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7 Assassin’s Creed Video Game Details The Live-Action Netflix Show Must Include

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Netflix has announced a new television adaptation of the Assassin’s Creed video games, and the series needs to include these seven features of the games. Netflix greenlit a live-action Assassin’s Creed series five years after securing the rights to it and almost a full decade after Michael Fassbender’s underwhelming Assassin’s Creed movie. The news also comes just months after the release of Assassin’s Creed Shadows.

Netflix’s take on Assassin’s Creed is still incredibly early in development, so there aren’t many details available about it. We don’t know where the show will take place in Assassin’s Creed‘s timeline, how much of the franchise’s modern-day story will be featured, or even what era of history it will focus on. We also don’t know if Netflix is adapting an existing game or telling a new story, akin to Fallout‘s approach to its games.

There are certain parts of Assassin’s Creed that are essentially guaranteed to be in any adaptation. Things like the hidden blades, parkour and the leap of faith, and the general conflict between Assassins and Templars are baked into the story already. These seven features, however, aren’t as ubiquitous, but they still deserve a spot in Netflix’s adaptation.

Netflix’s Assassin’s Creed Show Has To Mention Desmond Miles & Layla Hassan

Desmond & Layla Were Too Important To Assassin’s Creed’s Modern Storyline To Ignore

While they may not be the most exciting aspects of the Assassin‘s Creed franchise, Desmond Miles and Layla Hassan are prime candidates for the Netflix show. Desmond and Layla are crucial parts of Assassin’s Creed‘s modern day story, and if the Netflix show wants to use it at all, it’ll have to at least reference them.

Desmond was the connective tissue of the first five AC games. Layla – while not nearly as popular – was also incredibly important to more modern games. They’re both important parts of understanding Assassin’s Creed and the reason the series flips between modern and ancient times. Including them would be a good reference, but it would also be good for new viewers who aren’t familiar with the games.

The Assassin’s Creed Show Has To Work In Some Notable Assassins

It May Be Fan Service, But Assassin’s Creed Fans Would Love A Reference To Altaïr Or Ezio

In the same vein of helping viewers who aren’t familiar with the games, Netflix’s Assassin’s Creed show has to at least mention some of the franchise’s most important assassins. Protagonists like Altaïr, Ezio, and Edward Kenway are fan-favorites, but they were also foundational parts of the Assassin Brotherhood as a whole. Viewers wouldn’t have a full understanding of the Order without knowing them.

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Every Assassin’s Creed Game On PlayStation Plus, Ranked

If you’re an Assassin’s Creed fan, you might want to consider picking up a PlayStation Plus membership for access to a huge collection of AC games.

Netflix’s AC show doesn’t have to actually feature assassins like Ratonhnhaké:ton or Eivor, but it should still mention them. It could be as simple as listing off the lineage of leaders the Order has had through the ages. Ezio could even get a nod to explain why assassins don’t have to cut off their fingers, as long as there’s some mention of those iconic assassins.

The Isu & Pieces Of Eden Should Make A Comeback In The Assassin’s Creed Show

A Linear Television Show Is A Much Better Way To Explore AC’s Isu Storyline Further

Netflix’s Assassin’s Creed show is also the perfect chance to bring the focus back onto the Isu and the pieces of Eden. For the first few games, the Isu were the frame story of Assassin’s Creed as a whole. While it did get a bit whacky in recent games like Odyssey and Valhalla, the Isu were an engaging part of the franchise.

The most recent game, Assassin’s Creed Shadows, smartly decided to avoid the Isu storyline almost entirely. It was bogging the games down and detracting from the immersion and historical accuracy of the series, but most of those problems would be gone in a TV show. Netflix’s Assassin’s Creed could revisit the Isu without having to worry about gameplay, which could give it a chance to do that storyline well.

Instead of being a distraction to wade through in between bits of historical fiction, the Isu could become an intriguing blend of science fiction and fantasy again, like they were in the first few games.

If it handles the Isu and pieces of Eden right, Netflix’s Assassin’s Creed could revitalize the entire modern-day story of the franchise. Instead of being a distraction to wade through in between bits of historical fiction, the Isu could become an intriguing blend of science fiction and fantasy again, like they were in the first few games. The show could even revisit the Grey and Layla’s fate.

Netflix Has The Perfect Chance To Continue AC Shadows’ Update Of The Abstergo Plotline

Netflix’s Show Could Do A Lot With An Evil Tech Company That Can Gaslight Genetic Memory

How Assassin's Creed Can Wrap Up Abstergo's Many Plot Threads

One of the most recent updates to Assassin’s Creed would also be perfect for Netflix’s show to pick up and run with. Assassin’s Creed Shadows, as previously mentioned, mostly dropped the modern-day frame story of the franchise. In doing so, Shadows made Abstergo, the Templars’ modern company, into a much better villain for the AC show to focus on.

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30 Best TV Shows On Netflix Right Now (April 2025)

From classics like Suits and Seinfeld to twisty sci-fi like Stranger Things, the best shows on Netflix have something for everyone.

In the past, Abstergo was part research and part video game company that was basically shoehorned into the games as a way to explain the Animus. Shadows, however, started playing with the idea that Abstergo is a sinister tech giant that can manipulate the very fabric of human memory. Netflix’s take on Assassin’s Creed could have a field day with Abstergo and its questions about memory and genetics.

A television show is also the perfect format for Assassin’s Creed to dive even deeper into Abstergo. Abstergo was never terribly entertaining because there wasn’t much to do in the modern-day sections of the games. Again, the show won’t have the problem of worrying about gameplay, so it can dive much deeper into the corporate intrigue of Abstergo and unravel more of its mysteries.

The Assassin’s Creed Show Can Go Back To The Traditional Animus & Bleeding Effect

The Bleeding Effect Would Work So Well In TV & Would Allow The Show To Go Deeper Into The Modern Day

The Animus in Assassin's Creed 2, with Desmond Miles talking to Rebecca Crane in front of the Animus 2.0.

If Netflix does decide to focus more on Abstergo, that would also open the door to returning to Assassin’s Creed‘s original Animus. Recent games like Shadows, Black Flags, and Unity presented the franchise through the meta-lens of playing a video game. The Animus and its bleeding effect, however, would be great plot points to include in the AC show.

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Why Assassin’s Creed 2 Never Happened

Assassin’s Creed 2 was in the works following the first movie, and a Cold War setting was even being considered, but the sequel never materialized.

The best reason to include the Animus and its bleeding effect is simply because it’s cool. That was one of the best parts of the 2016 Assassin’s Creed movie: seeing how a modern person could literally learn from the past and their ancestors. It also added a psychological thriller aspect to Desmond and Layla’s stories which would translate perfectly to a television show.

Another reason to include the Animus is a more functional one. By focusing on the Animus and the bleeding effect, Netflix’s Assassin’s Creed will have a much better basis for a modern-day story. The bleeding effect alone would tie the modern-day protagonist to their ancestor while also working as the perfect explanation for why the show takes place in two timelines.

Netflix Should Show More Of The Broader Assassin Brotherhood

Assassin’s Creed Has Mostly Forgotten About How Expansive The Assassin Brotherhood Is

This may be just personal preference, but I would really like to see the Assassin’s Creed TV series show more of the Brotherhood beyond the main character. In the early games, particularly the aptly-titled Assassin’s Creed Brotherhood, Ezio and other notable figures weren’t working alone. They had support from a vast network of less skilled but still deadly assassins.

Title

Release Date

Available Platforms

Assassin’s Creed

2007

PC, PS3, Xbox 360

Assassin’s Creed 2

2009

PC, PS3, Xbox 360 (original); PS4, Xbox One, Switch (The Ezio Collection)

Assassin’s Creed Brotherhood

2010

PC, PS3, Xbox 360 (original); PS4, Xbox One, Switch (The Ezio Collection)

Assassin’s Creed Revelations

2011

PC, PS3, Xbox 360 (original); PS4, Xbox One, Switch (The Ezio Collection)

Assassin’s Creed 3

2012

PC, PS3, Xbox 360, Wii U (original); PC, PS4, Xbox One, Switch (Remastered)

Assassin’s Creed 4: Black Flag

2013

PC, PS4, Xbox One, PS3, Xbox 360; Switch (The Rebel Collection)

Assassin’s Creed Rogue

2014

PC, PS4, Xbox One, PS3, Xbox 360; Switch (The Rebel Collection)

Assassin’s Creed Unity

2014

PC, PS4, Xbox One

Assassin’s Creed Syndicate

2015

PC, PS4, Xbox One

Assassin’s Creed Origins

2017

PC, PS4, Xbox One

Assassin’s Creed Odyssey

2018

PC, PS4, Xbox One

Assassin’s Creed Valhalla

2020

PC, PS5, Xbox Series X/S, PS4, Xbox One

Assassin’s Creed Mirage

2023

PC, PS5, Xbox Series X/S, PS4, Xbox One

Assassin’s Creed Shadows

2025

PC, PS5, Xbox Series X/S

Assassin’s Creed has somewhat forgotten about how vast the Order is supposed to be. Games like Origins and Syndicate did feature a growing or already large Brotherhood, but they were mostly propped up by a single important assassin. I’d rather see Netflix’s Assassin’s Creed focus on an entire chapter of the Brotherhood fighting together against the Templars.

No Matter When Netflix’s Assassin’s Creed Show Is Set, It Has To Include As Many Historical Figures As Possible

Meeting Strange Historical Figures Is One Of The Best Parts Of Assassin’s Creed

My last wish for Netflix’s Assassin’s Creed show is a bit goofy: I want to see as many historical figures as possible. One of my favorite parts of Assassin’s Creed is getting to meet the weirdest historical figures you can think of. Seeing Leonardo da Vinci design a crossbow or getting into arguments with Socrates is a lot of fun, and I hope the show remembers to have a bit of fun with its premise.

Related


Assassin’s Creed Shadows Could Finally Fix The Modern Day With This Animus Feature

Shadows pulls back on the modern-day storyline of Assassin’s Creed, but this gives the opportunity for Ubisoft to make a plot fans could love.

It doesn’t even matter what time period the Assassin’s Creed show is set in, as long as it doesn’t hold anything back with its historical figures. The weirder, the better, in my opinion. This will be the real litmus test: if Netflix can get the historical figures in its Assassin’s Creed show right, then it may have a shot at making a worthwhile adaptation of the video games.

Assassin's Creed Anniversary Poster

Created by

Patrice Désilets, Jade Raymond, Corey May

Upcoming TV Shows

Assassin’s Creed

Cast

Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson, Charlotte Rampling, Callum Turner, Essie Davis, Ariane Labed, Carlos Bardem, Javier Gutierrez

Movie(s)

Assassin’s Creed




This story originally appeared on Screenrant

Five Finger Death Punch was inspired by Taylor Swift to re-record their old songs

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It’s another dry, sweltering morning in Las Vegas, and the guitarist Zoltan Bathory has just left his Gothic castle. Bearded and dressed in black, with a bundle of dreadlocks piled high on his head, he’s now piloting a small boat across a man-made lake filled with tap water, on his way to breakfast at a nearby café.

The newly renovated replica castle is a recent project and perk of Bathory’s 20-year career as guitarist and founder of the multiplatinum heavy metal band Five Finger Death Punch. But last year, as the metal act began planning to celebrate those two decades of action, Bathory discovered that their longtime former label, Prospect Park, had quietly sold the masters to the first seven 5FDP albums.

The group, which retained 50% ownership in the masters but not “administrative rights,” was not informed before the sale.

“We were not privy to the deal. It was completely behind curtains. That’s the annoying part of this,” says Bathory. “I wish they had a conversation because we could have done a deal together, or maybe we would have bought it. We didn’t even get an option. We found out from somebody else. Well, wait a minute, what’s going on?”

With that anniversary coming up in 2025, 5FDP adjusted after finding inspiration in the example of pop superstar Taylor Swift, who responded to the sale of her catalog with a hugely successful series of “Taylor’s Version” rerecordings of entire albums. Swift re-created four of her records, each one topping the Billboard Top 200, before she finally bought back the rights to her catalog this year.

Five Finger Death Punch decided to follow that lead, and in January began rerecording the band’s most popular songs. The first batch of new recordings arrived under the title “20 Years of Five Finger Death Punch — Best of Volume 1,” released Friday, to be followed by “Best of Volume 2” later this year.

“When this happened, it came up immediately: ‘Well, this happened to Taylor and what did she do?’” Bathory says of the plan. “She battle-tested it. And she’s a big artist. ‘OK, that’s your move? Now this is our move.’”

It is just the latest chapter in a sometimes turbulent career for the musicians, as the band rose to become one of the most successful hard rock/metal bands of their generation, boasting 12 billion streams, surpassed only by Metallica and AC/DC. During its first decade, 5FDP released four platinum-selling albums in the U.S., beginning with its second release, 2009’s explosive “War Is the Answer.”

The unexpected sale of their masters — to the independent music publisher Spirit Music Group — was perhaps the final round in a frequently contentious relationship with Prospect Park founder Jeff Kwatinetz. In 2016, the label sued Five Finger Death Punch in Los Angeles Superior Court, alleging breach of contract over a coming greatest hits package and the recording of a new album.

That lawsuit got ugly, including an accusation in its initial filing that the band was “attempting to cash in before the anticipated downfall of their addicted bandmate,” a blunt reference to singer Ivan L. Moody’s period of self-destruction at the time. The band countersued. The cases were settled out of court the following year.

A request for comment sent to Kwatinetz through his attorney was not returned by press time, but he told Billboard last month that the band’s current management stopped cooperating, so “I sold my half.”

As he settles into the small lakeside café over a glass of organic matcha tea and avocado toast, Bathory expresses little real anger over the suits and the sale, and looks back cheerfully at the band’s long relationship with the label. The guitarist says he actually enjoyed their heated discussions, reflecting not only their conflicts of the moment, but a shared history as the band rose from clubs on the Sunset Strip to stadiums around the world.

“With our former label president, this is probably the funniest relationship. In the past, we were suing each other for various [issues],” Bathory says with a smile. “We get on the phone, and we’re talking about a lawsuit, and he’s like, ‘You guys lost this injunction.’ And I’m like, ‘Oh, f— you.’ ‘Oh, f— you!’ We had this back and forth, and then it’s ‘How’s the kids?’ And then we just talk about albums and music and whatnot for like an hour.

“And then, ‘OK, see you in court.’ ‘F— you,’” he adds with a laugh. “It’s a game of life. And I believe in the way of the samurai. The saddest day in the samurai’s life is when your worst opponent dies, because that’s the guy who kept you on your toes.”

Sessions for the new recordings unfolded quickly from 5FDP’s current lineup that also includes baseball bat-wielding singer Moody, longtime bassist Chris Kael, and two newer members, drummer Charlie Engen and lead guitarist Andy James.

The musicians recorded their parts separately, re-creating songs some of them had by now performed live nearly 1,000 times around the world. The resulting tracks are not exact replicas of the originals, but are faithful to their spirit while leaving room for the natural evolution that happens through years of touring.

The result on “Best of Volume 1” is a potent representation of the band’s history, opening with the snarling riffs of “Under and Over It.” The first volume includes 13 rerecordings and three live tracks. When played side-by-side with the originals, the new self-produced songs never sound like tired retreads but are powered by some contemporary fire in the band’s performances.

The first public glimpse in the project was a rerecording of “I Refuse,” a power ballad from 2018, this time as a duet with Maria Brink (of In This Moment), released as a single in May.

Once news of the project, and its inspiration, began to spread, Five Finger Death Punch began to hear from a new constituency: Swifties.

“What’s kind of crazy is that I see Taylor Swift’s fans on our social media and bulletin board going, ‘Yeah!’ That’s the most bizarre thing,” Bathory says of the new voices cheering the band forward. “We are so far away from each other in style. But it seems like it hit a chord. I guess people who don’t necessarily understand or are privy to the music business and how it works still feel like this is not right.”

While the band is also six songs into recording its next album of new material, Bathory says the new best-of recordings are expected to be fully embraced by the band’s famously intense following.

“Our fans are pretty hardcore,” Bathory says. “They’re very engaged, and they know exactly why we did this. So I think, just to support the band, they will switch [their allegiance to the newer versions] anyway. But these recordings are going to live next to each other.”

Founded in 2005, Five Finger Death Punch was the culmination of the rock star dreams of Bathory that began as teen in Hungary, first as a fan of British punk rock, before turning to metal after discovering Iron Maiden (with early singer Paul Di’Anno). He built his own electric guitar to look like one used by the L.A. heavy metal band W.A.S.P., with a skull-and-crossbones painted onto the surface.

Rock music wasn’t played on TV or the radio in the then-communist country, so Bathory and his friends traded cassette tapes of any punk and metal they got their hands on. “Somebody always somehow smuggled in a record, and we would all copy it,” he remembers. “It created this subculture where we didn’t just look at it as music. It was the sound of the rebellion.”

Bathory also dressed the part, drawing attention for his Def Leppard T-shirt with the Union Jack flag, studded leather jackets and belts, and long hair. Kids who adopted that look and spoke in the language of Western hard rock actually risked arrest, he says.

“I’ve been chased around by the cops so many times,” he recalls with a laugh.

By his early 20s, Bathory moved to New York City with his guitar, about $1,000 in his pocket, and no English-speaking skills. While living in low-budget squalor, he slowly taught himself English, first by translating a random copy of the Stephen King novella “Rita Hayworth and Shawshank Redemption.” He played with bands that got nowhere, and after six years relocated to Los Angeles, and things started to change.

For a year, he played bass in the L.A. hard rock band U.P.O., which enjoyed some chart success, then formed Five Finger Death Punch, with a name inspired by the 1972 kung fu film “Five Fingers of Death” and Quentin Tarantino’s two “Kill Bill” epics.

Man with dreadlocks and sunglasses sitting on a boat with a castle in the background

Zoltan Bathory, founder and guitarist of the heavy metal band Five Finger Death Punch, pilots a small boat on the man-made lake outside his Las Vegas house.

(Steve Appleford)

“I knew exactly what I wanted. There was a vision,” says Bathory.

That vision got clearer when he first saw singer Moody performing with the nu metal band Motograter. It was Bathory’s good fortune that Motograter would soon break up. He reached out to Moody in Denver.

“He was special — his performance, his voice. That star quality thing is a real thing,” notes Bathory of the growling, emotional singer. “You could tell he was a rock star, right? I’m like, OK, that’s the guy.”

In their first years as a band, the quintet played more than 200 shows annually. “We played every little stage that exists,” Bathory says.

Sitting beside the guitarist now in the café is Jackie Kajzer, also known as radio DJ Full Metal Jackie, who first spotted the band on MySpace. She soon caught an early set at the Whisky a Go Go and was immediately sold on their sound and potential. She was also a junior manager at the Firm, a leading management company at the time representing Korn, Limp Bizkit and Linkin Park.

Kajzer urged the company to sign the ominously-named Five Finger Death Punch, and after two showcase performances on the Strip, it did. The metal band was soon added to the side stage of the high-profile 2007 Family Values Tour, followed the next year by the traveling Mayhem Festival, leaving a powerful impression among new fans and fellow artists.

“When you find something that makes you feel something, it makes it worth fighting for,” says Kajzer, who has remained part of the band’s management team ever since, now at 10th Street Entertainment. “I had never felt it before. PS: I’ve never really felt that again, that same early feeling. You believe in it and you want to shake everyone else and make them get it as well.”

Five Finger Death Punch’s recording career began by uploading a few songs at a time — early versions of “Bleeding,” “Salvation,” and “The Way of The Fist” — to MySpace, then an essential platform for new acts, or what Bathory now remembers with a laugh as “the center of the universe.”

“It was extremely hard, but in the beginning we knew we had something because there was this instant interaction,” Bathory says of fan response. “We were all in bands before — many, many bands. We all recognized that, OK, there’s something different here. We didn’t have to convince people. It just started happening and it was growing really fast.”

Man with dreadlocks and sunglasses standing in a castle under a row of Turkish lamps

Zoltan Bathory, stands beneath a Turkish lamp in his Las Vegas house.

(Steve Appleford)

“The ones that make it, they’re here for decade after decade,” he says of the larger metal scene, which enjoys a seemingly eternal audience. “The family [of fans] is extremely loyal and they’re there forever. Once you’re in, you’re in.”

The band’s first album, 2007’s “The Way of the Fist,” was largely recorded in Bathory’s apartment near the Sunset Strip. It reached halfway up the Billboard Top 200 album chart and eventually went gold, with 500,000 copies sold. While even greater success follower, there has also been the usual ups and downs in the life of a metal band, with group members coming and going, troubles with substance abuse, and arguments over creative choices.

After two decades together, the singer and the guitarist have survived.

“It’s still a tornado. It’s a band, a bunch of guys, so I don’t think it’s ever going to change. We built this freaking thing like it was a battleship,” says Bathory with a grin, sitting in the castle beneath an ornate Turkish lamp.

“It’s always going to be that we fight and argue, but at the end of the day, we always figure things out. We always climb the next mountain.”



This story originally appeared on LA Times

Wu-Tang Clan Concert Review: Best Moments in Philadelphia

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“We got a lot on our minds tonight,” RZA told the Wells Fargo Center in Philadelphia on Friday night (July 18), before the rest of Wu-Tang Clan joined him onstage to close out the final scheduled date of their farewell tour.

Since kicking off last month and running through a slew of arenas in North America, Wu-Tang Forever: The Final Chamber has been a smashing success, and the Philly performance demonstrated why: for as many personalities roamed the stage and as sprawling of a catalog they possessed individually and collectively, this iteration of the Wu-Tang experience has been focused, cohesive and celebratory, a group of otherworldly talents locking in for one last ride.

With nary a floor seat unfilled and a stage setup that included a giant tilted screen that appeared to loom over the crowd, Wu-Tang Clan was larger than life in front of an adoring audience. The setlist was a nearly immaculate mix of solo hits and posse cuts (the word “nearly” necessary for the lack of a Ghostface Killah showcase — my kingdom for “Mighty Healthy”!), the guests were world-class (more on them later), and, perhaps most importantly, the crowd embraced every high-energy moment.

Part of the fun of a Wu-Tang Clan show, in any era or setting, is hearing their rhymes rattled back at them; witnessing an arena audience know every word to “Duel of the Iron Mic” or “Clan in Da Front” or “Ice Cream,” roughly 30 years after they were first released, spoke to the power of their catalog, and made for a thrilling evening.

We’ll see how many of them we have left. Although Friday’s show was full of special moments and outpourings of emotion, Wu-Tang Clan did not treat it as their final show ever — and why should they? With a show that mixes iconic songs and modern hip-hop urgency, and every MC in the W sounding sharper than they have in a long time, Wu-Tang Forever: The Final Chamber could, and should, keep rolling for a while. Some farewell tours have a funny way of overstaying their welcome, but Wu-Tang Clan has earned a long goodbye.

Here were the best moments from Wu-Tang Clan’s Philadelphia performance on Friday night: 



This story originally appeared on Billboard

Lauralee Bell Talks Cricket Name

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She’s going by Christine Blair these days, but to Young and the Restless fans and to actor Lauralee Bell, the character will always be Cricket.

In fact, Bell said in a new interview with People that she thinks of her longtime character as “only Cricket,” even though Christine Blair has opted to use her given name as she went from model to law student to district attorney.

“I’ve only been OK with hearing that name if [the character is] in the courtroom or in a legal situation because, obviously, the other wouldn’t work,” Bell added. “But I love that the OGs will forever and always call her Cricket.”

The actor, whose parents were Y&R creators William J. Bell and Lee Phillip Bell, made her debut as Cricket in July 1983, according to her CBS bio. Lauralee actually had a bit part on the show at age 13, and “an explosion of positive viewer fan mail” led her to a recurring role on the soap and then a full-time role after her family moved to Los Angeles, the bio adds.

CBS/Everett Collection

In early storylines, Cricket fell for and eventually married rock star Danny Romalotti (Michael Damian). But the relationship fell apart amid the meddling of rival Phyllis Summers (Michelle Stafford), who referred to Cricket as “the Bug,” and Cricket-slash-Christine eventually moved onto a relationship with Paul Williams (Doug Davidson).

Along the way, Lauralee earned a 2016 Daytime Emmy nomination for her Y&R performance. (She previously won a Daytime Emmy two years prior in the Outstanding Special Class Short Format Daytime category for her work writing and directing the web series mI promise.)

But now that her character and Danny have rekindled their relationship and gotten engaged in the daytime drama’s 52nd season, Lauralee feels “even more” strongly about using the name Cricket, she told People.

Plus, the nickname is social-media friendly, as Lauralee noted: “I love that there’s an emoji that’s a cricket because I use it now all the time. Everyone should have their own emoji.”

The Young and the Restless, Weekdays, CBS, Check Local Listings




This story originally appeared on TV Insider

Victorinox DAMAST LIMITED EDITION 2025 Swiss Knife Launch

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Reading Time: 12 minutes

Each year, Victorinox reaffirms its legacy as a symbol of craftsmanship, precision and enduring design. With the launch of the DAMAST LIMITED EDITION 2025, the Swiss heritage brand unveils more than just a pocket knife. It offers a statement of artistry and mastery rooted in over 140 years of excellence. This release not only captures the imagination of collectors and enthusiasts but also celebrates the evolution of industrial craft in the 21st century.

Founded in 1884 in the Swiss town of Ibach by Karl Elsener, Victorinox has long been synonymous with the iconic Swiss Army Knife. What began as a utilitarian companion for soldiers has transformed into a global emblem of functionality and design ingenuity. From travel gear to timepieces and culinary tools, the Victorinox universe is built around the core values of quality, innovation and Swiss engineering.

© Victorinox

At the heart of the brand’s identity lies the Swiss Army Knife, a marvel of compact multifunctionality that speaks to both tradition and innovation. Every detail, from the mechanical integrity of the tools to the materials used in production, reflects Victorinox’s commitment to precision and purpose. Limited editions, especially those incorporating Damasteel®, have elevated these tools into highly desirable collector’s items, admired for their beauty and built to perform.

The DAMAST LIMITED EDITION 2025: A Testament to Form and Function

In 2025, Victorinox presents a creation that once again bridges the worlds of utility and design with extraordinary finesse. The Special Companion Damast Limited Edition 2025 is not merely a Swiss Army Knife. It is a celebration of craftsmanship, Swiss culture, and material innovation. Embodying a contemporary take on the traditional, this edition is limited to only 7,000 pieces worldwide, underscoring its rarity and desirability among true connoisseurs.

A direct homage to the beloved “Companion” model, this special edition integrates the distinct aesthetics and strength of Damasteel®, making it a collector’s dream and a designer’s delight. In this section, we examine every aspect of this exceptional object, from its exterior to its inner capabilities.

A Modern Tribute to a Classic: Overall Aspect and Design

The first visual impact of the DAMAST LIMITED EDITION 2025 is one of understated sophistication. The outer casing, crafted from sleek walnut wood, lends the knife a tactile warmth rarely found in industrial objects. It is smooth yet structured, a material choice that evokes a sense of calm elegance while remaining deeply connected to nature. Each grain is unique, ensuring that no two knives are exactly alike.

Victorinox has chosen a minimalist approach to branding for this edition. The familiar Swiss cross and shield emblem is laser-engraved directly onto the wooden scales, adding to the knife’s purity of form without compromising identity. The contrast between the organic walnut and the dynamic pattern of the Damast blade creates a dialogue between tradition and innovation, reminding us that beauty often lies in balance.

A limited edition number is engraved onto the blade, reinforcing its exclusivity and collectability. There is no superfluous ornamentation here, just thoughtful, restrained design that allows the materials and craftsmanship to speak for themselves.

Compact Yet Capable: Tools and Functionalities

True to the ethos of the Swiss Army Knife, the Special Companion Damast Limited Edition 2025 strikes a balance between compactness and functionality. It houses five essential functions:

  • Large Blade
  • Small Blade
  • Scissors
  • Box Opener
  • Screwdriver 3 mm
  • Bottle opener
  • Screwdriver 6 mm
  • Wire stripper
  • Multipurpose hook
  • Corkscrew
  • Reamer, punch and sewing awl
  • Key ring

The configuration is purposefully minimalist. This is not a survivalist’s toolkit nor an over-engineered gadget. It is a refined daily companion, ideal for those who appreciate elegance in utility. Whether used in the office, at a vineyard, or on a mountain trail, this pocket knife enhances experience through subtlety and efficiency.

The blade, of course, is the centrepiece, and the exceptional properties of Damasteel elevate its performance. But the other tools are not secondary. The scissors, for instance, demonstrate the iconic precision of Victorinox engineering, which allows them to cut cleanly and effortlessly. Every fold and pivot is executed with mechanical accuracy and smoothness.

The Soul of the Knife: The Damast Blade

The defining element of this edition is, without question, the Damast steel blade. Created using powder metallurgy, it combines tradition with modern scientific precision. The pattern chosen for this year is “Odin Heim”, a bold and sweeping motif that dances across the surface of the blade like ripples in molten metal.

Visually, this Damast pattern is nothing short of hypnotic. It offers depth, texture, and a sense of movement that evolves in different lighting conditions. But the aesthetic is only part of the story. The steel itself is forged to deliver superior edge retention, corrosion resistance and structural integrity.

Victorinox utilises Damasteel®, developed in Sweden, for its limited-edition pieces. This modern version of Damascus steel has fewer inclusions and impurities, making it both more reliable and visually cleaner than traditional variants. The result is a blade that not only looks noble but also performs exceptionally over time.

The blade opens and closes with satisfying precision, offering a reassuring tactile experience to the user. It is this interplay between performance and pleasure that sets the DAMAST LIMITED EDITION 2025 apart.

Form Meets Meaning: Limited Edition Significance

Victorinox has released a series of Damast editions in recent years, each with its character and identity. But the 2025 Companion stands out by being both a nod to simplicity and a celebration of rare materials. It reflects the brand’s capacity to innovate while respecting its roots.

Only 7,000 units have been produced worldwide, each individually numbered. This makes the knife not just a practical tool or collector’s item, but also a potential heirloom. It is made to last, and made to be remembered.

Collectors will appreciate the elegant packaging as well. Each knife comes in a bespoke gift box with a certificate of authenticity. The product presentation honours the same level of care and attention that defines the knife itself.

This edition is likely to become a reference point for future limited editions, showing that excellence can reside in restraint. The DAMAST LIMITED EDITION 2025 is a study in purity, crafted for those who understand that the essence of luxury lies in integrity.

Damast Steel by Victorinox: Where Tradition Meets Metallurgical Innovation

In the world of high-end knife manufacturing, steel is not merely a material. It is a signature, a story, a source of performance and prestige. For Victorinox, Damast steel has become a defining element of its most sought-after limited editions. The DAMAST LIMITED EDITION 2025 is no exception, showcasing a blade forged from the finest Damasteel®, a modern evolution of ancient craftsmanship.

Damask steel is instantly recognisable for its hypnotic wavy pattern, a characteristic that is both aesthetic and functional. The origins of this steel trace back to ancient Asia, where it was admired for its strength, beauty and mysterious forging process. Today, Victorinox uses the most refined version of this legendary material, marrying centuries-old tradition with state-of-the-art powder metallurgy.

Victorinox and the Art of Damast

Victorinox has elevated the use of Damasteel® into a precise art. Each year, the company introduces a limited edition model that features this exclusive blade material. These editions have become highly coveted among collectors, thanks to their visual appeal, rarity and performance.

The brand employs the powder metallurgy method to craft its Damast blades. Unlike traditional forging, this method allows for exceptional control over the composition and structure of the steel. The resulting material is spotless, with minimal inclusions and impurities, ensuring not only a consistent pattern but also superior cutting properties.

This approach is deeply aligned with Victorinox’s values: precision, purity and performance. The Damast Limited Edition blades reflect the same quality standards seen in the brand’s kitchen knives, timepieces and travel gear. Each piece is meticulously crafted with extraordinary attention to detail, from the selection of steel layers to the final etching and finishing processes.

Victorinox proudly states that every limited edition with a Damast blade embodies its dedication to exceptional materials, delicate handcraft and unmistakable design. The DAMAST LIMITED EDITION 2025 is the most recent example of this philosophy brought to life.

The Swedish Legacy of Damasteel®

Behind Victorinox’s Damast blades lies a collaboration with one of the most respected metallurgical innovators in the world: Damasteel AB, based in Söderfors, Sweden. Founded in the early 1990s, Damasteel has its roots in a region renowned for its forging heritage dating back to 1676. The company has transformed Damascus steel into a high-tech craft, thanks to its patented powder metallurgy process.

Damasteel’s method begins with gas atomisation, where molten steel is transformed into perfectly spherical powder particles. These are then sealed in a canister and compacted using a Hot Isostatic Press, creating a dense and homogeneous material with excellent internal integrity.

The real beauty emerges in the forging phase, where these materials are manipulated to reveal unique patterns such as Rose, Dense Twist and Odin Heim. These designs are not only visually striking but also trademarked, making each blade a piece of intellectual and artistic property.

Damasteel combines two specific steels: RWL 34 and PMC27. RWL 34, named after American knifemaker Robert Loveless, provides light contrast and edge performance. PMC27 delivers dark contrast and excellent corrosion resistance. Together, these elements create a blade that is both functional and beautiful.

What makes Damasteel® unique is the structural quality achieved without welds. This ensures strength, stability and optimal edge retention. It is a steel forged not only with fire and pressure, but with intellect, experience and vision.

The partnership between Victorinox and Damasteel is characterised by mutual respect and a shared pursuit of excellence. It allows Victorinox to craft knives that stand at the intersection of tradition and innovation. And in the DAMAST LIMITED EDITION 2025, that relationship reaches an exquisite new height.

A Legacy of Damast: Other Victorinox Masterpieces

The launch of the DAMAST LIMITED EDITION 2025 is part of a greater narrative within Victorinox’s dedication to material excellence and collectable design. Over the past decade, the brand has released several limited-edition products that celebrate Damasteel® in both pocket knives and culinary tools. Each of these creations is an object of desire, blending form, function and rarity.

In this section, we revisit three notable Victorinox Damast products that continue to define the brand’s pursuit of aesthetic precision and everyday utility.

Swiss Modern Carving Knife Damast Limited Edition 2022

n 2022, Victorinox brought the strength and refinement of Damasteel® to the culinary world with the release of this exceptional carving knife. The Swiss Modern collection is known for its contemporary silhouette, ergonomic handle and exceptional slicing control. This limited edition elevated those qualities with a 22-centimetre blade made of Damasteel®, featuring a flowing “Ladder” pattern and an edge that holds exceptional sharpness.

The handle, crafted in smoked European walnut, balances elegance and comfort, making this knife not just a tool but a centrepiece of any refined kitchen. It is ideal for carving roasted meats, large vegetables or refined table presentations, bringing Swiss excellence to the world of gastronomy.

Farmer X Alox Damast Limited Edition 2024

The Farmer X Alox Damast Limited Edition 2024 pays tribute to rugged outdoor functionality. With a solid Damast steel blade forged in the “Baldur” pattern and silver Alox aluminium scales, this edition is built for resilience without sacrificing elegance. It features ten functions, including a saw, scissors, screwdrivers and a can opener, making it an excellent companion for camping or DIY tasks.

The Alox scales are embossed and anodised for extra durability, while the blade’s wave-like design stands out as a striking visual signature. Only 6,000 pieces were produced, securing its status as a collector’s item among enthusiasts of robust tools and refined engineering.

Classic SD Brilliant

While not a Damast edition, the Classic SD Brilliant deserves a place in the brand’s constellation of design-focused Swiss Army Knives. This model is a dazzling reinterpretation of the famous SD, featuring a mirror-polished Alox scale finish and premium detailing. It includes five essential functions: a small blade, scissors, nail file, screwdriver and key ring.

Although it does not feature a Damast blade, it embodies the same design-forward mindset that informs Victorinox’s limited editions. For those who appreciate compact sophistication with a touch of brilliance, the SD Brilliant offers a sleek alternative within the broader universe of Victorinox collectables.

Each of these products reinforces Victorinox’s ability to transcend pure utility and move into the realm of design, innovation and collectability. Whether in the kitchen, in nature, or as an everyday companion, Damast steel and Swiss engineering continue to shape objects that are built to last and made to be admired.

Final words

With the DAMAST LIMITED EDITION 2025, Victorinox once again proves that the Swiss Army Knife is far more than a tool. It is a cultural artefact, a symbol of innovation, and a masterclass in material sophistication. This edition honours the brand’s foundational values – precision, durability and elegance – while embracing the possibilities offered by cutting-edge metallurgy.

Each detail, from the graceful walnut scales to the hypnotic Odin Heim blade pattern, speaks of care, intention and heritage. In a world where function is often sacrificed for fashion, Victorinox creates rare objects that do both, and do so with conviction. The knife is not only limited in quantity but limitless in meaning.

This release is also a celebration of partnerships – between Swiss precision and Swedish innovation, between artisans and engineers, and ultimately between a brand and its loyal community. In the words of Carl Elsener Jr., CEO of Victorinox,

“We have always believed that functionality and design can go hand in hand. Our products are made to accompany people throughout their lives.”

That spirit is embedded in every line of the DAMAST LIMITED EDITION 2025. It is not just a knife. It is a story of timeless craftsmanship and visionary design, a blade forged from steel and shaped by dreams.

So, whether you are a collector, a designer, or simply someone who believes in the poetry of purpose, this edition invites you to carry something rare in your pocket – and something lasting in your hands.

José Amorim
This article was created exclusively for LuxuryActivist.com. All content is protected by copyright. Images are used for illustrative purposes under fair use. If you own the rights to any image and wish it to be removed, please don’t hesitate to contact us, and we will act promptly.



This story originally appeared on Luxuryactivist

The FTSE 100 reached an all-time high this week. Is it too late to invest?

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Image source: Getty Images

It has been a record-breaking week for the flagship FTSE 100 index of leading blue-chip shares. The index hit a new all-time high.

Over the past five years, the FTSE 100 has moved up by 43%. That sort of performance is impressive in my view, given the mature nature of the companies that typically make up the index. It clearly beats the five-year performance of the FTSE 250, a 25% gain.

So, might the index now be too expensive to offer the potential for long-term reward if an investor was to put money into it today?

Still competitively priced

I do not see the FTSE 100 as obviously overpriced.

In fact, on many valuation metrics, it remains markedly cheaper than the equivalent US index, the S&P 500.

Stepping back from the index itself can also help offer some perspective. Yes, it is possible to “buy the index” for example by investing in an index tracker fund. But an alternative is hunting around among the 100 member companies that make up the index and seeing whether any of them individually appear to offer better potential value.

Growing business selling for pennies

As an example, one share I think investors should consider is retailer JD Sports (LSE: JD).

While the FTSE 100 has gone up 43% during the past five years, it would have done even better had not JD Sports done so poorly in that period. The JD Sports share price has fallen 35% over that timeframe. The share now sells for pennies.

So, what is wrong here that might help explain that decline?

One challenge has been weak demand for products produced by Nike, a key supplier. A series of profit warnings for the sports retailer has not helped boost City confidence.

Meanwhile there is a risk that weakening consumer demand could see revenues and profits fall. JD Sports has described the market as “volatile” and its like-for-like sales fell 2% in the first quarter compared to the prior year period.

However, it still expects overall revenue growth for the year thanks to recent acquisitions and shop openings.

With massive new shops opening, such as its biggest ever store at Manchester’s Trafford Centre, this looks to me like a company that, far from being on the ropes, remains firmly in growth mode.

Valuation looks cheap

Excluding lease liabilities, the company is debt free. Last year’s profit before tax and adjusting items was £923m.

Yet the current market capitalisation of the FTSE 100 multinational is £4.3bn. On a price-to-earnings ratio basis, that looks very cheap to me.

That does not mean that the share price will necessarily bounce back any time soon. The risks it faces remains substantial. It has often looked cheap to me over the past couple of years, but has not yet staged a big recovery.

I take the long-term approach to investing, though. On that basis, I continue to think there is potential value in JD Sports and some other individual FTSE 100 shares too.



This story originally appeared on Motley Fool

Chris Colfer Celebrates 13 Years Of The Land Of Stories With Big News Tease


Instagram/@chriscolfer

Chris Colfer sparked a retro twinge down some spine. The actor-author posted a throwback post celebrating 13 years since the first Land of Stories book came out, and now the fans are just hopping away with guesses of what could possibly be the “very exciting news.” The post showed a picture of a pink cake imprinted with the number 13 amidst book covers and toys reminiscent of childhood magic. Judging from the comments, the fandom simply cannot stand the idea of this not being a movie adaptation.

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The caption never failed to strike a chord with any member of the fandom who had grown up with the series, “My baby’s a teenager! I can’t believe it’s been 13 years since the first The Land of Stories book was published,” Colfer wrote, putting in a tease for something coming. The comment section immediately turned into a mash-up of tearful reminiscing and desperate pleas for a movie, perfectly summarized by a user: “I’ve needed the tlos movie since yesterday.” Oh, I’m right there with you.

Conspiracy theories went flying. Some fans thought maybe it was happening, the movie adaptation long lingering in limbo, some others are holding on for a spin-off or sequel series. Someone even went back to an old lead Colfer gave about Vancouver being a possibility for location shoot, fueling further imagination: “I remember when he was in Vancouver and said maybe he was gonna use it as a loc for tlos movie,” came a fan reply littered with wide-eyed emojis. That suspense is just killing them.

International fans jumped in as well, with one from Sweden hoping the books would someday be there. Enter the collective existential crisis of longtime readers. “13 years!? I feel like the cryptkeeper,” said one, to which another replied, “Man this makes me feel old.” Undoubtedly, the series has left a huge imprint, with a number of comments saying it was their “absolute favorite” growing up. One even shared she packed the first three books to read on a holiday. Dedication.

And what pumps adrenaline into the fandom: the demand for an earnest live-action adaptation. One commenter wrote, “If it’s not a movie I will cry. I’ve been waiting 8 years for one.” Another responded and said, “I wanna act in that for free as a passion project,” showing just how much the series means to them. The parents get involved, too: One chit-chat says her daughter is crazy for Colfer’s books and may have been introduced to reading thanks to his work.

Colfer has yet to come clean about what he means, but the hype is very much there. Might be a movie, a show, or something the fandom hasn’t even considered yet, and the fandom is ready for it. And if it ain’t what the fandom wanted… well… good luck telling them that because Land of Stories stans mean business.

With its rainbow colors, the post serves very defiantly as a visual love letter to the series, dripping nostalgia with attention to those minute details every fan recognizes. The cake and book covers; even the unicorn plushie knowing glances toward the magic that created such price in this series for anyone: And now, with Colfer saying big news, it’s pure torture to wait.

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So, what’s next? Only time will tell. But this much is for sure: this fandom ain’t going anywhere. Whether it’s been 13 or 20 years, the second Colfer gets a word, there’ll be a bunch of folks ready to jump right back into that world. Here’s to hoping soon means really soon!




This story originally appeared on Celebrityinsider

Can coyotes and bears be friends? The Altadena sightings, explained

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Altadenans are no strangers to animal sightings — there are peacocks and parrots aplenty around town — but news of a coyote and black bear palling around town together recently has locals talking.

First introduced to the public via a clip posted to social media by the Altadena Sheriff’s Station, the duo have been spotted together multiple times, munching on garbage and patrolling the foothill streets left mostly desolate by the Eaton fire in January.

While seeing a bear or coyote isn’t abnormal in Altadena, observing them together is surprising, says L.A. County Sheriff’s Deputy Andrew Garza, whose partner took the video of the unlikely pair when they responded to a call about the bear in late June. “They were kind of just walking and hanging out together, which was really interesting,” he says. “I think that because of the fires, both animals have lost their natural habitat so they’re down here looking for water and food, but seeing them together painted this picture of them being just two friends, trying to get along and checking out the neighborhood.”

Altadena resident Raimy Rosenduft says she captured the pair a week or so later on her front door camera (experts believe it’s the same couple). In her clip, the bear and the coyote are seemingly enjoying the spoils of a spilled garbage can, surveying the neighborhood while they weigh their next move.

While wildlife experts say it’s understandable that viewers may see the clips and think “check out this pair of cute, furry best friends,” they’re quick to note that what’s going on between the two species seems to indicate more toleration than affection.

“You can humanize your dog or your cat, but I think even that’s a stretch,” says Steve Searles, a wildlife expert and author who Animal Planet once dubbed “The Bear Whisperer.” “Thinking that these animals love you or each other the way that you love them just isn’t based on reality or fact. I don’t want to burst anyone’s bubble, but it’s that kind of thinking that gets someone — either a person or more likely an animal — killed.”

There’s a less sentimental explanation for the team-up, Searles says. Back when he was working as a wildlife officer in Mammoth Lakes in the 1990s, Searles says he often saw coyotes sleeping outside bear dens. (Coyotes have also been spotted alongside bears in Burbank, although in seemingly less friendly circumstances, among other places.) “It was like they were just waiting for the bear to wake up and go to work, because it was more economical for them to travel with the bear during its nightly route,” Searles explains. While bears are typically seen as apex predators, he says, black bears — the only wild bears left in California — are actually vegetarian-leaning omnivores, eating far more grass, tubers, roots and berries than meat. Coyotes, on the other hand, are opportunistic eaters, chowing down on whatever crosses their paths. Following a bear, who’ll knock over a garbage can to lick out a discarded jar of peanut butter but may ignore chicken bones, could be a win for the smaller animal.

Unless a black bear has cubs with it or is looking to mate, Searles says, they won’t really pay the coyote much mind. “Everybody’s used to seeing grizzlies on TV catching salmon out of the air at the top of some waterfall, but black bears are one of the laziest animals on the planet,” he explains. “They just want to walk around on your lawn, eating grass or daisies or other non-indigenous species of plants. It’s just plain easier. They don’t want to run for anything if they can help it.”

Bear ecologist Chris Morgan says that, while he wouldn’t use the word “lazy” to describe black bears, he would absolutely call them efficient. “Like all bears, they’re out for the biggest number of calories for the least amount of effort.”

Even if the pairing is less “buddy animal movie” and more biological imperative, that doesn’t mean seasoned wildlife observers haven’t found something interesting in the footage.

Eric Strauss, the executive director of the Loyola Marymount Center for Urban Resilience, says his group has studied coyotes in urban environments extensively. Still, he says, he’s never seen a coyote with a bear. “I’m an old scientist, but still this kind of stuff never stops being delightful,” Strauss says. “We might think we have everything figured out, but the beauty of science is that you have to prepare to be surprised.”

Observing the pair may help scientists understand more about how animals respond to trauma, like the Eaton fire that destroyed both homes and wildlife habitat. “In the same way that fire is traumatic to humans, fire is traumatic to social animals,” Strauss says. “A lot of these social animals, like coyotes, probably lost their partners or lost their offspring and are, to some degree, still in shock. Most social animals are able to experience all the emotions that humans do. They don’t necessarily show it the same way, but I think knowing that creates a bond between us. These animals might still be wild, but, really, we’re not as different as we would like to think we are.”

In Altadena, where bear murals already dotted local stores before the fire, that sort of connection can feel extra special. Greg Mann, who’s lived in Altadena for about 30 years and who’s posted his bear sightings on the local Reddit page, says when he returned to his home in the Canyon Crest neighborhood earlier this spring, the area felt deserted, not just by people but by animals as well.

“Everything was so silent. There weren’t a lot of people back and it was pitch black at nighttime,” he says. “We weren’t seeing any signs of wildlife and [my wife and I] were really concerned because the fire had traveled so quickly so we just weren’t sure how all the animals had fared. But then we started getting deer in our yard again and other animals, and every single time a new animal comes through, it just feels so hopeful. Little by little, it feels like things are starting to get back to the way they should be.”




This story originally appeared on LA Times

Ha Long Bay: At least 27 dead after tourist boat capsizes in Vietnam | World News

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At least 27 people have died after a tourist boat capsized in Vietnam, according to state media reports.

The Wonder Sea boat was reportedly carrying 53 people, including five crew members, when it capsized due to strong winds in Ha Long Bay on Saturday.

It happened at roughly 2pm local time (7am GMT). Rescue teams have found 11 survivors and recovered 27 bodies, eight of them children, the state-run Vietnam News Agency said, citing local authorities.

The People’s Army Newspaper, which cited local border guards, said authorities have not yet confirmed details about the tourists, including their nationalities, as the rescue operation continues.

Most of the passengers were tourists, including about 20 children, from the country’s capital city, Hanoi, the newspaper said.

The incident comes shortly after the arrival of Storm Wipha in the South China Sea, bringing strong winds, heavy rain and lightning to the area.

The named storm is the third typhoon to hit the South China Sea this year, and is expected to make landfall along the northern coast of Vietnam early next week.

Disruptions linked to the storm have also had an impact on air travel, according to Noi Bai Airport.

The airport reported that nine incoming flights were diverted to other airports, while three outgoing flights were temporarily grounded due to adverse weather conditions.

The winds brought by Storm Wipha reached up to 63mph (101kmph) and gusts of up to 68mph (126kmph) as it passed south of Taiwan on Saturday, according to the island’s Central News Agency.

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Ha Long Bay is around 125mi (200km) north east of Hanoi and attracts tens of thousands of visitors each year.

Of those who visit Ha Long Bay, many choose to take overnight boat tours to further explore the area.



This story originally appeared on Skynews

A vehicle drove into a crowd in Los Angeles, injuring 30 people, including at least 3 critically : NPR

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A vehicle sits on the sidewalk after ramming into a crowd of people waiting to enter a nightclub along a busy boulevard in Los Angeles early Saturday, July 19, 2025 injuring several people.

Damian Dovarganes/AP


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Damian Dovarganes/AP

LOS ANGELES — A vehicle rammed into a crowd of people waiting to enter a nightclub along a busy boulevard in Angeles early Saturday, injuring 30 people.

Victims were transported to local hospitals and trauma centers, according to Capt. Adam Van Gerpen, public information officer for the Los Angeles City Fire Department. At least three were in critical condition after being injured along Santa Monica Boulevard in East Hollywood, the Fire Department said in a statement.

Van Gerpen told ABC that a line of people — the majority female — were waiting to enter a nightclub when they were struck by a vehicle that also hit a taco truck and valet stand.

Paramedics discovered that one of the patients had a gunshot wound, Van Gerpen said.

Law enforcement investigate the scene where a vehicle rammed into a crowd of people waiting to enter a nightclub along a busy boulevard in Los Angeles early Saturday, July 19, 2025 injuring several people.

Law enforcement investigate the scene where a vehicle rammed into a crowd of people waiting to enter a nightclub along a busy boulevard in Los Angeles early Saturday, July 19, 2025 injuring several people.

Damian Dovarganes/AP


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Damian Dovarganes/AP

“This is under police investigation,” he said. “This will be a large investigation with the LAPD.”

People inside the club came out to help in the minutes before emergency crews arrived, he said, to help the victims.

“They were all standing in line going into a nightclub. There was a taco cart out there, so they were … getting some food, waiting to go in. And there’s also a valet line there,” he said. “The valet podium was taken out, the taco truck was taken out, and then a large number of people were impacted by the vehicle.”



This story originally appeared on NPR