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How Scientific American sacrificed science for progressive politics

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Scientific American, the oldest continually published magazine in the US, once prided itself on explaining science to the public through scholarly reporting, knowledgeable research and carefully crafted articles.

Since its founding in 1845, it has published articles by more than 200 Nobel laureates. Yet for some time now, it has been wandering from science to politics.

A recent op-ed, titled “How feminism can guide climate change by action,” demonstrates how completely off the rails this once prestigious magazine has gone.

To say the article is simply “bad science” would not be accurate. There is no science in it at all. Here is a small sample:

Feminism gives us the analysis, tools and movement to create a better climate future . . . Climate policymaking needs to take into account the expertise that women, including indigenous and rural women, bring to bear on issues like preserving ecosystems and environmentally sustainable agriculture . . . We must redistribute resources away from male-dominated, environmentally harmful economic activities towards those prioritizing women’s employment, regeneration and care for both people and ecosystems.

Fans of Scientific American might have hoped that this kind of activist journalism would leave the magazine along with former editor Laura Helmuth, who finished her nearly five-year tenure in November.

Instead, it appears that little has changed.

Derangement

Other articles published since her departure include a defense of puberty blockers (which makes the striking claim that “the underlying principles of trans [healthcare] could make everyone healthier”) and a first-person perspective of a Just Stop Oil campaigner’s arrest.

Under Helmuth, the magazine broke with its 175-year-old tradition of impartiality when it endorsed the candidacy of Joe Biden in 2020, followed by Kamala Harris in 2024.

Fittingly, Helmuth’s resignation followed one of the most severe cases of Trump Derangement Syndrome witnessed during November’s election, which she shared with the world on Bluesky.

“I apologize to younger voters that my Gen X is so full of f–k­ing fascists,” Helmuth wrote after Trump’s re-election. She then added, for good measure:

Every four years I remember why I left Indiana (where I grew up) and remember why I respect the people who stayed and are trying to make it less racist and sexist. The moral arc of the universe is not going to bend itself . . . Solidarity to everybody whose meanest, dumbest, most bigoted classmates are celebrating early results because f–k them to the moon and back.

Helmuth’s intemperate remarks raise several questions.

First, what was she thinking? Presumably, to avoid charges of bias, you’d think the editor of a major scientific magazine would at least try to maintain a modicum of discretion in their public comments.

Did she not realize that her comments might put some people off Scientific American who didn’t happen to share her politics?

One also wonders what the board of Springer Nature, which owns Scientific American, saw in Helmuth that led her to become just the ninth editor in the magazine’s long and storied history. It can’t have been for an impartial, objective approach.

A special issue of Scientific American from September 2017 about sex and gender.

In truth, Helmuth’s social-media rants and political endorsements are merely a symptom of the broader demise of Scientific American.

It is hard to imagine now, but this is the same magazine that published Albert Einstein’s generalized theory of gravitation and Nikola Tesla on the possibility of electro-static generators.

A more recent sample of the Scientific American’s work under Helmuth would find headlines such as “Modern mathematics confronts its white, patriarchal past,” “Denial of evolution is a form of white supremacy” and a landmark takedown of “Star Wars” titled “Why the term JEDI is problematic for describing programs that promote justice, equity, diversity and inclusion.”

Not content with publishing woke, unscientific nonsense, Scientific American has at times been little more than a mouthpiece for progressive and government orthodoxies.

During the pandemic, it published multiple articles supposedly “debunking” the lab-leak theory — now all but accepted by the majority of Western governments.

It even trashed the Cass Review, which highlighted the lack of scientific evidence for the treatments given out to young people by Britain’s gender-identity services.

Not alone

Perhaps the lowest point for Scientific American was in 2021, following the death of legendary evolutionary biologist EO Wilson.

Rather than celebrate Wilson, Scientific American excoriated him over his “dangerous ideas” and “problematic beliefs.”

Helmuth presumably had no idea that Wilson, a two-time Pulitzer Prize winner and recipient of the Crafoord Prize from the Royal Swedish Academy of Sciences (the equivalent of a Nobel Prize for fields not covered by the Nobel Awards), had published his “dangerous ideas” and “problematic beliefs” in the Scientific American over several decades.

Scientific American is far from alone in abandoning science for wokery, of course. Formerly reputable publications, such as Nature, the New England Journal of Medicine, the Lancet and the British Medical Journal, just to name a few, now routinely feature articles replete with “progressive” agitprop.

It’s safe to say that the golden age of scientific journals is over. The fall of Scientific American proves that the old truism — that when you introduce science into politics, you are left only with politics — works just as well in the reverse.

Science will struggle to recover from these attempts to politicize it.

Cory Franklin’s new book, “The Covid Diaries 2020-2024: Anatomy of a Contagion As It Happened,” is now available. Reprinted from spiked.



This story originally appeared on NYPost

This FTSE AIM travel business could absolutely skyrocket in 2025

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Image source: Getty Images

FTSE stocks have undoubtedly been overlooked in recent years. And it makes perfect sense. Most of the exciting innovations and share price appreciation has been happening stateside, sucking capital away from other markets.

That does mean that there are some absolute gems to be found, if we look carefully. One such gem appears to be Jet2 plc (LSE:JET2), and it’s a stock I think investors should consider very closely.

I can’t remember a more attractive valuation

Jet2’s net cash position stands out as a real strength. It’s projected to balloon from £1.7bn in 2024 to £2.8bn by 2027 — an impressive feat in the capital-intensive airline industry. This liquidity cushion not only insulates Jet2 from macroeconomic shocks but also funds strategic expansions, including a 9% seat capacity increase for summer 2025.

Valuation multiples suggest significant potential for the share price to balloon, especially when we look at the EV-to-EBITDA ratio, which takes net cash into account. Jet2’s forward EV-to-EBITDA ratio of 2.01 times for 2024 is expected to plummet to 0.53 times by 2027 — far below typical industry peers like IAG, which trades at around 4.7 times. This disconnect implies the market underestimates Jet2’s earnings power and is failing to take note of its huge cash position.

Even on a price-to-earnings (P/E) basis — which doesn’t take into account net cash or debt — the stock is very competitive. It’s currently trading at 8.1 times forward earnings, while earnings per share (EPS) are expected to grow by 9.6% annually. This leads us to a price-to-earnings-to-growth (PEG) ratio of 0.77 — a classic sign of undervaluation even when we omit the fact that half the market cap is covered by cash.

Analysts reinforce this view, with a consensus price target of £20.85 representing 37% potential appreciation from current levels. Tellingly, there are no Sell ratings among the 13 analysts covering the stock.

Reasons not to buy

I’ve been searching high and low for reasons not to buy this stock. And while I see risks, I don’t see compelling reasons to avoid it. For example, the airline sector remains hypersensitive to fuel prices (30%-40% of operating costs) and demand shocks. Recent events like UK air traffic control failures and Greek wildfires highlight operational vulnerabilities.

Moreover, its gross profit margin of 17.7% is some distance below industry-leader IAG’s 27%. I’ve also noticed that Jet2’s average fleet age of 13.9 years is a little older than average — in the Western world at least. This suggests that it may need to spend more cash on fleet updates than its peers. It does have around £5bn of aircraft on order, but these will be delivered over the next six years or so, and shouldn’t materially damage the financial position.

The next IAG?

This time last year, I highlighted IAG as the best stock in the aviation sector. It has since doubled in value. Now, I’m looking carefully at Jet2, a stock I haven’t covered before. I can’t help but think this is now the most undervalued stock in the industry. Unless I spot any glaring mistakes to my thesis, I’ll add this one to my portfolio.



This story originally appeared on Motley Fool

Why I want glasses that are always listening – Computerworld

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Google makes the call

Google Duplex, announced in 2018 at the Google I/O developers conference, is an AI feature of Google Assistant that can make phone calls to book reservations, schedule appointments, or check business hours. 

Recently, Search Labs extended Duplex in a feature called “Ask for me.” It’s an experimental tool that finds out information for you by calling businesses on the phone, conversing with people at those businesses, and then reporting back on what they said. (The current iteration is for users who opted into Google Search Labs. It calls only auto repair shops and nail salons in the United States, but other business types and nations will be added in the future, according to Google.)

The feature appears in search results as an “Ask for Me” card. Users can enter specifics (car type, fingernail matters, etc.); Google AI places a call and uses natural language speech technology to ask questions that will get the users’ answers, and the results are delivered via SMS or email.



This story originally appeared on Computerworld

The Gathering lands deal for film and TV adaptions with Legendary Entertainment

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Hasbro Entertainment and Legendary Entertainment have joined forces to bring Magic: The Gathering to the big and small screens. The pair have signed a licensing deal to create “a live-action feature film and television universe” inspired by the card game. First up will be a movie, with other media to follow, but that’s all that’s been revealed so far.

Longtime MTG fans might feel skeptical about this announcement, because this isn’t the first time the intellectual property has been promised some kind of film or television adaptation. The card game’s Fandom lists many of the proposed movie projects over the years. First up was a plan for multiple movies with Universal all the way back in 2008, which never yielded anything. Then Hasbro made an at a movie with Twentieth Century Fox in 2014, but that was also never heard from again. Netflix has also been attached to two different rumored Magic projects, but it seems like the streamer’s animated TV series might really come to pass, with a post on Tudum from September 2024 that it’s really happening and in production.

Legendary Entertainment has had several projects drawing on geek culture, usually bringing a big budget and a dark edge to their work. Most recently the studio worked on Dune and Dune: Part Two, and it also was involved in Christopher Nolan’s take on Batman in The Dark Knight movies as well as the Warcraft movie. MTG has a lot of lore to draw on, so there’s plenty of fodder for a cinematic universe. Here’s hoping the producers and talent have the understanding to turn all that potential into a good movie.



This story originally appeared on Engadget

Every Relationship She’s Been In – Hollywood Life

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Image Credit: WWD via Getty Images

Southern Charm‘s Madison LeCroy is pregnant again!

The reality star is expecting her second baby, her first with husband Brett Randle, according to PEOPLE.

“And just like that … our world is changing in the most magical way! ✨,” the 34-year-old wrote on Instagram on Thursday, February 6, sharing a photo of a positive pregnancy test.

Before finding Brett, the reality star had a few high-profile situationships with stars like Alex Rodriguez and Jay Cutler. Here’s a full breakdown of Madison’s relationship history:

Josh Hughes 

Madison first got married in 2010, tying the knot with Josh Hughes (pictured in the second slide of the above Instagram post) at the age of 20. Two years later, in November 2012, they welcomed their son, Hudson. Madison and Josh eventually called it quits in 2015, as reported by Us Weekly. The single mom has maintained a fiercely independent attitude ever since — having noted on more than one occasion that she doesn’t need a man.

Austen Kroll 

Madison struck up a romance with her Southern Charm co-star Austen Kroll in season 6 — when she made her debut on the Bravo series. They dated on and off from 2018-2020, before they split for good in December, having confirmed the breakup to Us Weekly. “We are not together right now. I am 1,000 percent single, and so is he,” she at the time, adding, “So, ladies, if you want him, you can have him.”

Madison later admitted that quarantine, due to the COVID-19 pandemic, played a part in their breakup. “I definitely think that quarantine was either gonna make it or break [our] relationship, and unfortunately, we did not come out stronger,” she explained. “We weren’t even in quarantine together. We did for a short period of time, and then I think we both realized that maybe there was just too many things that had happened in the past for us to actually play house for 14 days or whatever it was.”

For his part, Austen labeled the relationship as “toxic.” During the Southern Charm reunion in early 2021, Austen further discussed his relationship with Madison and said, “My heart just broke over and over again. I saw what all my friends have been telling me for years: She does not f–king care about me and she never f–king has.”

John Pringle 

John Pringle & Madison LeCroy. (Photo credit: BRAVO)

John Pringle joined Southern Charm in season 7, and became smitten with  Madison — who as still involved with Austen at the time, but nearing the end of the road with him, romantically. Madison and John’s fling played out on the show in the fall of 2020. In December, Madison told Us Weekly that she planned “on keeping him in the friend zone.”

For his part, Pringle later told Entertainment Tonight that he felt he was a “bit of a pawn” in Madison’s attempt to make Austen jealous. “She knows what she’s doing. You know, what strings she’s pulling to get a reaction out of him, and it usually works,” he explained.

Jay Cutler 

Madison LeCroy & Jay Cutler. (Photo credit: BRAVO/Shutterstock)

This one turned petty, fast. In late 2020, rumors surfaced that Madison and Jay Cutler were casually dating — nine months after his split from Kristin Cavallari, following seven years of marriage and three kids together. In that time, Kristin made also headlines for hanging out with Austen and his Southern Charm co-star Craig in October 2020, in Charleston.

The next month, in November 2020, Madison raised eyebrows when she left a comment on Jay’s photo with Shannon Ford, writing, “See y’all soon.” Shannon is one of Kristin’s former employees, who she had a nasty falling out with on her Very Cavallari reality show.

Things escalated when Madison went on Instagram Live and mocked Kristin’s Live that she previously filmed with Austen. After that, Jay and Kristin seemed to put on a united front when they shared a photo together on social media with the caption:“The world is full of users. 10 years. Can’t break that.”

The drama didn’t end there. Madison fired back by pulling out receipts, in the form of screen grabs, she had saved from previous conversations with Jay. In the alleged messages, Madison claimed that Jay was the one who pursued her and even defended herself over her posts about Kristin. In December 2020, Kristin clarified that she’s just friends with Austen.

Alex Rodriguez 

Alex Rodriguez. (Photo credit: Shutterstock)

Madison’s most recent involvement with a big-name star came soon after her saga with Jay. In early 2021, it was reported that Alex had formulated an online relationship with Madison, following rumors of a connection between the pair.  In February, the Bravo star told Page Six that while she was communicating with Alex via FaceTime, the two had never met in person.

“He’s never physically cheated on his fiancée with me,” Madison said last month, adding, “I don’t want anything bad for his family, or for mine. We are definitely innocent in this.” At the time, a spokesperson for A-Rod said the businessman had never met Madison. Meanwhile, Alex’s fiancee, Jennifer Lopez has remained silent about the situation.

The scandal first came to a head in January, during part one of the Southern Charm season 7 reunion when Craig accused Madison of getting on a plane and flying “to Miami to f–k an ex-MLB player.” For context, Alex has a home in Miami where he spends much of his time, and it’s no secret that he’s one of the most decorated players in New York Yankees history.

Madison went Instagram official with Brett in June 2021, sharing a cozy photo of them snuggled up together on a boat. The two reportedly met when Madison was on a girls’ trip to Arizona. In October 2021, she confirmed their engagement to Us Weekly, and the couple tied the knot in November 2022.

In December 2024, Madison revealed on the December 12 episode of Southern Charm that Brett had been diagnosed with thyroid cancer in the fall of 2023. This came shortly after, in November, when the couple shared they had begun trying for a baby.

She said that after removing a “three-centimeter nodule” he was cancer-free but had experienced “complications” amid his recovery.

“Some days I just want to scream,” she admitted, explaining that “anything” could trigger her. “Whether that be someone asking, ‘When are you having a child?’” the reality star shared, adding, “We were just kinda starting to plan, but that’s on pause for now.”

Now, in February 2025, the couple is expecting their first child together!




This story originally appeared on Hollywoodlife

Airline becomes first to ban top travel gadget from luggage after huge plane fire | Travel News | Travel

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An airline has become the first to ban portable chargers after a huge plane fire.

Korean airline Air Busan has announced that the gadget would be banned from hand luggage. Many airlines ban them from checked bags but not carry-ons.

The new rule was introduced after a fire on January 28 ripped through a plane with 176 people on board, who all had to be evacuated.

The “preemptive measure” means passengers will have to keep portable chargers on their person or in under-seat bags, rather than in overhead compartments.

The fire on January 28, believed to have been started by a portable charger, was noticed by a flight attendant and ended up destroying the plane beyond repair.

Lo Kok-keung, a retired engineering professor at Hong Kong Polytechnic University, told the South China Morning Post about the dangers of power banks on planes.

He said: “If it creates a short circuit it can create a high temperature and burn the internal materials and create a fire which can burn clothing in the baggage.”

Some airline rules ban power banks in checked luggage. Ryanair says that customers can carry a maximum of two spare lithium-ion batteries in carry-on baggage which must be individually protected to prevent short circuits.

Passengers are also warned not to try and retrieve their phones if they lose them down the side of the seat mid-flight, due to the risk of fire. This happened on a 2017 United Airlines flight and a 2018 Delta Airlines flight.

Former pilot Patrick Smith said: “If you’re in an electrically controlled lie-flat seat, of the type common in first or business class, there are a number of nooks and crannies into which your phone can slip — beyond your reach and down into the mechanisms that control the seat’s various positions.

Other things banned from flights include breast milk, chair-extending hammocks or boxes, medical equipment and medicine, toy weapons, and souvenirs such as snow globes.



This story originally appeared on Express.co.uk

A Crime Comedy About Haiti’s Tragedies

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Art sadly imitates life as the long-awaited Haitian action-comedy Kidnapping Inc. finally hits the big screen four years after tragic events during filming. Director/co-writer Bruno Mourral satirizes the unceasing violence, poverty, and corruption that plagues the country. An opening card explains how Haiti came to its current predicament with a primer on pervasive social, economic, and racial inequities. Kidnapping hostages for ransom is a widespread problem. The film gets big laughs by mocking a terrifying and serious issue while illustrating the difficulties ordinary citizens face to survive.

Bumbling Gangsters



Kidnapping Inc.

3
/5

Release Date

February 7, 2024

Runtime

107 Minutes


Cast

  • Cast Placeholder Image
  • Cast Placeholder Image



Pros & Cons

  • Some laugh-out-loud slapstick antics throughout, bolstered by strong performances.
  • An effective satire of the corruption and politics in Haiti, shining a light on grim realities.
  • The narrative is overstuffed, with one particular subplot not working.

Mourral previously introduced the bumbling and hapless gangsters, Doc (Jasmuel Andri) and Zoe (Rolapthon Mercure), in the 2017 film Kafou. The story picks up that same year with the goofy duo in a field outside of Port-au-Prince, Haiti’s capital. The car trunk won’t close despite their best efforts. They’ve got a restrained and hooded man squirming in the boot. Zoe updates Doc about his problematic love life and a bizarre recurring nightmare. He then punches the annoying victim to silence him during his story, but gets far worse than his desired response.

They stare in disbelief at the dead corpse when the phone rings. The “Chief” wants to know when they’ll be dropping off the hostage. He’s demanded $300,000 for the return of a very important man. It turns out the body belongs to the son of Benjamin Perralt (Ashley Laraque), a powerful senator and currently the leading candidate for Haiti’s presidency during the tumultuous elections.

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Meanwhile, Audrey (Anabel Lopez), Perralt’s daughter-in-law, and her secret lover, the duplicitous Eddy (Marcus Boereau), race to the bank for the money. Doc and Zoe return to town in utter disbelief over their predicament. How are they going to get out of this mess? Fate intervenes when the pregnant Laura (Gessica Geneus) and her timid husband Patrick (Patrick Joseph) are getting in their car. Doc and Zoe just happen to be driving by and realize that Patrick looks exactly like Perralt’s deceased son.

‘Kidnapping Inc.’ Is a Comedy About a Tragedy

Kidnapping Inc. will have you laughing out loud with its slapstick antics. Andri and Mercure have great chemistry as they dig a bigger hole with each moronic development. Mourral wants to show that they’re not ruthless killers but products of a system that spawns desperate acts. Their various chases through the labyrinthine slums of Port-au-Prince give the audience an unvarnished look at crippling third world destitution. The vast majority of Haitians live in dire need of adequate shelter, clean water, and food. Imagine suffering through these hardships while facing unceasing terror from gangs and law enforcement.

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The 10 Best Crime Comedy Movies of All Time

Whether it stems from the plot’s direction, characters’ actions, or another aspect, a good laugh can be a welcome addition to serious circumstances.

Mourral excoriates Haiti’s crooked government for being equally complicit in the morass of failures. The “Chief” turns out to be Captain Fritz Bama (Manfred Marcelin), the head policeman who’s just as bad as the criminals running the streets. He gleefully tortures those who refuse his protection racket while masquerading as a crusader for justice. There’s a pathetic irony to Perralt asking Fritz for help. Where do decent people go when those in charge can’t be trusted and also exploit the vulnerable?

Kidnapping Inc. also dives deep into Haiti’s ugly racial dynamics. The wealthy elites are often light-skinned and biracial. Black Haitians overwhelmingly populate the lower class. They’re treated like garbage, are indignant and frustrated, but again have no viable recourse outside of violence against those in power. Perralt, Audrey, and others of their ilk harbor money and power. It’s no surprise that they’re targeted for ransom. Kidnapping is a flourishing industry.

Related: The Scariest Movies About Being Kidnapped, Ranked

It’s difficult to watch Kidnapping Inc. without addressing Haiti’s awful current state of affairs. Warring gangs have decimated law enforcement and taken control of the country. Murder, rape, and looting run rampant as chaos exacerbates an already awful situation. Mourral uses the election narrative to express the universal outrage of a people begging for change. Several of the film’s crew members were kidnapped and others murdered. He praises them in the credits, but everything has only gotten worse.

Finding Humor in an Overstuffed & Grim Narrative

We shouldn’t feel guilty for laughing at the dark comedy aspects of the film. Humor is the best medicine when it’s handled correctly. Kidnapping Inc. will have you glued to the screen as the story develops and incorporates Haiti’s many woes. Mourral does go overboard by piling on themes when the bucket is already full.

Laura and Patrick are leaving for Miami, so their baby can be born in America. They have no faith in local hospitals, which are short on medical supplies and only cater to those who can afford expensive treatment. This subplot runs concurrently with the kidnapping and election narratives. There’s admittedly too much going as the frenzy builds to a wacky and unrealistic climax, but you can’t fault Mourral for trying to address substantial problems. Kidnapping Inc. entertains with a heavy heart.

Save the Children and the Red Cross are established and credible non-profit organizations in Haiti. Donations save lives.

Kidnapping Inc. has Creole dialogue with English subtitles. It is a production of Canal+, TV5MONDE, and Promenade Films, et al. Kidnapping Inc. will be released theatrically on February 7th from Dark Star Pictures.



This story originally appeared on Movieweb

Let The Work Speak For Itself

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Karla Sofía Gascón, star of Emilia Pérez, has announced she will no longer address the ongoing controversy surrounding the film, stating that she wants the work to speak for itself. Emilia Pérez‘s cast, which also features Selena Gomez and Zoe Saldaña, follows a Mexican lawyer who is offered a job to help a notorious cartel boss retire and transition into living as a woman. The Jacques Audiard-directed crime musical premiered at the 2024 Cannes Film Festival, winning the Jury Prize, along with Gascón making history as the first openly transgender actress to win Best Actress at the festival.

Gascón has now taken to Instagram to share her latest statement following critical remarks from Audiard regarding her actions after Netflix reportedly pulled her from the movie’s Oscars campaign. Audiard accused Gascón of self-destructive behavior, claiming she was harming herself and others involved in the film, including Gomez and Saldaña. Gascón has been outspoken about her frustration with the way the awards push was handled, though she now asserts that she is done discussing the matter publicly. Check out her post below:

“Following Jacques interview that I understand, I decided, for the film, for Jacques, for the cast, for the incredible crew who deserves it, for the beautiful adventure we all had together, to let the work talk for itself, hoping my silence will allow the film to be appreciated for what it is, a beautiful ode to love and difference. I sincerely apologize to everyone who has been hurt along the way.

Nam Myoho Renge Kyo”

What This Means For Emilia Pérez & Its Awards Prospects

Gascón And Audiard’s Dispute Adds To Emilia Pérez’s Ongoing String of Controversies

Emilia Pérez has faced setbacks, largely due to Netflix’s reported decision to halt Gascón’s Oscars campaign along with its portrayal of both transgender identity and Mexican culture. While Netflix has not publicly confirmed this move, reports indicate that internal concerns over the film’s promotional strategy played a role. However, despite the controversy, Emilia Pérez received 13 Academy Awards nominations.

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Moreover, Audiard’s comments further complicate the situation, as they publicly distanced him from his lead actress just weeks before the 97th Academy Awards Ceremony. While disagreements between filmmakers and actors are not uncommon, direct and public criticism from a director towards his star is unusual. His statement frames Gascón as the cause of the dispute, suggesting that her actions have affected not just her own prospects but those of the entire cast and crew. However, Gascón’s decision to step away from discussing the controversy may defuse the situation.

Our Take On Gascón’s Decision To Stay Silent

This May Further Affect Emilia Perez’s Awards Season Performance

Emilia Pérez (Karla Sofía Gascón) is having a drink while talking with Jessi about El Manitas in Emilia Pérez

Gascón stepping back from the controversy is a pragmatic move, but it does not erase its impact of the past few weeks. The situation has shifted from a conversation about her performance, and Emilia’s Pérez‘s reception, to a dispute between artist and director. Regardless of the outcome, the focus has shifted from the film’s merits to the ongoing controversy between Audiard and Gascón. Whether Gascón’s separation allows Emilia Pérez to regain focus remains to be seen, but at this point, its chances during the 2024-2025 awards season are in jeopardy.

Source: Karla Sofía Gascón/Instagram



Emilia Perez 2024 Film Poster


Emilia Perez

9/10

Release Date

November 13, 2024

Runtime

130 Minutes

Director

Jacques Audiard







This story originally appeared on Screenrant

Killer Mike sues private security firm over arrest at Grammys

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For Killer Mike, his arrest at the 2024 Grammy Awards has become more than just lyrical inspiration. The incident became lawsuit material this week.

The Grammy-winning rapper, half of hip-hop duo Run the Jewels, sued a private security firm and its employees for alleged false arrest and imprisonment, assault, battery, negligence and other counts stemming from the 2024 incident at Crypto.com Arena. Legal representatives for Killer Mike (real name Michael Render) filed an amended complaint Tuesday in Los Angeles County Superior Court.

During the 66th Grammy Awards on Feb. 4, 2024, Render picked up three Grammys during the ceremony’s preshow, including one for his 2023 release “Michael.” Later that afternoon, a police officer handcuffed and arrested the Atlanta-based musician and activist. Footage of Render’s arrest, shared by the Hollywood Reporter’s Chris Gardner, showed the rapper walking with his hands cuffed behind his back as multiple officers escorted him through the venue.

Render, 49, was booked on misdemeanor battery and released hours after he was detained. The Los Angeles city attorney’s office confirmed to The Times in July that it had decided not to press charges against the rapper.

Exactly a year after the incident, Render alleged in his lawsuit that S&S Labor Force (doing business as JRM Private Security) and numerous unnamed defendants working with the security firm “used their positions of authority to degrade, embarrass, and physically hurt [him] in full public view, subjecting him to emotional distress and public humiliation.”

A spokesperson for S&S Labor Force told The Times on Thursday that Render’s allegations “are not only unfounded but also misrepresent the facts surrounding the incident in question.” The representative underlined the company’s “commitment to ethical practices and the safety of our employees, clients and guests” and said it was investigating the source of Render’s allegations.

The spokesperson also confirmed to The Times that S&S Labor Force did have guards working the 2024 Grammys. The person did not share additional details about the guards’ roles in Grammy security and asserted that “S&S had zero involvement” in last year’s incident.

Representatives for Render and the Grammys did not immediately respond Thursday to The Times’ requests for comment.

Render alleges in his complaint that despite having the required credentials, “he was impeded, accosted and was made to stop his progress” when he and his team tried to move from the ceremony’s media center to the red carpet. Render clarified his identity and explained his need to access the red carpet to security multiple times but guards refused to let him through, according to the lawsuit.

Render alleged that security “physically assaulted and battered him” when he tried to leave the secured area. The “Legend Has It” and “Ego Maniacs” rapper says in the lawsuit that he was then surrounded by multiple security guards and wrongfully detained.

He goes on to allege in the suit that the private security company “made a purported citizen’s arrest under false pretenses” and says he was he later detained by Los Angeles Police Department officers and escorted out of Crypto.com Arena.

At the time of Render’s arrest, a source close to the investigation told The Times that an altercation broke out after a security guard allegedly tried to prevent the performer and his entourage from passing through a particular area in the venue. Render allegedly knocked a security guard to the ground. The guard injured her hand in the fall and requested a citizen’s arrest. Police were then called to the scene.

A day after the incident, the Los Angeles Police Commission contemplated whether the race of the rapper, who is Black, played a role in his arrest.

Despite dodging criminal charges for the incident, Render alleges in his lawsuit that the security team’s “unlawful arrest, assault, battery, restraint, and seizure” caused him “unnecessary public embarrassment, distress, and professional harm.” Render also accuses the defendants of intentional infliction of emotional distress and negligent hiring, retention and supervision.

Render, who channeled the arrest into his 2024 single “Humble Me,” is seeking legal fees and an unspecified amount in damages, to be determined at trial.



This story originally appeared on LA Times

GELO Teams Up With Lil Wayne on ‘Tweaker’ Remix: Stream It Now

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GELO has teamed up with Lil Wayne on the remix of his 2025 runaway hit “Tweaker” on Friday (Feb. 7).

The NBA G-League hooper and middle Ball brother (real name LiAngelo Ball) released the original song at the top of the year after it was previewed on popular streamer N3on’s platform last December and it officially premiered on WorldStarHipHop. The song debuted at No. 29 on the Billboard Hot 100 and remains in the top 50 one month later. He has since signed a record label deal with Def Jam and released the “Tweaker” music video starring his brothers Lonzo and LaMelo Ball.

“I didn’t connect with him until my manager’s and them showed me his song. I hit him up on the Gram like, ‘Your verse is hard as hell. That’s what we was missing on our s–t,” GELO told Billboard in his recent Hip-Hop Rookie of the Month interview. “That’s like hooping with [Michael] Jordan. He back on that Dedication type of sound. That boy was flowing.”

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GELO is set to perform at Rolling Loud California next month. Meanwhile, Weezy announced in a Cetaphil ad Thursday (Feb. 6) that he’ll drop Tha Carter VI on June 6. His 2011 track “She Will,” featuring Drake, reached No. 1 on the TikTok Billboard Top 50 chart this week (dated Feb. 8), earning both rappers their first No. 1 on the tally.

Listen to the “Tweaker” remix below.




This story originally appeared on Billboard