A friend of mine once told me that pico de gallo when translated directly means rooster’s beak. I thought that was a pretty interesting name for something that didn’t really resemble anything close to a rooster’s beak. After some quick fact checking it’s true, but don’t let that stop you from making it!
There isn’t really anything to change from a traditional pico de gallo recipe, and all of the standard ingredients are here, including tomatoes, onions, garlic, and cilantro with some lime juice. There’s a serrano chili pepper to give it some heat, and a bit of salt to bring it all together.
Any time I’m having Mexican food I always whip up a batch of this pico de gallo. It’s so quick and easy, and most of the time I have these ingredients on hand already so it’s just a matter of minutes and it can be made while the other food is cooking.
It’s really just a matter of getting out the chef’s knife and getting to work dicing up the ingredients. Don’t use a blender or you’ll miss the best part of pico. It’s the bigger sizes of the ingredients that make it special, and help you taste each one separately and together at the same time.
The beauty of pico de gallo is that even though it’s borrowed from Mexican cuisine it can be used on a number of different foods. Basically if you have a dish that is lacking a bit in the flavor department, serve it with some pico on top or on the side. Whenever you want some extra flavor just take a bite of pico along with the main entree.
To make this extra Paleo you can be sure to use organic ingredients, like organic tomatoes and onions. Most major supermarkets will either contain an organic section or have an organic option right next to the conventional option. They may be a bit pricier, but for all of the chemicals you’re avoiding it’s worth it and it gets you closer to a caveman existence when everything was naturally chemical free.
One tip to enjoy your pico de gallo even more is to strain it right before you’re ready to use it. That’s because all of the ingredients that go into it are so watery. If you don’t drain the excess liquid you’ll end up with a watery mess, and when you put a spoonful on your food you’re going to water it down.
If you want to doctor up your pico de gallo, it’s easy enough to do. Some of my favorites include diced avocado, diced shrimp, and diced mango. These will change the taste and consistency of the pico depending on what you go with, and you can feel free to add in other ingredients as well. If you find one that works be sure to add it in the comments below.
The art of fashion is often at its most breathtaking when it becomes a vessel for storytelling, and CHANEL’s Métiers d’Art collections are a testament to this ethos. Since 2002, these annual showcases have transcended the traditional runway format, highlighting the extraordinary craft and savoir-faire of the artisans who breathe life into the Maison’s creative vision. At the heart of this preservation lies le19M, CHANEL’s hub in Paris dedicated to its Métiers d’Art—a sanctuary where embroidery, feather work, goldsmithing, and millinery flourish. Here, the traditions of craftsmanship are not merely honoured; they are elevated into the realm of art.
For the 2024/25 Métiers d’Art collection, CHANEL embarks on a poetic journey to Hangzhou, China, presenting a collection deeply rooted in the spirit of Gabrielle Chanel’s beloved Coromandel screens. These intricately lacquered panels adorned her Paris apartment and served as an enduring source of inspiration, reflecting her fascination with the East. Hangzhou’s West Lake—a UNESCO World Heritage site celebrated for its serene beauty and cultural resonance—provided an idyllic backdrop for unveiling this dreamlike collection.
As the models glided across runways designed to appear as they floated on the water, the collection unfurled as a love letter to artistry and exploration. With its blend of traditional Chinese aesthetics and CHANEL’s iconic codes, the show not only celebrated Gabrielle Chanel’s legacy but also underscored the Maison’s commitment to bridging cultures through timeless craftsmanship.
CHANEL Métiers d’Art 2024/25: A Dreamlike Showcase in Hangzhou
Nestled in the heart of Zhejiang Province, the historic city of Hangzhou became the latest destination for CHANEL’s much-anticipated Métiers d’Art 2024/25 show. The choice of location was anything but incidental. Hangzhou, known for its lush green landscapes and the legendary West Lake, has long been a muse for artists, poets, and travellers. A UNESCO World Heritage site, West Lake served as the show’s magical stage at nightfall, echoing the tranquillity and poetic charm of Gabrielle Chanel’s cherished Coromandel screens.
These lacquered Chinese screens, which adorned the walls of Gabrielle Chanel’s Paris apartment at 31 rue Cambon, are more than decorative objects; they reflect the designer’s fascination with the East. One screen, in particular, depicting West Lake, inspired the collection and the decision to hold this year’s show in Hangzhou. The result was a celebration of cultural dialogue, bridging the Maison’s storied Parisian roots with China’s artistic and historical richness.
The exclusive guest list included CHANEL ambassadors Tilda Swinton, Xin Zhilei, and Leah Dou, who played prominent roles in a Wim Wenders-directed short film released before the show. This cinematic introduction, blending the mystique of Coromandel screens with the ethereal beauty of Hangzhou, set the tone for an event that transcended fashion. Swinton, known for her avant-garde elegance, described the show as “a poetic voyage,” perfectly encapsulating its atmosphere.
CHANEL’s decision to bring its Métiers d’Art collection to China also signals a strategic emphasis on the region’s growing importance in the luxury market. With its mix of tradition and modernity, Hangzhou offered the perfect backdrop for a collection steeped in heritage yet forward-looking in its execution. This is particularly significant in a year of transition for the Maison, as it awaits the appointment of a new creative director following Virginie Viard’s departure in June 2024.
The choice of Hangzhou also highlights CHANEL’s commitment to celebrating the artisans behind the collection. By showcasing the work of its Maisons d’art in a city synonymous with craftsmanship and cultural heritage, CHANEL reinforces the importance of preserving and elevating artisanal skills. The artisans of le19M—including embroiderers, feather workers, goldsmiths, and milliners—played a central role in transforming the creative vision of the CHANEL studio into a collection that radiated artistry and innovation.
Ultimately, the Métiers d’Art 2024/25 show in Hangzhou wasn’t just about fashion—it was a symphony of culture, artistry, and history. Against the luminous backdrop of West Lake, CHANEL reaffirmed its ability to create moments that transcend the runway, offering a masterclass in how tradition and modernity can coexist in harmony. This choice of venue and inspiration stands as a powerful testament to the Maison’s dedication to exploring new horizons while staying rooted in its timeless legacy.
The Métiers d’Art 2024/25 Collection – A Masterpiece Unveiled
As dusk fell over Hangzhou’s West Lake, CHANEL unveiled the 2024/25 Métiers d’Art collection with an ethereal runway show that was as much a visual spectacle as it was a tribute to the Maison’s storied craftsmanship. The floating runways, designed to appear as though models were walking on water, set the stage for a collection steeped in poetic elegance and cultural resonance. Inspired by Gabrielle Chanel’s cherished Coromandel screens, the show blended Chinese artistry with CHANEL’s iconic codes, creating a seamless dialogue between tradition and modernity.
Key Looks and Features
The collection opened with dramatic long coats in midnight black tweed, setting a quiet, sophisticated tone. These were followed by a parade of silhouettes celebrating intricate detailing: phosphorescent braids, embroidered floral motifs, and envelope-shaped pockets. A palette of jade green, blush pink, and sky blue evoked the lacquered brilliance of the Coromandel screens, while the textures—satin, velvet, and tweed—spoke of refined luxury.
Signature CHANEL elements were reimagined with a contemporary twist. Tweed jackets, some cropped to reveal patterned bodysuits, were paired with pleated skirts, wrap trousers, and culottes, demonstrating an artful approach to layering. Tuxedo jackets lined with white satin and styled with culottes captured a modern elegance, while the recurring camellia motif—embroidered by Lesage—reminded viewers of CHANEL’s timeless floral emblem.
The collection also emphasized the theme of travel, with models carrying vanity cases, travel bags, and pillow-shaped handbags. Footwear took a bold turn, featuring thigh-high boots, mid-calf boots, and pointed slippers in black patent leather, courtesy of Massaro. The accessories were equally compelling, with medallions and cuffs crafted by Goossens, referencing ancient Chinese prunus flowers and fruits. Hats by Maison Michel and beanies and scarves added to the dreamy, romantic aesthetic.
Romantic Textures and Dreamlike Details
A recurring theme in the collection was the interplay between softness and structure. Pleats and frills, created by Lemarié and Lognon, added volume and movement to the garments. Cloud-shaped pearl necklaces and cushion-like embellishments evoked a dreamlike sensibility, while intricate embroidery and sequins provided a touch of luxury. This duality of craftsmanship—precision paired with poetry—underscored the artistry at the collection’s heart.
Every detail of the collection paid homage to the Maisons d’art that contributed to CHANEL’s unparalleled creations. Montex’s embroidery combined ancestral techniques with modern innovation, while Lesage’s tweed weavings blended unexpected materials to reimagine CHANEL’s iconic fabric. Goossens’ metalwork and Lemarié’s featherwork further elevated the collection, showcasing the exceptional skills preserved at le19M.
The Setting: A Cultural Symphony
The setting of West Lake added an almost mythical dimension to the show. Its shimmering waters, surrounded by temples and pagodas, mirrored the lacquered panels of Gabrielle Chanel’s Coromandel screens. The models seemed to glide across the lake, their silhouettes reflecting the serene beauty of the environment. This interplay between fashion and nature enhanced the sense of poetry that defined the collection.
CHANEL’s Métiers d’Art 2024/25 was more than a fashion show—an artistic performance. The blending of Chinese cultural heritage with Maison’s Parisian roots created a collection that was at once timeless and forward-thinking, a testament to CHANEL’s enduring ability to innovate while honouring its legacy. The night concluded with applause and the feeling that viewers had been part of a transcendent moment in fashion history.
Why This Collection is Impressive and What I Particularly Appreciate
The CHANEL Métiers d’Art 2024/25 collection is a masterclass in storytelling through fashion. Its ability to bridge cultural heritages—Parisian elegance and Chinese artistry—is remarkable. What makes this collection exceptional is its meticulous craftsmanship, with each piece reflecting the unparalleled savoir-faire of the Maisons d’art. The embroidered floral motifs by Lesage, the ethereal featherwork by Lemarié, and the gleaming accessories by Goossens collectively demonstrate the artistry at the heart of CHANEL’s creations.
We particularly appreciate how the collection marries tradition with innovation. Jade green, pink, and sky-blue hues—reminiscent of Coromandel screens—bring a fresh vibrancy to classic CHANEL designs. The travel-inspired accessories, from pillow handbags to vanity cases, capture the spirit of adventure while maintaining a luxurious sensibility. Additionally, the runway itself, floating over the tranquil waters of West Lake, provided a setting that perfectly mirrored the poetic beauty of the collection. It’s a testament to CHANEL’s unique ability to create fashion and immersive experiences that linger in the imagination.
The Stars Behind the Scenes: Maisons d’Art in the CHANEL Métiers d’Art 2024/25 Show
At the heart of every CHANEL Métiers d’Art collection lies the extraordinary craftsmanship of the Maisons d’Art, a constellation of specialized ateliers whose unparalleled skills transform creative visions into reality. For the 2024/25 Métiers d’Art show in Hangzhou, these artisans showcased their brilliance once again, contributing intricate details and innovative techniques to Gabrielle Chanel’s tribute to Coromandel screens. Let’s dive into the heritage and contributions of the key Maisons d’Art in this breathtaking collection.
Atelier Montex: Masters of Contemporary Embroidery
Inception and Expertise
Founded in 1939, Montex has become synonymous with embroidery that blends ancestral techniques with modern artistry. Using tools such as the Lunéville crochet hook and the century-old Cornely embroidery machine, Montex produces intricate and avant-garde patterns. Since joining CHANEL’s Métiers d’Art in 2011, Montex has consistently elevated the Maison’s collections with bold and innovative designs.
Contribution to the 2024/25 Collection
For this year’s Métiers d’Art show, Montex brought Coromandel screen motifs to life through elaborate floral embroidery. From jade green florals to shimmering metallic accents, their craftsmanship added depth and texture to the collection’s sweeping coats, jumpsuits, and tailored jackets. The precision of their needlework was particularly evident in the phosphorescent braids, which shimmered against the dark palette, creating a mesmerizing effect under the nightfall of West Lake.
Lesage: Embroiderers and Masters of Tweed Innovation
Inception and Expertise
Founded in 1924, Lesage has long been a cornerstone of haute couture embroidery, collaborating with the world’s most fabulous designers. A partner of CHANEL since 1983 and officially part of the Métiers d’Art family since 2002, Lesage is celebrated not only for its breathtaking embroidery but also for reinventing tweed, one of CHANEL’s most iconic materials. Lesage’s Parisian atelier is home to an unrivalled collection of over 75,000 embroidery samples and a school dedicated to passing on its craft.
Contribution to the 2024/25 Collection
Lesage’s contributions this year were nothing short of extraordinary. They created rich, multicoloured tweeds that incorporated unexpected materials, such as silk threads and metallic elements, echoing the lacquered brilliance of Coromandel screens. Their embroidery adorned jackets, dresses, and skirts with delicate floral patterns and shimmering sequins, embodying both luxury and elegance. The intricate bodysuits layered under cropped jackets were a standout example of their unparalleled expertise.
Lemarié: Feather Workers and Floral Alchemists
Inception and Expertise
Established in 1880, Lemarié has been a pioneer in feather artistry and floral embellishments. Renowned for handcrafting CHANEL’s signature camellia since the 1960s, Lemarié specialises in couture sewing techniques, pleating, and textile embellishments. Their draught-free workshops ensure that each feather and petal is treated with the utmost care.
Contribution to the 2024/25 Collection
For the Métiers d’Art 2024/25 show, Lemarié’s artistry was evident in the soft pleats and ethereal floral motifs adorned the collection. Feathers, meticulously sorted and curled, added an otherworldly touch to evening gowns and capes. Lemarié also created delicate smocks and inlays on skirts and blouses, adding dimension and movement. Their floral embellishments, inspired by the exotic blooms depicted on Coromandel screens, were a poetic nod to Gabrielle Chanel’s love of nature.
Goossens: Goldsmiths of Elegance
Inception and Expertise
Founded by Robert Goossens in 1950, the Goossens atelier has been crafting exquisite jewellery and objects that blend sculpture with goldsmithing. From Byzantine-inspired designs to modern creations, Goossens has long been a favourite of CHANEL, even designing furniture for Gabrielle Chanel’s apartment. The atelier became part of the Métiers d’Art in 2005.
Contribution to the 2024/25 Collection
Goossens’ jewellery and accessories for the Métiers d’Art show were inspired by Chinese iconography, including flowers, fruits, and the ancient prunus tree. Gold cuffs, medallions, and necklaces adorned with intricate engravings added a regal touch to the collection. The shimmering metallic tones complemented the collection’s dreamy aesthetic, bridging the traditional and contemporary gap.
Massaro: The Art of Handmade Shoes
Inception and Expertise
Since 1894, Massaro has been synonymous with bespoke shoemaking. Their collaboration with CHANEL began in 1957 with the creation of the two-tone shoe, a design that has since become iconic. Joining the Métiers d’Art in 2002, Massaro continues to craft footwear that combines elegance and comfort.
Contribution to the 2024/25 Collection
Massaro’s shoes were a statement in this year’s show, from patent leather thigh-high boots to mid-calf boots reminiscent of Gabrielle Chanel’s personal style. Pointed slippers and embellished boots added a sense of drama to the collection, perfectly complementing the tailored silhouettes. Each pair was meticulously handcrafted, a testament to Massaro’s dedication to perfection.
Maison Michel: The Hatmakers of CHANEL
Inception and Expertise
Founded in 1936, Maison Michel is renowned for its handcrafted hats, caps, and veils. With a history of hatmaking in Paris dating back to the 14th century, the atelier has preserved its savoir-faire while continually innovating. It became part of the Métiers d’Art in 1997 and is responsible for many of CHANEL’s iconic headpieces.
Contribution to the 2024/25 Collection
For this collection, Maison Michel designed beanies, berets, and scarves that captured the romanticism of the Coromandel-inspired theme. Each hat was meticulously handcrafted using techniques perfected over decades. The headpieces were adorned with braids, feathers, and flowers, enhancing the collection’s dreamlike aesthetic.
A Collective Triumph
The CHANEL Métiers d’Art 2024/25 collection celebrates artistry in its purest form. Each Maison d’Art brought its unique heritage and expertise to the table, contributing to a collection that was as rich in craftsmanship as it was in imagination. From the intricate embroidery of Montex and Lesage to the ethereal featherwork of Lemarié, the shimmering metalwork of Goossens, the bespoke shoes of Massaro, and the romantic headpieces of Maison Michel, the artisans behind le19M transformed Gabrielle Chanel’s vision into a poetic reality.
The Métiers d’Art show is not just a showcase of fashion—it is a reminder of the power of human creativity and the importance of preserving these timeless crafts. Against the backdrop of Hangzhou’s West Lake, these ateliers proved once again that their work is the beating heart of CHANEL’s legacy.
To Conclude,
The CHANEL Métiers d’Art 2024/25 collection is more than a tribute to craftsmanship—it celebrates the Maison’s ability to weave a narrative that transcends borders and generations. By drawing inspiration from Gabrielle Chanel’s Coromandel screens and presenting the collection at the iconic West Lake in Hangzhou, CHANEL underscored its commitment to bridging cultures while honouring its storied past. The collection’s harmonious blend of Eastern artistry and Parisian sophistication reflects CHANEL’s evolving global perspective, particularly its emphasis on the burgeoning Chinese luxury market.
The show itself was a sensory masterpiece, with each element—from the models seemingly walking on water to the intricate details of each silhouette—crafted to evoke a sense of wonder. Against the backdrop of Hangzhou’s tranquil beauty, CHANEL redefined what it means to celebrate artistry in fashion. This year’s Métiers d’Art collection also highlighted the importance of the artisans at le19M, whose exceptional skills ensure that CHANEL’s legacy remains as vibrant as ever.
As CHANEL stands on the cusp of a new era with an upcoming creative director, the Métiers d’Art 2024/25 collection poignantly reminds us of the Maison’s enduring commitment to craftsmanship, cultural dialogue, and innovation. It leaves us not only inspired by the artistry of the present but also hopeful for the future of CHANEL—a future where tradition continues to meet reinvention in the most elegant and unexpected ways.
José Amorim The author sourced the information for luxuryactivist.com. All content is copyrighted, and reproduction rights are not available. Images are for illustration purposes only.
Following Nikki Glaser‘s successful run hosting the 82nd Golden Globes, it appears the show’s producers want to bring her back for more. While much of the attention for the Golden Globes was on winners, like Emilia Perez and The Brutalist, and notable snubs, like Anora and Challengers, many agreed that it was a better show than the previous year, when comedian Jo Koy bombed on stage following a series of poorly timed jokes and attempted to throw the writers under the bus. Comedian Nikki Glaser, best known for her work on the Comedy Central Roast, was a bright spot for many, and just what the ceremony needed after years of controversy. Turns out the producers of the Golden Globes realize they might have a winner on their hands and are looking to repeat this success.
Following the Golden Globes, executive producer Glenn Weiss spoke with Variety about the show, and, regarding Glaser returning to host next year, said, “We absolutely had a great experience with her, and think that she would be great at this in the long term.” When asked if they had already spoken with the comedian about returning, Weiss responded, “Perhaps! I can’t talk officially for anything. I will say, as someone who produces and directs award shows, she really found her niche here, and I think it really worked out beautifully on this show. And I would love to see it continue.” Weiss spoke about what made Glaser such a great host for the Golden Globes, saying:
“Nikki, in my mind, home run. She really prepared. She did her homework. She’s been practicing material at clubs, sometimes four or five shows a night for a couple of weeks straight, working on this pretty hard since November. And when you have a host that’s that prepared and that dedicated and also not tone deaf, listening to what’s going on in our business and even in the room on the fly, she’s really good at this. And she proved herself to be a really good host. Part of what the Globes are is it’s a party atmosphere. It’s not a traditional, stuffyish kind of environment. We do want to be loose, people in the audience do have access to alcohol, and it’s meant to be fun and a party. And Nikki, her whole tone and and her way of being is really in line with what this show is. And I think she really scored very well last night.”
Unlike the Academy Awards, the Golden Globes have only recently featured hosts regularly in their ceremony. The ceremony was hostless until the 39th Golden Globes in 1982, when Robert Preston and Linda Gray co-hosted. Having a host was on and off for years, with 1996 to 2009 not featuring a host. Starting in the 2010s, the Globes tried to regularly feature a host, with comedian Ricky Gervais having hosted the most Golden Globes awards shows, with a total of five in 2010, 2011, 2012, 2016, and 2020. Tina Fey and Amy Poehler co-hosted together four times in 2013, 2014, 2015, and 2021.
Nikki Glaser Is the Perfect Host for the Golden Globes
Glaser’s performance at the Golden Globes might mark a new era for the awards show and a new long-running gig where she could become the face of the ceremony for a new generation of fans. She also made history by being the first solo female comedian to host the Golden Globes. Glaser was a bold choice, as her style of humor is a little edgier than awards shows tend to be, but one that paid off and helped the ceremony feel relevant. Despite the fact that Glaser herself lost the Best Performance in a Stand-Up Comedy or Television to Ali Wong, Glaser won the night in the end.
There were plenty of surprises and snubs this year, but the Golden Globes definitely got one thing right Sunday night.
Glaser being a fixture at the Golden Globes for the foreseeable future would also be a sharp contrast to the Academy Awards. While the ceremony was known for hosts like Bob Hope and Billy Crystal, the award show has struggled to find a host that can capture audience excitement for nearly a decade and a half. Jimmy Kimmel has hosted three Academy Award ceremonies, but they rarely generated a level of excitement from audiences. The Academy’s attempt to find the next face of the Academy Awards has been so tumultuous that they opted to go without a host for three years in a row, from 2019 to 2021.
After an elongated hiatus, The Rookie is back with season 7, and following a chaotic sixth season, viewers must prepare for the new episodes by remembering everything important that happened in the past. The ABC police procedural series, created by Alexi Hawley, revolves around a group of law enforcement officers, including Nathan Fillion’s John Nolan. At the beginning of The Rookie, Nolan was a middle-aged rookie who moved from the East Coast to Los Angeles after a divorce. Now, Nolan is the one training rookies.
The Rookie season 7, episode 1, “The Shot,” premieres on Tuesday, January 7, 2025, at 10 pm ET on ABC. Season 7 consists of 18 episodes.
Over the course of The Rookie‘s ten-episode sixth season, the characters experienced many highs and lows, from a wedding to a devastating breakup. So, season 7 has much to address. The ending of The Rookie season 6 even included a cliffhanger that, based on trailers for the upcoming episodes, the premiere will address immediately. Fans won’t have to wait too long to get answers (aside from the crime drama’s seven-month hiatus between seasons 6 and 7).
10
Oscar & Jason Escaped From Prison
The Two Rookie Villains Are On The Run
The Rookie season 6 finale ended on a cliffhanger — Oscar Hutchinson and Jason Wyler escaped from prison. As a gift for helping Monica Stevens with her own villainous endeavors, she aided Oscar and Jason’s breakout. Consequently, they walked out of the penitentiary with ease. Oscar and Jason strode out, dressed in guards’ uniforms, and found the car that Monica left for them. When Oscar asked Jason where he wanted to go, Bailey Nune’s ex-husband revealed he wanted to return to Los Angeles.
When The Rookie finally returns with season 7 in 2025, the new episodes should bring back a handful of characters who haven’t been seen in a while.
Jason undoubtedly wants to get revenge on Nolan and Bailey as they are the main reason he ended up in prison. So, when season 7 opens, the officers will be searching for Jason (and Oscar, of course). However, Jason is likely the bigger threat out of the two The Rookie villains because he will want to target two of the show’s main characters. Given that Nolan and Bailey are two of the main characters, though, viewers should not worry too much about their well-being in the season 7 premiere.
9
Nolan & Bailey Got Married
The 100th Episode Celebrated The Couple’s Wedding
On a happier note, Nolan and Bailey got married during The Rookie‘s 100th episode (after a handful of obstacles). The second episode of season 6 was full of joy, celebration, and unfortunate disasters. Their original wedding venue became suddenly unavailable; Nolan had to deal with Oscar’s lawsuit; Skip Tracer Randy pawned Bailey’s ring; the minister got stuck in traffic; Henry Nolan’s flight was canceled; etc. Still, Nolan and Bailey somehow made it down the aisle after getting engaged early on in season 5, and the two are happier than ever.
Aaron Thorsen helped Nolan and Bailey find a last-minute venue. Tim Bradford and Lucy Chen got Bailey’s ring back. Wade Grey ended up officiating the wedding. Henry found a way to make it to his father’s wedding. So, everything worked out by the end of The Rookie season 6, episode 2, and Nolan and Bailey can live happily ever after (for now).
8
Celina Moved In With Lucy
Tamara Moved Out In The Rookie Season 6
A small but important event happened between an unlikely pair in The Rookie season 6 — Lucy and Celina Juarez moved in together. Well, Celina moved into Lucy’s apartment. Lucy and Tamara Colins lived together for a long time, but the younger woman decided it was time for her to leave and set out on her own journey in season 6. As a result, Lucy had an extra room up for grabs.
Unfortunately, the end of the season didn’t allow much room for Lucy and Celina’s newfound friendship to grow, but there’s a chance that season 7 will circle back to the intriguing dynamic.
Meanwhile, Celina was on a search to find an affordable apartment in Los Angeles that she was also fond of (which is a difficult task for anyone). Thankfully for Celina, Lucy’s place had a vacancy. The two women decided that Celina would move in (after Tim and Lucy’s breakup in The Rookie season 6, episode 6). Unfortunately, the end of the season didn’t allow much room for Lucy and Celina’s newfound friendship to grow, but there’s a chance that season 7 will circle back to the intriguing dynamic.
7
Nolan & Bailey Want To Adopt A Baby
The Couple Decided Against Trying To Get Pregnant
After getting married, Nolan and Bailey took the next step in their relationship in The Rookie season 6. Unfortunately, having children proved not to be so easy for the couple. They had trouble getting pregnant, and Bailey learned that she would have to start IVF treatments if she wanted a chance to bear offspring. Bailey decided she didn’t want to go through the expensive care. So, Nolan and his Rookie love interest stopped trying to have a baby. However, that wouldn’t be the end of their parenthood journey.
At the beginning of the season 6 finale of The Rookie, Nolan asked Bailey how she felt about adoption. Bailey was hesitant at first but had come around to the idea by the hour’s end. Now, Nolan and Bailey will assumingly be going through the adoption process when The Rookie season 7 premieres (probably after dealing with the whole “Jason broke out of prison” situation, of course).
6
Tim & Lucy Broke Up
Tim Ended The Relationship In Season 6, Episode 6
One of the saddest moments from The Rookie season 6 was Tim and Lucy’s breakup in episode 6. Based on everything leading up to the heartbreaking scene between Eric Winter and Melissa O’Neil’s characters, the split wasn’t all that surprising. Nevertheless, Tim and Lucy getting separated shortly after they finally got together (following a five-season slow-burn romance no less) was devastating to many viewers and the characters.
Tim went through a lot in The Rookie season 6, especially after his military past came back to haunt him. He tried facing his demons alone, shutting Lucy out. Lucy was stubborn, though, and eventually convinced Tim to let her help him. Sadly, once all was said and done, Tim decided the best thing for Lucy was for him to break up with her. Tim felt as if he didn’t deserve her. Even though Lucy tried to change his mind, Tim couldn’t take back his words. The Rookie season 6 ended without a Chenford reunion, meaning one might be in store for season 7.
5
Tim Started Attending Therapy
Blair Was Tim’s Doctor
The good news is that Tim started to put the work into getting better in The Rookie season 6. After breaking up with Lucy, he started therapy. Unfortunately, his therapist was Dr. Blair London, who also happened to be Aaron’s psychiatrist and was working with Monica. Despite his doctor’s nefarious intentions, Tim still walked away from her feeling better about himself. Hopefully, he will find a therapist who isn’t evil in The Rookie season 7 and continue his progress. During an interview with TVLine, The Rookie showrunner Alexi Hawley discussed Tim’s season 7 arc. He revealed:
“Tim does [still have to work on himself], he does. We’ll definitely see a bit of that this season. At some point, we have a scene where he’s at a veterans support group, so he’s still trying to do the work on himself. And look, the good news is that he understands what he did wrong. But in terms of the why, that is still something he’s trying to figure out, and sort of punishing himself for his own failures. The worst thing he could possibly think to do to himself was to break up with Lucy, and he’s going to figure that fully out, and then also deal with the repercussions of that. But you know, we really wanted to come into this season with positivity about Tim and Lucy. Obviously, they did do a lot of work, Tim especially, at the end of last season. It did feel like they were coming back together in a way that was at least positive.”
Based on Hawley’s comments, Tim was punishing himself by breaking up with Lucy in The Rookie season 6. So, he needs to process his own feelings of failure before being ready to be in a fully committed relationship with Lucy. Only time will tell if she will be ready to accept him back into her life, though.
4
Tru Valentino Exited The Rookie After Season 6
Aaron Isn’t In Season 7
Unfortunately, when The Rookie season 7 releases, it will have one less main cast member. Tru Valentino, who plays Aaron Thorsen and was introduced in season 4, has exited the series ahead of the season 7 premiere. Consequently, the season 6 finale was Aaron’s last appearance (for now). The actor’s departure was seemingly a creative decision on the writers’ part, but Aaron’s story isn’t necessarily over in the ABC police procedural TV show.
The Rookie Season 7 Cast
Character
Nathan Fillion
John Nolan
Richard T. Jones
Wade Grey
Alyssa Diaz
Angela Lopez
Eric Winter
Tim Bradford
Melissa O’Neil
Lucy Chen
Mekia Cox
Nyla Harper
Shawn Ashmore
Wesley Evers
Jenna Dewan
Bailey Nune
Lisseth Chavez
Celina Juarez
Deric Augustine
Miles Penn
Patrick Kelehe
Seth Ridley
Aaron’s The Rookie season 7 exit might not be permanent, based on comments from Valentino and Hawley. The showrunner told Screen Rant that the door is open for Aaron’s return. So, it stands to reason that the character won’t die offscreen at the beginning of season 7, episode 1. Hawley said:
“Of course. Tru [Valentino] is a great actor, and he was a huge part of our show for several seasons, and so we’d love to have him back in some capacity. It just ultimately felt like, creatively, for where the show was going, that we needed to pivot a bit. But he’s still very much alive in our universe.”
3
Monica Got Away During The Season 6 Finale
The Officers Couldn’t Catch The Villain
Although the team’s focus might be on catching Oscar and Jason during The Rookie season 7 premiere, they still have to worry about Monica. Season 6’s villain escaped the LAPD’s clutches in Argentina during the finale. She had a meeting with another criminal there, and some of the main characters followed her. They busted the meeting, and chaos ensued. Amongst the mayhem, Monica was able to get away, and The Rookie season 6, episode 10, surely won’t be the last time fans see the character.
Monica should return in some fashion in The Rookie season 7, whether it’s for an episode to close out her story once and for all or a multi-episode arc to dive deeper into her nefarious ways. Whatever the case, Nolan and co. should be concerned about Monica and her whereabouts following the season 6 finale.
2
The Rookie: Feds Characters Crossed Over In The Finale
Felix Solis, Kevin Zegers, & Britt Robertson Guest Starred
ABC canceled The Rookie: Feds after only one season, but, thankfully, its ending didn’t mean the spinoff’s characters couldn’t guest star in the main series. During the season 6 finale, Felix Solis as Matt Garza, Kevin Zegers as Brendon Acres, and Britt Robertson as Laura Stensen appeared to help the LAPD catch Monica. The three The Rookie: Feds characters joined Nolan and Nyla Harper on their mission in Argentina.
The Rookie: Feds is a spinoff of the popular ABC drama series The Rookie, so numerous characters from the parent show crossover to the second one.
Given that Garza, Brendon, and Laura were able to return in The Rookie, perhaps more characters from The Rookie: Feds will make cameos in season 7. No one has been confirmed to appear, but the possibility is out there following the season 6 finale. Hopefully, Niecy Nash is somehow able to reprise her Feds role as Simone Clark for an episode (or two) in The Rookie season 7.
1
Two New Rookies Join The Season 7 Cast
The Rookie Season 7 Introduces Miles & Seth
While Tru Valentino is leaving the cast of The Rookie ahead of season 7, two other actors are joining it in recurring roles. Deric Augustine and Patrick Kelehe are playing Miles Penn and Seth Ridley, respectively, two new rookies at Mid-Wilshire. As for who their training officers are, Nolan is still with Celina, and Harper and Angela Lopez were promoted to detectives a long time ago. Tim might be serving as one of their training officers, though.
The Rookie has been in need of some fresh blood, and it will be intriguing to see how Miles and Seth mesh with the other characters in season 7. Not much is known about their characters, aside from the fact that Miles served as a cop for two years in Texas before starting over by moving to Los Angeles. To find out more about Miles and Seth, fans will just have to watch The Rookie season 7 on ABC.
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The Rookie follows John Nolan, a small-town man who, after a significant life event, becomes the oldest rookie at the Los Angeles Police Department. As he begins his policing career, Nolan faces skepticism from his superiors, testing his resolve to succeed in this challenging new role.
“I didn’t make it all the way through the clip, I gotta be honest with you,” Redick said Friday before the Lakers played the Atlanta Hawks. “My resting heart rate is probably 64. I watched the clip, it was 64. Literally don’t care. I have other thoughts, but don’t care.”
During highlights of Boston’s win against Minnesota, Barkley riffed on the Lakers’ coach after the number of three-point shots attempted (96) was mentioned.
“You can’t hide them flaws they got. You just a dead man walking,” one of the NBA’s most forward-facing voices said. “They got rid of Frank Vogel, who did a good job. They got rid of Darvin Ham, who did a good job. You came out there thinking you were gonna change things with that same ugly girl you went on the date with.”
Barkley’s issues seemingly stemmed from comments Redick made two weeks ago when asked about the league’s decline in ratings.
“I don’t think we as, and by we, I was part of it, we as the sort of national partners have done a good job of storytelling, of celebrating the game. If I’m a casual fan and you tell me every time I turn on the television that the product sucks, well I’m not gonna watch the product,” Redick said on Dec. 19.
“And that’s really what has happened over the last 10-15 years. I don’t know why. It’s not funny to me. Nothing is entertaining to me. This game should be celebrated. I’ve watched the league evolve. I’m in this league right now. I can tell you without fact, or with fact that the league is more talented and not just raw talent. The league is more talented and skilled than it was 18 years ago when I was drafted. That’s a fact. There are more players that are excellent. There are more teams that are excellent.
“…We don’t have anybody that’s willing to step up to the fact that this is an awesome game and we should talk about it and celebrate it in a positive way. That doesn’t mean we don’t critique it. We should critique it, but we should celebrate it.”
Redick didn’t mention any media members by name in his initial statement.
He said two Lakers assistants, Greg St. Jean and Beau Levesque, showed him the clip of Barkley’s comments.
MIAMI — As Jimmy Butler served out the first game of his team-issued suspension Saturday against the Utah Jazz, the Miami Heat are looking to move forward, with team captain Bam Adebayo saying the group is “focused on who’s with us now.”
Butler was suspended seven games over what the Heat called conduct detrimental to the team; Miami has said it is listening to trade offers.
“It’s disappointing when you see the organization and a player going head-to-head like that,” Adebayo said Saturday after the team’s shootaround practice. “But the rest of us got to figure out how to win games.”
Butler has not commented publicly on the suspension. The National Basketball Players Association spoke out on Butler’s behalf hours after the Heat announced the suspension Friday, saying it believes the team’s actions are “excessive and inappropriate.” The suspension could cost Butler about $2.4 million of his $48.8 million salary this season.
“It’s none of our business,” Adebayo said. “It’s for Jimmy and for the management to handle.”
How it gets handled from here, and on what time frame, is anyone’s guess.
“We’re just going to focus on tonight,” Heat coach Erik Spoelstra said before Saturday’s 136-100 loss to the Jazz. “I want to quiet all the distractions. Enough has been said. We have clarity. We’re just going to focus on this group in the locker room. That’s what I want them to focus on and quiet the noise as much as possible. I’m not a clickbait type of coach, so you’re not going to get anything else really from me. We have a task to do.”
Trading Butler will be a challenge in this new NBA world, with the rules of the collective bargaining agreement limiting the ways teams can acquire players. It’s possible, but it’s far from certain. And the Heat simply letting Butler leave as a free agent this summer — Butler has a player option for next season — also remains a possibility, as it could open up some other avenues for Miami to acquire new players.
“It sucks to see that he won’t be around,” Heat guard Terry Rozier said.
Butler averaged 21.7 points, 6.2 rebounds and 5.7 assists in 380 games with the Heat, including playoffs. Entering Saturday, since Butler joined the Heat, they’ve won 59.7% of their games when he played (227-153); they’ve won 49.2% of their games when he hasn’t (58-60).
He became eligible last summer for a two-year, $113 million extension. The deal was never offered by the Heat, in part because Butler has missed about one-quarter of the team’s games during his Miami tenure.
It was only natural that such a big sum of money not being offered was going to lead to problems. And the tension boiled over this week. Butler didn’t play in the fourth quarters of Miami games on Wednesday and Thursday; he spent some offensive possessions simply standing in the corner, almost as if he had no role.
“I feel like he came to work, he tried to perform, and it just didn’t go his way,” Adebayo said. “I feel like he didn’t want to be in the corner. But like I said, we develop a system where we play around everybody, and we just had to figure out how to incorporate him. But after what happened yesterday, we’re focused on who’s with us now.”
After the second of those games earlier in the week, Butler said “probably not” when asked if he thought he could find on-court joy again in Miami.
Saying those two words might have been his last official act as a member of the Heat. Earlier this season, Miami said it had no interest in trading Butler. Hearing him say he doesn’t want to be on the team anymore evidently changes things.
“It’s hard to not see him around,” Heat forward Nikola Jovic said.
World No. 1 golfer Scottie Scheffler withdrew from next week’s American Express to give his injured right hand a few more weeks to heal, he announced on his Instagram account.
The two-time Masters champion said he hopes to return at the AT&T Pebble Beach Pro-Am, to be played Jan. 30-Feb. 2 in Pebble Beach, California.
“After consulting with my medical team, I have made the decision to withdraw from next week’s American Express tournament to give my injury more time to heal,” Scheffler wrote on Instagram. “I am still hopeful to begin my 2025 season at the AT&T Pebble Beach Pro-Am.”
Scheffler suffered a puncture wound to the palm of his right hand while cooking dinner on Christmas Day and had surgery to remove glass fragments, according to his manager, Blake Smith. Scheffler was expected to be sidelined for three to four weeks, Smith said.
The 28-year-old missed the PGA Tour’s 2025 season opener, the Sentry, which was won byHideki Matsuyama in Kapalua, Hawaii. Scheffler wasn’t scheduled to play in this week’s Sony Open in Hawaii or the Farmers Insurance Open at Torrey Pines in La Jolla, California, Jan. 22-25.
Scheffler is the reigning PGA Tour Player of the Year and FedEx Cup champion after winning seven times in 2024. He was the first golfer since Tiger Woods in 2007 to capture seven victories on tour. His nine worldwide wins included a second green jacket at the Masters, a gold medal at the Paris Olympics and a second straight victory at the Hero World Challenge, an unofficial event in the Bahamas in December.
Wayne Osmond, the second-eldest sibling in the Osmond Brothers group of singers, has died. He was 73.
The baritone-voiced singer and guitarist, who was the fourth oldest of the nine Osmond children and older brother to famed duo Donny and Marie Osmond, “passed away peacefully” Wednesday surrounded by his wife and five children, his daughter Amy Osmond Cook said Thursday in a statement posted on Facebook. The family also launched a celebration of life page on the platform to memorialize the late musician.
“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world. He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly,” his daughter’s statement said.
Osmond’s younger brother, Donny Osmond, confirmed Thursday that he died from a stroke.
“I’m so grateful that I had the opportunity to visit him in the hospital before he passed,” the “Donny & Marie” star and Las Vegas headliner wrote on Instagram.
“Wayne brought so much light, laughter, and love to everyone who knew him, especially me. He was the ultimate optimist and was loved by everyone,” Donny added. “I’m sure I speak on behalf of every one of us siblings when I state that we were fortunate to have Wayne as a brother. Even though we are separated in this mortal life, I know that by the grace and resurrection of our Savior, Jesus Christ, we will have the opportunity to be with Wayne for eternity. I love you, Wayne.”
Wayne Osmond, born Melvin Wayne Osmond in Ogden on Aug. 28, 1951, wed Kathlyn White in 1974. The multi-instrumentalist had surgery for a brain tumor in 1997, suffered a stroke in 2012 that left him unable to play guitar and also was treated for cancer, according to the Hollywood Reporter. But he famously reunited with his siblings in 2019 to sing with his brothers for sister Marie’s 60th birthday.
Representatives for Marie Osmond did not immediately respond Thursday to The Times’ requests for comment.
(Isaac Brekken / Associated Press)
Brother Merrill Osmond said on Facebook that Wayne Osmond recently had “a massive stroke” and that he was being treated at a Salt Lake City hospital. Wayne “endured much” and “gave it his all,” he said, and praised his brother’s “genius in his ability to write music” and “capture the hearts of millions of people and bring them closer to God.”
“My brother was a saint before he came into this world, and he will leave as an even greater saint than he came in,” Merrill Osmond wrote Thursday on Facebook. “I’ve never known a man that had more humility. A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met.
“His departure from this earth will be a sad moment for some, but for those who are waiting for him on the other side, there will be a massive celebration beyond anything we can imagine,” he added.
Wayne’s younger brother Jay Osmond also said Thursday that he was “deeply saddened” by the death and that “a true legend has left the Earth.”
“It is said that where there is great love there is great grief as we part during our earthly journey. Throughout my life I have always felt most connected to Wayne out of all of my siblings. He was my roommate and my confidant over the decades,” he wrote on Facebook.
Jay Osmond said that when he visited his brother last week, Wayne Osmond was sad that he could no longer fly a plane and that “flying brought him peace.”
“What gives me joy is to know that my brother ‘Wings’ has earned his wings and I can only imagine the heights he is soaring right now. The reunion he must’ve had with Father and Mother I’m sure was spectacular!” he said.
Family patriarch George Osmond, a soldier who launched his children’s entertainment careers in the late 1950s, died in 2007. He was predeceased by his wife, Olive Osmond, in 2004.
Both husband and wife passed on their affinity for music — George’s as a singer and Olive’s as a saxophone player — to their children and formed the Osmond Brothers troupe with sons Alan, Wayne, and Jay Osmond. (The couple’s two eldest sons, Virl and Tom, have degenerative hearing loss that affected their speech.) George taught the quartet how to sing four-part harmonies as children, and they performed for their Church of Jesus Christ of Latter-Day Saints congregation in Ogden, Utah. They also performed at fairs and amusement parks in the late 1950s.
(NBCUniversal via Getty Images)
The family made its way to Los Angeles in 1962 to audition for “The Lawrence Welk Show” but didn’t land the gig. As a consolation, George Osmond took the family to Disneyland. The boys were dressed alike and the barbershop quartet performing on Main Street took notice. They were asked to do a number with the group; the performance ended up lasting for more than an hour. According to D23, the Osmonds then were brought to the Disneyland entertainment office, where they signed their first professional contract.
While they were performing at Disneyland, the father of singer Andy Williams spotted them and recommended the group to his son, ultimately leading the Osmond Brothers to book a five-year network TV run on “The Andy Williams Show.”.
The group added youngest brother Donny Osmond in 1963, changing its name to the Osmonds, and appeared on “The Jerry Lewis Show” before signing with a record label. They produced 34 gold and platinum records in the 1960s and ’70s, according to the Associated Press, including the 1971 chart-topper “One Bad Apple (Don’t Spoil the Whole Bunch).” Their other Billboard Hot 100 hits include “Down by the Lazy River,” “Yo-Yo,” “Love Me for a Reason” and “Crazy Horses.”
Donny and younger sister Marie also performed separately and as a duo to much success in music and television. Wayne made frequent appearances on the “Donny and Marie” variety show, which ran from 1975 to 1979 and which he also occasionally produced.
Lupe Fiasco is teaming up with the Massachusetts Institute of Technology to produce an FM radio station. There’s a catch, though: The project will be fully powered by artificial intelligence.
The Chicago rapper-turned-professor made the announcement on Instagram last week with a lengthy caption, which read in part: “Imagine if there was a 24-hour fully AI powered radio station trained on all the intricacies of my rapping abilities and was carefully refined to produce the highest quality possible Lupe Fiasco songs. Now imagine it only played a generated song once and never again endlessly…now imagine that radio station was only available for certain periods of time and only in certain locations and you needed an actual FM radio to hear the songs. Imagine I put a team together at MIT and imagine we actually built it…
“ENDLESS LUP coming soon,” he concluded the caption.
Lupe has been working with the prestigious school since 2022 when MIT tapped him to teach a course on Rap Theory and Practice for their MLK Visiting Professors and Scholars Program for the 2022-23 school year. And that’s not the only higher-learning establishment he’s been involved with: Fiasco was named a Saybrook Associate Fellow at Yale in 2023 and recently announced that he will be joining the Johns Hopkins University’s Peabody Institute faculty as a visiting professor to teach a rap course for their new Bachelor of Music in Hip Hop program.
Fiasco also announced a new multimedia venture in the same IG post about his collab with MIT. “RhymenShop is my multi-modal/multimedia creative musical sandbox,” he wrote. “RhymenShop’s ‘DCS’ or ‘Data Compression Services’ program is small batch, physical musical releases or ‘Flavors’ available only to holders of RhymenShop DCS USB Card’s or ‘Bowls’.”
He mentioned that the rollout for RhymenShop technically began during his Samurai Tour this past fall and that more details are to come.
The NHS has issued a warning that persistent bloating, despite lifestyle changes such as dieting or exercising, could be a sign of a common condition that requires testing. However, if you notice an improvement, it’s crucial to maintain a careful diet.
As detailed on the NHS inform website, coeliac disease is a prevalent autoimmune disorder where the immune system in a person’s gut reacts when they consume gluten. This reaction causes chronic inflammation and can result in symptoms like bloating, fatigue, and a numbness and tingling sensation.
Gluten is a protein found in wheat, barley, and rye, and therefore appears in many everyday food and drink items. These include:
most types of bread
pasta
cakes
biscuits
crackers
many breakfast cereals
pastry
certain types of sauces
some types of ready meals
most beers and lagers
certain fruit squashes
Given these foods often form part of our daily diet and with coeliac disease affecting one in every 100 people, it’s worth noting the symptoms and whether they worsen after consuming any of the above items. This period of worsening symptoms is often referred to as a flare-up.
What are the symptoms of Coeliac disease?
Coeliac disease can trigger a range of symptoms in the digestive system and throughout the body. Symptoms can emerge at any stage of life, but coeliac disease is most frequently diagnosed between the ages of 40 and 60 years.
The symptoms of coeliac disease differ from individual to individual and can range from mild to severe. Some people may not experience any symptoms at all.
Some common symptoms of coeliac disease include:
severe diarrhoea, excessive wind and/or constipation
persistent or unexplained gastrointestinal symptoms, such as nausea and vomiting
recurrent stomach pain, cramping or bloating
iron, vitamin B12 or folic acid deficiency
anaemia
tiredness
sudden or unexpected weight loss (but not in all cases)
mouth ulcers
skin rash (dermatitis herpetiformis)
depression
repeated miscarriages
neurological (nerve) problems such as ataxia (loss of coordination, poor balance) and peripheral neuropathy (numbness and tingling in the hands and feet)
Sometimes the symptoms of coeliac disease are mistaken for:
irritable bowel syndrome (IBS)
wheat intolerance
stress
just getting older
The NHS warns that if you tick any of theses signs and symptoms thn you should talk to your GP. But do not stop eating gluten as you will need to eat gluten when getting tested to ensure an accurate result.
You can take Coeliac UK’s online assessment here to see whether you could have the common condition.
