Instagram/@realmissnatalienunn
Natalie Nunn goes on to describe the release of her EP, “Queen Baddie,” reportedly as one of the biggest moments in her music career. She came into controversy due to a recording of a fight in a reality show that went viral, and finally confirmed the release on Instagram-“Baddies EP out now ‘Queen Baddie’ “-with an aggressive and very striking image that instantly captured attention.
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The women are posed all around a luxury car with dripping confidence. Lining those steps of glam urbanism, Nunn is placed dead center of the frame, wearing oversized dark sunglasses and a loose v-neck tee that reads CEO STARBADDIES; she’s holding a bunch glittery clutch to offset the sleek monochrome vibe. To her left is a short-haired blondie floating boldly eccentric red specs. The third and dynamic touch to this visual triumvirate is a colorful beauty clad in green leopard-print, whose very red hair gives life to the whole visual-audacity-and empowering vibe. The entire visual outbreak insists patiently…just favorable to the EP-solid theme: explosive self-worth assertions wrapped in dirt devilish dominance.
Reactions to this new-move acted instantly and in quite variable degrees, all indicative of Nunn’s variegated gallery reputation and disposition. The supporters viewed with full acceptance the image and applauded the new music. “CEO has always got the looks and bars,” said a fan, somewhat mixing fashion appreciation with appreciation of Nunn’s musical talent. Further rallying the support came forth, primarily vocalizing, “Yesss yall soo beautiful,” which again drew attention and was principally focused on the image. Many comments exploded with name-dropping, such as “I love me some Jela, Lex and Bigggie,” further linking the audience to the cast.
Others didn’t offer support. And more or less along controversial lines, one camp carried on the battle against even mentioning one Lex in the same breath. “Why Lex there? she fake asf, didn’t she say ‘Jela this and that’?” came one bitter counterattack referring to some heat from earlier days that was still lingering among the viewers. “I hate seeing Lex in any of these photos,” was a second call for disapproval, deep-toned, either stirred by every fan clamoring for Lex or simply tiring of seeing him.
Then there are some who actually praise Lex. “Idc Lex ate down and no she ain’t tryna be Scotty she making a fair bag unlike Scotty,” was a comment that somehow appeared to support Lex while throwing shade at Scotty, possibly a reference to ongoing rivalries or comparisons within the group dynamic. A more straightforward comment reads “Lex so mf fine,” focusing on Lex’s physical attribute with no mention of the drama.
Such split reactions are both on the personalities as well as on the whole concept of the EP and the depiction. Some of the users expressed doubt over the sincerity of this unity picture: “So picture together after yall was biting each other,” meaning past conflicts render this display of togetherness somewhat fake. Still, a few voices accolade the picture: “Love the growth and energy in this Photo.”
Details grabbed attention; many pointed at strange things in the picture, such as “I love how biggie chain pink,” and “Wait biggies chains looks cute,” a clear sign that this kind of interest diagnosis tells us about the scale of the devoted fans following every aesthetic proclamation on-between Nunn and her collaborators.
Known for her reality show appearances on “Bad Girls Club,” Natalie Nunn has moved towards laying down an atmosphere of pride, confrontation, and glamour in her name. Hence, this release of “Queen Baddie” could be viewed as a calculated extension of this brand-view her image for further advances into the music industry. Even the title of the EP, “Queen Baddie,” really sums up the vibe Nunn is all about… An expression of royal queerness combined with outlaw attitude.
The release thus comes together fortuitously when a loud cry on bold female anthems and personalities hit their resounding buttons. Hence, the cultural amalgamation will be created by glitches her music has tied to these themes, which will theoretically draw loud popularity outside of her present fanbase. The visual angle accentuates opulence and confidence to hammer home the same point.
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We have created scenic options that showcase Natalie Nunn: The release of “Queen Baddie” EP stirred up an animated split among her audience. Most of her audience would probably be giving her loud praise for some of the new music and powerful visuals, while the other school of thought might nitpick some points, including the rather confusing negative presence from the likes of Lex. This very tension probably lies at the heart of Nunn’s career, which for several years has very fiercely promoted being polarizing and eliciting very strong reactions. It would then become apparent that from here on out, exciting engagement and provocation would remain core to her draw as she builds further as an artist. The “Queen Baddie” EP is not a simple association of songs or a composite whisperers but an identity declaration some vibe with and some are put off by, leaving just a shrinking space in Beverly Hills for Natalie Nunn.
This story originally appeared on Celebrityinsider
