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Palantir’s ‘anti-woke’ playbook and ‘cultus’ winning strategy, after yet another earnings beat

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Palantir reported a third-quarter earnings beat this week, and during his victory lap, CEO Alex Karp provided a window into the values that drive him and his company despite what he frames as outside noise.

The software platform reported $1.18 billion in earnings for the third quarter, which narrowly beat analysts’ forecasts. Despite the earnings announcement and a quarter-four outlook that also beat Wall Street forecasts, Palantir shares fell 7.95% on Tuesday, erasing an initial 7% spike following the report. Analysts shared concerns that the tech giant’s performance and guidance don’t justify its valuation.

But what a valuation, though. Despite Tuesday’s sell-off, Palantir shares are up a whopping 154% year-to-date. Karp attributes the continued growth of his company to a strong allyship with the U.S. government and a business that supports “the American worker that we helped make rich.”

Palantir “was really the first company to be completely anti-woke,” Karp told investors on the earnings call after market close on Monday. The tech giant has cozied up to President Donald Trump’s administration, sending its CTO Shyam Sankar to the White House dinner that hosted Silicon Valley tech leaders in September. In an earnings call last year, Karp said wokeness was a “central risk” to Palantir, the U.S., and the world, and labeled it “a regressive way of thinking that is corrupting and corroding our institutions.”

Karp previously was a major donor to former president Joe Biden and Kamala Harris’ 2024 presidential campaign. He also said last year that when Peter Thiel, one of Karp’s fellow cofounders of Palantir, supported Trump, it made it harder for the company to get things done.

In July of last year, Karp said that he was “not thrilled” with the direction of the Democratic Party, but that he would be “voting against Trump.”

Still, he said wokeness is “actually a form of a thin pagan religion,” on the May 2024 earnings call.

In sharp contrast, on Monday Karp described his efforts to keep his company as “cultus”— a system of religious worship— and “unique” as it was when it started over 20 years ago. One such way is to continue to support “making the American warfighter fight the way the American warfighter is born to fight,” he said, without explaining what he meant by that.

Almost half of Palantir’s success comes from U.S. government revenue, which is up 52% from last year and 14% from the second quarter at $486 million. Demand for its AI-driven platforms and deeper margins through improved operating leverage despite heavy investment in research and hiring have also contributed to its robust sales.

Palantir has been criticized by right-wing influencers such as Candace Owens and Nick Fuentes, as well as democratic lawmakers for its secretive contracts with the government, which have expanded under Trump.

But despite much-publicized ethical concerns over the business being a major U.S. defense contractor and about the tech company’s access to Americans’ personal data, CEO Karp says he just doesn’t understand why the work his company does draws so much negative attention. The Peter Thiel-backed firm has a name taken from Lord of the Rings, like at least two other Thiel-associated companies. A “palantir” was a penetrating and all-seeing sort of crystal ball in those books, either an inspiring or ominous namesake, depending on one’s perspective.

“We’re on the front line of all adversaries, including vis-à-vis China. And we support—we’re at ICE and we’ve supported Israel,” Karp said on the earnings call on Monday. “I don’t know why this is all controversial, but many people find that controversial.”

Last January, Palantir inked a strategic partnership with Israel’s Ministry of Defense to supply data analytics and AI technology for the country’s ongoing military operations, including the war in Gaza. This support has drawn criticism and calls for investigations into whether Palantir’s tools are being used in ways that may violate international law in conflict zones.​

The tech company also was awarded a $30 million contract in April to build “ImmigrationOS,” a software that provides near real-time data on people self-deporting. 

Palantir contracts with a number of U.S. government agencies including the Department of Defense, the U.S. Army, the Department of Homeland Security, the FBI, the CIA, Immigration and Customs Enforcement (ICE), and the Centers for Disease Control and Prevention (CDC). In the first three quarters of 2025, it received almost $1.3 billion in revenue from the government, according to company financial disclosures.

Palantir did not immediately respond to Fortune’s request for comment, but Karp told investors Monday that he thinks they are “fighting for the right side of what should work in this country: meritocracy, lethal technology, vis-à-vis adversaries,” and products that spread GDP to the working class.

He’s previously called AI an “agency enhancing revolution” that has helped some Americans without a college education create greater value using Palantir’s products than users with degrees in higher education. Karp says Palantir’s value to the working class American is twofold, though, and that investors in the tech company also come out ahead. 

“It was the American worker that we supported and the American worker that we helped make rich,” Karp said on Monday’s earnings call.

Karp had a different outlook on the reported earnings.

“Get some popcorn,” Karp told investors on the call. “They’re crying,” he said of those that haven’t invested in the company.



This story originally appeared on Fortune

Ol Donyo Lodge, Conserving The Land And Its Wildlife

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Blending contemporary design with Maasai influences, ol Donyo is what a safari lodge should truly embody.  
 
Taking to the skies in the 4-seater Cessna 206, Captain Morris informs me that the flight from Kimana to ol Donyo’s private airstrip will take a mere eleven minutes. “Be prepared for a few bumps along the way,” he cautions. Having been on numerous small planes, I know full well that a turbulent flight is mostly attributed to heat, which is the case today. The aircraft looks like its modeled on a giraffe’s coat pattern, and Morris waves as he takes off again. 

Lunch is served in a different spot during your stay. Photo courtesy of Great Plains Conservation
Lunch is served in a different spot during your stay. Photo courtesy of Great Plains Conservation

My guide Seki is waiting at the airstrip, ready to drive me to the lodge in the Great Plains Conservation Toyota Land Cruiser. The scenery en route is breathtaking, as is the setting of Ol Donyo Lodge tucked into Kenya’s Chyulu Hills. I’ve made it in time for lunch, which consists of reverse-seared chicken with zhaug sauce, wild rice salad with papaya and ginger, green beans/roasted peppers/sesame seeds salad, glazed baby carrots with yoghurt and pomegranate, garden leaves salad with pickled radish and seeds, bread of the day and dessert and/or cheese platter. 

The stunning luxury pool suite at Ol Donyo Lodge. Photo courtesy of Great Plains ConservationThe stunning luxury pool suite at Ol Donyo Lodge. Photo courtesy of Great Plains Conservation
The stunning luxury pool suite at Ol Donyo Lodge. Photo courtesy of Great Plains Conservation

A Great Plains Conservation Réserve Collection lodge and a Relais + Châteaux property, I’m excited to see where I’ll be spending the next two nights. At the end of the path, a gate with the name El Mau is where room steward Solonka pauses. “Welcome to your new home,” he says with a smile. He goes on to explain that the name refers to the twin peaks in the distance. El Mau houses two separate pool villas, and I’m staying in number 10. 

A bath with a view? Yes please! Photo courtesy of Great Plains ConservationA bath with a view? Yes please! Photo courtesy of Great Plains Conservation
A bath with a view? Yes please! Photo courtesy of Great Plains Conservation

The dark wooden door swings open, and as is custom with any of the Great Plains properties, the space is incredibly opulent. Cement floors are cool underfoot and lead to the dreamy bedroom, where wooden floors covered with Persian carpets are a nod to a juxtaposition of old-world charm meets new style. Draped at night in mosquito netting, the bed is so large that it takes three sets of pillows. Crafted nightstands flank both sides of the bed, and two writing desks with leather chairs are the ideal place to pen a postcard or letter to your loved ones. Be warned, they will be bright green with envy as the Great Plains Conservation name is globally renowned. 

The star bed on your upstairs deck is a magical experience. Photo courtesy of Great Plains ConservationThe star bed on your upstairs deck is a magical experience. Photo courtesy of Great Plains Conservation
The star bed on your upstairs deck is a magical experience. Photo courtesy of Great Plains Conservation

Let’s get back to the Luxury pool suite. In the bedroom, there is a seating area indoors and outside, with the most magnificent views over the landscape. And that’s not all! Down the passage, the bathroom has double vanities, a freestanding bath, an inside + outside shower, and a flush loo. A pool and sun loungers on my private deck offer respite on warm days. The piece de resistance? On the rooftop, you will find a star bed, where you can spend the night under a blanket of stars. 

A giraffe foal on our afternoon safari. Photo by Heléne RamackersA giraffe foal on our afternoon safari. Photo by Heléne Ramackers
A giraffe foal on our afternoon safari. Photo by Heléne Ramackers

With twice-daily game drives, there is always an air of anticipation about what wildlife we might encounter. Departing on the afternoon safari, Seki heads towards the area where the lions were last seen. On the way there, a very young giraffe is standing all alone amongst the red oats grass. We both wonder where its mom is, but decide to leave rather as to not attract unwanted attention to this cute foal. 

One of the Lesoit lion pride members. Photo by Heléne RamackersOne of the Lesoit lion pride members. Photo by Heléne Ramackers
One of the Lesoit lion pride members. Photo by Heléne Ramackers

Out on the plains, we can hardly make out what shape is lurking in the camouflaging grass. All of a sudden, one of them sits upright. It’s the Lesoit pride of lions, consisting of 26 members of different ages. Lesoit means rock in the local Maasai language. The cubs are intent on joining the hunt. A female has her sights set on an oryx, but he catches her scent and scurries off into the distance. 

How adorable is this little black backed jackal pup? Photo by Heléne RamackersHow adorable is this little black backed jackal pup? Photo by Heléne Ramackers
How adorable is this little black backed jackal pup? Photo by Heléne Ramackers

Dinner is served in the dining room, which is a great conclusion to a wonderful day. An askari escorts me to my suite, as walking unaccompanied between sunset and sunrise is not allowed. Feeling refreshed after a good night’s sleep, Seki wants to see if he can locate the cheetahs. Setting off from the lodge’s reception area, there is a ‘bushbaby’ (warm water bottle) and the Iconic Great Plains Kenya Masai blanket on the seat for me to use. With the sun just making an appearance, we see a solitary hyena, a journey of a giraffe, and the most adorable black backed jackal pups. There are three of them! 

A cheetah cub uses a termite mound as a lookout point. Photo by Heléne RamackersA cheetah cub uses a termite mound as a lookout point. Photo by Heléne Ramackers
A cheetah cub uses a termite mound as a lookout point. Photo by Heléne Ramackers

The search continues for the cheetahs, and we eventually find them resting under a tree. Way in the distance, a Grand gazelle is standing, which Seki thinks could be the perfect meal for Mom Cheetah and her three cubs. She flattens herself, and the cubs follow suit. Moving slowly along, she has seen the gazelle, but he might be a bit on the large side. Which could be a challenge for her. They take a break every couple of yards, and one of the cubs uses a termite mound as a lookout point. 

The watering hole is a hive of activity. Photo by Heléne RamackersThe watering hole is a hive of activity. Photo by Heléne Ramackers
The watering hole is a hive of activity. Photo by Heléne Ramackers

Returning to the lodge, we swing by the watering hole, which is a hive of activity. Guests can access the open-air or sunken hides from the steps leading down from the main area. Seeing an animal from eye level offers such a unique perspective. A bull elephant is enjoying the refreshing water and makes his displeasure known when another elephant wants to come for a drink. 

He lets out a low rumble, but the two eventually settle their differences and have a peaceful mud spray. 

A giraffe drinking at the watering hole. Photo by Heléne RamackersA giraffe drinking at the watering hole. Photo by Heléne Ramackers
A giraffe is drinking at the watering hole. Photo by Heléne Ramackers

One of the most interesting things to witness in the wild is a giraffe drinking. Between 13 and 20 feet tall, they have to splay their front legs and bend their knees. Then they lower their necks to be able to reach the surface of the water. This also makes them rather vulnerable when predators are around. A very tall male approaches the watering hole, but instead of stopping at the edge, he walks right through it. Crouching down, I can see his beautiful, long black eyelashes. He is clearly thirsty as he laps up the liquid refreshment with vigor. Spending more time here than I anticipated, it’s clear why the ol Donyo hide is slated as one of the best in Africa. 

ol Donyo Lodge is beautifully set in Kenya’s Chyulu Hills. Photo by Great Plains Conservationol Donyo Lodge is beautifully set in Kenya’s Chyulu Hills. Photo by Great Plains Conservation
ol Donyo Lodge is beautifully set in Kenya’s Chyulu Hills. Photo by Great Plains Conservation

Founded by conservation and sustainability stalwarts Dereck and Beverly Joubert, Great Plains Conservation was launched in 2006. With their adoration for the African continent, the National Geographic Filmmakers at large have poured over four decades into making award-winning wildlife documentaries.  Establishing camps in the African countries of Zimbabwe, Botswana, and Kenya, Dereck has a soft spot for guests visiting the Great Plains camps. 

The lounge area at ol Donyo Lodge. Photo courtesy of Great Plains ConservationThe lounge area at ol Donyo Lodge. Photo courtesy of Great Plains Conservation
The lounge area at ol Donyo Lodge. Photo courtesy of Great Plains Conservation

“Here at Great Plains, we love nothing more than when a special occasion request comes to camp and we relish in pulling out all the stops to give our guests a memorable and magical experience,” commented Great Plains CEO Dereck Joubert. “There’s nowhere better to celebrate life’s most important occasions than Africa, where memories of a lifetime are waiting to be made. Of course, our guests often find their ‘once-in-a-lifetime’ escapes are too good to experience just once, meaning they like to come back over and over again!” 

Extraordinary Journeys: Safaris with Heart, Depth, and Seamless Care 

Extraordinary Journeys (EJ) designs bespoke safaris across Africa that go beyond luxury to reveal the continent’s soul. With 15 years of expertise and an unrivaled network of guides, conservationists, and local insiders, EJ opens doors to experiences few travelers ever access. Each trip is supported by a dedicated concierge team providing 24/7 on-the-ground assistance and ensuring every detail runs effortlessly. From Kenya’s private conservancies to Botswana’s delta waterways, EJ crafts journeys that are deeply personal, immersive, and inspiring. These are safaris designed to connect you to place, to people, and to immerse you in the experience fully. 

To book, visit www.extraordinaryjourneys.com, e-mail info@extraordinaryjourneys.com or call 212.226.7331



This story originally appeared on Upscalelivingmag

Live Updates From the Polls – Hollywood Life

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Image Credit: POOL/AFP via Getty Images

The New York City mayoral election is underway to replace current Mayor Eric Adams. Polls opened on Tuesday, November 4, and they will close later tonight for voters across the five boroughs as they cast their ballots for either Representative Zohran Mamdani, former Governor Andrew Cuomo or radio talk show host Curtis Sliwa.

Last night, Donald Trump formally endorsed Cuomo in a surprising statement. Discouraging New Yorkers from voting for “communist” Mamdani, the Republican president wrote that he thinks voters have “no choice” but to vote for the former governor of New York.

“If Communist Candidate Zohran Mamdani wins the Election for Mayor of New York City, it is highly unlikely that I will be contributing Federal Funds, other than the very minimum as required, to my beloved first home, because of the fact that, as a Communist, this once great City has ZERO chance of success, or even survival!” Trump wrote via Truth Social on Monday, November 3. “It can only get worse with a Communist at the helm, and I don’t want to send, as President, good money after bad.”

Trump added that he believes NYC will be a “Complete and Total Economic and Social Disaster should Mamdani win” and claimed that the 34-year-old Democrat’s “principles have been tested for over a thousand years, and never once have they been successful.”

“I would much rather see a Democrat, who has had a Record of Success, WIN, than a Communist with no experience and a Record of COMPLETE AND TOTAL FAILURE,” Trump continued. “He was nothing as an Assemblyman, ranked at the bottom of the class and, as Mayor of potentially, again, the Greatest City in the World, HE HAS NO CHANCE to bring it back to its former Glory!”

The former Celebrity Apprentice host also said that a vote for Sliwa “(who looks much better without the beret!) is a vote for Mamdani.”

“Whether you personally like Andrew Cuomo or not, you really have no choice,” Trump concluded, adding, “You must vote for him, and hope he does a fantastic job. He is capable of it, Mamdani is not!”

Below, see live updates from the 2025 NYC mayoral election.

Who Is Running for Mayor of NYC in 2025?

As previously noted, Mamdani, Cuomo and Sliwa are running for mayor of New York City. Cuomo initially ran as a Democrat but switched to Independent when Mamdani won the Democratic nomination. Sliwa is running as a Republican.

What Time Do Polls Open in NYC on Election Day?

Polls opened at 6:00 a.m. ET, and they close at 9:00 p.m. ET. So, for any voters rushing to the polls after work, they have until 9:00 p.m. to get in line to cast their ballot.

Who Is Winning the NYC Mayoral Race?

Throughout the race, Mamdani has been favored to win. Younger voters across the five boroughs have voted early, and Mamdani gained a large social media following over the past year.

As of noon ET, 1 million New Yorkers have cast their ballots.

When Will the New Mayor Be Announced?

Since polls close at 9:00 p.m. ET, the votes should be counted by midnight on November 4, 2025, but it depends on a variety of factors. The Associated Press typically announces election wins.

When Does the New Mayor of NYC Take Office?

The new mayor of America’s largest city will take office in January 2025. Per tradition, each new mayor is sworn in on New Year’s Eve just after midnight at the turn of the new year.



This story originally appeared on Hollywoodlife

Carrie Ann Inaba Reveals Heartbreaking 2011 Unaired Pilot In Deeply Personal Post

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Instagram/@carrieanninaba

Carrie Ann Inaba has laid bare an extremely personal and touching aspect of her artistic history, as she revealed a pitch for a TV show that was never aired back in 2011, which she stated was the killer for her when no network picked it up. The ‘Dancing with the Stars’ judge uploaded a clip of the project that offered a fictionalized viewpoint into the musings of a choreographer, asserting her 14-year-long waiting period to feel the urge to create in the domain again.

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Carrie Ann Inaba is disclosing the hidden side of her life that she has kept to herself for a long time, more than a decade. In a brave and remarkable move, the famous dancer and TV host decided to take a small part of an unbroadcasted 2011 television pilot and show it to the world. Collaborating with the writer Krista Vernoff, the project was a very personal effort for Inaba to let the audience see indirectly the thoughts of a choreographer—an issue very close to her heart.

The pilot, starring Eric Roberts and choreographed by the legendary Mia Michaels, was an Inaba’s dream project where she was the executive producer. She mentioned that the project was “four very strong women” directed, including Lesli Linka Glatter. The network, however, still decided against airing the show despite the company of a very powerful creative team. “It broke my heart,” Inaba disclosed in her long post. “But it wasn’t the right moment yet for this series.”

After these long fourteen years, Inaba finally let it be known that she is again working on writing and thinking of new ideas related to dance and movement. The shared clip was a portion of the unbroadcasted program’s ending where a ‘comeback’ of a defeated choreographer was shown. Inaba said the theme of the story was very much connected to her current path and also said that she liked how the character “brings to mind who he is.”

The emotional post was not only well received by the audience but also by the former collaborators. Fellow choreographer Mia Michaels—the one who was co-creator and the project was reflecting deep on her experience, “This project was by far one of my favorites of all time,” she remarked. “The fact that I was working with you, your passion and fire, and being a soul sister to me, created a stronghold that gave birth to so much creativity. It felt like nothing could stop us.” Michaels’ poignant words highlighted the intense creative rapport the group had, which made the cancellation of the project all the more painful.

Another artist who worked on the project, dancer Kayla Radomski, confirmed the extraordinary nature of the collaboration. “What a magical time and experience we had making this,” she said. “I have always been thankful for this project. It was very special.” Inaba’s answer to Radomski was just as moving as it reminded her of the dancer’s “ethereal quality” and “purity of movement” that impressed her deeply.

The response from the wider community was very positive and supportive. One person couldn’t believe the project wasn’t made, saying, “I can’t believe that was not picked up that was incredible.” Someone else pointed out that the work was “so good and ahead of its time.” Inaba’s willingness to share a professional disappointment and her subsequent creative resilience inspired many. “It’s amazing how you turned reflection into motivation,” someone commented. Another added, “You’re inspiring the next generation of dreamers.” The post seemed to resonate with everyone about the nature of being an artist—creation or rejection. A different comment said: “This reminds me why art matters.” “Thank you for being so authentic.”

The reveal also triggered curiosity, as one user simply stated, “Ugh I want to watch this!”—a feeling probably shared by many who saw the strong clip. The visible footage displayed the project’s fluid movements and intense feeling, making the audience wonder what had not been shown.

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This unveiling of a private heartbreak in public seems to Carrie Ann Inaba to be a step in her rediscovery of creativity that is cathartic. By making this “deeply personal project” public after so many years, she has not only paid tribute to the work itself but also shown incredible strength. Her narrative is a compelling example that the creative fire, even if it’s temporarily buried, doesn’t die—it’s just a matter of time until it comes out again, even fiercer and more determined than before. The judge has clearly gone through her past and is now ready to explore her next chapter, with the help of the past’s wisdom. Recently, she has also been open about her health, which has impacted her professional life. Her stunning visual presence continues to captivate audiences. Her judging decisions sometimes spark strong reactions from fans.




This story originally appeared on Celebrityinsider

Companies regret many AI-related layoffs – Computerworld

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A new report from Forrester suggests that many companies that have been cutting workers in the name of AI are likely to face a backlash, according to The Register.

“Many companies claim they are laying off staff because of AI. Some of these ventures lead to spectacular failures…. Other times, AI doesn’t actually replace human workers at all. Too often, company management lays off employees based on the future promise of AI,” the research firm said.

According to the analysis, 55% of employers now regret laying off staff because of AI. In addition, more decision-makers responsible for AI investments believe the technology will increase the workforce in the coming year, rather than reduce it. “We predict that much of this work will be placed on low-paid workers, either offshore or at lower wages,” Forrester said.



This story originally appeared on Computerworld

Steam Deck adds a standby mode for screen-off downloads

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Valve is bringing a helpful update to the Steam Deck, adding an option for downloading content while the screen is off. The company is calling it a display-off low-power mode. It will be enabled by default when the Steam Deck is plugged in. The handheld’s power settings can also allow it to be active while on battery power, although it will automatically revert to full sleep mode if the battery drops below 20 percent. If a user hits the power button while the Steam Deck is downloading content, a dialogue prompt will appear asking if the download should continue with the display off. A Steam Deck that reaches an idle timeout will also automatically go into the display-off low-power mode.

In practice, this is similar to the rest mode modern consoles have that allows for downloads while the machine isn’t being actively used. This feature can be really useful if you’re playing an online competitive game and don’t want a big download infringing on your bandwidth. (I speak from experience here.) Nice for the Steam Deck to offer a similar convenience to its players.



This story originally appeared on Engadget

Italy’s ‘prettiest town’ just 6 hours from UK boasts stunning beaches and alleys | Europe | Travel

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Few sights can rival the grandeur of Florence’s duomo, and the awe-inspiring view of Rome’s Colosseum is simply breathtaking.

Italy is a treasure trove of spectacular sights – from the stunning shores of Lake Garda, which even as a true-blue Cumbrian I must concede resembles a supercharged Lake District, to Venice’s enchanting canals, gondolas and majestic cathedral. Add Verona’s amphitheatre and Juliette’s balcony, and Milan’s high-end shops, and you’ve got something for everyone.

But if you dare to stray from the well-trodden path, and avoid the throngs of tourists jostling for space on the Amalfi coast, journey south to the unexplored and untouched region known as Calabria. Here, you’ll step into the ‘real Italy’ – and take a trip back in time.

One of the standout gems of this region, which is Italy’s poorest, is the breathtaking medieval town of Tropea, where I had the pleasure of spending an idyllic week. And it’s not just me who’s smitten – the town was recently voted the most beautiful in Italy, which we can all agree means it faced some fierce competition.

Perched on the cliffs above the Tyrrhenian Sea, this ancient town cascades down the rocky face and into the crystal-clear turquoise waters. 

With its golden beaches offering ample space for solitude, this town exudes a magical, dream-like charm.

Tropea, a town that has withstood invasions, earthquakes and bombings, stands majestically on the clifftops. Its noble palaces and stunning churches are nestled within the winding, cobbled streets of the old town.

I was fortunate enough to spend a week in Calabria, using Tropea as my base. A splendid sunny October afternoon spent wandering its streets, discovering hidden alleys at every turn, and tasting the region’s delicious food, including sweet, red onions and spicy ndjua, was an absolute joy.

Pausing for one of the most scrumptious ice-creams I’ve ever had while gazing at the breathtaking Tyrrhenian Sea from one of the many viewpoints in this charming little town was simply awe-inspiring. Meanwhile, stopping for a crisp, white wine in an ancient tavern halfway up the cliff face on my return from the beach was the ideal way to pass a few hours.

If you’re interested in history, then Tropea has plenty to offer – from the cathedral to the Sanctuary of Santa Maria dell’Isola, the church on the rock, overlooking the vast expanse of azure sea.

From the incredible viewing points, you can see Stomboli, the still erupting volcano which illuminates the night sky every evening off this part of Italy’s coast.

My only gripe about this undiscovered Italian gem is that I don’t reside there and only had a week to explore its beautiful streets.



This story originally appeared on Express.co.uk

Hold Off on That ‘Star Wars’ Rewatch You’ve Been Planning

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If you rewatch Star Wars every few years, then put your Blu-ray discs or Disney+ down. It’s time to get excited because, during an investor call, IMAX announced that Star Wars: A New Hope will be coming to IMAX theaters for the film’s 50th anniversary. The film is expected to hit theaters around Star Wars Day on May 4, 2027, shortly before IMAX screens are taken over by Legend of Zelda and the Ryan Gosling-led Star Wars: Starfighter.

That’s not the only reason to be excited. Rumors are swirling that Lucasfilm is working to restore the original theatrical cuts of the first three Star Wars films and put them in theaters rather than the special editions released 30 years ago. Leaks about the project have been shared on social media, and we can only hope they’re true, as they’d give many fans their first opportunity to see the original Star Wars cuts in a theater.

The 50th Anniversary of ‘Star Wars’ Will Be Spectacular

20th Century Fox

Star Wars re-releases come and go nearly every year, but the fact that IMAX theaters already have A New Hope scheduled for 2027 shows that Lucasfilm has good foresight for the anniversary. Don’t expect the celebration to be limited to an IMAX release of A New Hope. There’s a good chance new collectibles, promotional events, and interviews about the film’s legacy will be released alongside the IMAX showings.

Be sure to get tickets for the film as soon as they’re announced. A movie with as significant a cultural impact as A New Hope, in this format, will draw plenty of nostalgic fans to theaters. A New Hope is already a great film, which will only be enhanced on the big IMAX screens. The film’s sequels, The Empire Strikes Back and Return of the Jedi, are even better and will most likely follow A New Hope with IMAX releases in future years.

Is It True That the Original ‘Star Wars’ Cuts Are Getting Remastered?

Mark Hamill as Luke Skywalker in Star Wars 20th Century Fox

The IMAX release of A New Hope may differ from the version currently streaming on Disney+, potentially featuring the original theatrical cut rather than the special edition. Fans have discovered potential leaks suggesting that Lucasfilm is working on remastered versions of the original cuts of A New Hope, The Empire Strikes Back, and Return of the Jedi. Reddit user No-Swordfish-6231 posted on r/StarWarsLeaks that clips from the remastering process were accidentally uploaded to YouTube. The user also included screenshots from these clips, which further support this theory.

Restoring the original versions of Star Wars would certainly make sense with the big anniversary and the plan to bring A New Hope to IMAX theaters. Re-releasing the original trilogy would be a huge event that could attract all sorts of crowds, making now the best time to introduce restored versions of the films that launched a major franchise. The main question is, did Lucasfilm get approval from the creator of Star Wars, George Lucas, to do this? Lucas was the one who released special editions of the Star Wars films, feeling that he could improve upon them. He’s no longer the head of Lucasfilm, however, meaning the company could be restoring the original cuts on its own.

Why This Is All a Big Deal

X-Wings in Star Wars 20th Century Fox

The idea of the original cuts of Star Wars getting re-released is a bit surprising, considering how long they’ve been kept from the public. Many younger Star Wars fans have never even seen the original Star Wars cuts. The original cuts were phased out when the special editions were released in 1997. That means anyone who’s part of Generation Z, which started around 1997, would have been born into a world without the theatrical cuts. A remastered version of these cuts would mark the first time these fans get the original Star Wars experience, and in such a convenient way, too.

Releasing the original versions of the first three Star Wars movies would be an effective way to win back favor with fans. The franchise hasn’t had the best luck pleasing fans after being acquired by Disney. The sequel trilogy didn’t live up to the original and prequel trilogies, and the recent focus on Disney+ shows hasn’t been great either. An announcement about restoring the original cuts would be perfect to get back in good graces with Star Wars fans, especially after recent news that Disney canceled a Ben Solo movie.

The supposed leaks of the original cuts’ remasters are especially exciting because the photos look great. The films haven’t had a remaster since 2019, when they were updated for 4K TVs for Disney+ with a Blu-ray release following soon after. Those remasters are good, but they leave something to be desired. Based on screenshots shared on Reddit, this upcoming theatrical release could look even better, especially if they’re showing in IMAX. Although IMAX theaters in the US are limited, the restoration will likely be available through other formats as well. Expect a physical and digital release to follow.


01359293_poster_w780.jpg


Release Date

May 25, 1977

Runtime

121 minutes

Producers

Gary Kurtz, Rick McCallum





This story originally appeared on Movieweb

10 Harsh Realities You Notice When Rewatching WandaVision

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WandaVision is one of the best TV shows to come out of Marvel Studios, but there are a few harsh realities that stand out when you go back and rewatch it. When WandaVision premiered in 2021, it felt like a breath of fresh air. It was a small-scale, low-stakes, character-driven story in a franchise of world-ending mega-blockbusters.

If you rewatch WandaVision today, it still holds up. But there are some glaring issues that stick out, like the underwhelming Ralph Bohner reveal.

WandaVision Gets Off To A Really Slow Start

Wanda and Vision smiling at the camera in WandaVision

The first couple of episodes of WandaVision get the series off to a really slow start. After a dozen movies in a row with mega-scale action sequences and world-ending stakes, it was refreshing to see a Marvel story where the biggest obstacle the characters faced was making dinner for a couple of unexpected guests.

But when you go back and rewatch WandaVision now, it takes a little while to get into it, because those first couple of episodes are really slow. There are only a handful of hints at the dark side of Wanda’s sitcom fantasy, but for the most part, it just plays like a typical sitcom.

Some Of The Dialogue Is Really On-The-Nose

Wanda and Vision sitting on her bed and talking about grief in WandaVision
Wanda and Vision sitting on her bed and talking about grief in WandaVision

WandaVision creator Jac Schaeffer is a great writer and storyteller who’s been responsible for the best television to come out of Marvel Studios’ Disney+ output. She’s given us some of the MCU’s best new characters, she’s reinvigorated existing characters (not the least of which is Wanda and Vision themselves), and she’s told some deeply moving stories in this comic-book context.

But some of the dialogue in WandaVision is really on-the-nose. In a lot of scenes, WandaVision spells out its themes in conversation instead of finding subtler ways to convey its message. Everyone loves Vision’s line about grief, but it’s never a good sign when the characters have to tell the audience what the theme of the story is.

WandaVision Keeps Its Dramatic Hook A Secret For A Really Long Time

Wanda talking to her kids in WandaVision
Wanda talking to her kids in WandaVision

The dramatic hook of WandaVision is that Wanda has created this fantasy world to deal with her grief. She lost her parents in a military invasion, she lost her brother in a battle against an army of robots, and she lost the love of her life to the Mad Titan — and through it all, she found comfort in traditional sitcoms.

This brings a layer of emotional resonance to WandaVision’s tour through sitcom history. The reason she’s living out her own versions of I Love Lucy, Full House, and Modern Family is so she can escape the pain and loneliness she feels in the real world. But the show buries that lede for a really long time.

Wanda and Vision smiling at each other in WandaVision
Wanda and Vision smiling at each other in WandaVision

Director Matt Shakman got the look of the sitcom sequences exactly right. It surely helped that he’d directed episodes of sitcoms like Everybody Hates Chris and It’s Always Sunny in Philadelphia, but he even nailed the aesthetic of shows that came out before he was born. Those first two episodes look just like an episode of I Love Lucy.

The problem is with the writing. It might look exactly like I Love Lucy or The Dick Van Dyke Show, but it’s nowhere near as funny. Shows like Full House and Modern Family and The Brady Bunch were written by the best joke writers in Hollywood, and WandaVision’s team can’t keep up with them.

Wanda & Vision’s Relationship Wasn’t Very Interesting Before They Got Their Own Show

Sam Wilson, Vision and Wanda Maximoff seated in Avengers Compound in Captain America Civil War
Sam Wilson, Vision and Wanda Maximoff seated in Avengers Compound in Captain America Civil War

Before they got their own show, the MCU had developed the relationship between Wanda and Vision on the periphery. It was a minor subplot in Captain America: Civil War, and an even more minor subplot in Avengers: Infinity War. Vision’s death was heartbreaking, but we hadn’t had enough time to get to know them as a couple.

In WandaVision, Schaeffer rounded out Wanda and Vision’s relationship, deepened them as individual characters with their own emotions and motivations, and showed them both at their best and at their worst. But the series is a probing postmortem on a relationship that wasn’t very interesting to begin with.

The Ralph Bohner Gag Is A Massive Disappointment

Evan Peters as Ralph Bohner posing as Pietro Maximoff in WandaVision
Evan Peters as Ralph Bohner posing as Pietro Maximoff in WandaVision

Midway through WandaVision’s run, Wanda and Vision got a surprise visitor: Wanda’s dead brother, Pietro Maximoff, magically brought back to life. Except Pietro wasn’t played by his MCU actor, Aaron Taylor-Johnson; he was played by Evan Peters, who played a very different version of Quicksilver in Fox’s X-Men movies.

This was a jaw-dropping twist that generated all kinds of fan theories about how this version of Pietro had crossed over into the MCU, and what it could mean for the franchise’s future. But, as it turned out, Pietro is just an actor named Ralph Bohner that Agatha is controlling. All that for a juvenile “boner” gag.

WandaVision Subverts MCU Expectations, But It Still Culminates In A Big Final Battle

Wanda Maximoff wears her Scarlet Witch costume and headpiece in the WandaVision finale
Elizabeth Olsen’s Wanda Maximoff wears her Scarlet Witch costume and headpiece while walking through a Westview street

When WandaVision premiered, it felt like a breath of fresh air. It was unlike anything else Marvel Studios had done before. It wasn’t interested in superhero action; it wasn’t about a supervillain trying to take over the world — it was just a story about a woman dealing with her grief by magically creating a suburban family for company.

But, while the bulk of the series subverted the expectations of an MCU project, it still culminated in a big, extravagant, action-packed final battle sequence. The finale episode culminates in Wanda and her family coming together like the Incredibles to fight Agatha. It’s an unconventional show with a very conventional ending.

Agatha Harkness Completely Steals The Show

Agatha Harkness as Agnes in black and white in WandaVision episode 7
Agatha Harkness as Agnes in black and white in WandaVision episode 7

As great as Wanda and Vision’s story is, Agatha Harkness completely steals the show. Even before you find out Agatha is the big bad, Kathryn Hahn is giving the funniest performance in Wanda’s fake sitcom world. Hahn would be perfect for the wacky neighbor role in a classic sitcom, and in WandaVision, we got to see what that would look like.

The iconic “Agatha All Along” musical number doesn’t just indicate that Agatha has been pulling the strings all along; it indicates that she’s been everyone’s favorite character all along. It’s no wonder why Agatha was given her own spinoff after becoming the breakout star of WandaVision.

WandaVision’s Ending Is More Interested In Setting Up Future Marvel Projects Than Resolving Its Own Story

Monica Rambeau waking up in WandaVision
Monica Rambeau waking up in WandaVision

Ultimately, when WandaVision comes to an end, it’s more interested in setting up future Marvel projects than resolving its own story. This is a common problem with the MCU, and shared cinematic universes like it; there are no real endings, because each new story is just a stepping stone to the next one.

It sets up Agatha being trapped in Westview ahead of Agatha All Along. It sets up Monica Rambeau’s trip to space with S.W.O.R.D. and the Skrulls ahead of The Marvels. And it sets up Wanda studying the Darkhold ahead of Doctor Strange in the Multiverse of Madness. Speaking of which…

Doctor Strange 2 Would Promptly Turn Wanda Into A Monster, Undoing All Of WandaVision’s Hard Work

Elizabeth Olsen as Wanda:Scarlet Witch looking sad at alternate universe orbs in Doctor Strange in the Multiverse of Madness
Elizabeth Olsen as Wanda:Scarlet Witch looking sad at alternate universe orbs in Doctor Strange in the Multiverse of Madness

The toughest pill to swallow when you rewatch WandaVision is where Wanda’s story went next. After Schaeffer had spent nine episodes charting Wanda’s descent into darkness, her return to the light, and her ultimate redemption, Doctor Strange in the Multiverse of Madness turned her into a monster of almost cartoonish proportions.

In WandaVision, Wanda’s emotional catharsis is letting go of Vision and their imaginary sons. But in Multiverse of Madness, she reverses that decision, goes on a mass-murder rampage, and holds a child hostage in an attempt to kidnap her own kids from an alternate version of herself. It was an interesting story, but it abandoned all her character development from WandaVision.



This story originally appeared on Screenrant

Jim James reflects on My Morning Jacket’s enduring legacy of ‘Z’

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There’s no shortage of bands commemorating their glory days as decade anniversaries of albums fly by. Yet few landmark releases feel not only fresh but forward-thinking 20 years after they were recorded. My Morning Jacket stumbled onto this kind of brilliance in October 2004 when it released its fourth studio album “Z.” Across 10 tracks of lush, euphoria-driven rock ‘n’ roll, the band captured a notable tone shift in its sound that melded Southern rock, haunting folk, psychedelic soul laced with jam band energy. It’s a set of songs that still make up a huge chunk of the bands live show. In September the band performed the album in its entirety to a sold-out Hollywood Palladium for its 20th anniversary.

“We still play these songs all the time,” said frontman and principal songwriter Jim James in a recent conversation. “So it’s not like we broke up after we released ‘Z’ and then we got back together 20 years later to play these songs, and it’s such a trip. We’ve been playing them nonstop for 20 years.”

Shortly after the release of its 10th studio album “is,” the band put out a deluxe reissue of “Z” that includes four B-sides and a whole album’s worth of demo versions of songs like “Wordless Chorus,” “Off the Record” and Dodante. Recently James spoke to The Times about the enduring power of “Z” and the joy of going back to the beginning of the album’s origins to give himself and his fans a new appreciation for the groundbreaking sound the band created.

The rerelease of “Z” was prefaced earlier this year with a full-album show at the Palladium. What was it like revisiting the album on stage first before it came out (again) on vinyl and streaming?

This is our fourth album now to hit the 20-year mark. So we’ve got some experience now doing these album shows. And it’s funny because some of the earlier albums we don’t play all the songs from them so we had to go back and relearn a lot of songs. But the songs from “Z” we pretty much play all the songs all the time. So it’s pretty hilarious how it involved no effort. It just involved playing them in that order of the sequence of the album. But we kind of laughed about that. We’re like, man, we don’t really even have to do any research or anything. We were all kind of reflecting just on how grateful we are that we like playing all the songs still. It’s such a great feeling to play songs for 20 years and never really get tired of them. People still want to hear them and there’s still excitement there, and they still feel fresh. It’s really a beautiful thing.

This was your first album using an outside producer. What was that like for you as the songwriter to step in the studio with John Leckie to help you realize your vision with “Z”?

It was so great, because I really needed somebody who could work with me and not let our egos clash too much. John was just really great about coming in and respecting what I wanted to do, but also voicing his opinion and what he liked and what he didn’t like and when he thought we could do better. And it was just really so refreshing and so good for us to have him there. I mean, his track record speaks for itself, he’s somebody who you can trust right off the bat, just because of all the things they’ve done in the past. He’s such a soft-spoken gentleman but he also has this hilarious, brutal honesty about him, which was always really great.

Your lineup had also changed between the previous album “It Still Moves” and “Z” — adding keyboard player Bo Koster and guitarist Carl Broemel who are still in the band today. So was that like stepping in the studio with the “new guys” for the first time?

It was really nerve-racking and really exciting all at once. We had some touring experience under our belt with Bo and Carl, so we kind of knew that it was working out on that level, but we’d never really recorded before, so it was a real test for all of us. And I think we all knew that. So everybody brought their A game to the session and we took it really seriously, but we also had a lot of fun and just really kind of got to know each other. That was good to do that out in the middle of nowhere, out there in the Catskills, up at the studio. It gave us some time to really bond without a lot of the real-world stuff coming in or other people coming in. So I think that was really important, that we did it that way.

Do you remember what song came out of the sessions first?

“It Beats 4 U” was the first one, because that was one we had already played live before we started recording. So I think that was the first song that we started messing with. But I think they all were kind of coming to life around the same time. So by the time we got in there to start unpacking them, I had already written them and kind of made the demos of them and stuff.

It’s great that you included so many demo versions of your songs on this rerelease. What was the process like of locating these, sifting through and sequencing which ones you wanted to put on the album?

Well, I love demos for a lot of my favorite bands — I love it when I get to hear the demos from the albums. So I’m always saving all that stuff; with my own stuff I’m always compiling all the demos, because that’s half the fun to me. Because sometimes you get this just like a beautiful glimpse into the song. Quite often, I end up liking the demo more than I like the actual album, song because you get a whole, whole new view of it. It’s also interesting when you’re sequencing for vinyl, because you don’t have unlimited time so you kind of got to pick and choose, and that kind of forces you to just choose the best. There’s a whole other round of band demos and then there were my demos, so there were a lot of things to choose from. But it kind of helps me to look at it in vinyl format. There’s still something about the vinyl time limit that helps with quality control. Just kind of pick the ones that I feel are most effective and then try and make a fun sequence so that hopefully, if somebody’s into them, it’s kind of like you get a bonus album that you can listen to.

We had four true songs, B-sides, that we really love too, that weren’t demos. So that was really nice to finally get those out, because those had been on different soundtracks. And then one wasn’t even released. So I don’t think that those weren’t even on streaming or anything for years and years. So it’s really cool to have those out kind of everywhere now, because I’ve always liked all those songs and been proud of those songs too. And I think most bands know the feeling of you know when you make a record. Sometimes songs just don’t fit the record, even if you still love the songs.

MMJ during the "Z" era.

MMJ during the “Z” era.

(Sam Erickson)

Were you playing any of those live at the point where you released the album the first round, or did you shelve them for later?

We’ve always played “Where to Begin” live — off and on. We’ve also tried “Chills” a couple times, and I think we did “How Could I Know” a couple times. We’ve never played “The Devil’s Peanut Butter,” we kinda forgot that one existed until this whole [album rerelease] process started, and I found that song again. So we’ll probably play that one somewhere out on the next leg.

Was this process something that you enjoy doing, like, in terms of your how to, sort of like, reexamine an album?

I really love it because I just feel so grateful that anybody even gives a s–, you know? I mean, so there’s that part of me that’s just so grateful to even still be in the game, talking about this. But beyond that, it’s really cool for me because it’s like jumping in a time machine and going back and looking at that point in my life and getting perspective on where I am now, and seeing how I’ve grown and asking “where have I changed? Where have I not changed?” I look back and with all of these albums as they come up to this 20-year mark, and I see I’ve always been really mean and hard on myself, on Jim, but I know that Jim was doing the best he could at each time. That’s the one thing I’ve always kind of been able to see, to get myself through, to not be too hard on myself. I know I was giving it everything I had, so whether I would change things about it as I am today or not — we all look back on the past, and maybe there’s things we’d do differently, but it gives me a lot of comfort to know that I was trying as hard as I could, and all the guys in the band were trying as hard as they could. It really makes me feel proud of us for just putting in the time and effort.



This story originally appeared on LA Times