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Holiday season champagne bottles you must discover now

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The first pop of a cork can change the mood of an entire room. Few wines carry such emotional weight as champagne, and every year when the festive period approaches, we start hunting for that one holiday season champagne bottle that will feel worthy of the moment. The challenge is that the shelves are full of labels and logos, while truly memorable holiday season champagne experiences are often hiding in plain sight or tucked away in the portfolios of small, growing families.

Champagne has always walked a fascinating line between luxury object and cultural ritual. It marks promotions and weddings and New Year countdowns, yet for many people the choice still defaults to the same two or three very familiar labels. For a curious, demanding audience already surrounded by high-end experiences, it feels like a missed opportunity. There are cuvées within the grand houses that show a completely different personality from their flagship bottlings, and quiet artisans are working away in the villages of the Côte des Blancs and the Côte des Bar who craft wines that insiders almost guard as secrets.

This article is an invitation to look beyond the obvious. Together, we will move from rich, generous styles perfect for late-night desserts to razor-precise Blanc de Blancs and finally to one of the most coveted prestige rosé champagnes on the market. The aim is not only to give you five names to buy but to help you understand why they taste the way they do and why they deserve a place at the centre of your festive table. By the end, you will have a short personal map of holiday season champagne bottles and a sixth bottle as an editor’s pick that might become your new house favourite.

Why does champagne belong to celebrations and the festive season?

Champagne is more than sparkling wine. It is a cultural code. For centuries, it has been poured at moments when society wanted to show importance, triumph, or love. From the eighteenth century onwards, French courts and European aristocracy made champagne the drink of coronations, royal weddings, and peace treaties, which set the tone for its association with power and joy.

During the nineteenth century, industrialisation and the rise of international trade allowed the great houses to export their wines to London, New York, and Saint Petersburg. Champagne appeared in novels, paintings, and early cinema as the ultimate shorthand for glamour.

Today, that heritage continues in a more democratic way. Champagne still lights up New Year’s parties, but it also appears at more intimate events, such as a first night in a new home, a quietly celebrated promotion, or the simple pleasure of opening a good bottle because friends are in town. The ritual is always the same: the cold bottle, the sound of the cork, the mist rising from the neck of the glass, and then the first sip. It is a small ceremony that tells everyone that this moment matters more than an ordinary Tuesday dinner.

Behind the scenes, champagne is a serious global business. Shipments reached about 299 million bottles in 2023 as the region returned to its pre-pandemic rhythm. In 2024, volumes fell to around 271 million bottles, a sign of economic uncertainty and changing consumption patterns, yet even in this more cautious world, champagne remains the reference for celebration. The paradox is that while overall volumes fluctuate, the demand for truly distinctive high-quality cuvées has never been stronger, especially among informed drinkers.

There is, however, another story shaping the future of every bottle we open: climate change. The Champagne region has experienced a steady rise in average temperatures, pushing harvest dates earlier and earlier. Producers now routinely pick grapes several weeks earlier than they did a generation ago, which brings both advantages and challenges. Warmer summers mean riper fruit and in some vintages a natural richness that earlier generations of winemakers could only dream of. At the same time, higher sugar levels and lower acidity can disturb the classic balance of tension and freshness that defines the traditional taste of champagne.

The region is responding with a mix of science and intuition. Growers experiment with canopy management to shield bunches from excessive sun, adjust pressing techniques, and fine-tune blends to preserve precision and elegance. Recent vintages show that while volumes may be under pressure, quality can be remarkably high.

Official forecasts for French wine output in 2024 and 2025 point to historically low levels overall, yet Champagne is expected to deliver more minor crops with excellent concentration. For the drinker, this means that choosing carefully has never mattered more. The right bottle today can express an entire landscape in transition while still delivering the joyful sparkle that defines the region.

Five remarkable bottles of champagne you might not expect to open this festive season

There is something deliciously satisfying about pouring a champagne that surprises your guests. Perhaps they recognise the famous maison but have never tasted this particular cuvée. Maybe they have never even heard of the grower. Below are five bottles arranged from least expensive to most expensive. All are serious wines selected for their character and their ability to elevate a festive table. Welcome to your holiday season champagne shopping list!

Moët and Chandon Nectar Impérial

Moët and Chandon is arguably the most recognised champagne name on the planet, yet most drinkers stop at the classic Brut Impérial. Nectar Impérial is the more hedonistic sibling of a demi sec designed for those who enjoy a touch of sweetness without losing freshness. It is crafted from a generous blend of Pinot Noir, with Meunier and Chardonnay adding texture and lift. The fruit is sourced from a vast network of vineyards, which allows the cellar team to craft a consistent style that is lush, opulent, and still impeccably balanced.

© Moet & Chandon

In the glass, the wine shows a deep golden colour with a steady fine bead. The nose is almost tropical with notes of ripe pineapple, mango, and passion fruit layered over stone fruits such as apricot and mirabelle, along with a gentle touch of vanilla. On the palate, it feels full and creamy, yet the sweetness is shaped by a lively line of acidity and a burst of grapefruit on the finish. This makes it remarkably versatile. It pairs beautifully with fruit-based desserts and festive pastries, but it is also stunning with blue cheeses or spicy dishes where the residual sugar can tame heat and salt.

What makes Nectar Impérial special is its ability to play the role of dessert wine, aperitif, and late-night glass in one. For a party that runs from canapés to the final slice of panettone, it is a bottle that bridges many moments. In most markets, a standard bottle will sit around seventy United States dollars, depending on taxes and promotions, placing it at the indulgent yet still approachable end of the spectrum for a well-known global brand.

Taittinger Prélude Grands Crus

Taittinger is respected for its finesse-driven style, yet Prélude Grands Crus still feels like an insider’s choice. The cuvée is built solely from Grand Cru vineyards with an equal blend of Chardonnay and Pinot Noir, and only the first pressing is used. This is then aged for around five years in the cellars before release, which is significantly longer than the legal minimum. The result is a champagne that bridges youthful energy and real depth.

Taittinger champagne
© Taittinger

In the glass, Prélude presents a pale yellow robe with silvery reflections, reflecting the high proportion of Chardonnay. The nose is delicate at first with mineral notes that quickly give way to elderflower, white peach, and a gentle hint of spice. On the palate, the wine shows a striking balance. The Chardonnay brings linear mineral freshness while the Pinot Noir contributes structure and a subtle touch of red fruit. Flavours of citrus, white peach in syrup, and a whisper of cinnamon lead to a long, salty finish that feels both vibrant and serious.

Prélude is special because it offers a glimpse of Taittinger at its most meticulous without climbing into the price territory of the famous Comtes de Champagne. It is ideal for refined aperitifs and for pairing with elegant dishes such as scallop carpaccio or lobster with citrus butter. Retail prices often start in the low to mid sixties in United States dollars and can rise into the eighties, depending on the market and exchange rate, which means that a Grand Cru-only blend aged for many years offers exceptional value.

Marie Courtin Résonance Extra Brut

Move south to the Côte des Bar, and you enter a different dimension of champagne. Here, the limestone and climate are closer to Chablis, and over the past two decades, a handful of growers have gained cult status among sommeliers. Marie Courtin is one of those names. Dominique Moreau farms her vineyards biodynamically, works with very low intervention in the cellar, and bottles individual wines that express specific parcels. Résonance is her Extra Brut Blanc de Noirs made entirely from Pinot Noir planted in the nineteen seventies on Kimmeridgian limestone soils.

Marie Courtin champagne
© Marie Courtin

The style is pure and focused. On the nose, Résonance often opens with aromas of fresh bread and brioche, followed by red apple, cranberry, and wild strawberry, together with a streak of citrus. There is an herbal and floral aspect too, something like meadow flowers after rain. On the palate, the wine is very dry with a fine, tight mousse. Orchard fruit and red berries mingle with chalky minerality and a faint savoury note. The finish is long, energetic, and almost saline.

Résonance feels more like a fine still wine that happens to sparkle than a conventional house-style champagne. It is outstanding with complex dishes, roasted poultry, wild mushroom risotto, or aged hard cheeses, because it brings both tension and a sense of umami. Production is limited, and allocations can be tight, which adds to its aura among professionals. In many specialist shops, you will find it between $70 and $90, depending on the vintage and availability.

Ruinart Blanc de Blancs

Ruinart is the oldest established champagne house, and for many devotees, Blanc de Blancs is its signature expression. The cuvée is made entirely from Chardonnay, much of it from Premier Cru vineyards in the Côte des Blancs and the Montagne de Reims. This grape is also the foundation of the house’s identity, which focuses on luminosity and freshness. Blanc de Blancs is blended from several vintages to maintain a consistent profile, and it has become something of a reference point for pure Chardonnay champagne.

© Ruinart

In the glass, the wine shows a luminous light gold colour. The nose reveals layers of citrus, especially lemon and lime, followed by pineapple and passion fruit, alongside white peach, jasmine, and lime blossom. There are also subtle notes of ginger, cardamom, and pink peppercorn, which add complexity without overwhelming the fruit. On the palate, Blanc de Blancs is both round and fresh. The texture is silky with flavours of ripe stone fruit, citrus zest, and delicate spice, all carried by a vibrant acid line that keeps the whole experience lifted.

Blanc de Blancs is special because it feels effortlessly luxurious while remaining incredibly food-friendly. It shines with oysters and other shellfish, but it is equally beautiful with simple dishes such as roast chicken with lemon and herbs. It can begin a meal and carry it gracefully through several courses. The average retail price tends to be around 90 to 100 United States dollars for a standard bottle, reflecting both the quality of the fruit and the strength of the Ruinart name.

Louis Roederer Cristal Rosé

At the summit of this selection stands an almost legendary wine. Cristal Rosé from Louis Roederer is one of the world’s most admired prestige rosé champagnes. The 2014 vintage has drawn exceptional reviews from leading critics, often in the high nineties, thanks to its precision, depth, and ageing potential. It is crafted mainly from Pinot Noir, with a significant proportion of Chardonnay, and uses the saignée method to enhance colour and structure. The grapes come from biodynamically farmed vineyards in the Montagne de Reims and the Côte des Blancs, and the wine spends many years resting on its lees before release.

© Louis Roederer

In the glass, Cristal Rosé presents a delicate onion skin or pale salmon hue with an ultra-fine bead. The nose is complex from the first moment. Red berries such as wild strawberry and raspberry mingle with blood orange citrus peel, sweet spices, and notes of toasted brioche and hazelnut. With air, one can pick up hints of rose petals, chalk, and a faint touch of smoke. On the palate, the wine is both powerful and weightless. The attack is precise and energetic, then the mid palate expands with layers of red fruit, citrus, and stone fruit wrapped in a creamy texture. The finish seems to go on indefinitely, leaving a memory of saline minerality and spice.

This is not a casual party bottle. Cristal Rosé is a wine to open when you want to create a once-in-a-year moment, perhaps a small New Year dinner with close friends or a milestone celebration. It works beautifully with sophisticated dishes such as lobster in light bisque sauce, tuna with sesame and citrus, or roasted pigeon with red fruit jus. Pricing varies widely by market and allocation, yet a fair guide is around 550 to 650 United States dollars per bottle in specialist retail, and significantly more on restaurant lists.

Editor’s pick: Champagne Colin and the magic of a great grower Blanc de Blancs.

Among the many grower families that quietly shape the future of Champagne, the Colin family occupies a particularly charming place. Their story stretches back to the early nineteenth century, and for generations, they supplied grapes to cooperatives and larger houses. In nineteen ninety-seven, Richard and Romain Colin decided to take a different path. Instead of sending their fruit away, they became fully independent growers and producers, crafting wines under their own name and focusing on expressing the character of their Chardonnay vines in the Côte des Blancs.

champagne Colin
© Champagne Colin

The vineyards are located mainly in Premier Cru and Grand Cru villages where chalky soils and cool conditions give Chardonnay its unmistakable tension and perfume. Over time, Champagne Colin has developed a range of Blanc de Blancs that showcase different facets of this terroir, from more approachable cuvées to concentrated single-site wines. For an editor’s pick, one bottle stands out as a pinnacle of their craftsmanship, the Grand Cru Blanc de Blancs Les Grandes Terres from the 2014 vintage.

Les Grandes Terres comes from a Grand Cru parcel where old vines sink deep roots into chalk and yield naturally modest crops. The wine is fermented and aged with great care, then left on its lees for an extended period to build complexity. In the glass, it offers an intense yet refined nose of lemon zest, white flowers, and fresh almond with touches of chalk dust and pastry cream. On the palate, the attack is straight and vibrant, then the wine fans out into flavours of citrus, ripe green apple, and subtle exotic notes, all carried by a tight mineral spine. The dosage is usually low, allowing the terroir’s natural salinity and energy to speak clearly.

What makes Champagne Colin so compelling is the combination of family scale and technical ambition. They invest in modern equipment but remain deeply attached to traditional vineyard work and patient ageing. The result is champagne that feels artisanal without being rustic and refined without losing authenticity. Les Grandes Terres, in particular, sits at that beautiful intersection of precision and generosity, where each sip seems to reveal another layer. For a seasoned champagne lover, this bottle can be as moving as many far more famous prestige cuvées, yet its name will still be unfamiliar to most guests at your table.

Depending on market and vintage, you can expect to pay a little over one hundred United States dollars for a bottle of a top Champagne Colin Blanc de Blancs, such as Les Grandes Terres, which positions it as a serious but not extravagant investment in pure Chardonnay pleasure.

To conclude,

Choosing champagne for the festive season can feel overwhelming, but once you start looking beyond the most obvious labels, the landscape becomes exciting rather than confusing. A rich, flirtatious cuvée like Moët & Chandon Nectar Impérial can carry you from spicy snacks to dessert with ease. Taittinger Prélude Grands Crus brings the poise and quiet luxury of Grand Cru vineyards at a price that still feels civilised for a celebration.

Marie Courtin Résonance reminds us that a single artisan working patiently in the Côte des Bar can produce a wine as complex and thought-provoking as many icons. Ruinart Blanc de Blancs offers a masterclass in Chardonnay, shaped by centuries of savoir-faire. Louis Roederer Cristal Rosé stands ready for those rare moments when only the most elevated expression will do.

Then there is Champagne Colin, an editor’s pick that captures what makes the region so compelling today. Here you have a family whose roots run deep into the chalk and whose curiosity pushes them forward. Their best Blanc de Blancs shows that greatness in Champagne is not reserved for the most prominent names alone. It belongs equally to those who decide that their own vines and their own intuition are enough to build a legacy.

As you plan your holiday tables, consider leaving space for at least one bottle that your guests have never tasted before. The conversations that follow might be as memorable as the flavours in the glass. After all, champagne is not just about luxury; it is about connection, curiosity, and the shared pleasure of discovery. And when the final cork has been popped, and the last glass poured, may the lingering trail of bubbles carry your thoughts gently and joyfully into the new year.

José Amorim
This article was created exclusively for LuxuryActivist.com. All content is protected by copyright. Images are used for illustrative purposes under fair use. If you own the rights to any image and wish it to be removed, please don’t hesitate to contact us, and we will act promptly.




This story originally appeared on Luxuryactivist

Cierra Ramirez Celebrates Unforgettable Las Vegas Weekend With Paramount Plus

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Instagram/@cierraramirez

Cierra Ramirez expressed her gratitude for a wonderful experience, saying she made a fantastic weekend for that reason Paramount Plus, which she herself rated as one of her best, the Actress showed her eagerness through a very simple yet very powerful message. The message was the kind of a loud and chaotic trip with the cherries and race car emojis that symbolize the city.

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The message immediately drew a great deal of positive comments from her followers, most of whom were expressing the same feeling of joy as she was for the vibrant city. One of the people, referring to an earlier inside joke, wrote, ‘let me know when you’re ready to squat me again,’ thus adding the playful personal touch to the public celebration. The comment very much speaks of the familiar closeness and the feel of being in a tight circle around the artist.

Another person brought up the fashion side of Ramirez and said, ‘That fur coat is everythinggggg,’ thus shifting the focus on the very high-priced and grand fur coat that was part of the Las Vegas trip. The comment being is an indication that the actress’s aesthetic choices are continuously liked and discussed among her audience. It is a small yet significant detail that symbolizes her overall look during the luxurious trip.

A different user mentioned the global magnetism of the place where today’s party was born, saying, ‘Vegas is always a great getaway for having the best fun.’ This declaration is in accord with the common opinion that Las Vegas is the main entertainment and escapism destination, thus, putting Ramirez’ visit into one of the western cultural migrations. The comment makes the star event personal and many people can identify with it.

Another less enthusiastic, but still very supportive comment was ‘Amazing, cierra, love the jacket, and have fun in Las Vegas’ from a user. This kind of comment is typical for the warm and friendly community that is always very supportive of her and is the one combining style commentary with personal encouragement.

The most loving comment was ‘Happiness looks good on you,’ which pretty much addressed the emotional aspect of the post directly. This observation, while simple, was profound, as it suggested that the joy of the experience was very much present and visibly communicated in the case of Ramirez. It reminds one that the glitzy side of the event was not only but also the very personal fulfillment that was demonstrated so clearly.

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The comments revealed a picture of a community that was celebrating with Cierra Ramirez. They are the ones who are pointing out the specific details—the inside jokes, the fashion, the positive vibes from the place—and reflecting them back with even greater warmth. It’s like turning a simple thank-you note into a shared moment of recognition for a truly remarkable weekend. The collective response underscores the notion that a personal milestone can, when shared, resonate with the followers creating a collective feeling of enjoyment. Cierra Ramirez’s Las Vegas adventure powered by Paramount Plus surely affected not only her but everyone who was following the trip online. Davante Adams is another celebrity known for hosting memorable events.



This story originally appeared on Celebrityinsider

Zohran Mamdani Reveals ‘Weirdest Thing’ Donald Trump Showed Him at the White House

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On November 21, the newly elected mayor of New York City, Zohran Mamdani, went to visit the White House. After months of trading insults from afar, the future mayor and Donald Trump finally met face to face in the Oval Office.

Rather than being a contentious face-off between adversaries, it was more of a mutual admiration society – and both parties were pleasant.

In fact, Donald seemed so taken with his new buddy Zohran that he reportedly copied his hairstyle.

Zohran Mamdani spoke with Adam Friedland after his Donald Trump meeting at the White House

“You went to the White House,” the host of The Adam Friedland Show said. “How did you keep [a straight face] during the press conference?” Adam wondered.

The meeting was so unexpectedly cordial. Despite previously referring to Zohran as “my little communist mayor,” Trump apparently loves him now. [FYI, Zohran is a socialist, not a communist.]

And Donald’s okay with Zohran calling him a fascist. Just don’t call him a “historically unpopular President,” as California Governor Gavin Newsom did. That one hurt.

“We were all dying,” Adam continued. “And I’m like, ‘My boy Zohran was like, just straight-faced’ … How’d you keep that face?”

“Honestly, I was just thinking about New York City,” Zohran responded.

“What was the weirdest thing he showed you?” the host asked.

“I sit down, waiting for the time of the meeting,” the incoming mayor remembered. “In front of me are all these different coffee table books. And one of them is UFC at the White House … I was flipping through that.”

Reportedly, Trump wants to bring the Ultimate Fighting Championship (UFC) to the White House. Founded in 1993, the UFC hosts events where fighters from various disciplines like boxing, wrestling, and jiu-jitsu compete against each other inside an eight-sided cage called “The Octagon.” Trump wants to bring cage fighting to the house that President John Adams (and slave labor) built.

TELL US – WHAT DID YOU THINK OF TRUMP AND MAMDANI’S MEETING AT THE WHITE HOUSE? WERE YOU SURPRISED AT HOW CHUMMY THEY WERE?



This story originally appeared on Realitytea

Thieves are stealing keyless cars in minutes. Here’s how to protect your vehicle

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Car thieves are using tablets and antennas to steal keyless or “push to start” vehicles, police warn, but there are steps owners can take to protect their vehicles.

Recently, a group of masked individuals forcibly gained access into two vehicles sitting in the driveways of two separate Anaheim Hills homes and drove off with them, according to the Anaheim Police Department.

In both of the thefts the alleged thieves used electronic tools to target and steal higher-end cars, said Mark Sutter, spokesperson for the Anaheim Police Department.

Sutter said the department is seeing a trend in these types of thefts that target newer vehicles like a Dodge Challenger or Ford F-150 Raptor — vehicles that have a supercharge feature, a function that forces more air into the engine, which generates more power.

It’s unclear if the Anaheim Hills car thefts are connected and while the department is still investigating the incidents, no arrests have been made for either case.

Sutter broke down how both thefts occurred and how you can protect your vehicle.

Tablet reprograms car computer theft

Through home surveillance footage reviewed by the police department, Sutter said the burglars broke the back window of a white truck and jumped into the car through the window.

The masked individuals then hooked up a tablet to the car’s computer system to hack into the car.

“They reprogram it, hit the start button and drove away,” Sutter said.

How do protect your vehicle from being reprogrammed

Some traditional methods to protecting your vehicle — like parking it in a garage — are still reliable, Sutter said.

Another approach is putting a lock steering club on the steering wheel of the vehicle.

“Those can be defeated but that can take a lot of time,” Sutter said.”It’s not foolproof but at least it’s a strong deterrent.”

Accessing key fob signal theft

In the Anaheim Hills incidents, one of the vehicles was stolen by thieves accessing the key fob signal through an antenna.

Many newer vehicles have a remote keyless entry system where a key fob emits a signal that unlocks the car door and in some cases starts the car when it’s within a certain distance of the driver’s side.

The downside of this feature, Sutter said, is a signal is constantly being emitted from the key fob, similar to a debit card.

To exploit that signal, thieves will get close to the house with an antennae in hopes of capturing and amplifying it so they can unlock the vehicle.

This theft method can take less than 60 seconds to execute and is only effective when the car’s key fob is in close proximity to the car, according to the American Automobile Assn.

How to protect your key fob signal

It’s not uncommon for vehicle owners to leave their key fobs near front or back doors, on hooks or in bowls where they can grab them on their way out and leave them when they return home. But these locations also make it easy for thieves to approach and use an antennae to capture the signal from outside the door. Experts suggest keeping key fobs near the center of the home so the signal is harder to pick up.

You can also weaken the signal by purchasing a signal blocking bag or box to leave the key fob in. The bag or box is made out of conductive metal mesh that blocks the electromagnetic signals that emit from the key fob, according to AAA.

If you want to stop the key fob signal altogether, you can turn off the feature, Sutter said. Check your vehicle’s manual and follow the instructions to turn off the “remote keyless feature.”



This story originally appeared on LA Times

Who Was Richard Branson’s Wife? About His Late Spouse Joan Branson – Hollywood Life

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Image Credit: WireImage

Sir Richard Branson is grieving the loss of his late wife, Joan Branson (née Templeman). The billionaire, who co-founded the Virgin Group, announced her death on November 25, 2025, in a public statement, which he shared on his Instagram.

“Heartbroken to share that Joan, my wife and partner for 50 years, has passed away,” Richard wrote. “She was the most wonderful mum and grandmum our kids and grandkids could have ever wished for. She was my best friend, my rock, my guiding light, my world. Love you forever, Joan x.”

Below, learn about Richard’s late wife, their marriage and her life before she died.

Who Is Richard Branson?

Richard is a British billionaire entrepreneur and the co-founder of the Virgin Group empire. He controls multiple companies as of 2025, and he has a net worth of $2.8 billion, according to Forbes.

The businessman famously pursued an entrepreneurial career when he was still a teen. At 16, he launched his Student magazine, followed by his mail-order record business in 1970. He later opened a chain of stores under the name Virgin Records. The brand skyrocketed during the 1980s, which allowed Richard to start the Virgin Atlantic airline and expand the Virgin Records music label.

How Many Times Was Richard Branson Married?

Richard was married twice in his life. His first marriage was to ex-wife Kristen Tomassi from 1972 to 1979. He later met his second wife, Joan, in 1976.

How Did Joan Meet Richard?

Richard has affectionately described his and Joan’s meet-cute over the years. He first spotted her at a bric-a-brac shop in Westbourne Grove of London, not far away from the Virgin Records studio. At the time, Joan was still married to her ex-husband, Ronnie Leahy.

After they started dating, Richard set his ambitious goal of purchasing an island off the British Virgin Islands as a way to impress Joan. After he secured the land, which had an asking price of $6 million at the time, for just $180,000, Richard renamed it Necker Island. The Branson family lived there after Joan and Richard wed in 1989.

In an Instagram post he shared following Joan’s 2025 death, Richard reflected on the 50 years of memories he shared with his late wife.

“Life will never be the same without her. But we have fifty incredible years of memories – years filled with tears and laughter, kindness, and a love that shaped our family more than words could ever capture,” the entrepreneur captioned his post. “It was a relationship that worked. We just had lots of laughs. We were very lucky.”

Did Richard & Joan Branson Have Children?

Yes, Richard and Joan welcomed their children, Holly and Sam, during their relationship.

Richard acknowledged how “devastated” he and their children were over Joan’s passing. “But I am far more grateful for the extraordinary gift of the life we shared – with our remarkable kids, Sam and Holly, and our wonderful grandkids, who adored her (and her sweets!) just as deeply as I did,” Richard wrote in a lengthy November 2025 Instagram post.

How Did Joan Branson Die?

Richard did not specify Joan’s cause of death. She was 80 years old.

Calling her his “everything” and a “shining star around which our family’s universe has always orbited,” Richard vowed in a November 2025 social media post that Joan’s “light is not gone; it’s just taken on a new shape. It will guide us forward. And we will carry her with us, always.”




This story originally appeared on Hollywoodlife

How Brits are travelling alone to avoid endless group chat planning | Travel News | Travel

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Two thirds of British travellers find planning and booking holidays overwhelming, with “decision fatigue” one of the biggest sources of stress – and 56% exhausted by the trip before it even begins. 

 

New research found that much of the tension comes from holiday group chats, with 59% admitting trip planning has caused problems in the past. 

 

Around 25% have given up on a break altogether after a deluge of messages but no decisions.

 

Causes of arguments included scheduling, budgets, finding and booking hotels and researching destinations and activities, according to the research by Moxy Hotels.  

 

The rise of decision fatigue has helped fuel a growing desire to holiday solo, with 53% ditching travelling companions to travel alone.

 

Adventurers listed the freedom to make their own decisions as the top motivation for travelling solo (35%), followed by the peace and relaxation a solo trip offers (33%), ease of planning (21%) and not having to consider the opinions of companions (18%).

 

Sandra Schulze-Potgieter, vice president, premium, select & midscale brands, Europe, Middle East & Africa at Marriott International, said: “At Moxy Hotels, we understand that decision-making can be exhausting – especially when planning with a group.

 

“That’s why we’re championing the joy of solo travel: giving guests the freedom to do what they want, when they want, without compromise. With our playful design, social spaces, and hassle-free experience, Moxy makes me-time feel anything but lonely.”

 

The global hotel brand has developed spaces specifically designed to encourage solo travel, including social public areas, lounges and libraries and its “small but smart” bedrooms. 

 

Britain’s favourite solo travel destinations

 

From buzzy breaks to cultural classics, we’re embracing solo travel and going it alone. These are the top ten cities we love to explore without family or friends in tow. 

  1. Paris (25%)  
  2. London (21%)  
  3. Barcelona (21%) 
  4. Amsterdam (17%)  
  5. Dublin (15%)  
  6. Athens (12%) 
  7. Vienna (11%)  
  8. Copenhagen (10%)  
  9. Berlin (10%)  
  10. Lisbon (10%)  



This story originally appeared on Express.co.uk

Matthew Lillard Reveals How ‘FNAF 2’ Sets Up Even Bigger Showdown

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Matthew Lillard‘s role in the first Five Nights at Freddy’s film was important but reasonably small — from posing as career counselor Steve Raglan to the reveal that he is actually the franchise’s Big Bad, William Afton A.K.A. Springtrap. While fans will continue to get sneak peeks at Afton’s deep, dark past as a child murderer in Five Nights at Freddy’s 2, Lillard, 55, teases the deeper emotional territory and a “William Afton Vs. Mike” showdown will be more likely to happen in the third movie.

“It’s a little like Star Wars … You set up Darth Vader, and you set up Luke Skywalker, and at some point they collide,” he explains in an exclusive interview with MovieWeb. “Same thing with Harry Potter, Lord Voldemort. Eventually, they collide.”

“We’ve been hoping to make three films, and if this movie does well, Hollywood, being Hollywood, will go out and make the third film. That is where we really get to explore William Afton versus Mike, and that engagement will start to take place, but the depth of that relationship will really start to unfold more in the third film for this.”

As for what’s to come for Afton in the sequel, the Scream actor says he did get to do some “fun stuff” this time around, including shooting a “great sequence” that occurs between the villain and his police officer daughter, Vanessa (Elizabeth Lail).

“Most of that is action-based,” he adds. “So, there’s a lot to go yet in terms of telling that story in those relationships.”

How ‘FNAF’ Creator Scott Cawthon Listened to Fans When Making the Sequel

Matthew Lillard as Steve Raglan/William Afton in Five Nights at Freddy’s
Universal Pictures

The film adaptation of Five Nights at Freddy’s was a highly-anticipated installment to the franchise, but hardcore fans had mixed reviews when it came to the execution. While the film clearly expanded on the extensive FNAF lore hinted at in the popular video game series, it didn’t have that tense feeling that fans came to know and love from playing the game itself. There was no frantic, repetitive checking of the security cameras to see if any of the animatronics were nearby, and there were very few — if any — jump scares in the movie that managed to match the energy of the moment when Freddy, Chica, Foxy, or Bonnie’s face suddenly bursts onto the screen with a terrifying screech and kills the player’s character.

When it comes to the sequel, Lillard told MovieWeb that after hearing that fans wanted the film to be scarier and to have more “elements that incorporated gameplay” in it, FNAF creator Scott Cawthon and director Emma Tammi “both listened, tuned in, and have built a movie that is much more akin to what you usually see in a horror movie.”

“More jump scares, more action … you start to move gently into a more roller-coaster ride of exciting set pieces. And so that’s the biggest thing that stood out to me, first reading the new script.”

Five Nights at Freddy’s 2 premieres in theaters on Dec. 5.


five-nights-at-freddys-2-2025-new-movie-poster.jpg


Release Date

December 5, 2025

Director

Emma Tammi

Writers

Scott Cawthon

Prequel(s)

Five Nights at Freddy’s

Franchise(s)

Five Nights at Freddy’s





This story originally appeared on Movieweb

Norman Reedus As The Punisher: A Surprising Marvel Performance

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I just found out that Norman Reedus voiced The Punisher for Marvel in Iron Man: Rise of Technovore, and now I want to see him as the character in live action. Despite being one of the most straightforward “heroes” in the Marvel universe, all three of the Punisher movies failed to launch a franchise.

I have a soft spot for Dolph Lundgren’s bullet-riddled 1989 adaptation, but it had little respect for the source material. Tom Jane’s Punisher was the biggest hit but failed to earn a sequel, while Punisher: War Zone saw the late, great Ray Stevenson front a gory and darkly comic take on Marvel’s antihero.

Jon Bernthal debuted as Castle in Daredevil season 2, and has played the role in various projects for nearly ten years; Bernthal’s Punisher will also appear in Spider-Man: Brand New Day. I only recently learned that Bernthal’s Walking Dead co-star Norman Reedus voiced The Punisher in Iron Man: Rise of Technovore, an anime spinoff from 2013.

Norman Reedus Voiced The Punisher For 2013’s Iron Man: Rise of Technovore

The Punisher firing a gun in Iron Man: Rise of Technovore.

I wouldn’t say I was a Punisher scholar, but I’ve read a lot of the comics (including Garth Ennis’ classic MAX run), played the PS2 game, and seen the films. I was a Reedus fan even before his Daryl Dixons days, so I was almost impressed his appearance as the Punisher flew totally beneath my radar.

In truth, the Punisher doesn’t get much to do in Rise of Technovore. As the title suggests, this anime Iron Man adaptation outing follows Tony Stark as he chases down Ezekiel Stane, the son of Tony’s old mentor turned foe, Obadiah. Around the midway point, Tony seeks out an arms dealer in Karachi.

Former Punisher star Tom Jane and Norman Reedus both appeared in 2013’s Pawn Shop Chronicles.

The Punisher rudely interrupts this deal by gunning everybody down, though Iron Man steps in to save the dealer he was chasing. Long story short, Castle and Stark briefly team up to help one another, leading to a cool car chase where Hawkeye and Black Widow run them down.

In all, Reedus’ Punisher is only part of the anime for ten minutes. He probably could have been written out entirely, but he gives it a much-needed injection of cool. Despite the various action roles he’s undertaken, I’d never pictured Reedus as Castle before, but I thought he did a great job with it.

Norman Reedus’ Punisher Is The Highlight Of The Mediocre Iron Man: Rise of Technovore

The poster for 2013 anime Iron Man: Rise of Technovore
The poster for 2013 anime Iron Man: Rise of Technovore.

I’d suggest one reason Iron Man: Rise of Technovore slipped past me is that it’s just not that good. There are some interesting concepts and a couple of solid action beats, but it needlessly overloads on Marvel characters and is quite forgettable. The Punisher’s appearance almost hurts the story, too.

Reedus brings both a dry sense of humor and low-key menace to Castle and it’s fun to see the non-superpowered former soldier hold his own against the likes of Black Widow. When he exits the story shortly after, Rise of Technovore misses his energy. It makes sense that he’d head off early since he’s the ultimate lone wolf, but still.

This version of Castle would return in 2014’s Avengers Confidential: Black Widow & Punisher, but the English dub would be voiced by Brian Bloom (Kane & Lynch) instead. Iron Man: Rise of Technovore was Reedus’ one-and-done appearance as The Punisher, which is a real shame.

I’d Love To See A Norman Reedus Punisher Movie, But It’ll Never Happen

Norman Reedus as Daryl Dixon holding and aiming a gun in The Walking Dead: Daryl Dixon season 3
Norman Reedus as Daryl Dixon holding and aiming a gun in The Walking Dead: Daryl Dixon season 3

Of course, Reedus is no stranger to playing vigilantes clad in black, thanks to The Boondock Saints duology. His time with The Walking Dead universe has largely kept Reedus away from movies though, with most of his appearances being supporting parts in the likes of Triple 9 or From the World of John Wick: Ballerina.

His voice work in Iron Man: Rise of Technovore would get me interested in an older Punisher movie fronted by Reedus, and he’s certainly got the action chops to pull it off. Again, he’s not the obvious choice for the part, but to me, that’s exactly what makes him interesting.

That said, the odds of Reedus playing Frank Castle/The Punisher in live action are bleak. Bernthal is absolutely killing it as the character, even though he was grossly underused in Daredevil: Born Again. He loves playing the part too, so he won’t be exiting as Castle anytime soon.

I also can’t see Marvel wanting to commit to a new, R-rated Punisher film fronted by a new actor. The character has had three shots at movie stardom, but never fully got there. Reedus isn’t exactly hurting for work either, and is still attached to the long, long, LONG delayed The Boondock Saints III.

There were loose plans for Reedus’ Ballerina character Daniel Pine to have a bigger role in a potential sequel, which, given the spinoff’s underperformance, probably won’t happen. Still, the star is good pals with Keanu Reeves, so there’s a faint chance Reedus could get an invitation to the upcoming John Wick 5.

Unless somebody is counting his role as Scud in Blade II as canon, Reedus has yet to score a role in the MCU. An appearance as The Punisher would be nice, but again, unlikely. Reedus would be even more perfect for Ghost Rider, a character who is rumored to debut in Avengers: Doomsday.

  • Iron Man in Marvel Comic Book Cover Art

    NAME

    Anthony Edward “Tony” Stark

    Alias

    Iron Man

    FIRST APP

    “Tales of Suspense” #39 (1963)

    Created By

    Steve Ditko, Jack Kirby, Stan Lee, Don Heck, Larry Lieber

    POWERS

    Genius intellect, armor providing flight, hacking, superhuman strength, reflexes, and durability.

    TEAM

    The Avengers

    Anthony “Tony” Edward Stark, AKA Iron Man, is a Marvel Comics superhero who has enjoyed several years of the spotlight and has become a mainstay in several Marvel media franchises. After suffering a critical injury, Tony creates a specialized armored suit powered by an arc reactor, which keeps him alive. Egotistical but good-hearted, Tony utilizes his super intellect and inventions to fight to protect humanity from various threats, eventually becoming a founding member of the Avengers. In 2008, the Marvel Cinematic Universe was kicked off with the film Iron Man, which starred Robert Downey Jr. as the superhero.




This story originally appeared on Screenrant

HBO revisits the Chicago Bears’ ‘Super Bowl Shuffle’ 40 years later

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The Chicago Bears didn’t want to seem cocky.

They didn’t want to jinx themselves.

They certainly didn’t want to provide opponents with bulletin board fodder during their attempt to bring a Super Bowl championship to their home city after the 1985 season.

As a large group of players from that team — billed as the Chicago Bears Shufflin’ Crew — said in the lyrics to one of the most unlikely hit songs and music videos of the 1980s: “We’re not here to start no trouble. We’re just here to do ‘The Super Bowl Shuffle.’”

All of those thoughts weighed on the minds of the 30 or so players who recorded “The Super Bowl Shuffle” four decades ago this month, several weeks before the NFL regular season even ended.

“If we don’t go to the Super Bowl, we’re gonna be the biggest idiots ever,” former Bears linebacker and Pro Football Hall of Famer Mike Singletary says in “The Shuffle,” an NFL Films production presented by HBO Documentary Films. “We gotta win this thing, man.’”

Singletary is one of several of people who share their thoughts and memories about their participation in what has become a beloved relic during the 40-minute documentary that premieres Tuesday at 9 p.m. PST on HBO and streaming on HBO Max. Director Jeff Cameron told The Times that it’s no coincidence that “The Shuffle” is dropping during the 40th anniversary season of the Bears’ only Super Bowl title.

“Outside of some print media or some articles, no one had really chronicled the entire genesis, development and production of ‘The Super Bowl Shuffle,’ which is so intertwined with that team,“ Cameron said.

The song was the brainchild of Chicago businessman Dick Meyer, who had formed Red Label Records the previous year. With the Bears off to a strong start to the 1985 season, Meyer thought a hip-hop record featuring many of the already beloved personalities from that team might have some success in Chicago.

Many players agreed to participate after learning that part of the proceeds were going toward the Chicago Community Trust. “We’re not doin’ this because we’re greedy,” running back Walter Payton rapped during his verse, “the Bears are doin’ it to feed the needy.”

Other featured Bears players included Singletary, Gary Fencik, Willie Gault, Otis Wilson, Steve Fuller, Mike Richardson, Richard Dent, William “Refrigerator” Perry and Jim McMahon.

The vocal tracks were recorded on Nov. 21, 1985. The Bears were 11-0 at the time, coming off a 44-0 rout of the Dallas Cowboys. They continued to roll the following weekend with a 36-0 victory against the Atlanta Falcons.

But their run of perfection came to an end Dec. 2, 1985, with an ugly 38-24 loss to the Dolphins in Miami on “Monday Night Football.” It just so happened that the music video shoot for “The Super Bowl Shuffle” was scheduled for the next morning in Chicago.

Suddenly, Gault said in the documentary, “Guys don’t want to do the video.”

Two of the team’s biggest stars, Payton and McMahon, didn’t show up. They were added into the video after shooting their parts one day after practice.

“It was pretty audacious of us to talk about going to the Super Bowl, winning it, you know?” McMahon said in the documentary. “We still got games to play, and we just lost.”

Mike Singletary (left) and Gary Fencik wear their Bears uniforms and talk on the set of a video shoot

Chicago Bears players Mike Singletary (left) and Gary Fencik take part in the filming of ‘The Super Bowl Shuffle’ music video Dec. 3, 1985, at the Park West in Chicago.

(Paul Natkin / HBO / Getty Images)

But the video shoot may have had unexpected benefits for the players who participated.

“If not for ‘The Shuffle,’ they probably don’t even get together” that day, Cameron told The Times. “They probably don’t see each other until Wednesday because they have Tuesdays off after Monday night, and they’re right back in the film room or the practice field. They don’t properly get to just forget about the loss for a second, get together as a group of guys who like playing with each other and just who love each other.”

In behind-the-scenes footage provided to Cameron’s team by Meyer’s widow, Julia Meyer, the players are seen laughing and joking around as they attempt to learn a few dance moves and lip-sync their parts, all with varying degrees of success.

“We bonded in a way that we could never have bonded in any other way,” Singletary said in the documentary. “That was the fun part of working together in a totally different realm. There were guys that were backups teaching guys that were starters. We mixed in a way that we had never had a chance to do before. And it became a rallying point that brought us together, got us refocused. ‘This is what we said we were gonna do, let’s go get it done.’”

The Bears didn’t lose another game on their way to defeating the New England Patriots 46-10 in Super Bowl XX. And “The Super Bowl Shuffle” was a success in its own right, with popularity that extended well beyond Chicago.

The single spent nine weeks on the Billboard Hot 100, peaking at No. 41, and was certified gold by the Recording Industry Assn. of America (500,000 units moved). The music video, released commercially on VHS and Betamax, was certified platinum (one million units moved).

The song was even nominated for a Grammy in the category of “Best R&B Performance by a Duo or a Group with Vocals,” eventually losing to Prince and the Revolution for the song “Kiss.”

“I think it was the perfect marriage of that cast of characters from the top down … and the fact that, outside of the Miami game, of course, they just kept winning,” Cameron said. “And it wasn’t close. I think that certainly helps propel this video, along with the rise of MTV. It was a perfect storm of a pop cultural phenomenon.”



This story originally appeared on LA Times

Will Stray Kids Pass Taylor Swift for No. 1 Album With ‘Do It’?

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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 dated Dec. 6, a couple true chart heavyweights duke it out for the top spot.  

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Stray Kids, DO IT (JYP/Republic): A new five-track mixtape wouldn’t be a particularly big threat from most artists to take down the record-setting new album by the biggest pop star in the world. But when it comes to the Billboard 200, Stray Kids isn’t most artists. Between albums, EPs and mixtapes, the South Korean pop octet has launched seven sets onto the Billboard 200 since 2022 — and all seven of them have debuted at No. 1. The Kids haven’t missed the top spot yet.  

Now, they look to go eight-for-eight with DO IT, the five-track set officially being called the group’s new mixtape, released last Friday (Nov. 21). The release, which offers both a regular version and a “Festival Version” of its title track as its bookending cuts, got off to a strong streaming start, with each of its four new tracks debuting on Spotify’s Daily Top Songs USA chart. (“Do It” remains on the listing four days later.)  

But as is usually the case with Stray Kids, physical sales will likely provide the biggest chunk of the album’s overall first-week consumption. To that end, the group has made DO IT available in a wide array of formats — including seven CD variants, all featuring collectibles (some randomized). There’s also four total webstore-exclusive download versions of the mixtape, each of which adds its own “chat” bonus audio tracks with the bandmembers.  

Will it all be enough for the Kids to unseat Republic labelmate Taylor Swift’s The Life of a Showgirl, which has reigned for the first seven weeks of its release? Well, in its seventh and most recent week at No. 1, Showgirl amassed 93,000 total equivalent album units. The group’s last Billboard 200-topper, this September’s full studio album KARMA, bowed with 313,000 units. The shorter DO IT might not post numbers quite so robust, but if it’s anywhere in range of that number — well over triple what Showgirl posted in last week — it’s going to be pretty challenging for Swift to make up the difference.  

Wicked Movie Cast, Cynthia Erivo & Ariana Grande, Wicked: For Good — The Soundtrack (Republic/Verve): Even without a new Stray Kids project, it would still be far from smooth sailing for Swift’s blockbuster on the Billboard 200 this week. Showgirl also has to compete with perhaps the year’s most-anticipated movie soundtrack (and yet another fellow Republic release), with the accompanying OST to blockbuster film musical sequel Wicked: For Good also debuting on Friday — featuring musical contributions from co-stars Cynthia Erivo and Ariana Grande, as well as cast members Jonathan Bailey, Michelle Yeoh, Jeff Goldblum and more.  

The set has also gotten off to a solid start on DSPs, with a number of songs debuting on the Spotify Daily Top Songs USA chart — most of which have stuck around throughout the week, most notably Erivo and Grande dueting on the “For Good” title track. The album should also sell well to the musical’s (and stars’) many obsessive fans, particularly with seven vinyl and four CD variants available for purchase, one of the latter also coming signed by Erivo and Grande.  

Does For Good also have a strong chance at a six-digit debut? If the performance of the original Wicked: The Soundtrack is any indication, then yes: That set bowed with 139,000 units in December 2024, with 85,000 of that number coming in sales. This set may come up a little short of that, with the musical’s first half containing some of its more traditionally beloved songs, like “Defying Gravity” and “Popular.”  

But this new set does have the benefit of a pair of new compositions: the Erivo solo “No Place Like Home” and Grande solo “The Girl in the Bubble.” And it also now has a historic box office bow for the movie it accompanies — not to mention Thanksgiving weekend (and Black Friday) coming up — meaning that if it doesn’t get to 100k this week, it very well still might in week two.  


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This story originally appeared on Billboard