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JPMorgan CEO Jamie Dimon warns US economy is ‘weakening’ after jobs revision

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JPMorgan CEO Jamie Dimon claimed on Tuesday the US economy “is weakening” after the Labor Department slashed nearly 1 million jobs from its initial employment estimates for the year ending March 2025.

The head of the nation’s largest bank told CNBC that the “big revision” by the Bureau of Labor Statistics to lower its non-farm payrolls data by 911,000 pointed to stuttering US growth.

“I think the economy is weakening,” Dimon said at an event to mark the opening of the banking giant’s new $3 billion Manhattan HQ. “Whether it’s on the way to recession or just weakening, I don’t know.”

REUTERS

“There’s a lot of different factors in the economy right now,” he added, pointing to weakening consumer spending while citing strong corporate profits.

The long-serving CEO also forecast that the Federal Reserve will “probably” reduce its key interest rate when central bankers meet later this month.

Sal Guatieri, senior economist at BMO Capital Markets said the revision painted “a much weaker portrait of the job market than initially thought. While the revision doesn’t say much about what has happened since March, it suggests the labor market had less momentum heading into the trade war. And, recent data suggest the market has downshifted further.”

Figures released earlier this summer indicated employment growth had slowed to a near halt in July, adding just 73,000 jobs.

That report prompted President Donald Trump to fire the Bureau of Labor Statistics chief Erika McEntarfer, alleging that her numbers had been “manipulated for political purposes.”

On Friday, the bureau said the economy generated just 22,000 jobs in August, raising fears that unpredictable taxes on imports have created so much uncertainty that businesses are reluctant to hire.

Nevertheless, official US government figures released at the end of last month by the Bureau of Economic Analysis estimate that the economy grew by 3.3% in the second quarter of 2025, marking a strong rebound from the 0.5% decrease in the first three months of this year.



This story originally appeared on NYPost

America’s kids keep losing ground in math and reading — though we know EXACTLY what to do

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Here’s one more reason to detest teachers-unions and other special interests who prioritize everything but getting the kids to learn: US high-school seniors in 2024 posted the worst results on record in reading, and about as bad in math.

This, when research has conclusively proven how to get those scores soaring — if we can get the education “stakeholders” out of the way.

The bottom line of the latest National Assessment of Educational Progress report is beyond ugly: 12th-grade math scores last year were the worst since the current test started in 2005, and reading the worst since the NAEP itself started in 1992.

A mere one in five (22%) seniors tested as “proficient” in math, and just a third (35%) in reading.

Both figures dropped two percentage points from the last 12th-grade NAEP results, in the pre-lockdown year of 2019; these kids were in 8th grade when COVID hit and teachers unions across America did their damnedest to keep schools closed for years while pretending that “remote learning” was anything but a farce.

This week’s NAEP release follows earlier reports on also-grim results for 8th- and 4th-graders starting in 2022.

And it’s the bottom half of kids who are pulling the averages down — that is, high-scoring children are doing fine; it’s those in areas and schools that were already underperforming who are now doing even worse.

In other words, children in public schools where the establishment has given up on them — and the true focus is entirely on keeping teacher unions happy.

This is why the best hope for underprivileged US kids is school choice — access to public charter schools that operate outside the control of unions and the bureaucracies they control, and/or to scholarships or other help that lets them flee to private schools, including the Catholic schools that have long provided refuge in our cities.

It’s maddening, because we know how to reverse this decline.

A few Deep South states led by Louisiana are showing exactly what’s needed in reading: Requiring K-3 teachers to get intense training in scientifically tested methods of instruction based on phonics and phonemic awareness, followed by engaging, content-rich lessons in later grades.

Harvard’s Roland Fryer, meanwhile, proved a decade ago that a few basic approaches (learned from studying effective charter schools) can get big-city, low-income, minority kids fully up to speed in math.

America can solve its education crisis, it just needs the political will.



This story originally appeared on NYPost

Apple’s big iPhone launch — what you need to know – Computerworld

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iPhone users took over 500 billion selfies last year, so Apple has improved the front camera in the iPhone with a much larger, square sensor. The rear camera system has a 48 MP Fusion Main camera with an integrated optical-quality 2× Telephoto — essentially two cameras in one. It also has a 48 MP Fusion Ultra-Wide camera, offering up to 4× the resolution of the previous generation, ideal for wide-angle and macro shots. Expect all-day battery life with up to 30 hours of video playback and the capacity to charge the device to 50% in 20 minutes using an optional 40W power adaptor. 

As expected, Apple has raised the entry level storage to 256GB. Available in black, lavender, mist blue, sage and white, the iPhone 17 can be pre-ordered on Sept. 12 and will be available a week later. In a rare historical comparison, no doubt designed to accelerate upgrades a little, Apple says this phone is twice as fast as an iPhone 13.

iPhone Air in brief

Replacing the iPhone Plus, the iPhone Air is a great illustration of the extent to which Apple’s work on processor technology has allowed it to push new design boundaries; the thinnest iPhone ever is crafted using space-grade titanium for durability. Powered by the A19 Pro chip, the Air also uses Apple’s N1 processor, which means Wi-Fi 7, Bluetooth 6 and Thread are supported.



This story originally appeared on Computerworld

Beats’ new iPhone 17 case has a lanyard that turns into a kickstand

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Beats has launched a new collection of cases to go with Apple’s latest iPhones, including one with a removable lanyard that doubles as a kickstand. Lanyards and cross-body straps for phones are becoming pretty common these days. If you’re someone who travels every now and then, they can help protect you from pickpockets or from accidentally leaving your phone behind while you struggle with your luggage. The lanyard on Beats’ case comes with something extra: It has an adaptor at the end that slides open and attaches to a magnetic part on the side of the case so that it can act as a kickstand for hands-free phone use. The Beats iPhone 17 Kickstand Case with MagSafe & Camera Control is available in Granite Gray, Bedrock Blue, Lime Stone and Pebble Pink. You can get it from Apple’s website for $59.

The new collection also includes a basic case that Beats describes as “thin, light, and precisely crafted.” It’s available in the same colors, with the same matte hard outer shell that prevents fingerprints and an interior microfiber lining. This model will set you back $45 and is the only one in the collection that you can get for the iPhone Air.

Finally, the Beats iPhone 17 Rugged Case with MagSafe & Camera Control will give you some extra protection if you tend to drop your devices. Beats designed it with a rugged polymer backing that’s complemented by impact-absorbing sidewalls. It has an enclosed bottom for enhanced protection and a textured matte exterior to give you a good grip on your phone. The manufacturer said it put the case through repeated drop and scratch tests, as well as multiple thermal, mechanical and chemical tests to simulate real world use. Beats’ rugged case is available in Everest Black, Rocky Blue, Alpine Gray and Sierra Orange for $79.



This story originally appeared on Engadget

See Who’s Returning to the Villa – Hollywood Life

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Image Credit: Art Streiber/Peacock

Thought the drama was already cast away to sea? Think again because season 2 of Love Island Games is approaching, and islanders from different countries will come together. From franchise in the USA, the UK, Australia, France, Germany and more — this season is about to be an enticing one. So, who’s in the cast this time around?

Love Island icon and comedian Iain Stirling is reprising his narrator role, while Maura Higgins will return to host Love Island Aftersun, and former islander Cely Vazquez will be back as the Social Ambassador.

When Does Season 2 of Love Island Games Premiere?

Season 2 of Love Island Games premieres on Tuesday, September 16, at 9 p.m. ET on Peacock.

Who Is in the Love Island Games Season 2 Cast?

The games aren’t just for U.S. participants — they’re open to the other franchises too! After all, the UK version started the franchise, so how could they exclude them from this?

The islanders coming to play from Love Island USA are Andrea Carmona and Kendall Washington from season 6, Andreina Santos, Charlie Georgio and Christopher Seeley from season 7, Isaiah Campbell from season 4, Josh Goldstein from season 3 and Kay Kay Gray from season 5.

Other islanders re-entering the Villa are Garbi Denteh from season 4 of BE/NL, Lucinda Strafford from season 7 UK and season 5 AUS, Mert Okatan from seasons 2 and 3, BE/NL, Nicola Gauci Borda-Warr from season 1 MT, Solene Favreau from season 2 FR and Tyrique Hyde from season 10 UK.

When Do Love Island Games Episodes Come Out?

The premiere will be a two-hour episode, followed by weekly episodes from Thursdays through Tuesdays.

How Much Is the Prize Money for Love Island Games?

With multiple dramatic arrivals, game twists and cross-franchise tension between former Islanders from the U.S., U.K., France, Malta, Belgium and the Netherlands, contestants compete for both love and the $100,000 cash prize.




This story originally appeared on Hollywoodlife

The new UK travel rule in effect from October – fingerprints and photo required | Travel News | Travel

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The UK government has launched a new campaign advising UK holidaymakers to prepare for the new Entry/Exit System (ESS) coming soon. The campaign involves messages, that inform Brits about the introduction of the new EU border checks, being posted on the government’s social media profiles and shared by on travel websites.

The ESS, introduced by the EU for UK and non-EU nationals travelling for a short stay, will come into effect on October 12 and gradually be implemented over a six-month period. The automated system will require travellers to register at the border by scanning their passports and having their fingerprints and photographs taken.

It will be a requirement for those entering Schengen area countries, such as Iceland, Norway, and Switzerland. However, it is not required when you visit Ireland and Cyprus.

According to Travel Weekly, Brits will have to register on their first visit to a participating country after the new control is introduced, and the registration will remain valid for a rolling three-year period or until their passport expires.

As part of the new rules, all travellers, including babies, must be photographed and digital records created. However, children under the age of 12 will not be required to have their fingerprints taken.

For future entries and exits from participating countries, travellers will only need to scan their passport and give either fingerprints or a photo at the border.

The government stated that a phased introduction of ESS “should allow for a phased implementation that minimises disruption, particularly at peak periods.”

The checks are expected to take up to two minutes per traveller, but the Government warned that they “may lead to longer wait times at border control upon arrival in the Schengen area”.

For those travelling from juxtaposed ports, such as the Port of Dover, Eurotunnel at Folkestone or St Pancras International, the process will happen at the border before leaving the UK.

Longer waits at these cross-Channel operators are expected but the government has said that there are “plans in place to minimise disruption as much as possible”.

A goverment spokeperson said: “While ESS checks will be a significant change to the EU border, we are in constant and close dialogue with out European partners to try and minimise the impact on the British public.

“While we have done everything we can to ensure the required infrastructure is in place, anyone who is planning a trip to the European mainland once these checks are introduced will still need to allow more time for their journey as the new EU systems bed in.”



This story originally appeared on Express.co.uk

Mike Johnson Begs Democrats To Invite Trump To Invade Their Cities

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Speaker Mike Johnson really wants the 2026 midterm election to be about crime. Johnson also really, really wants Trump to get the credit for his photo-op crime-fighting in blue cities.

Johnson said on Wednesday:

 We need to confirm for the American people that they do not need to fear for their lives when they drive to the grocery store or they pick up their son or daughter from school. This is common sense and I cannot, for the life of me understand how the Democrats think this is some sort of winning political message yield man.

Let the troops come into your city and show how crime can be reduced. It’s a morale boost for the country and it’s safe and and right for everybody involved. So I, if they want to go down that road, they’re gonna go down that road. But we’re gonna keep talking about common sense and we’re gonna keep delivering.

Video:

Why is Johnson so determined to get Democratic mayors to ask Trump to invade their cities?

The answer goes back to the California court ruling that Donald Trump can’t use the military for civilian law enforcement. Republicans are also worried that Trump’s use of the military will be halted by the courts if the troops are not invited into the cities.

Trump used immigration protests as a pretext to invade Los Angeles. Trump didn’t need a justification to invade Washington, DC, but if he wants to invade other cities, he is going to need a reason or to be invited in.

The cities have shown less than zero interest in inviting Trump and his troops in, so Johnson is trying to politically pressure them.

As more cities resist, Trump’s invasion tour seems to be losing steam.

Johnson has to change the subject away from the economy to have any chance of Republicans keeping the House majority, so he is floating the crime distraction, and if this fails, his time as Speaker is probably going to end.

What do you think about Johnson asking mayors to invite the Trump troops in? Share your thoughts in the comments below.

Leave a comment



This story originally appeared on Politicususa

Evercore hikes Apple stock target to $260 on iPhone Air upgrade hopes

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Evercore ISI thinks Apple’s new iPhone Air will be the catalyst for a long-overdue upgrade cycle and has boosted it’s Apple stock price target by a bit, but history suggests that’s a risky bet.

iPhone Air

In a note to investors on September 9, 2025, seen by AppleInsider, the research firm raised its Apple stock target to $260, up from $250. Analysts argued that the iPhone 17 lineup, particularly the newly introduced iPhone Air, represents enough of a design shift to reinvigorate demand.

Evercore highlighted five takeaways from Apple’s “Awe Dropping” event in Cupertino. Analysts believe these moves mark the start of a new multi-year roadmap for iPhone sales.

Continue Reading on AppleInsider | Discuss on our Forums


This story originally appeared on Appleinsider

Best Horror Movies on Max to Watch Right Now

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It’s movie night on the weekend. No more work for a couple of days, everyone’s tired after a busy week, and the children will probably go to bed early or hang out in a pajama party that hopefully, you won’t have to host. Your partner in crime is only expecting you to open the wine if you’re not a bloodsucking vampire or make popcorn if Ghostface doesn’t call first. The latest addition to the family comes in the form of the streaming service HBO Max.

We know time is like a currency nowadays, so we don’t want you to waste any of it. That’s why we’ve handpicked a list of titles that are available on HBO Max for your enjoyment. Not everyone likes the same, so we’ve made sure to pick something of each horror subgenre. Who knows, maybe you’ll end up going on a horror marathon that’ll continue until Saturday morning. Just be careful, as none of these are family-friendly.

Updated on Sep. 9, 2025: This article has been updated with additional content to keep the discussion fresh and relevant with even more information and new entries.

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‘MaXXXine’ (2024)

MaXXXine is the movie that concludes Ti West’s X trilogy, and it’s a direct sequel to his 2022 movie, X. Set in 1980s Hollywood, it follows Maxine Minx, an adult film star and budding actress desperately wanting to achieve mainstream success. But before she can become famous, she finds herself embroiled in a series of murders involving the infamous Night Stalker. Soon, Maxine is forced to come face-to-face with her dark past.

Neatly Wraps Up the Trilogy

West’s direction, as usual, brings a unique blend of ’80s nostalgia and unsettling horror, which not only makes MaXXXine a standout in the genre but also an enormously successful horror film of 2024. Mia Goth is a revelation once again in her captivating performance as the titular character. The film thrives on its visuals, visceral chills, and a gripping storyline.

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‘I Saw the TV Glow’ (2024)

A Sundance Film Festival premiere, this A24 horror follows Owen and Maddie, two high school students, otherwise isolated from the other kids their age, but connecting with each other over their shared love of a mysterious young adult television show called The Pink Opaque. Their obsession with the show grows to the point where they see beyond the TV screen, and it leads them down a surreal path.

Mind-Bending Thriller

I Saw the TV Glow is a psychological horror with a deeper meaning about reality and identity. It is directed by Jane Schoenbrun, who intends to offer the viewers a disturbing experience, but at the same time, wants to draw attention to the emotional turmoil of her characters, who feel safe in a certain place but can’t be as liberated elsewhere. Justice Smith and Brigette Lundy-Paine are incredible at turning the movie into a must-watch.

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‘Trap’ (2024)

Written, directed, and produced by M. Night Shyamalan, Trap is another psychological thriller that delivers what it promises. It centers around a father-daughter duo attending a concert but noticing a sinister presence and getting caught up in it. Apparently, the concert is actually a trap set by the FBI to capture a serial killer, which causes major chaos among the attendees.

Thrives on Hartnett’s Performances

As always, Shyamalan keeps the audience on edge with the plot twists and the build-up of suspense, until the final reveal leaves them in awe of everything they just witnessed. Trap conveniently combines intrigue with horror, which the director is known for, and creates an eerie atmosphere throughout. Josh Hartnett plays the conflicted father, who’s also revealed to be the serial killer’s target, and Ariel Donoghue shines as the daughter. Overall, a darkly humorous and satisfying horror-thriller.

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‘Sinners’ (2025)

Lauded as one of the greatest horror movies of the twenty-first century and beyond, Ryan Coogler’s atmospheric masterpiece Sinners features a dual powerhouse performance by Michael B. Jordan and takes place in 1932 in the rural town of Clarksdale, Mississippi where twin brothers Smoke and Stack Moore return after years of being away, only to discover something supernatural and sinister is plaguing the community and spreading evil.

Coogler Crafts a Transcending Horror Knockout

One of the most critically and commercially successful releases of the year, Sinners took audiences by storm with its electrifying storytelling, stunning visuals, and captivating soundtrack, as well as its profound exploration of spiritualism, racism, and the struggles Black Americans faced in the South during the tumultuous time period. Praised for its brilliant blend of genres, Sinners won Best Horror Movie at the Critics’ Choice Super Awards and is nominated for a slew of other prestigious accolades (with many more likely on the way).

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‘Caddo Lake’ (2024)

A supernatural thriller written and directed by Celine Held and Logan George, Caddo Lake takes place in the titular tight-knit community. It begins with the sudden disappearance of an eight-year-old girl named Ellie. After her family and the Caddo Lake community begin searching for her, they uncover a series of past deaths and mysterious disappearances, all of which lead to the presence of a supernatural force.

A Moody and Gripping Mystery

Drawing from the atmospheres of small-town horror classics, Caddo Lake impresses viewers with its setting. The intriguing mystery that binds all the minutes together escalates slowly and gradually and sets up a haunting finale. The movie stars Dylan O’Brien and Eliza Scanlen as Paris, a twenty-something guy who gets caught up in the mystery, and Ellie, respectively. The film is described by critics as a “delirious sci-fi thrill ride that washes over the senses.”

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‘Funny Games’ (1997)

Funny Games is a psychological horror movie written and directed by Michael Haneke. It centers around a family of three arriving at their holiday home in Austria to have a good time. Shortly after settling in, they are visited by two seemingly polite young men (whom they spotted at their neighbors’ on their drive here). They overstay their welcome, torment the family, and play a bizarre series of games with them for their own twisted amusement.

Haunting Imagery of Unknown Terror

Haneke focuses less on the graphics and more on the banality of evil. Even though his direction is controlled, the pacing is deliberate, and the politeness is only forced, the movie is so intense and shocking that the terror of not knowing when or how the pain will strike is what unsettles and scares the audience. Back when it was first shown at the 1997 Cannes Film Festival, one-third of the audience left the theater. Regardless, Funny Games is considered a masterpiece, specifically for subverting the slasher genre. It also led to an American remake starring Tim Roth and Naomi Watts.

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‘Scream’ (1996)

The movie that rekindled people’s interest in the horror genre and brought back the gleeful gore of the ’80s slasher movies, Scream was the first in what would become a full-fledged, generation-defining horror franchise. It is set in the fictional town of Woodsboro, California, and it begins with a young woman named Sidney receiving a phone call from a mysterious person. Soon after, a killer in a Ghostface mask begins murdering her friends.

Revitalizes the Slasher Genre

By combining horror, comedy, and ingenious meta references, director Wes Craven and Kevin Williamson’s brilliant script breathed new life into overused tropes. Not only did the movie succeed on the commercial front, but it also garnered high praise from critics and fans for being self-aware, twisted, and downright terrifying. Scream pays homage to the classics, but it also redefines horror by offering fresh perspectives, unforgettable scream queens, and a meticulously executed plot. Overall, Scream is a charming horror classic.

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‘It’ (2017)

The second spine-tingling Hollywood adaptation of the classic Stephen King bestseller, 2017’s It stars acting chameleon Bill Skarsgård as the demented killer clown Pennywise, who terrorizes a close-knit group of outcast children in the small town of Derry, Maine, by forcing them to face their greatest fears. Every 27 years, the shape-shifting demon emerges from the sewers to wreak havoc and prey on the innocent, and it’s up to Bill (Jaeden Lieberher) and his fellow Losers to put an end to the clown’s terror.

Skarsgård Delivers a Hair-Raising Performance as Pennywise

Attempting to live up to the legacy of Tim Curry’s unnerving portrayal of Pennywise in the 1990 miniseries would be a tall order for any actor, yet Skarsgård epically created his own hair-raising portrayal of the malevolent entity and scared up endless thrills and chills in It. The horror sensation shattered box office records and grossed over $704 million worldwide while spawning the successful 2019 sequel It Chapter Two, and fans of both Skarsgård and the killer clown are anxiously awaiting the premiere of the upcoming prequel series It: Welcome to Derry.

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‘Eyes Without a Face’ (1960)

Eyes Without a Face is about a renowned Parisian plastic surgeon who is devastated after a car accident leaves his daughter’s face disfigured. Consumed by guilt, he resorts to unbelievable means to make her “beautiful” again – abducting unwitting women on the road late at night, removing their facial skin to graft onto his daughter, then dumping their corpses into the river. A police investigation begins, and Dr. Génessier eventually meets his fate.

An Elegant and Chilling Psychological Masterpiece

The French-language horror was met with polarizing reviews from critics and fans. While some lauded its strange yet compelling narrative, others were deeply unsettled by its imagery. Regardless, this Georges Franju-directed movie is considered a masterpiece in the history of cinema. Pierre Brasseur haunts as Doctor Génessier, while Alida Valli excels as the deranged doctor’s guilt-ridden nurse. Shot with exquisite compositions and poetic undertones, its themes of obsession and fragility endure even today.

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‘Child’s Play’ (1988)

Kids were never able to look at their toys quite the same way after the supernatural slasher Child’s Play made its chilling debut, with the ’80s cult classic famously telling the story of a vicious serial killer whose soul is transferred into a doll after he performs a voodoo ritual and dies at the hands of a detective. When widow Karen inadvertently gives her six-year-old son Andy the doll that possesses the spirit of the notorious Charles Lee Ray, bloodshed and violence quickly follow suit.

The Terrifying Chucky Becomes a Bona Fide Horror Icon

Child’s Play sparked a massive and lasting impact on cinema as it winningly blended horror and humor while also providing satirical commentary on consumerism and society’s obsession with toys. Critics and fans alike were blown away by the film’s pint-sized, diabolical villain and director Tom Holland’s use of deeply unsettling puppetry, and its unexpected success helped spawn an enduring media franchise that consists of six sequels, a TV series, a reboot, and more. Nearly 40 years later, Chucky remains a pop culture icon and one of the horror world’s most instantly recognizable figures.



This story originally appeared on Movieweb

Dwayne Johnson’s A24 Sports Movie Is A Total Bust

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The hype surrounding The Smashing Machine has been astronomical and for good reason. It’s Benny Safdie’s first solo directorial effort after working with his brother Josh on acclaimed hits like Good Time and Uncut Gems. Rumors of a massive budget make it possibly one of the most expensive films A24 has ever made as it makes a push for bigger films in general. And it’s Dwayne Johnson’s big Oscar vehicle, the box office giant’s first stab at a truly serious role.

To get in the headspace of former UFC fighter Mark Kerr, Johnson has transformed and spoken often about how tapping into this role brought him to a vulnerable state he hasn’t yet explored in his career. The big question out of the film’s Venice premiere was, does it all work? The answer is no.

The Smashing Machine Is Too Sedate To Be Thrilling

Dwayne Johnson in The Smashing Machine

As a sports biopic, The Smashing Machine is unconventional in some ways. It opts not for an expansive look at Kerr’s entire life, but focuses instead on the three years — from 1997 to 2000 — where addiction almost ruined Kerr’s life and the fighter had an overseas gig in a Japanese league called Pride. Still, Safdie, who also wrote the script, can’t help but fall into some of the genre’s trappings, with training montages and more used to middling effect.

To his credit, Johnson’s performance is absolutely fine, though it’s certainly not revelatory. The idea of casting the world’s most famous wrestler-turned-actor in the role of Kerr is arguably more fascinating than the performance or the film itself. That said, it is Johnson’s best role to date, giving the actor a chance to bite into meaty material that he has otherwise avoided through much of his career.

Blunt is in the role of the thankless, underdeveloped love interest, but she truly shines as Dawn, Kerr’s eventual wife. In one of the film’s domestic fight scenes (which are more thrilling than anything that takes place in the ring), Dawn shouts at Mark that he “doesn’t know her.” We don’t really know him, either — at least not on any sort of intimate level beyond her relationship with the star of the show. Still, Blunt imbues Dawn with a sense of humanity that makes her stand out, flaws and all.

Safdie’s direction adds a layer of intimacy that his script does not, and it certainly evokes past collaborations with his brother, but there’s a stagnancy to the camera that gives The Smashing Machine an overall lack of energy, even during its most brutal moments. This all builds to an anticlimactic conclusion that, while presumably true to real events, nonetheless feels underwhelming.

Underneath all these flaws lies a good film. It’s not that The Smashing Machine is even bad. It’s just that it falls so short of its potential and has a startling lack of energy for a film about men beating each other senseless. Its best moments aren’t in the octagon — they’re in the quiet moments when Johnson’s Kerr is talking to an interviewer backstage or when Dawn and Mark are exchanging barbs in between affections in their cozy Arizona home.

The best sports biopics are about overcoming near-insurmountable odds, and Kerr certainly did that time and time again. Johnson, too, has done the same, transitioning from a wrestling star to a serious actor. But it’s clear that to go further, he may need better material to transcend. At the end of the day, The Smashing Machine still reverts to familiarity rather than pushing the needle, and it’s clear that everyone involved can do better.

The Smashing Machine screened at the 2025 Toronto International Film Festival. A24 will release the film in theaters on October 3.


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The Smashing Machine

4/10

Release Date

October 3, 2025

Runtime

123 minutes

Director

Benny Safdie

Writers

Benny Safdie

Producers

Beau Flynn, David Koplan, Dwayne Johnson, Dany Garcia, Hiram Garcia






This story originally appeared on Screenrant