and the unknown.

Its narrative strategy is deliberate: an initial burst of visceral horror gives way to a slow unfolding of the town’s baffling ways. This can hook viewers with immediate tension, drawing them into a deeper, character-driven mystery where they’re left unnerved. And maybe part of that mystery comes from the title. You can watch FROM through the link below:

Watch FROM