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Here’s what happens when private equity buys homes in your neighborhood : Planet Money : NPR

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Daniel Erb became a corporate landlord kind of by accident. It started in 2020, when he received his first bonus as an investment banker. It was more money than he was used to. He wanted to invest in real estate, so he called his cousin, a research analyst at BlackRock, for advice.

As they talked over options, his cousin showed him a striking chart of the number of “housing starts” in the U.S. since 1950 (basically the number of new houses and apartments built each year). It showed that the last 10 years had the fewest starts since the 1960s, even though the U.S. population was now much larger.

It was a full decade of underinvestment. They focused on single-family homes — the classic house with a yard, often in the suburbs.

“I’m a millennial,” says Erb. “I’ve always envisioned having a home.” But none of his friends had bought a house yet. Neither had he. Contemplating this lack of new houses and rising demand from millennials like him, he saw “a big opportunity … something that I was willing to spend my career on.”

So Erb and his cousin raised money from investors, bought homes in places like the Chatham-Arch neighborhood in Indianapolis (which was affordable, had a growing population and was benefiting from redevelopment), and rented them out — presumably to people who wanted a house with a yard but couldn’t afford to buy one. Erb says it was a profitable business.

He was not the first New York finance person to profit from single-family rentals across the United States. The private equity firm Blackstone (commonly confused with BlackRock) more or less invented this buy-to-rent strategy in 2012, under the moniker Invitation Homes. It’s now a public company valued at more than $18 billion.

The response to this development — of Wall Street buying Main Street, or at least some of its cul-de-sacs — has been bipartisan, populist and patriotic condemnation. Both JD Vance and Kamala Harris called for bans on these corporate landlords. Since houses tend to rise in value over time, homeownership has been a primary way that middle-class families build wealth. But now private equity was outbidding aspiring homeowners, making it more expensive to buy a home and pocketing the appreciation in home values.

Even some of Erb’s friends told him they thought he was making homes unaffordable. “Nothing that has stuck with me or made me second-guess what I’m doing,” he says. He wasn’t responsible for the decade of underinvestment; he felt they were giving young couples the option to live in a house without breaking their bank account. “But, yeah, very emotional conversations.”

Now that these institutional investors have been buying and renting out houses for more than a decade, researchers have had time to study their impact. And they’ve found a surprising nuance.

These investors can and do make homeownership harder to attain, just as their critics claim. But by providing rentals, they also make neighborhoods more affordable and more diverse. They are diversifying the suburbs.

The big bang of buy-to-rent

When institutional investors first started buying single-family homes, the U.S. government laid out the welcome mat.

Before the Great Recession, major investors hadn’t had much interest in the suburbs. In the early 2000s, a firm called Redbrick Partners tried buy-to-rent. It ultimately abandoned the effort. Unlike in an apartment building, its leadership noted, where corporate management is common, fixing faucets and other maintenance were much less efficient when dealing with geographically dispersed homes.

But during the Great Recession — just before the decline of new starts in Erb’s chart — the U.S. had a glut of single-family homes in foreclosure. Many were auctioned off en masse, including by the federal government, which organized auctions for investors like Blackstone and even provided a $1 billion loan guarantee to encourage Blackstone to buy.

This allowed private equity firms (which raise money from wealthy families, pension funds and other organizations to seek out profits, often by buying private companies) and real estate investors to efficiently and cheaply buy, say, a dozen similar homes located in the same Phoenix suburb.

This solved two big problems for these institutional investors. It reduced the “search costs” of finding suitable homes (often starter homes with three bedrooms), and it allowed them to buy similar homes clustered in one area (which ameliorated the dispersed-faucets problem).

Blackstone then introduced a financial product that supercharged the buy-to-rent sector: the rent-backed security. It was a bond, or IOU. Investors bought them, providing Blackstone with more money to buy and renovate homes. In exchange, investors were entitled to a cut of future rent payments.

Wall Street could now buy homes by paying with the rent they would collect in the future. Per the Federal Reserve Bank of Philadelphia, the number of homes owned by Blackstone and similar firms increased from almost nothing in 2010 to around 400,000 by 2021.

This is around when Erb and his cousin started buying homes. The batch auctions were long gone. But Erb says new technology allows companies like his to have a geographically dispersed portfolio of homes. The universality of listing platforms such as Redfin and Zillow keeps search costs down. Products like Ring cameras allow potential tenants to tour properties without being shown around by an agent. And software like Zoom has made it easier for them, like other executives, to manage a remote workforce.

In 2012, many government officials had welcomed firms like Blackstone into the housing market because they worried about abandoned houses and saw rental conversions as a win. Today, though, institutional investors compete with middle-class families for starter homes. Is that why homeownership has gotten more expensive?

The trade-off

As Kamala Harris and JD Vance were calling for bans on corporate landlords, Konhee Chang was a Ph.D. student in economics. Born in Korea, Chang had always rented while living in the U.S. but never the “quintessential house that I think of when I think about an American house,” with a front yard and a backyard. He wanted to know why there were so few rentals in the suburbs and who would live there if renting was an option.

Chang realized these investors’ buy-to-rent strategy provided an ideal case study of what happens when more rentals are available. If someone had built new homes to rent out, that would increase the supply of homes, changing the neighborhood. But since they converted homes into rentals, only one variable had changed, like in an experiment.

So Chang assembled and analyzed data on neighborhoods before and after corporate landlords showed up, including demographic data on the residents. His biggest finding? Institutional investors were reducing segregation. When private equity rented out homes, the new tenants tended to be lower income than the prior owners and more likely to be young and nonwhite.

“I think I was most surprised by the fact that the effect was so sharp and immediate,” says Chang, who has since earned his Ph.D. from UC Berkeley. He took it as a sign that these families really wanted to live in these areas but were prevented by the lack of rentals and their inability to get a mortgage.

This is particularly notable because one of the most important economics findings of the past decade is the impact on children’s development and career prospects of their hometown and neighborhood. (You can listen to a Planet Money episode on moving to opportunity here.) Suburban neighborhoods are not inherently better than rural or urban areas. But another study, for example, showed that single-family rentals in North Carolina served “as a pathway for access to high-performing public schools” for economically disadvantaged children.

These results did not turn Chang into a cheerleader for private equity. He’s too careful a scholar, and his results hold for rentals in general, regardless of whether the landlord is Invitation Homes or a couple down the street. Plus, he did not investigate other criticisms of corporate ownership.

(For example, a Bloomberg investigation in 2013 found that Magnetar Capital LLC became the largest landlord in Huber Heights, Ohio, and then pushed for lower assessments of its properties’ value. If it had succeeded, it would have been the largest property tax cut in county history, reducing the school district’s budget by $800,000 a year.)

Most of all, Chang found that the buy-to-rent strategy was hurting the middle class. Creating rentals aided lower-income families and nudged rents down. But reducing the supply of homes available for sale also pushed home prices up, hurting families on the cusp of homeownership.

Erb says he feels good about the rental service they provide. (In 2024, he and his cousin teamed up with a veteran real estate investor to co-found a larger investment firm, Strand Capital.) But he agrees this trade-off exists.

“There’s always gonna be a cost and a benefit,” he says. But the bigger problem for housing affordability, he adds, is that “we just haven’t built enough [homes] to keep up with the population growth and household formation.”

The boogeyman

“People get really riled up about this idea of private equity coming in and buying the block,” says Daryl Fairweather. “I think they are kind of the boogeyman though.”

That’s because institutional investors own a very small slice of single-family homes in the United States. As the chief economist at the real estate platform Redfin, Fairweather says investors purchase about 17% of homes. But most of those purchases are by mom-and-pop investors, not big firms like Blackstone. Institutional investors just don’t own enough homes to be the main culprit for high home prices.

  • The U.S. homeownership rate is around 65%.
  • As of December 2022, the five largest investors owned about 300,000 homes — just under 2% of single-family rental homes nationally.
  • Institutional investors own roughly 2% to 25% of single-family rentals in major markets.

In fact, Fairweather sees some societal benefits of institutional investors. Unlike with mom-and-pop landlords, it’s easier to regulate large corporate landlords and check whether they are, say, following the Fair Housing Act. Plus, in places like Silicon Valley, where politicians are trying to address housing crises by encouraging the development of duplexes and triplexes, profit-driven institutional investors are a potential boon, since they’re more likely to turn suburban homes into duplexes.

And in areas with more open land, like the suburbs near Denver, institutional investors are building new housing specifically to rent out. Think cookie-cutter homes, perhaps with a dog park or pool.

“I think that we should embrace investors who want to make those kinds of investments,” Fairweather says.

Still, she thinks middle-class families are right to worry about private equity displacing them from the housing market. She worries about fewer families achieving homeownership and gaining control over this intimate part of their lives, which has also been the dominant path to building wealth in America.

But a ban? As an economist, she hates bans. If politicians succeed in banning corporate landlords, perhaps by making it illegal to own more than 300 homes, she suspects we’d see lots of 300-home companies replacing Blackstone — without doing anything to increase homeownership among the middle class.

Instead, she advocates for policies that will incentivize and allow developers to build more housing. The trade-off caused by single-family rentals — that they benefit some low-income renters but hurt some aspiring homebuyers — is “because we are restricting the number of homes that can be built in neighborhoods.”

Many desirable neighborhoods are zoned so that it’s impossible to build the duplexes or apartment buildings that would make them accessible to low-income families. Many prosperous towns block the building of new single-family homes, often at the behest of current homeowners who don’t want to deal with construction or who want to restrict supply and boost their home’s value. The best way to stick it to Blackstone and private equity, to prevent Wall Street firms from profiting off the housing crisis, is to make it easier to build more homes.

As for Daniel Erb, even though he has spent his career responding to the dearth of suburban homes, betting on our collective underinvestment in American dream properties, he might appreciate that too. He says he doesn’t own a home, in part because he often travels to the towns where his company buys homes. And he says he’s not buying for himself at today’s prices.

Alex Mayyasi is the author of The Planet Money Book, due to be published in April 2026. Sign up here to get notified, when presales start, about special offers and presale gifts.



This story originally appeared on NPR

Divisive & Gory James Gunn Superhero Horror Movie Most People Have Forgotten Is Burning Bright on Streaming After 6 Years

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Before becoming the overlord of DC Studios (joint…joint overlord as we must remember it is not all about him) James Gunn brought his own twisted version of Superman to life as the producer of a superhero horror movie that probably didn’t hurt in getting him his current role within Warner Bros. That 2019 movie was Brightburn, and it has just soared back into the streaming charts, this time in the Peacock Top 10.

Dumbed down to the simple premise of “what if Superman was evil?” Gunn’s love of R-rated horror combined with the superhero genre he was by then well integrated with thanks to Guardians of the Galaxy, and created a movie that had a lot of potential but seemed to be buried by its own ambition and lack of execution for both critics and audiences. The plot of Brightburn is as follows:

“After a difficult struggle with fertility, Tori Breyer’s dreams of motherhood come true with the arrival of a mysterious baby boy. Brandon appears to be everything Tori and her husband, Kyle, ever wanted — bright, talented and curious about the world. But as Brandon nears puberty, powerful darkness manifests within him, and Tori becomes consumed by terrible doubts about her son. Once Brandon begins to act on his twisted urges, those closest to him find themselves in grave danger.”

Starring Elizabeth Banks and David Denman as the parents of Brandon, played by Jackson A. Dunn), with a script by Gunn’s brother Brian and cousin Mark, the film doesn’t hang around in setting up its story and bringing it to a conclusion in just over 90 minutes. While superhero movies have become large and bloated with heroes and villains and runtimes that need your bladder to be the real hero, Brightburn’s slim runtime and lack of character development let it down for many, who found the whole thing little more than a movie that played in a toybox of superheroes with the intention of just making it gory.

‘Brightburn’ Is James Gunn’s DC Dream on a Budget

Jackson A. Dunn in Brightburn with glowing red eyes looking straight ahead
Sony Pictures Releasing

While Brightburn became a hugely divisive movie, with Rotten Tomatoes critics giving it a 57% score, while audiences were almost just as conflicted with their 67% rating. While there was praise for Gunn’s use of his small $6 million budget (which was turned into a successful $33 million box office haul) and for his ability to subvert the superhero genre into something different, it was ultimately the missed opportunities that became the biggest gripe. As Clarisse Loughrey of The Independent put it:

“Despite its simplicity, Brightburn’s premise is filled with potential, but it struggles to find anything meaningful to say.”

That being said, Brightburn was still a success. It provided fans of Gunn’s early horror work to see his R-rated potential working in the superhero genre – which he had been unable to do while confined to Marvel Studios’ PG-13 Infinity Saga. The blood and gore of Brightburn is fully realized in practical effects, and the film deftly answers the question of what kind of chaos would ensue if Superman was evil. Just don’t watch it with the idea it spends as much time world-building as Gunn has done in his first DCU projects.

Since the release of Superman, Gunn’s first movie of the DCU has come under similar criticism from a certain group of fans, with some claiming that this summer’s blockbuster doesn’t scratch the surface of any kind of real depth and character development in favor of having multiple heroes, and bright, fractured storylines that all just happen to take place in the same part of Metropolis. Or to put it another way, pretty much like an old school comic book.



This story originally appeared on Movieweb

Batman Becomes a Trillionaire in Immortal Legend Series

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Bruce Wayne is famously one of the richest characters in pop culture, but now Batman‘s personal wealth is more extreme than ever before. The Dark Knight has achieved a new level of wealth, but it took a seismic reboot to make it happen.

In Immortal Legend Batman #1 – from Kyle Higgins, Mat Groom, Dan Mora, Erica D’Urso, Tamra Bonvillain​​​​​​​, Igor Monti​​​​​​​ and Becca Carey – DC confirms that Bruce Wayne is officially “a trillionaire.” While Batman is generally depicted as a billionaire in DC Comics, this makes him richer than any modern real-world person.

BATMAN IS A TRILLIONAIRE NOW

While Batman has always been comparable to Marvel’s Iron Man in terms of wealth, this makes him more like Black Panther – a character who rules an entire country and possesses total control over a unique natural resource. The change is possible because, in the reality of Immortal Legend Batman, humanity’s reach has expanded beyond Earth, with countless planets being mined for their resources.

Batman Will Need Trillions to Take on a Galaxy of Villains

Fighting Another Dimension and Fighting Threats on Other Planets, Batman Is More Ambitious Than Ever

batman with money in background

Immortal Legend Batman takes place in a new reality inspired by Japanese tokusatsu media. In this world, humanity has unlocked new technology powered by Dark Matter. Unfortunately, connecting to the Shadow Realm this energy comes from has invited the attention of extradimensional demons, leading to the emergence of the heroes Immortal Legend Batman, Robin and Nightwing.

In this reality, Batman has a near-magic Batsuit powered by the “binding energy” that connects the normal and shadow realms. He also has his own interstellar ship which he’s using to scour the galaxy for villainy, having seemingly abandoned his role on Earth. As ever, Bruce Wayne’s money is going into fighting crime wherever he finds it, but now his fortune has turned him into a galaxy-scale hero.

immortal legend batman summons his spaceship
immortal legend batman summons his spaceship

Batman’s Money Has Become a Major Issue for the Character

batman and robin holding bindles and trying to thumb a ride-1
batman and robin holding bindles and trying to thumb a ride-1

It’s interesting that DC is presenting this new version of Batman as a trillionaire, given that recent Batman’s comics stripped Bruce Wayne of his fortune, turning him into a millionaire after the events of Joker War. Given public controversy surrounding billionaires, fans speculated that this would be the new status quo for Batman. That’s the case for the recently launched Absolute Batman continu​​​ity, where Bruce is a working engineer and Joker is the character with unbelievable wealth.

While the mainstream Batman is now back to his regular status quo as a billionaire, it’s clear DC is experimenting with the degree to which enormous wealth is an essential part of the character. In the case of Absolute Batman, the Dark Knight is a kid from the Gotham streets who built his reputation with his own two hands. In Immortal Legend Batman, he’s a trillionaire who travels from planet to planet in a personal spaceship. Ultimately, these different versions of Batman show how elastic the property truly is, and why DC’s alt-universe stories are so popular with fans.

Immortal Legend Batman #1 is available now from DC Comics.

Batman Stands in Detective Comic Art by Jason Fabok

Created By

Bob Kane, Bill Finger

Alias

Bruce Wayne

Alliance

Justice League, Outsiders, Batman Family

Race

Human

Franchise

D.C.




This story originally appeared on Screenrant

Supertramp’s Rick Davies, who sang ‘Goodbye Stranger,’ dies at 81

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Rick Davies, who with his partner Roger Hodgson co-founded the British rock group Supertramp and served as one of its two lead singers, died Saturday in East Hampton, N.Y. He was 81.

His death was announced in a statement on Supertramp’s website, which said Davies battled multiple myeloma for more than a decade. The statement described Davies as “the voice and pianist behind Supertramp’s most iconic songs” and said his “soulful vocals and unmistakable touch on the Wurlitzer” formed the “heartbeat” of the band’s sound.

Davies’ keyboard playing was perhaps best showcased in Supertramp’s “Goodbye Stranger,” a Top 20 pop hit about an unrepentant drifter that helped drive the band’s 1979 album “Breakfast in America” to quadruple-platinum sales in the United States and a Grammy nomination for album of the year. In 1999, the director Paul Thomas Anderson memorably used “Goodbye Stranger” to soundtrack a dramatic scene starring William H. Macy in the movie “Magnolia.”

Davies was born in 1944 in Swindon, England, and fell in love with music after hearing Gene Krupa’s “Drummin’ Man,” according to Supertramp’s statement. In college he played in a short-lived band with Gilbert O’Sullivan; he formed Supertramp (which was first called Daddy) after Hodgson responded to an ad he’d placed in England’s Melody Maker in 1969.

Supertramp released its self-titled debut in 1970 and released a follow-up the next year; neither garnered much interest. (Rolling Stone called the band’s early prog-rock work “rhythmically underfed” and “lyrically facile.”) Yet Supertramp scored a hit with the funky “Bloody Well Right,” which Davies wrote for 1974’s “Crime of the Century” LP and which prominently featured his electric piano.

Among the other hits that followed were “Give a Little Bit” and “The Logical Song” — both of which have more than 500 million streams on Spotify — as well as “Breakfast in America,” “Take the Long Way Home” and “It’s Raining Again.” Despite the band’s success, Hodgson quit Supertramp after 1982’s “Famous Last Words” album. He later told The Times that the group “became stagnant, and I personally just couldn’t grow anymore.”

Davies carried on without Hodgson, recording and touring intermittently under the Supertramp name until the early 2010s. When his health prevented him from going on the road, he played close to home on Long Island with a group called Ricky and the Rockets. Davies’ survivors include his wife, Sue Davies, who also managed his career.



This story originally appeared on LA Times

Laufey 2026 U.K. & European Arena Tour Dates Announced

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Modern jazz-pop scene-leader Laufey has lined up a string of live dates around the U.K. and Europe for spring 2026.

The Icelandic-Chinese singer and multi-instrumentalist will perform at Manchester’s Co-Op Live (March 4) and  London’s O2 Arena (March 8), alongside venues in Europe, hitting Belgium, Denmark, Germany, Italy, France and more. The shows will mark a continuation of her current world tour, which heads to North America this fall. See the newly-announced dates below. 

A special fan presale will go live tomorrow (Sept. 10) at 9 a.m. (BST), while general sale goes live on Sept. 12 at 9 a.m. Further ticketing details can be found on Laufey’s official website.

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The shows will make for her biggest ever bookings in the U.K. and Europe, and will support the recent release of her third LP A Matter Of Time. The album, which was released via AWAL last month (Aug. 22), debuted at No. 4 on the Billboard 200 and No. 3 on the Official U.K. Albums Chart – Laufey’s highest placings to date.

Notably, on the Billboard 200, A Matter of Time became the highest-debuting jazz album since Dec. 2018, when Michael Bublé’s Love peaked at No. 2. It also marks Laufey’s first top 10 in the US.

Posting to Instagram, Laufey described A Matter Of Time as “an exploration of time, genre, space, emotion – a true portrait of what it feels like to fall in love and the self discovery that comes with it.” The record follows 2023’s Bewitched, which saw the 26-year-old make a mainstream crossover and scoop a Grammy award for best traditional pop vocal album.

Laufey’s North American tour begins next week (Sept. 15) and will see her play two sold-out Madison Square Garden dates in New York City, as well as nights at Crypto.com Arena in Los Angeles. Support will come from Suki Waterhouse, while an opening act for the U.K. and European leg is yet to be announced.

Here’s the full list of Laufey’s 2026 U.K. and Europe tour dates:

  • Feb. 18: Zurich, Switzerland @ Hallenstadion
  • Feb. 19: Dusseldorf, Germany @ Mitsubishi Electric Halle
  • Feb. 22: Copenhagen, Denmark @ Royal Arena
  • Feb. 24: Berlin, Germany @ Velodrom
  • Feb. 26: Vienna, Austria @ Stadthalle
  • Feb. 28: Brussels, Belgium @ ING Arena
  • March 1: Amsterdam, Netherlands @ Ziggo Dome
  • March 2: Paris, France @ Adidas Arena
  • March 4: Manchester, UK @ Co-op Live
  • March 6: Dublin, Ireland @ 3Arena
  • March 8: London, UK @ O2 Arena
  • March 14: Kopavogur, Iceland @ Korinn Arena




This story originally appeared on Billboard

‘Breaking Bad’ Actor Raymond Cruz Arrested After Allegedly Spraying Women With Hose

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Raymond Cruz, who played the Mexican drug kingpin Tuco Salamanca on Breaking Bad, was arrested on Monday (September 8) after allegedly spraying water at three women in a minivan outside of his home.

As first reported by TMZ, the incident occurred on Monday morning at approximately 10:40 am in the Silver Lake area of Los Angeles. According to Cruz’s talent agent, Raphael Berko, the actor was reportedly cleaning his car outside his home when a minivan with three women pulled up “a half an inch” from his bumper.

“There was basically a dispute with the victim, which is when Cruz allegedly sprayed water towards the victim,” LAPD officer David Cuellar told People.

In a statement, Berko said that Cruz asked the women to move their vehicle, warning them that it would get wet. The women allegedly refused and started filming the Major Crimes star.

“When he turned around to tell them to stop filming him, he was still hosing his car. And some of the water from his hose hit the front of his car and spilled on their car,” Berko stated. “And then believe it or not, one of them called the police.”

Berko added that Cruz has “never been arrested in his life,” noting, “Someone who played a police detective for 15 years on The Closer and Major Crimes, someone who lives in that neighborhood, was put in handcuffs and taken to jail.”

Cruz was arrested on suspicion of misdemeanor battery and taken to jail, though he was later released from custody and is due back in court on October 1. As of writing, no charges have been filed against him.

“Raymond’s very grateful to all of the LAPD personnel at the police department because throughout the five hours of him being in their jail, the LAPD were all very, very gracious and nice to him and reassuring,” Berko added.

In addition to his role as drug lord Tuco Salamanca in Breaking Bad and its prequel series Better Call Saul, Cruz played LAPD detective Julio Sanchez on the police procedural The Closer and its spinoff Major Crimes. More recently, he appeared in episodes of Mayans M.C. and Grey’s Anatomy, as well as the dramedy film Love, Danielle.




This story originally appeared on TV Insider

Trump immigration raids today echo violent expulsion of Chinese immigrants in the 1800s

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There’s a pretty little cemetery in California’s foggy northwest corner, where the moss-covered headstones date back to the 1860s.

Every time Karen Betlejewski visits the Smith River Community Pioneer Cemetery, she places silk flowers beside a simple granite headstone in the northeast corner. It belongs to a man she never met.

DOCK RIGG 1850 — 1919, it reads.

At the time of his death, he was said to be the only Chinese person formally allowed to live in rural Del Norte County — three decades after white residents there and in neighboring Humboldt County had forced out their Chinese neighbors in a series of violent purges.

They called him Dock Rigg — the surname of his employer — but government papers say his name was Oo Dock. He worked as a cook and ranch hand for two prominent families in the Smith River Valley who arranged for him to work on a ranch just over the Oregon line until the racist fervor calmed enough for him to quietly return.

Dock’s flower-adorned grave in this town of 1,200 people stands as a humble monument to the quiet, extraordinary life of a man who persevered through an ugly — and often-overlooked — time in California history, when Chinese immigrants were banned, Chinatowns were razed, and white mobs beat and murdered Chinese residents.

Like Rigg, a handful of Chinese laborers stayed in Northern California after the purges, living quietly in very rural areas, said Jean Pfaelzer, a historian who sees echoes of the forced removals in today’s roundups and deportations of Latino immigrants by the Trump administration.

The Del Norte County Historical Society Museum in Crescent City, Calif.

(Alexandra Hootnick/For The Times)

“Think of all the parents not sending their children to school right now and people not showing up to work. They’ve been scared to live their full lives,” said Pfaelzer, the author of “Driven Out: The Forgotten War Against Chinese Americans.”

“History is smacking us in the face again. The purges of the Chinese people should be on our mind right now during this era of cruel forced deportations of both undocumented and documented migrants and American citizens.”

In the Del Norte County Historical Society Museum, which Betlejewski manages, a thin manila folder contains a handful of documents that detail the few known details about Dock. They describe a man with a good sense of humor who was kind to visiting children and pushed them around in wheelbarrows for fun.

“Dock was a lovable fellow and well known throughout the area for his humor, his good cooking, and his hospitality to the travelers who passed through,” reads one brief first-person account of a woman who knew him in Oregon.

But another document in his file, referencing his return to California, hints at his isolation: “It is reported that he never left the ranch in all the years he worked there.”

One of the few photographs of Dock Rigg is displayed inside the Del Norte County Historical Society Museum in Crescent City.

One of the few photographs of Dock Rigg is displayed inside the Del Norte County Historical Society Museum in Crescent City.

(Alexandra Hootnick/For The Times)

In 1882 — amid an economic downturn during which non-white migrants were widely blamed for stealing jobs and suppressing wages — the U.S. passed the federal Chinese Exclusion Act, which barred immigration from China.

In the remote towns of rural northwest California, Chinese immigrants toiled in redwood logging camps, laundries and restaurants. They worked as nannies and household servants. Some were former gold prospectors priced out of work because of a predatory state tax on foreign miners.

The purges of Chinese residents here began in earnest in 1885, in the Humboldt County town of Eureka, 100 miles south of Smith River.

That February, a white Eureka city councilman who lived near the local Chinatown, was walking past the neighborhood. Shots rang out, allegedly between two Chinese men, though details are scant. A stray bullet killed the councilman.

An angry mob of more than 600 white people filled the streets, said Pfaelzer. A gallows was erected; an effigy of a Chinese man swung from a noose.

Someone suggested slaughtering the Chinese, but that was deemed un-Christian, Pfaelzer said. Others said they should burn Chinatown, but its scrap-wood buildings belonged to a white man, since Chinese people were not allowed to own property.

The headstone of Dock Rigg in the Smith River Community Pioneer Cemetery in Smith River.

The headstone of Dock Rigg in the Smith River Community Pioneer Cemetery in Smith River.

(Alexandra Hootnick/For The Times)

Instead they appointed a committee of 15 men to go into Chinatown and order everyone to leave. The sheriff commissioned wagons to gather their belongings. Armed vigilantes roamed on horseback.

The next morning, some 300 Chinese people were marched to the wharf and loaded onto steamships. They were shipped to San Francisco, where no one knew they were coming, Pfaelzer said. They disembarked and fled.

The purge, which became known as the “Eureka method,” was hailed by white people as nonviolent and copied across California — including in Del Norte County, where Dock lived.

In the weeks after the councilman’s death, Crescent City — the Del Norte County seat with a thriving Chinatown — every steamship that left the local port held Chinese residents from the area. Hundreds were forcibly shipped out, according to Pfaelzer.

Like all Chinese residents who arrived in the U.S. before the Chinese Exclusion Act, Dock had to obtain and carry a Certificate of Residence to avoid deportation. Dock’s 1894 certificate, signed by a collector of internal revenue in Portland, Ore., lists his occupation as a cook, and his complexion as “dark.”

Dock, whose birth year engraved on his tombstone is a guess, was a child when he arrived in the U.S. He worked in gold mines throughout California and southern Oregon before landing in Del Norte County.

Here, he worked for cattle ranchers John and Ann Rigg. And for their friend and business partner, Raleigh Scott, who ran a sheep ranch in neighboring Curry County, Oregon, where Dock hid after the purges.

Scott — a county commissioner and state lawmaker in Oregon — inherited the Riggs’ ranch in Smith River after their deaths and moved onto it with his wife, Nettie, and Dock.

Dock died in Scott’s home in 1919. He never married, never had children, and, it is said, rarely, if ever, ventured off his employer’s property.

In recent years, officials in several California cities have acknowledged and apologized for historical wrongs against Chinese people.

In 2021, Antioch and San Jose apologized for burning their Chinatowns in the late 1800s. San Francisco in 2022 apologized for, among other racist acts, barring Chinese children from public schools. And Los Angeles is working on a memorial to commemorate an 1871 massacre in which at least 18 Chinese people were fatally shot or hanged.

The site of the 1871 massacre, at what is now Alameda Street near Union Station in downtown L.A

The site of the 1871 massacre, at what is now Alameda Street near Union Station in downtown L.A

(Los Angeles Public Library)

In Eureka, a group of Asian American residents and volunteers called Humboldt Asians & Pacific Islanders in Solidarity (HAPI) has spent years telling the story and building tributes to the town’s long-gone Chinatown.

In Eureka’s Historic Chinatown — which, today, is a downtown business district with banks, parking lots and no trace of the neighborhood that once stood in its place — there are now signs describing the expulsion, as well as a mural and renamed roadway honoring local Chinese American pioneers.

After raising hundreds of thousands of dollars in grants and donations, HAPI hopes to break ground this year on a monument to the dark chapter in Eureka history, said Amy Uyeki, a member of HAPI’s steering committee.

Uyeki said the stories of people who lived through the expulsions, including Dock, are still being unearthed by researchers and volunteers. The individual stories, she said, are powerful — and were too long overlooked.

“Having those names, knowing what they did, that they existed as people, that makes a huge difference,” Uyeki said. “Then they’re not just a group of anonymous people. Personal stories ring true to people. They can imagine themselves as that person.”

While Eureka and other places prepare to unveil higher-profile monuments and dedications, Dock’s headstone stands in quiet remembrance of a life upended by the purges.

Last month, it was adorned with pink and white silk flowers. Betlejewski leaves them when she visits the grave of a late friend, who knew and adored Dock and demanded his photo be displayed in the history museum.

The headstone of Dock Rigg in the Smith River Community Pioneer Cemetery in Smith River.

The headstone of Dock Rigg in the Smith River Community Pioneer Cemetery in Smith River.

(Alexandra Hootnick/For The Times)

Dock’s headstone appears to have been placed around 1969, when community members brought in heavy equipment to fix up the old cemetery, which had become overgrown with berry briars, said Carolyn Spencer Westbrook, who co-wrote a book detailing the history of the cemetery and its dead.

A small wooden cross had previously marked Dock’s grave, she said, and was likely damaged during the cleanup. Community members paid for the sturdy stone headstone.

At the time of his death, it was considered a huge sign of respect for Dock to be buried in the Smith River cemetery, where there were no other Chinese people buried, Westbrook said.

“A lot of people really loved him,” she said.



This story originally appeared on LA Times

Sharon Stone Brings Elegance to Antonio Marras Fall 2025 Ad

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Sharon Stone stars in Antonio Marras’ fall-winter 2025 campaign. Photo: Branislav Simoncik / Antonio Marras

Sharon Stone is rewriting the meaning of timeless. In Antonio Marras’ fall-winter 2025 campaign, the Hollywood icon steps into a dreamy storybook world. One set in Alghero, Sardinia, where the sea kisses centuries-old stone walls and fashion becomes poetry.

Antonio Marras Fall/Winter 2025 Campaign

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Each look is a love letter to Marras’ roots. A sharp grey checked suit with a dramatic high-neck blouse evokes power and nostalgia all at once. Then, there’s a tapestry-like coat paired with patterned trousers, draped over Stone like wearable architecture.

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Another moment finds her in a military-green jacket with sheer floral sleeves, blurring the lines between strength and softness. But the scene-stealer? A soft ivory dress brushed with rose illustrations, caught in a quiet moment by a balcony, the Mediterranean stretching endlessly behind her.

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Stone appears seductive, elegant, and always in control in images lensed by Branislav Simoncik. Marras tells a story of place, memory, and identity through fabric. And Sharon? She makes it unforgettable.



This story originally appeared on FashionGoneRogue

Is the EU a strategic powerhouse or an ineffectual player?

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European political leaders tried to switch off for a few weeks in August, but they must have had a lot on their minds. Russian forces have advanced in the Donbas, in eastern Ukraine.  A summit in Alaska between the Russian and American presidents set off alarm bells in Kyiv and in the EU. And members of European governments are smarting from a trade deal with US President Donald Trump that leaves a 15 percent tariff ceiling on most EU products coming into the US – this as the European Union wants to assert its competitiveness and its strategic weight in the world. We discuss all this and more with our guests.


This story originally appeared on France24

Campaign of Abigail Spanberger, the Democrat Running for Governor in Virginia, Creates Fake News Site to Promote Her Candidacy | The Gateway Pundit

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Screencap of Twitter/X video.

Abigail Spanberger is the Democrat running for governor in Virginia. She was the leading candidate until about two weeks ago, when Republican Winsome Sears started catching up to her in the polls.

In an effort to boost her candidacy, Spanberger’s campaign has created a fake news website called the Commonwealth Courier, which shares positive news about Spanberger on social media sites.

The media has completely ignored this story, which should surprise no one.

David Strom writes at Hot Air:

VA Governor Candidate Spanberger Invents ‘News’ Site to Deceive Voters

Abigail Spanberger is the Democratic Party candidate for Governor in Virginia.

Automatically, that makes her suspect.

Pravda and the Democrats have promoted Spanberger as a moderate Democrat, whatever that means these days, although she tends to avoid discussing issues and is distancing herself from her radical voting record. There’s a lot of vague talk–something pretty common in politics, I admit–and lots of promises that utopia is just around the corner.

But to get an idea of what the real Spanberger is like, all you need to know can be summed up by one fact: her campaign has literally invented a fake news site to push the narrative that she is a different kind of Democrat, and that Republicans are the puppy and kitten killing party.

The “news” outlet is the Commonwealth Courier, which is a Facebook page that presents itself as a “Media/News” company. Only it isn’t a company at all. It is, in fact, an artificial creation of the Spanberger for Governor campaign.

The Commonwealth Courier doesn’t exist to get followers–it has very few–and I couldn’t even find a webpage for it. There is a “Commonwealth Couriers,” but they provide courier services, not fake news.

Note the details below:

This seems like something Spanberger should be asked about by the media. Will any journalists do their job here?




This story originally appeared on TheGateWayPundit