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Trump exempts Hungary from US sanctions on Russian energy after meeting Orban | World News

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Hungary has been given a one-year exemption from US sanctions on using Russian energy, a White House official has said, after its Prime Minister Viktor Orban met with Donald Trump in the White House.

Mr Orban succeeded in convincing the US president to allow Hungary to continue importing Russian oil and gas without being subject to the sanctions Mr Trump‘s administration had placed on Russian fossil fuels.

Hungary has been under heavy pressure from the European Union to end its reliance on Russian energy.

The EU has mostly heavily cut or ceased its imports of Russian oil and gas.

On 22 October, Mr Trump imposed sanctions against Russia’s two biggest oil companies, in a major policy shift described by Vladimir Putin as an “unfriendly act”.

Mr Trump has also been pushing Europe to stop using Russian energy.

Ukraine war latest: Trump gives Hungary energy sanctions relief

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Will US sanctions on Russian oil hurt the Kremlin?

Mr Orban, the country’s nationalist leader and a long-time ally of Mr Trump, has described access to Russian energy as a “vital” issue for his landlocked country.

He said he planned to discuss with Mr Trump the “consequences for the Hungarian people” if the sanctions came into effect.

Speaking at a news conference after his talks with Mr Trump, Mr Orban said Hungary had “been granted a complete exemption from sanctions” affecting Russian gas delivered to Hungary from the TurkStream pipeline and oil from the Druzhba pipeline.

“We asked the president to lift the sanctions,” Mr Orban said. “We agreed and the president decided, and he said that the sanctions will not be applied to these two pipelines.”

Mr Trump appeared to be sympathetic to Mr Orban’s pleas.

“We’re looking at it, because it’s very different for him to get the oil and gas from other areas,” he said.

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Why did Trump sanction Russian oil?

“As you know, they don’t have … the advantage of having sea. It’s a great country, it’s a big country, but they don’t have sea. They don’t have the ports.”

He added: “But many European countries are buying oil and gas from Russia, and they have been for years. And I said, ‘What’s that all about?'”

Read more from Sky News:
Putin’s right-hand man made him look weak
UPS and FedEx ground fleet of cargo planes after deadly crash

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Putin: US sanctions are an ‘unfriendly act’

Orban says ‘miracle can happen’ in Ukraine war

Mr Trump and Mr Orban also discussed the war in Ukraine, with the US president saying: “The basic dispute is they just don’t want to stop yet. And I think they will.”

The president asked Mr Orban if he thought Ukraine could win the war, with the prime minister saying a “miracle can happen”.

Hungary reliant on Russian gas and oil

As part of the discussions, Hungary agreed to buy US liquefied natural gas (LNG), the US state department said, noting contracts were expected to be worth around $600m (£455m).

The two nations also agreed to work together on nuclear energy, including small modular reactors.

Mr Orban also said Hungary will also purchase nuclear fuel from the US-based Westinghouse Electric Company to power its Paks nuclear plant, which has until now relied on Russian-supplied nuclear fuel.

International Monetary Fund figures show Hungary relied on Russia for 74% of its gas and 86% of its oil last year. It warned an EU-wide cutoff of Russian natural gas could result in output losses in Hungary exceeding 4% of its GDP.



This story originally appeared on Skynews

Tampa fatal crash leaves 4 people dead, 11 injured : NPR

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The Tampa Police Department is investigating a deadly crash Saturday in Tampa’s Ybor City neighborhood.

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Tampa Police Department

Four people are dead and 11 are injured after a deadly crash in Tampa’s Ybor City neighborhood early Saturday morning following a police pursuit.

Tampa Police Chief Lee Bercaw said the incident started just after 12:40 a.m. when two cars were observed racing westbound on Hillsborough Avenue toward Interstate 275. One car broke off and the other, a silver 2019 Toyota Camry, drove southbound on I-275, later exiting in the downtown area.

Bercaw said the Florida Highway Patrol (FHP) initiated a pursuit and attempted a traffic stop and the Camry fled. The FHP attempted a PIT (precision immobilization technique) maneuver — when police intentionally try to strike the rear of a fleeing vehicle to cause it to spin out and stop. The FHP then backed off the car after the maneuver was unsuccessful.

“After that, unfortunately, this vehicle went at a high rate of speed down 7th Avenue, and tragically, just east of 15th Street, hit over a dozen people,” Bercaw said.

The Camry crashed into a crowd outside Bradley’s on 7th, a bar in Tampa’s Ybor City neighborhood — a popular nightlife and tourist area.

Three victims died at the scene and a fourth died at a hospital, police said. A fifth victim is hospitalized and listed in critical condition. Eight victims are being treated at hospitals but listed as stable and two other victims with minor injuries declined treatment at the scene.

“All the victims were over 20 and they were all adults,” Bercaw said. “We had four that were here that tragically lost their lives. They were out in Ybor, having a good time, expecting to go home safely. And a careless, reckless driver takes everybody’s lives in his hands and just ended this night in a situation that’s never going to be the same for these individuals.”

Police took into custody suspected driver Silas Sampson, a 22-year-old man from Dade City, Fla. Sampson is being held in the Hillsborough County Jail. The FHP is leading the investigation.

The FHP said Sampson is being charged with four counts each of vehicular homicide and aggravated fleeing to elude, serious bodily injury and/or death. Additional felony charges are expected.

The investigation is ongoing.



This story originally appeared on NPR

Is ‘CBS Saturday Morning’ Canceled? What’s Going on at Paramount – Hollywood Life

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Image Credit: Michele Crowe/CBS News

The last week of October 2025 proved to be a difficult one for the entire Paramount Global team amid its merger with Skydance Media. Layoffs and shocking departures plagued the team, and after a report regarding Gayle King‘s future with CBS Mornings came out, a separate report surfaced about CBS Saturday Morning with co-hosts Michelle Miller and Dana Jacobson, leaving viewers wondering if the show had been canceled.

Read on to find out what’s going on with CBS Saturday Morning. 

Is CBS Saturday Morning Canceled?

Yes, CBS Saturday Morning is apparently being axed by the network, multiple outlets reported. The New York Post was the first to report the news on October 29, 2025. According to the outlet, sources close to the matter claimed that CBS News’ new editor-in-chief, Bari Weiss, and the network’s president, Tom Cibrowski, determined that CBS Saturday Morning was “too expensive” and that Dana and Michelle would need to leave.

However, Paramount Skydance has yet to confirm the cancelation, and it’s still unclear when the last episode of CBS Saturday Morning will air.

Where Will Michelle Miller & Dana Jacobson Go After CBS?

Since Michelle and Dana have yet to comment on their apparent departure from CBS Saturday Morning, it’s unclear where the co-hosts will go next. NYP reported that Michelle and Dana were informed that they would be released due to the network’s “radical revamp.”

Is 'CBS Saturday Morning' Canceled? What's Going on Amid Paramount Layoffs
Credit: Gail Schulman/CBS

Is Gayle King Leaving CBS Mornings?

No, Gayle is not planning on leaving CBS Mornings, despite a report from Variety citing multiple sources familiar with the situation that she would leave the network once her contract expires in 2026.

“I am here and glad to be here,” Gayle clarified to TMZ on October 31, 2025. “I don’t know what to tell you about it, but what I am hearing in the building is not what I’m reading in the press, and what I’m not going to do is negotiate in the media. … All I have been told by everybody in this building is that they want me here.”

Gayle added that, as far as she knows, CBS “likes the job [she is] doing” and continued, “I’ll say this: I like the job, and the people that I work with, so I don’t know what to tell you.”

After the report came out, a spokesperson for CBS News said that the network has had “no discussions” with Gayle regarding her contract.

“There have been no discussions with Gayle about her contract that runs through May 2026,” the spokesperson said. “She’s a truly valued part of CBS, and we look forward to engaging with her about the future.”



This story originally appeared on Hollywoodlife

Incredible country loved by Brits that’s 33C in November | Travel News | Travel

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A stunning country loved by Brits is best to visit around this time of the year, with impressive temperatures as high as 33C in November. Brits enjoyed a scorching summer this year when temperatures regularly passed the 30C mark. However, that seems like a distant memory now as temperatures have dropped and winter edges ever closer. But there are parts of the world that remain hot even as the UK gets blistery and cold.

One of those countries that you might notice people going to over winter is Thailand. In the past couple of decades, Thailand has become a go-to holiday destination for Brits, despite its location in South East Asia and its significant distance from the UK. However, many people believe that the stunning country is well worth travelling to for its beaches, nightlife and unique culture. And the best part is the great weather.

Thailand reaches highs of 33C in November, a far cry from what we are experiencing in the UK at the moment. These are perfect conditions for visiting some of the country’s beautiful islands, such as Koh Tao, Koh Phi Phi and Koh Phangan.

Bangkok also proves popular, with the megacity offering amazing nightlife, great food and drink and stunning temples to visit. Meanwhile, many tourists opt to travel north to places like Chiang Mai, where they visit the elephant sanctuaries.

November marks the beginning of the dry and warm season in Thailand, making it a great time to visit. As the monsoon season ends, rainfall drops significantly and temperatures start to rise.

Plus, humidity levels are lower, making it a more comfortable experience. Brits can fly directly to Bangkok from London, which takes around 11 hours.

Previous tourists have visited Thailand in November and had great things to say about their experience. “We were in Thailand last November, around Thanksgiving,” said one Reddit user. “The weather was perfect. We were there for 2.5 weeks, and it only rained on us lightly for a couple of hours. It was also perfect because there were hardly any other tourists.”

Another shared: “It’s a beautiful time of year to come. The north will have finished it’s rainy season and be green, lush and clear.”  

A third shared: “We were there last Nov for last 2 weeks of month in Bangkok and Phuket. Weather was fine. We had clouds in Phuket a few days, but only one shower both weeks.”

The best period to visit Thailand, weather-wise, is between November and February. This mainly applies to the cities and the north of the country. However, visiting the south of the country, where the most stunning beaches are, is best between April and September. 



This story originally appeared on Express.co.uk

Underrated 2003 True Story-Inspired Horror Remake Now Streaming Free

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Halloween may be over, but that doesn’t mean you have to stop revisiting the horror movies on your watchlist, especially if they’re as underrated as the 2003 remake of The Texas Chainsaw Massacre. It’s been added to Tubi‘s free streaming catalog as part of their November update, and no matter what season it is, this one’s worth checking out.

Starring Jessica Biel, Eric Balfour, Jonathan Tucker, and R. Lee Ermey, The Texas Chainsaw Massacre is, of course, a remake of Tobe Hooper’s 1974 original, which is widely regarded as one of the best horror movies of all time. Released during the remake craze of the early 2000s, Massacre is one of the few Platinum Dunes productions that’s actually pretty decent.

The film follows a group of young people traveling along a deserted Texas road when they come across a family of cannibals, whose victims are hunted by the chainsaw-wielding monster known as Leatherface. Per the Rotten Tomatoes synopsis:

In this remake of the horror classic, a group of young travelers, including Erin, Andy, and Morgan, comes across an isolated rural home while driving through Texas. Unfortunately for them, the decrepit house is the residence of a family of deranged backwoods killers, most notably a hulking masked brute known as Leatherface, who begins to hunt the stranded youths down. Will any of the friends survive the nightmarish ordeal?

The Texas Chainsaw Massacre was a box office hit upon release, grossing over $107 million from a modest budget of $9.5 million. Although it was successful among audiences, it was panned by critics. Today, it has a 37% critics’ rating at Rotten Tomatoes, while the audience score is significantly higher, at 58%.

The film had a notable physical release by New Line Home Entertainment, which contained the usual bonus features that were very popular on DVD releases. One particularly eerie item was the collection of crime scene Polaroids that included in an envelope with bloody stains all over it. To say the photos are unsettling is an understatement.

Was 2003’s ‘The Texas Chainsaw Massacre’ Also Inspired by the Crimes of Ed Gein?

jessica biel in the Texas chainsaw massacre
New Line Cinema

The following paragraph contains spoilers for 2003’s The Texas Chainsaw Massacre.Like the 1947 original, the plot of the film isn’t directly drawn from real events surrounding the crimes of Wisconsin’s serial killer Ed Gein; instead, it’s loosely inspired by Gein’s unspeakable acts during his rampage, and doesn’t reference anything regarding his actual crimes. Nevertheless, that doesn’t make the movie any less effective.

In fact, one thing that the remake does very well is lean into realism in its narrative structure. The film’s ending is similar to the original, but then screenwriter Scott Kosar adds a final scene that will give you the creeps as it shows footage of law enforcement officers going through the scene of the crime. The analog style of the video is genuinely disturbing, and it reveals Leatherface in a final shot that’ll get your heart racing as you try to recover from a genuinely effective slasher.


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Release Date

October 17, 2003

Runtime

98 minutes

Director

Marcus Nispel, Kenny Bates


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    Andrew Bryniarski

    Thomas Hewitt / Leatherface

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This story originally appeared on Movieweb

Discover Prime Video’s 8-Part Drama King & Conqueror

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Fans of Game Of Thrones have long been looking for a replacement to the high fantasy epic, and though sprawling worlds and epic fights are a tall order, one Prime Video show may have what viewers want. In the past decade, the fantasy genre has been reshaped because of the way Game Of Thrones has risen in popularity and critical acclaim.

The staggering success of Game Of Thrones wasn’t an accident. The series was able to capture lightning in a bottle using George R. R. Martin’s work, building it out into a series of different families and fantasy worlds. While the show’s success was able to spur on spin-off series and franchise extensions, Game Of Thrones’ end has left a void for viewers.

As streaming platforms have tried to find a way to reach Game Of Thrones’ massive audience and build something successful to take its place, it’s been clear that there are many looking for the next big thing in fantasy TV. Promising all of the tension and grandeur of Game Of Thrones, one Prime Video series may be taking the crown when it comes to building a fascinating world.

King & Conqueror Stars Game Of Thrones’ Nikolaj Coster-Waldau

Coster-Walau Played Jamie Lannister On HBO’s Hit

As a member of Game Of Thrones’ original cast, Nikolaj Coster-Waldau is no stranger to the world building done by HBO’s hit. After playing Jamie Lannister on the series, Coster-Waldau went on to BBC’s King & Conqueror, which has landed on Prime Video. In the series, he plays William, Duke Of Normandy, in the lead up to the Norman Conquest of England.

While King & Conqueror may not be the same style of series as Game Of Thrones, having Coster-Waldau associated with the show is a great marker for viewers. Not only will they be able to dive into his performance, but it adds a layer of confidence about the series itself. King & Conqueror is certainly a better series for having a GOT cast member as a lead.

King & Conqueror Is A Historical Drama, But It’s Perfect For GOT Fans

It’s Not High Fantasy, But It’s Worth The Watch

King and Conqueror still featuring Nikolaj Coster-Waldau.
King and Conqueror still featuring Nikolaj Coster-Waldau.
MovieStillsDB

Although King & Conqueror is positioned as more of a historical drama than a fantasy series, it overlaps strongly with GOT as a whole. The series, set in 11th century England and Normandy, explores the far-reaching consequences of war as the alliance between William and Harold Godwinson, Earl Of Wessex (James Norton) begins to break down considerably into the Battle of Hastings.

Despite not having the same fantasy elements as Game Of Thrones, the historical drama is set so far in the past that it’s able to evoke the same feeling from its drama. With the crown at stake, King & Conqueror’s eight hour-long episodes cover a pivotal moment in European history. The BBC series feels like Game Of Thrones grounded in real world stakes.


Game of Thrones Poster


Release Date

2011 – 2019-00-00

Showrunner

David Benioff, D.B. Weiss

Directors

David Nutter, Alan Taylor, D.B. Weiss, David Benioff




This story originally appeared on Screenrant

Grammy nominations snubs and surprises: The Weeknd whiffs while Doechii’s high on ‘Anxiety’

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After a deep, focused recalibrating of its voting base — toward one younger, more diverse and more contemporary in taste — the Recording Academy made strides avoiding the big whiffs they were once famous for in the nominations for the 2026 Grammy Awards. But there will always be snubs, surprises and heated debates within the nominations. Here are a few that stood out to us.

SNUB: The Weeknd waits again

After a surprise, hatchet-burying performance from the Weeknd at February’s ceremony, it seemed that Abel Tesfaye was finally ready to get back in the Grammy ring after a four-year boycott of the event. Tesfaye had been understandably angry that his smash hit 2019 single “Blinding Lights,” off 2020’s “After Hours,” whiffed on nominations, and blamed the Grammys’ opacity around voting.

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Even Recording Academy chief Harvey Mason Jr. admitted that the Academy bricked that one — “That made for some interesting reading over breakfast,” Mason Jr. said onstage. “But you know what? Criticism is okay. I heard him. I felt his conviction.”

Well, it looks like Toronto’s losing streak in L.A. is going to continue, because the Weeknd’s “Hurry Up Tomorrow” didn’t land a single nod this year either. At this point, Tesfaye waking up on Grammy nomination day must be like watching Yoshinobu Yamamoto walk out of the Dodger bullpen — another heartbreak for a hopeful Canadian.

SURPRISE: Country’s category divorce

Following Beyoncé’s massive cross-genre win streak for “Cowboy Carter,” the country categories were split in two — traditional country and contemporary country album. The split acknowledged the genre’s recent commercial dominance and immersion in pop, while trying to preserve laurels for its more classic sounds. But the divorce turned out to be a strange one in practice, where indie favorite Margo Price and R&B-infused Charley Crockett end up in traditional while a bluegrass-informed, narrative-driven artist Tyler Childers ends up in contemporary. The rules were drafted to honor both ambition and form, but somehow ended up vibes-based.

SURPRISE: Three rap albums in contention

Hip-hop set a sad milestone last month — not a single rap song held a spot in Billboard’s Hot 100 chart for the first time since 1990. Is the genre declining commercially, or at least losing some degree of mass appeal? Not within the Academy — Grammy voters saw fit to put three masterful rap LPs up for Album, from esteemed veterans like Kendrick Lamar, Clipse and Tyler, the Creator, each of whom are making uncompromising, ambitious rap records deep into the middle of their careers.

It’s weird for the old heads to consider, but perhaps rap is becoming more like jazz in the Academy. Now it’s a critically beloved, technically dense art form lauded by the Grammys annually, yet also a genre that, outside of a few megastars, seems to be slipping from popular consciousness on the singles charts.

(On the subject of Tyler and genre, after previously roasting the Academy for confining him to hip-hop categories, he must be stoked to see his name in alternative music album for “Don’t Tap the Glass,” a bold and open-minded pick for a category that includes the Cure, Wet Leg, Hayley Williams and Bon Iver).

SNUB: An “Ordinary” letdown

Alex Warren’s “Ordinary” was the CVS-core hit of the year, an inescapable ballad of martial devotion that built off his Hype House fanbase on social media, while deftly luring Middle America with worship-band undertones. Whatever you want to read into that regarding cultural shifts in America in 2025, it’s surprising that such a rock-solid piece of songwriting didn’t get nominated for song or record, though Warren did turn up for new artist.

SURPRISE: “Golden” earns its medal

What should the Grammys do about “Golden”? The smash hit from “KPop Demon Hunters” was undeniably one of the defining singles of the last year, a rare piece of insatiably catchy and vivaciously produced music that almost every tween on the planet could recognize. But could the Academy sincerely give a new artist nod to Huntr/x? It’s impossible to separate “Golden” from the animated-movie context it came from, so giving Ejae, Audrey Nuna, Rei Ami and Mark Sonnenblick nods for song, rather than record, along with pop duo/group performance and song written for visual media feels like appropriate acknowledgment of the skill and powerhouse performance that went into it.

SURPRISE: A high “Anxiety” Doechii nod

Doechii’s loosie single spawned a thousand memes about happily hearing the opening pings of Gotye’s “Somebody That I Used to Know,” only to turn around and smash something when you hear Doechii sing “Anxiety, keep on tryin’ me …”

Is that harsh? Doechii deservedly won the Grammy for rap album in February, for the masterful “Alligator Bites Never Heal.” Clearly the Academy loves her, but its still kind of surprising that “Anxiety” — an early demo riffing on Gotye and Kimbra’s 2011 hit, which took off on TikTok in 2025 while earning a mixed reception among rap fans — got nods for record and song, along with rap performance, rap song and music video. When the Grammy voters get their teeth in an artist, it takes a lot to make them let go.

SNUB: Another Anton-off night

Grammy stalwart Jack Antonoff continues his unexpected cold streak in the producer, non-classical category, missing out on a nomination despite his work on album frontrunners from Sabrina Carpenter and Lamar. He didn’t get one last year either, despite Grammy acclaim for both Carpenter and Taylor Swift LPs. Nonetheless, he remains the Grammys’ Shohei Ohtani of pop producers — even when he misses, he still looms large over the field.

SURPRISE: Shred envy

In a banner year for metal and hard rock running up big numbers on the album and streaming charts, there are worthy nominations for metal performance from Sleep Token, Ghost, Spiritbox and Turnstile. Yet we smiled to see the Grammys keeping it weird, making room for ’90s prog-metal stalwarts Dream Theater alongside these more contemporary acts. They previously won in 2022, and seem to have a deep Academy fanbase in metal. High-five your local Guitar Center clerk in celebration.



This story originally appeared on LA Times

Mod Sun Reflects on Avril Lavigne Split

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Mod Sun is looking back on his high-profile engagement to Avril Lavigne — and how the fallout helped him grow.

Appearing on the Nov. 6 episode of Bunnie Xo’s Dumb Blonde podcast, the multi-genre artist opened up about the relationship’s end with surprising clarity, saying: “We’re two different people, but I think I had a great influence on her.” He added that the “Sk8er Boi” singer helped him “grow up,” and that he’s now more secure in his identity than ever before.

The former couple met in early 2021 while collaborating on music, and their joint single “Flames” dropped just weeks later. A whirlwind romance followed, with Mod proposing in Paris in April 2022. Less than a year later, the pair called off the engagement in February 2023.

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Though Lavigne has remained publicly silent on the split, Mod has continued to speak openly. In July 2023, he released the breakup track “Strangers,” with lyrics detailing the rise and fall of their relationship. The Paris-shot music video — filmed in the same city where he proposed — added further emotional weight.

On the podcast, Mod said that his perspective on the breakup has shifted over time: “We’re two different people, but I think I had a great influence on her.”

He continued, “Like now, I’m very secure of who I am, because I’ve been lost in the last three years of wondering, ‘Where do I fit in?’”

He added later, “If we had done this talk three months ago, I might’ve been like, ‘F— that person,’ but now… If I run into you? It’s all love.”

He also spoke about developing greater empathy in the aftermath, saying, “When someone does you wrong, stop thinking, ‘You did me dirty, and I’m out for revenge.’ Step in their position.”

Lavigne was briefly linked to rapper Tyga following the split, but the pair separated in mid-2023. Mod, meanwhile, focused on his tour and healing. “Being surrounded by love every night on tour has been an absolute blessing,” he wrote on Instagram days after the breakup. “I just know there’s a plan for it all.”



This story originally appeared on Billboard

Millie Bobby Brown Talks David Harbour Relationship

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If Millie Bobby Brown had any issues with Stranger Things costar David Harbour behind the scenes of the Netflix hit, she wasn’t saying so at Thursday’s premiere for the show’s fifth and final season.

Brown told Extra it was “amazing” to reunite with Harbour on the red carpet at TCL Chinese Theatre in Hollywood.

“We’re so lucky to have each other,” she added. “The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.”

And in comments to Entertainment Tonight at the premiere, Brown said, “I obviously have a really special bond with David because we have a father-daughter relationship, and we do every scene together, and you’ll really get to see that in Season 5. It’s been so special to have him along the journey for me.”

Brown, who plays Eleven on the show, also posed for photos with Harbour, who plays Jim Hopper, and laughed as the two of them chatted on the red carpet. Plus, Netflix shared a reel of Brown pretending to autograph Harbour’s forehead before giving him an affectionate hug.

The premiere comes days after The Mail on Sunday reported that Brown accused Harbour of harassment and bullying before Season 5 started filming, spurring an internal investigation into Harbour’s behavior, though the U.K. newspaper did specify the reported allegations did not involve sexual impropriety.

Variety cited sources who confirmed that there was an investigation into Brown’s complaint and that it was resolved.

In another interview at Thursday’s premiere, Stranger Things co-creator Ross Duffer declined to talk about “personal on-set matters” when The Hollywood Reporter asked about Brown’s reported complaint.

“Obviously, you understand I can’t get into personal on-set matters, but I will say we’ve been doing this for 10 years with this cast, and at this point they’re family, and we deeply care about them,” he said. “So, you know, nothing matters more than just having a set where everyone feels safe and happy.”

And director and executive producer Shawn Levy told THR the Stranger Things set was a comfortable and safe place for the cast members.

“You have to create a respectful workplace where everyone feels comfortable and safe, and so we did everything to build that environment. And we’re proud of the fact that we did so,” he said. “I’ve read a bunch of stories, and they range from wildly inaccurate to… there’s so much noise around it. But the truth is that we view this crew and this cast as family, and so we treat each other with respect, and that’s always been bedrock.”

Stranger Things, Season 5 Volume 1 Premiere, Wednesday, November 26, Netflix




This story originally appeared on TV Insider

Apple’s war in Europe

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Some say good government is less government. Others have a different point of view. But the least you should be able to expect from any kind of governance is that following one law doesn’t force you to break another. That is, unless you’re Apple and the laws are made in Europe.

In a letter seen by Computerworld, Apple Vice President Kyle Andeer has come out swinging against yet another investigation into the company’s business. Apple faces a pair of inquiries under Europe’s Digital Services Act (DSA), a sprawling piece of legislation that pretends to make the online world safer and probably won’t. (UK legal firm Slaughter and May offers a useful guide here.)

Apple comes out fighting

The problem is that the two investigations arguably reflect requirements made under the DSA’s companion law, the Digital Markets Act. Apple isn’t happy, and its latest furious complaint against EU regulators pulls no punches in pointing out the futile and contradictory hypocrisy in play. 

“We are concerned that these new inquiries are cynical attempts to distract from the core problems caused by the Commission’s misguided DMA enforcement efforts,” the letter says.

As part of an initial investigation, the European Commission has thrown Requests for Information (RFI) at Apple. These say regulators suspect that Apple:

  • “Has not put in place reasonable, proportionate and effective mitigation measures tailored to this specific systemic risk [of the dissemination of illegal content related to financial scams through App Store].”
  • “Has not put in place appropriate and proportionate measures to ensure a high level of safety and security of minors on their service.”

Apple helpfully points to its extensive and provable track record of having put numerous protections in place to protect customers and their children, while also pointing out that the Commission has made the task far more challenging in how it applies the DMA.

Apple is the world’s safest ecosystem

“We find it difficult to square the premise of these [requests] with the Commission’s aggressive interpretation and application of the Digital Markets Act (DMA). The Commission has consistently taken positions under the DMA that undercut Apple’s ability to protect its users,” the company said.

“Apple has always focused on protecting its users from bad actors on its platforms and in its App Store. For almost two decades, we have been investing heavily in systems and processes to identify risks of financial scams, apps that could potentially harm children, and other apps that we believe pose risks to our users on iOS and iPadOS. We have taken a number of steps to protect our users from harm — whether the risk is at the app level or the payment processor level.”

The extensive letter points to numerous things Apple already does. From App Store and App Review and beyond, its approach helps control fraud, prevent distribution of pornography, and defend against malware. But, of course, the Commission is actively eroding these protections with the DMA.

Europe is fundamentally undermining itself

“The Commission has forced Apple to change that successful approach — while simultaneously refusing to allow it to implement proven safeguards that have helped ensure that iOS users are better protected from malicious actors than users of any other [approach]. Without those protections, risks to users on our devices will inevitably increase.”

Apple also warns that giving developers permission to link out of their apps to wherever they want to link without any significant protections also threatens user security. Needless to say, this is precisely what Europe has demanded Apple do — a move that will inevitably expose people to additional risks. Europe is also insisting Apple “fundamentally undercut” many of the tools it currently uses for parental protection and control, even to the extent of refusing to permit Apple to institute key safeguards. 

“For decades, Apple has been meeting the challenges of an ever-evolving threat landscape by constantly innovating to keep our users safe from harm. Our efforts have made iOS the most secure mobile platform,” the company, quite justifiably, explains.

Apple also points to some of the big companies that have undermined the very protections the Commission now claims to want to encourage.”

European enshittification

“The Commission has made the App Store less safe for users: It introduced new vulnerabilities and undermined the protections Apple has long put in place to protect users of the App Store,” Apple said. “At the same time, the Commission has done nothing to address abuses by developers. Authorities in the United States have condemned Epic Games, Match Group, and other developers for misleading and deceiving users (specifically including children, in at least one case). The silence of the Commission has been deafening. It has turned a blind eye to these abuses, as they would expose the hypocrisy of the Commission’s approach to the digital marketplace. The loser is the user.

“It does not make sense for the Commission to press Apple to protect users, including minors, from fraud within the App Store while at the same time requiring Apple to create functionalities like link-outs and web views that increase the risk of fraud without necessary safeguards.”

Where’s the consistency?

“The Commission cannot both prohibit Apple from taking the steps it has found essential in mitigating the risk of scams and fraud on the App Store while simultaneously scrutinizing Apple for not providing even more measures to mitigate these risks on the App Store.”

Apple is quite evidently in a Catch-22 situation. On one hand, it’s being forced to introduce fundamental insecurities into its platforms, while at the same time facing punishment for what it is required to do. Central to all of this is what appears to be a commitment to denial on the part of Europe, which can’t even accept, for example, that many fraudsters play a long game; that is why intentional use of third-party payment systems with multiple layers of approval is so important when it comes to NFC.

What next?

With that total lack of consistency, Apple will surely see the cost of doing business in Europe increasing fast. So, when will it become so burdensome and expensive to do business in Europe that it becomes worth quitting the market? 

This has to be a question Apple’s senior leadership teams must discuss at morning meetings as Europe’s regulators hammer Cupertino with contradictory and inconsistent requests. If European voters feel like the long wait for Apple Intelligence was painful to them, just how will they feel in the event Apple chose to withdraw some products and services from that market entirely?

Perhaps Europe’s Parliament, which hires the leaders of the Commission, might want to consider that in the prelude to the next election in 2029.

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This story originally appeared on Computerworld