Wednesday, October 1, 2025

 
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Gaza finding is a farce

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Friends — 

As a member in good standing of the International Association of Genocide Scholars, I am simply appalled by our beloved organization’s resolution declaring the conflict in Gaza a “genocide.”

Our elite association of academics, researchers and randos — I mean, I paid $125 to join this very week — has allowed its once-sterling reputation to be forever tainted. 

Why do I speak up?

Need it be said that as a member of the International Association of Genocide Scholars, I am apparently one of the “world’s top scholars” on the matter of genocide.

It’s not just me saying this.

It’s the BBC, as well as virtually every major news organization in the world.

An impressive-sounding organizational name is all one needs to get into the papers.

None of the reporters bothered to investigate who the “scholars” voting on the resolution were.

Not even the names of the draftees were shared — a lack of transparency that undermines our credibility. 

Take the Jew-baiting “human rights” activist Agnès Callamard, of Amnesty International, who contends that an “overwhelming majority of members of the world’s leading genocide scholars” backed a resolution that finds what is happening in Gaza “meets the legal definition of the crime.”

That is not true.

A week ago, I could have voted on the genocide resolution, and my expertise is predominantly in ’80s and ’90s indie rock. 

Indeed, according to our dear former two-term IAGS advisory board member Sara Brown, only 128 of the association’s approximately 500 members participated. 

There was no “consensus” on the resolution despite our communications officer Emily Sample falsely claiming so to The Washington Post.

We should really have a meeting about her future at our organization.

While we typically debate controversial resolutions in “a virtual town hall” (or so I hear), leadership declined to hold any discussions on this matter, according to Brown.

As a member in good standing, I have access to the organization’s listserv, which shows there were zero comments on the resolution before its passage. 

The resolution itself is an embarrassing collection of half-truths and lies.

It reads like the work of an earnest college freshman who believes hyperlinking a bunch of biased sources is tantamount to research.

We repeat a litany of uncorroborated accusations made by Hamas and others.

Remarkably, our resolution goes beyond the accusations of the terrorist organization.

Hamas, for instance, has said that 58,000 Palestinians have been killed in the war, including 17,000 children.

We contend that Israelis murdered 50,000 children alone, a completely concocted number.

But, like Hamas, we don’t bother making any distinction between combatants and innocents.

As highly respected scholars, we should be better than the Gaza Health Ministry.

We then cite organizations that have altered their definition of “genocide” for this conflict to place the burden of proof on Israel rather than those making the accusation.

Is this how world-renowned scholars do their work?

Because it seems like a shoddy shortcut. We don’t even link to the work of a single one of our members. 

The war, which started when Hamas sent an army into Israel to murder, rape, torture and kidnap civilians, including children, is tragic.

But our organization has now created a precedent that makes virtually every conflict a “genocide.”

If Israel wanted to commit genocide, it would not be sending hundreds of thousands of metric tons of food and supplies to Palestinians in Gaza.

It would not provide clean water and move the population away from war zones.

Israel has gone out of its way to avoid civilian casualties while fighting combatants who hide behind noncombatants (something that we never mention). 

If a handful of unnamed members of our organization are willing to distort reality, not to mention decency, to spread the propaganda of a terrorist state, what is our scholarship really worth?

The genocide accusation is a hoax.

I think our colleagues know it.

I think that’s why there was no debate, why the authors of the resolution aren’t named, and why barely anyone voted. 

We can do better.

Though I noticed as I write this letter that my membership has been rescinded.

Anyway, sincerely,

David Harsanyi (former member of the International Association of Genocide Scholars)

David Harsanyi is a senior writer at the Washington Examiner. X: @davidharsanyi



This story originally appeared on NYPost

Atlassian staking a claim in the AI browser space with acquisition of a developer of AI-powered browsers – Computerworld

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He called the traditional browser a “bystander” in workflow, with no awareness or understanding of context and priorities, treating every tab the same without connecting tools.

On the other hand, he said, the Arc browser has “reimagined” work with SaaS apps, while Dia has made AI, chat, skills, and memory a “core part” of the browsing experience.

Dia, which is now in early access, essentially allows users to chat with their tabs, write with the help of in-line copy editors, and consult with tutors, personal assistants, and customized shopping agents. Arc, which is available for download for Windows and Mac, adjusts to how users browse, allows them to customize their dashboards, and organizes everything they do online in one space.



This story originally appeared on Computerworld

Warner Bros. Discovery is suing Midjourney for copyright infringement

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Warner Bros. Discovery has filed a lawsuit against popular AI image generator Midjourney, accusing it of stealing and exploiting its intellectual properties. The complaint revolves around the AI tool’s ability to generate images and videos of Warner Bros.’ popular fictional characters, including Superman, Batman, Wonder Woman, Scooby Doo, Bugs Bunny and his friends from Looney Tunes. “Midjourney thinks it is above the law,” the company wrote in its lawsuit. It said that the image generator sells a commercial subscription service powered by AI technology that was illegally trained using its copyrighted works.

The company argued that Midjourney has the technology to prevent users from generating images of the characters it owns. It apparently refused to generate videos based on Warner Bros.’ properties when it first launched its video model. But within the past couple of weeks, it allegedly removed those protections and told its users that they would encounter “fewer blocked jobs.” The ability to generate Warner Bros.’ characters are a clear draw for its subscription service that costs $10 to $120 a month, the media conglomerate said. “It is hard to imagine copyright infringement that is any more willful than what Midjourney is doing here,” the plaintiff added. “Midjourney has prioritized and sought to preserve the hundreds of millions of dollars it earns annually from its service by doubling down on its theft of copyrighted works.”

In the complaint, the company gave several examples of Midjourney-generated images and video stills next to images and screencaps of its movies and shows. The image above, for instance, shows Midjourney’s output from the prompt “Batman, screencap from The Dark Knight.” next to actual promotional materials from the Christian Bale-led movie. Further, generic prompts like “classic comic book superhero battle” could lead to output with WB characters even if they’re not specifically mentioned.

Midjourney is already facing a copyright infringement lawsuit filed by Disney and Universal Studios back in June. They accused the AI service of “help[ing] itself to countless” copyrighted works to train its models and for infringing on their copyright by allowing users to generate images of characters from Star Wars, Shrek, The Simpsons and Despicable Me, among other properties.

Warner Bros. Discovery is now asking the court for statutory damages of “up to $150,000 per infringed work by virtue of Midjourney’s willful infringement.” We’ve reached out to Midjourney and will update this post when we hear back.



This story originally appeared on Engadget

Updates on the Christy Martin Biopic – Hollywood Life

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Image Credit: Getty Images

Sydney Sweeney is stepping into the boxing ring—or more accurately, punching it—for what might be her most physically and emotionally demanding role yet. In Christy, the new biopic premiering at TIFF, the Emmy-nominated actress portrays legendary boxer Christy Martin. Sweeney, 27, committed fully to the role, even literally delivering real punches alongside her co-stars. “Every single fight you see, we are actually punching each other. We are going full force,” she told Vanity Fair—and yes, she emerged with bruises and concussions to prove it.

She’s also making her case beyond the ring: “I was blown away that her story wasn’t more known on a universal, global level,” Sweeney said of Martin, calling her “one of the most harrowing and inspiring women that I’ve ever met in my entire life.” That emotional weight is underscored by Sweeney’s physical transformation—training for months, gaining more than 30 pounds, and stepping fully into Martin’s shoes.

With production wrapped and excitement growing over Sweeney’s transformative performance, many fans are eager to know more about the film, the true story behind it, and when it will hit theaters. Find out more about the Christy Martin boxing biopic below.

Who Is Christy Martin?

Martin is a groundbreaking American professional boxer who rose to fame in the 1990s, earning the nickname “The Coal Miner’s Daughter.” She’s widely credited with bringing women’s boxing into the mainstream, becoming the first woman signed by promoter Don King and fighting on high-profile cards. Martin won the WBC women’s super welterweight title and retired with a record of 49 wins, 7 losses, and 3 draws.

Beyond her victories, Martin’s story resonated with fans for her courage outside the ring as well. In 2010, she survived a near-fatal attack by her then-husband and manager, James Martin. She later testified against him in court, and today she uses her platform to advocate against domestic violence while continuing to mentor young fighters.

What Is ‘Christy’ Starring Sydney Sweeney About?

The film—directed by David Michôd and co-written with Mirrah Foulkes—chronicles Martin’s rise in the 1990s, her role in breaking barriers for women’s boxing, and the deeply personal struggles she endured behind the scenes. It doesn’t shy away from her survival story after the 2010 domestic violence attack that nearly cost her life, making the biopic both a sports drama and an intimate portrait of resilience.

Michôd described the project as “a wild mix of inspiring underdog sports-world story and personal saga,” praising Sweeney’s dedication: “Sydney trained her butt off to play the part. The beauty of Sydney is that she turned up to work every day with her tail wagging, ready to go. No matter how tough it was, she was like a ray of sunshine.”

Sweeney transformed physically and emotionally for the role, gaining over 30 pounds and committing to a grueling daily training regimen. “I loved it,” she told W Magazine. “I had about three and a half months of training. I started eating. I weight-trained in the morning for an hour, kickboxed midday for about two hours, and then weight-trained again at night for an hour.”

Is the Christy Martin Biopic Based on a True Story?

Yes. The film is a true-to-life portrayal of Martin’s journey, from her barrier-breaking success in professional boxing to her survival and recovery after enduring a brutal domestic violence incident.

When Does ‘Christy’ Come Out?

The film premiered at the Toronto International Film Festival (TIFF) in September 2025, where Sweeney’s performance drew immediate attention. According to Deadline, a wider theatrical release is slated for later in 2025, though exact distribution details are still to be announced. Filming wrapped in late 2024.




This story originally appeared on Hollywoodlife

The pretty market town where locals love independent shops – ‘No big chains’ | Travel News | Travel

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A beautiful town has a thriving high street thanks to supportive locals and tourists who “go against” big chains. Sherborne is a historic, honey-coloured market town in north-west Dorset. Located on the River Yeo, Sherborne is packed with independent businesses and surrounded by the rolling countryside of the Blackmore Vale.

And locals say their community spirit is to thank for its successful high street. Sam Bourne, owner of Circus Boutique, which has been open for 10 years, told the Express that Sherborne is a great town for independent businesses and it’s “only getting better”. She said: “We had a few empty shops after some turbulent years, like most places, but then lots of new ones popped up, and they’re all independent. We’re helped along by tourism and locals; we always seem to rise above challenges. There’s more tourism now, lots of staycation visitors pottering around the high street, looking at our beautiful architecture.”

Sam added that people tend to “go against big shops a bit”, noting that the town previously had a Costa, but people didn’t like it, opting for independent cafes instead.

He continued: “People support the independents. Covid made it obvious that people really needed to support us.

“But that doesn’t mean we get complacent. You’ve got to keep moving forward, trying new things. We have discerning customers, so we’re constantly making it interesting.”

She added that Sherborne is often “overlooked” in favour of other nearby towns like Yeovil, saying: “People assume it’s a retirement town, but it’s not at all, there’s an awful lot of young people and people who commute. It’s a great place that deserves more spotlight.”

James Budden, a painter who runs Sherborne Arts, said the town is a place “where people can aim high” and that recognises the value of people “putting in effort” to get things done.

Sherborne was named the best place to live in southwest England last year by the Times. The newspaper highlighted the “lively” high street, “impeccable” schools, and an increasing number of start-ups, which points to how the town has transformed from a retirement destination to a bubbling hub for families and entrepreneurs.

The Times said that Sherborne’s beauty is “more than skin deep”, adding: “It’s a drop-dead gorgeous address with a lively high street, welcoming pubs, cosy cafés, impeccable schools, and, above all, a deep community spirit.”

Craig Wharton, who opened Sherborne Antiques Market four years ago with his partner Phillip Traves, said the town is a “terrific place”, with friendly people and “relatively affordable” homes. He said: “I hardly leave town now — everything we need is here and there’s a real community. I don’t know anyone who doesn’t like living here. We’re all really proud of the place and what we do here.”



This story originally appeared on Express.co.uk

A Judge Just Humiliated The Trump Administration In Federal Court

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The Trump administration has been bringing half-baked cases to federal court since it began its military takeover of Washington, DC. The result has been a string of unprecedented failures and Judge Zia Farriqui unloaded on the DOJ and the Trump administration after their latest case fell apart.

Scott MacFarlane of CBS News posted on X:

Judge erupts at hearing as Justice Dept reveals dismissal of yet another recent DC criminal case Judge Zia Farriqui: “We’re past the point of Constitutional crisis” “embarrassment & shame for the govt” “This is just a rush to get stats on Twitter or truth social”

Judge apologizes to Dana for his treatment by feds and uncorks a 10 minute, raised-voice stemwinder at Justice Dept prosecutor … saying “We’re acting like this is all normal” Judge says Trump Admin “is playing cops and robbers like children”

Judge Farriqui about Justice Dept: “It’s not that they’re ‘losing credibility’…. We’re past that point”

Judge Farriqui about the wave of cases filed during Trump police surge in DC, “the volume of ‘motions to dismiss’ raise grave concern” “People like Mr Dana are suffering the consequences”

Judge to Justice Dept: “You created this mess” “Too many misfires” He says Feds are operating under the concept of “we’ll arrest people .. then see what happens”

Finally.. judge looked at Edward Dana and said “the government’s message to people who look like Mr Dana is … ‘be very afraid!” Judge says.. “I’m afraid right now”

The entire theory of this administration is not to question whether an action is legal, but to act first and then force others to fix it.

Whether it is immigration or crime, Trump is only interested in compiling numbers that create the appearance of effectiveness, but in reality, the administration is trampling individual rights and ruining lives for propagandistic purposes.

As federal prosecutors bring more flimsy cases to court in Washington, DC, they will continue to lose at an unprecedented rate. Federal prosecutors used to only bring cases to trial if they were iron-clad.

A politicized DOJ is bringing cases to lend the appearance of political success by Trump, and that is why so many of them are failing, and it is starting to look like judges have had enough.

What do you think about Judge Farriqui’s remarks? Join the discussion in the comments below.

Leave a comment



This story originally appeared on Politicususa

Automotive AI company Cerence sues Apple for patent infringement

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Cerence AI, a company that creates conversational AI for automakers, has filed a patent infringement lawsuit against Apple.

Cerence AI claims Apple infringed upon its voice recognition patents, though no additional information is available.

This isn’t the first time Apple was sued over voice recognition for technology like Siri. In this lawsuit, Cerence alleges Apple infringed on patents related to voice command recognition, as well as text input and recognition.

However, it’s unclear which Cerence patents and Apple features are central to the lawsuit. The patent infringement lawsuit could have to do with Apple’s voice assistant, Siri, its Apple Intelligence features, or possibly CarPlay.

Continue Reading on AppleInsider | Discuss on our Forums


This story originally appeared on Appleinsider

Like Netflix’s ‘Unknown Number’? This 2018 Mystery Thriller Is Perfect

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Since debuting on Netflix on August 29, Unknown Number: The High School Catfish has been captivating viewers and currently holds the number one spot on the platform’s Top 10 list. It has all the ingredients that make it a must-see for true-crime fans, but some moments make it hard to watch, particularly because of the virtual attacks that the young teenagers at the heart of the case had to endure. When it’s revealed that the attacks came from a source much closer than anyone imagined, Unknown Number becomes an even more unsettling watch.

However, if viewers are still looking for something entertaining to watch that tackles a similar theme, but resides in the realm of fiction, the 2018 mystery thriller Searching could be right up their alley. The film tackles online deception with a unique visual aesthetic that sets it apart from the average thriller.

Directed by Aneesh Chaganty in his feature film debut and written by Chaganty and Sav Ohanian, Searching follows David Kim (John Cho), a father who embarks on a desperate search to find his missing 16-year-old daughter Margot (Michelle La). The film is unique in that it primarily tells its story through computer screens and smartphones as David delves into an online world where everything is not what it seems. In addition to Cho and La, the film also stars Debra Messing as a detective assigned to the case.

‘Searching’s Stylistic Approach Sets It Apart From Other Thrillers

Screen Gems

Searching‘s stylistic approach proves to be its strongest attribute, as it puts the audience directly into David’s crisis of trying to locate his daughter. With the movie almost entirely taking place on computer screens and other technological devices, it adds a certain amount of intimacy and suspense that helps drive the story. It might seem tedious to watch someone opening and closing screens and diving deep into social media accounts, but the found-footage aesthetic gives the film a sense of realism that would’ve been stripped away had it been shot as a traditional motion picture. It’s only late in the game that the movie escapes the confines of what’s on the computer monitor, and by that point, it’s necessary to bring the film to its likely conclusion.

By approaching the story with very little Hollywood trappings, Searching can dig deep into the fear of not only trying to locate a missing loved one, but also the horror that comes along with the uncertainty of online activity. The internet certainly has its advantages and positive attributes, but it can also be a very dark space because people can hide behind a veil of dishonesty and secrecy. After losing his wife to lymphoma before Margot started high school, David’s relationship with his daughter grew distant. Following her disappearance, he begins to learn more about her through the online world.

Through contacting her friends online and coming across web broadcasts created by his daughter, David learns a side about her that he was unaware of. It adds an emotional layer to the story while also showcasing that sometimes kids feel more comfortable expressing themselves online to strangers rather than reaching out to family.

There is a banality to the story that serves to enhance its realism. David’s day unfolds as usual until the true horror of Margot’s disappearance is revealed. The events that take place never feel like a film, a testament to Chaganty’s directorial approach and the acting of its primary performers, particularly Cho, who, despite appearances in several high-profile films, makes the audience forget that he’s an actor playing a role. Cho’s realistic performance heightens the film’s mystery and suspense. The audience feels his growing concern when it becomes clear that a dead phone battery can’t explain why he can’t reach his daughter.

The viewer can also sense the palpable turmoil he endures when he learns things about his daughter that he was previously unaware of. During one pivotal moment, David calls her piano instructor, looking for her, believing she has a scheduled lesson, but comes to find out she had canceled all of her lessons six months prior. When he then learns that she transferred $2,500 to a Venmo account, which is now deleted, his mind is boggled by how all of this could be happening. He also has to accept the reality of his situation and try to figure out what has happened to Margot. Did she run away because the pressures of life and loss began to weigh heavily on her? Or was she abducted? That possibility leads to a terrifying realization for any parent, and such a situation could end in something far more dire.

‘Searching’ Effectively Details the Potential Dangers of Online Activity

John Cho looks at an image of missing daughter on a computer screen in Searching Screem Gems

While it won’t be revealed here, the road to Searching‘s conclusion proves to be interesting because it begins in a pretty believable place. When kids sometimes feel loss and need someone to talk to, they will reach out in an online space because there is a perceived lack of judgment. David ultimately learns that Margot had been using a streaming site to express her feelings and began an online friendship with a young girl named Hannah. Deception runs throughout this relationship, driving home the notion that people can be anyone they want behind the mask of a computer screen. They take advantage of the vulnerability of the people they’re communicating with, and Searching tackles that idea with a realistic and terrifying approach.

When Searching was released, it received rave reviews from critics, registering a 92% on Rotten Tomatoes, with a consensus that reads, “Searching‘s timely premise and original execution are further bolstered by well-rounded characters brought to life by a talented cast.” The film also proved successful, grossing $26 million domestically and $75.5 million worldwide on a modest budget of $880,000. The grosses were enough to secure a sequel, with 2023’s Missing also offering a taut mystery thriller that stands on its own. Although it features a new standalone story, Missing still uses similar visual techniques that made Searching successful as June Allen (Storm Reid) tries to track down her missing mother following her disappearance in Colombia.

Films like Searching will likely remain topical for years to come because crimes perpetrated on the internet have only grown with time. Online deception continues to run rampant, leading to documentaries like Unknown Number: The High School Catfish and others being produced. No one expects all viewers to want to dive into these true crime worlds because they are often ugly. However, if they’re looking for a little fictional mystery that wraps up as the credits roll, Searching provides a solid alternative that can still lead to much-needed conversations being had about how dangerous the internet can be if it isn’t properly monitored. Searching is available to rent or buy on Prime Video and Apple TV.


searching-movie-poster.jpg


Searching


Release Date

August 24, 2018

Runtime

104minutes

Director

Aneesh Chaganty






This story originally appeared on Movieweb

45 Best Anime For Beginners

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Anime has rapidly become one of the most popular forms of entertainment in the world, naturally leading many to wonder what the best anime for beginners are. The medium has a long and storied history, with some series quite difficult for new viewers to get into due to references to other anime, cultural differences, and quirks of the medium.

However, just because some anime might be difficult to understand for new viewers doesn’t mean all anime are. The best anime for beginners covers universal themes that any viewer should be able to get behind. These series range from action to romance to thrillers to comedy, delivering a wide variety of anime sure to fit any one person’s tastes.

Bleach

Bleach is a long-running shonen anime series, adapted from the manga by Tite Kubo. Bleach follows Ichigo Kurosaki, a boy who can see spirits, as he’s suddenly thrust into the role of a Soul Reaper, whose job is to fight dangerous negative spirits known as Hollows and guide righteous spirits to the afterlife.

When Ichigo’s friend Rukia is punished for giving him her power, he goes on an extreme mission to rescue her, pitting him against other Soul Reapers so powerful that he can scarcely imagine it.

Bleach is a long series, and it has more than its share of filler (and Bleach filler you can and should skip). Still, it’s a perfect representative of what a shonen series can be like, full of exciting battles, insane powers, and dramatic turns in the plot that change everything.

Pluto

pluto2banner

Pluto is a series based on a manga by Naoki Urasawa, which is in turn an adaptation of a story arc from Osamu Tezuka’s original Astro Boy. That gives Pluto strong ties to the very foundations of anime as a medium, and the story has persisted for so long because it’s just that entertaining.

The story follows Gesicht, a robot detective, tracking a serial killer of both robots and humans who leaves a bizarre trademark: objects jammed into their heads, as if to look like horns.

Pluto is a beautifully animated new series, and its mystery is a compelling one, with a story worthy of standing alongside classics of the sci-fi genre. It tackles the ideas of robots and humans and what separates the two, but does so in unusual and innovative ways that make it stand out.

Neon Genesis Evangelion

Neon Genesis Evangelion franchise anime featured image

Neon Genesis Evangelion is an infamous anime series by Gainax that delves deeply into psychology and bizarre symbolism. On an Earth that’s under endless assault by beings known as Angels, Shinji Ikari is recruited by his estranged father to serve as a pilot for an EVA, a kind of bio-robot designed specifically to kill Angels.

Shinji has little desire to fight, but circumstances force him to take part, with disastrous consequences. Joined by the emotionless girl Rei and the fiery Asuka, Shinji is the front line of defense against the Angels, but are these kids really equipped for what they’re about to experience?

Evangelion is admittedly a deconstruction of the mecha genre’s tropes, and is thus enhanced by some familiarity with other mecha series. However, it can just as easily be watched and enjoyed by those who have no experience with mecha at all, as its focus on characters and their psychologies is what’s really important.

Berserk

Berserk anime featured image - Guts looking sad and angry

Berserk is a dark fantasy anime series based on Kentaro Miura’s manga of the same name. It’s from the 1990s, but don’t let the age scare you away, as it’s widely regarded as an excellent anime.

The story follows Guts, a swordsman who joins a mercenary group known as the Hawks, led by Griffith. Guts earns their trust, but eventually decides to go his own way, prompting Griffith to make a terrible mistake that sends the course of both of their lives, and the fate of the world, into turmoil.

Berserk is extremely dark and deals with graphic content that may be disturbing to some, such as sexual assault and torture. However, for those who enjoy darker fantasy stories, Berserk is renowned for its high-quality character development and a compelling story that dissects the quest for revenge.

Delicious in Dungeon

Senshi, Laios, Chilchuck and Marcille waiting for the Scorpion and Walking Mushroom Hotpot on Delicious in Dungeon-1

Delicious in Dungeon is a unique fantasy anime based on a manga by Ryoko Kui. It follows Laios, a young adventurer whose sister was eaten by a dragon, but might still be alive.

Questing to save her with little resources, Laios, Chilchuck, and Marcille head into the dungeon, planning to eat monsters to stay alive (which Laios is secretly excited for). On the way, they meet Senshi, a Dwarf who specializes in cooking monster meat, and together they resolve to delve deep and save Laios’ sister before it’s too late.

Delicious in Dungeon’s gimmick of cooking monsters is an amusing one that gives it a tone quite unlike any other fantasy anime. The characters are quite lovable, and the series draws heavily from Western fantasy sources, such as Dungeons and Dragons, making it relatively easy for those unfamiliar with anime to watch.

Mob Psycho 100

Mob Psycho 100's Mob using his psychic powers in front of a multi colored background.
Mob Psycho 100’s Mob using his psychic powers in front of a multi colored background.

Mob Psycho 100 is a perfect introduction to the world of anime. The series focuses on a young boy named Mob whose psychic powers are so immense that he has to close off his emotions to avoid setting them off. Together with his conman mentor Reigen, Mob battles evil spirits and other psychics obsessed with world domination.

More so than almost any other anime, Mob Psycho 100 is a series that balances action, humor, and heart. The bond between Mob and Reigen is genuinely sweet and is sure to resonate with new fans of anime.

Jujutsu Kaisen

Jujutsu Kaisen Cast

Currently one of the most popular anime series, Jujutsu Kaisen is easily approachable for beginning anime fans. The series follows a young man named Yuji who is inducted into a secret society of sorcerers who are involved in a never-ending quest to destroy cursed spirits.

Right alongside current hits like Demon Slayer and My Hero Academia, Jujutsu Kaisen is undeniably responsible for ushering in a new generation of anime fans with its thrilling fights and breathtaking animation. Beginning anime fans certainly can’t go wrong with Jujutsu Kaisen.

Hunter x Hunter

Hunter x Hunter anime featured image

Hunter x Hunter is a beloved shōnen series about a young boy named Gon who uses the search for his father as a springboard to become a Hunter and go on an adventure. With a lovable cast of characters and an approachable story, Hunter x Hunter is easy to jump into without much knowledge of other anime.

The series is well-paced, as well, starting rather simply before unveiling one of the most intricate and fascinating power systems in anime history. Potential anime fans who want an entry point into classic shōnen battle anime shouldn’t pass up Hunter x Hunter.

Pokémon

Ash with pikachu on his shoulder surrounded by action lines
Ash with pikachu on his shoulder surrounded by action lines
Custom Image by Diana Acuña

One of the longest-running anime series ever, it’s no understatement to say that Pokémon is at least partially responsible for anime growing as popular as it is outside of Japan. Despite its lengthy episode count, each season of Pokémon is largely standalone, so new viewers can jump into the charming and simplistic series at any point.

Pokémon is especially beginner-friendly thanks to its recent soft reboot, Pokémon Horizons, so new fans can get into the series there and see why it’s been so beloved for decades without getting bogged down by what little continuity there is.

One Piece

Luffy in the new opening
One-Piece-Opening-28-Luffy

Another long-running anime that’s easy to recommend for beginners is One Piece. With its goofy characters combined with surprisingly mature, intense writing and fight scenes, One Piece has long been established as one of the best and notorious anime in the entire world.

With over 1000 episodes, One Piece certainly does warrant a lot of investment on the part of the viewer, but the incredible story it tells makes that more than worthwhile. The incredibly vibrant art and animation of recent One Piece seasons have done a lot to sell its strengths to its best degree in years.



This story originally appeared on Screenrant

Jack Osbourne has a fiery response to Roger Waters’ diss of Ozzy

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Jack Osbourne fired back this week at the insults that Roger Waters hurled last month at his late father Ozzy Osbourne, who died in July at the age of 76.

During an interview with the Independent Ink, Waters had expressed his feelings about the “Prince of Darkness” and his music.

“Ozzy Osbourne, who just died, bless him in his whatever that state that he was in his whole life,” the 81-year-old rocker told host Dwayne Booth. “We’ll never know. The music, I have no idea, I couldn’t give a f—.”

He added: “I don’t care about Black Sabbath, I never did. Have no interest in biting the heads of chickens or whatever they do. I couldn’t care less, you know.”

Osbourne’s son, Jack, caught wind of Waters’ words and turned on the war machine. He took to his Instagram on Tuesday to defend his dad.

“Hey Roger Waters F— You,” Jack posted on his page, using white lettering on a red background. “How pathetic and out of touch you’ve become.”

Waters, who co-founded the band Pink Floyd in 1965 and has toured as a solo act since 1999, typically posts politically driven messages in a similar style on his account.

“The only way you seem to get attention these days is by vomiting out b— in the press. My father always thought you were a c— thanks for proving him right,” he added. He ended the post with a clown emoji.

The youngest of the Osbourne clan appeared alongside his father in the MTV reality series “The Osbournes” from 2002 through 2005 and the History Channel’s “Ozzy & Jack’s World Detour” from 2016 through 2018.

The Black Sabbath frontman revealed to David Letterman in an episode of “Late Night” in 1982 that he had beheaded a bat onstage by accident, a feat that had added to the considerable lore built around the heavy metal legend.

Ozzy Osbourne made his last public appearance during the band’s farewell concert, “Back to the Beginning,” on July 5 at their hometown of Birmingham, England. He died on July 22 of a heart attack.




This story originally appeared on LA Times