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Doctor who walked L.A.’s perimeter has a prescription: Escape your own neighborhood

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Dr. Roy Meals, a longtime hand surgeon, likes to move his feet. He has climbed mountains and he has run three marathons.

But when he shared his latest scheme with his wife a couple of years ago, she had a quick take.

“You’re nuts,” she said.

Maybe so. He was closing in on 80, and his plan was to grab his trekking poles and take a solo hike along the 342-mile perimeter of Los Angeles. His wife found the idea less insane, somewhat, after Meals agreed to hook up with hiking companions here and there.

Dr. Roy Meals with his book, “Walking the Line: Discoveries Along the Los Angeles City Limits.”

But you may be wondering the obvious:

Why would someone hike around a massive, car-choked, pedestrian-unfriendly metropolis of roughly 500 square miles?

Meals had his reasons. Curiosity and restlessness, for starters. Also, a belief that you can’t really get to know a city through a windshield, and a conviction that staying fit, physically and mentally, is the best way to stall the work of Father Time.

One more thing: Meals’ patients over the years have come from every corner of the city, and the Kansas City native considered it a personal shortcoming that he was unfamiliar with much of L.A. despite having called it home for half his life.

To plot his course, Meals unfolded an accordion style map for an overview, then went to navigatela.lacity.org to chart the precise outline of the city limits. The border frames an oddly shaped expanse that resembles a shredded kite, with San Pedro and Wilmington dangling from a string at the southern extremities.

Dr. Roy Meals takes a break from his walk to talk with Louis Lee, owner of JD Hobbies Store in downtown San Pedro.

Dr. Roy Meals takes a break from his walk to talk with Louis Lee, owner of JD Hobbies Store, along West 6th Street in downtown San Pedro.

Meals divided his trek into 10-mile segments, 34 in all, and set out to walk two segments each week for four months, traveling counterclockwise from the 5,075-foot summit of Mt. Lukens in the city’s northern reaches.

Day One began with a bang, in a manner of speaking.

Meals slipped on loose rocks near the summit of Mt. Lukens and tumbled, scuffing elbows and knees, and snapping the aluminum shaft of one of his walking sticks.

But Meals is not one to wave a white flag or call for a helicopter evacuation.

“Later, at home, I employed my orthopedic skills to repair the broken pole,” Meals writes in “Walking the Line: Discoveries Along the Los Angeles City Limits,” his just-published book about his travels.

Dr. Roy Meals walks along West 6th Street in San Pedro.

Dr. Roy Meals walks along West 6th Street in San Pedro.

Meals, now 80 and still seeing patients once weekly at a UCLA clinic, remained upright most of the rest of the way, adhering to his self-imposed rule of venturing no farther than one mile in from the city limits. To get back to his starting point each day, he often took buses and found that although it was slow going, riders often exited with a thanks to the driver, which struck him as “wonderful grace notes of acknowledgment.”

The doctor ambled about with the two trekking poles, a cross-country skier on a vast sea of pavement. He carried a small backpack, wore a “Los Angeles” ballcap and a shirt with the city limits outline on the front, and handed out business cards with a link to his book project.

Those who clicked on the link were advised to escape their own neighborhoods and follow Meals’ prescription for life: “Venture forth on foot, and make interesting, life-enriching discoveries. Wherever you live, be neighborly, curious, fit, and engaged!”

Meals was all those things, and as his surname suggests, he was never shy about sampling L.A.’s abundant offerings.

He tried skewered pig intestines at Big Mouth Pinoy in Wilmington, went for tongue and lips offerings at the Tacos y Birria taco truck in Boyle Heights, thoroughly enjoyed a cheeseburger and peach cobbler at Hawkins House of Burgers in Watts, and ventured into Ranch Side Cafe in Sylmar, curious about the sign advertising American, Mexican and Ethiopian food.

Meals tried hang-gliding at Dockweiler Beach, fencing on the Santa Monica border, rock climbing in Chatsworth, boxing and go-kart racing in Sylmar, weightlifting at Muscle Beach in Venice.

Dr. Roy Meals stops to take in the American Merchant Marine Veterans Memorial Wall of Honor in San Pedro.

Dr. Roy Meals stops to take in the American Merchant Marine Veterans Memorial Wall of Honor while walking one of many paths he wrote about in his book.

In each sector, Meals sought out statues and plaques and explored points of history dating back to the Gabrielinos and Chumash, and to the days of Mexican and Spanish rule. He also examined the history of those peculiar twists and turns on the city perimeter, mucking through L.A.’s long-simmering stew of real estate grabs, water politics and annexation schemes.

What remains of the foundation of Campo de Cahuenga in Studio City was one of several locations that “stirred my emotions,” Meals writes in “Walking the Line.” There, in 1847, Andres Pico and John C. Frémont signed the treaty that ceded part of Mexico to the U.S., altering the shape of both countries.

In Venice, Meals was equally moved when he accidentally came upon an obelisk marking the spot where, in April 1942, more than a thousand Japanese Americans boarded buses for Manzanar.

“May this monument … remind us to be forever vigilant about defending our constitutional rights,” it read. “The powers of government must never again perpetrate an injustice against any group based solely on ethnicity, gender, sexual orientation, race or religion.”

At firehouse museums, Meals learned of times when “Black firefighters were met with extreme hostility in the mixed-race firehouses, including being forced to eat separately. … Little did I know that visiting fire museums would be a lesson in the history of racism in Los Angeles,” he writes.

Dr. Roy Meals walks past a display of an armor-piercing projectile in San Pedro.

Dr. Roy Meals walks past a display of an armor-piercing projectile in San Pedro.

Although Meals visited well-known destinations such as the Watts Towers and Getty Villa, some of his most enjoyable experiences were what he called “by the way” discoveries that were not on his initial list of points of interest, such as the obelisk in Venice.

“Among those that I stumbled across,” Meals writes, “were the Platinum Prop House, Sims House of Poetry, and warehouses stuffed with spices, buttons, candy, Christmas decorations, or caskets. These proprietors, along with museum docents and those caring for disadvantaged children, bees, rescued guinea pigs, and injured marine mammals genuinely love what they do; and their level of commitment is inspiring and infectious.”

His book is infectious, too. In a city with miles of crumbling sidewalks and countless tent villages, among other obvious failings, we can all find a thousand things to complain about. But Meals put his stethoscope to the heartbeat of Los Angeles and found a thousand things to cheer.

When I asked the good doctor if he’d be willing to revisit part of his trek with me, he suggested we meet in the area to which he awarded his gold medal for its many points of interest — San Pedro and Wilmington. There, he had visited the Banning Mansion, the Drum Barracks, the Point Fermin Lighthouse, the Friendship Bell gifted to L.A. by Korea, the varied architecture of Vinegar Hill, the World War II bunker, the sunken city, the Maritime Museum, etc., etc., etc.

Meals was in his full get-up when we met at 6th and Gaffey in San Pedro. The trekking sticks, the T-shirt with the jigsaw map of L.A., the modest “Los Angeles” hat.

“Let’s go,” he said, and we headed toward the waterfront, but didn’t get far.

Dr. Roy Meals takes a break from his walk to visit with famed San Pedro resident John Papadakis.

Dr. Roy Meals takes a break from his walk to visit with famed San Pedro resident John Papadakis, 75, former owner of the now-closed Greek Taverna in the neighborhood.

A gentleman was exiting an office and we traded rounds of “good morning.” He identified himself as John Papadakis, owner of the now-closed Greek Taverna restaurant, a longtime local institution. He invited us back into his office, a museum of photos, Greek statues and sports memorabilia (he and son Petros, the popular radio talk show host, were gridiron grinders at USC).

San Pedro “is the city’s seaside soul,” Papadakis proclaimed.

And we were on our way, eyes wide open to the wonders of a limitless city that reveals more of itself each time you turn a corner, say hello, and hear the first line of a never-ending story.

Down the street, we peeked in on renovations at the art deco Warner Grand Theater, which is approaching its 100th birthday. We checked out vintage copies of Life magazine at Louis Lee’s JD Hobbies, talked to Adrian Garcia about the “specializing in senior dogs” aspect of his “Dog Groomer” shop, and got the lowdown on 50 private schools whose uniforms come from Norman’s Clothing, circa 1937.

At the post office, we checked out the 1938 Fletcher Martin mural of mail delivery. Back outside, with a view of the port and the sunlit open sea, we met a merchant seaman, relaxing on a bench, who told us his son worked for the New York Times. I later found a moving story by that reporter on his long search for the man we’d just met.

“Traveling on foot allowed me to reflect on and grow to respect LA as never before,” Meals wrote in his book.

On our walk, while discussing what next, Meals said he’s thinking of exploring San Francisco in the same manner.

We were approaching Point Fermin, where Meals pointed out the serene magnificence of a Moreton Bay fig tree that threw an acre of shade and cooled a refreshing salt-air breeze.

Dr. Roy Meals walks along the L.A. Harbor West Path, one of many paths he wrote about in his book, in San Pedro.

Dr. Roy Meals walks along the L.A. Harbor West Path, one of many paths he wrote about in his book, in San Pedro.

“If anything,” Meals told me, “I’m quicker to look at small things. You know, stop and appreciate a flower, or even just an interesting pattern of shadows on the street.”

The message of his book, he said, is a simple one.

“Basically, just slow down and look.”

steve.lopez@latimes.com



This story originally appeared on LA Times

Explaining the Kathryn Bigelow Movie – Hollywood Life

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Image Credit: Eros Hoagland/Netflix

A House of Dynamite hit Netflix on October 24, 2025, leaving viewers deeply unsettled by its ending. With an all-star cast telling the fictional story of an apocalyptic missile attack on the United States, the Kathryn Bigelow-directed movie unfolds over the course of 18 minutes as the military and the White House watch the impending strike on a screen.

“Eighteen minutes to decide the fate of the world and yet limited information [with] which to do so,” the director told Netflix Tudum. “We see into the halls of power, where highly competent individuals are confronted with confusion, chaos, and helplessness.”

Below, Hollywood Life explains that ambiguous ending of A House of Dynamite.

Who Is in the A House of Dynamite Cast?

As previously noted, the A House of Dynamite cast features some of Hollywood’s most recognizable names, from Jason Clarke, Rebecca Ferguson, Idris Elba, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King and Greta Lee.

A House of Dynamite Movie Ending Explained

Idris’ POTUS character is rushed away from a girls’ charity basketball event, is handed the “Black Book” and is told by the nuclear football handler, Lieutenant Commander Robert Reeves (Jonah), that he must select one the retaliatory attack options. Though the film’s president seems to be a composed and empathetic leader, the country — and the world — is about to explode. Even an ideal presidential character can’t offer the audience guaranteed comfort in the face of doomsday.

In the motorcade, Russia’s foreign minister tells the American president that they were not behind the missile. Therefore, the country or terrorist organization responsible for the attack is unknown.

'A House of Dynamite' Ending Explained: Breaking Down the Kathryn Bigelow Movie
Courtesy of Netflix

Idris’ POTUS is then asked, “What are your orders, Mr. President?” to which he replies, “My orders …” then the film fades to black. The film ends there, with POTUS having to select one of the strike options.

While speaking with Netflix’s Tudum, Kathryn explained why she wanted an open-ended conclusion.

“I want audiences to leave theaters thinking, ‘OK, what do we do now?’” the Zero Dark Thirty filmmaker said. “This is a global issue, and of course, I hope against hope that maybe we reduce the nuclear stockpile someday. But in the meantime, we really are living in a house of dynamite. I felt it was so important to get that information out there, so we could start a conversation. That’s the explosion we’re interested in — the conversation people have about the film afterward.”

Will There Be A House of Dynamite 2?

No, despite the 2025 film’s chilling ending, there are no plans for a sequel to A House of Dynamite. As Kathryn said to Netflix, she wanted viewers to reflect on the world’s current “nuclear stockpile” and realize that we are all living in one large “house of dynamite.”



This story originally appeared on Hollywoodlife

World’s ‘most beautiful’ winter train journey that takes 8 hours and c | Europe | Travel

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Winter is quickly approaching, but sadly for anyone who loves snow, the UK doesn’t get much of it. And while there are some lovely rail routes across the country, they’re rarely covered in a blanket of white. Elsewhere, though, it’s a very different story.

There’s a stunning train journey in Europe that many have called “the most beautiful in the world”, especially in winter. And it’s easy to see why. The eight-hour route passes frozen lakes, snowy valleys and mountain peaks, giving passengers a front-row seat to some of the most stunning scenery in the Alps.

One reviewer said: “This journey is absolutely stunning, I couldn’t take my eyes off the window the entire time.” 

Another wrote: “This is by far the most beautiful train ride in the world I think. It’s absolutely magical in the snow.” A third added: “Eight hours flew by. Every single minute was breathtaking.”

The route is the Glacier Express, and it travels between Zermatt and St. Moritz, two of Switzerland’s most exclusive destinations. 

Along the way, it crosses 291 bridges, passes through 91 tunnels, and climbs to more than 2,000 metres above sea level.

It’s been running since 1930 and is often called “the slowest express train in the world”.

But that’s part of the charm. Its panoramic windows go right up to the ceiling, so there’s no rush, just time to take in every snowy view.

The train starts in the shadow of the Matterhorn before passing through Andermatt and on to St. Moritz. 

It rolls past vineyards, winds through frozen gorges and across the famous Landwasser Viaduct, and climbs through the Albula Valley – a UNESCO World Heritage Site.

According to Glacier Express, the journey offers views of “idyllic mountain meadows”, “eternal ice” and “majestic mountains”.

One stretch, the Rhine Gorge, is also known as the Swiss Grand Canyon thanks to its jaw-dropping rock formations.

Travellers can ride in second class, first class, or choose the luxury Excellence Class, which includes champagne, a five-course meal with wine, and a personal iPad showing highlights along the way.

The train climbs up to the Oberalp Pass, the highest point on the route at 2,033 metres, before descending into the glamorous resort town of St. Moritz.

From start to finish, the route covers 291km (180 miles) and offers one of the most spectacular rail experiences in Europe.

More information and ticket prices can be found here.



This story originally appeared on Express.co.uk

20 TV Shows That Delivered Perfect Final Seasons

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For any long-running show, the build-up to the final season can be the definitive factor in cementing its legacy, for better or worse. In the worst-case scenario, having a show canceled preemptively could leave a series on a cliffhanger, or it could leave the cast and crew scrambling to turn what was supposed to be just the following season into the final one. On the other hand, a final season sometimes fails to live up to the hype that preceded it. With many pitfalls, the perfect final season for a show is rarer than one might hope.

An ideal final season that ends on a high note and cements a series’ legacy is undoubtedly deserving of praise, with these television shows doing just that. Here are 20 of the greatest full final seasons in TV history.

‘The Mary Tyler Moore Show’ (1970 – 1977)

Season 7

Mary Richards (played by Mary Tyler Moore), a single, independent woman who moved to Minneapolis to start a career at a news station, was groundbreaking for the period. Besides challenging gender roles in the sitcom format, the show also benefited from being utterly hilarious throughout its run, with an eccentric yet lovable cast of characters around the iconic Mary Tyler Moore. The Mary Tyler Moore Show remains a landmark of feminist television whose impact set the groundwork for countless other shows.

An Iconic Conclusion to a Flawless Season

Much emphasis is placed on the series finale, which centers on the layoffs at the studio and the camaraderie of the staff. The final group hug, followed by Mary shutting off the lights at WJM-TV to bid farewell to the series, remains one of the most memorable moments in television history. While the focus remains on this emotional and perfectly delivered farewell, the final season also never saw a dip in quality, maintaining consistency throughout its entire run.

‘M*A*S*H’ (1972 – 1983)

Season 11

At its core, M*A*S*H addressed the absurdity of war, using the backdrop of the Korean War to, in a roundabout way, reflect anxieties and moral ambiguity surrounding the Vietnam War. The show followed the staff of the 4077th Mobile Army Surgical Hospital, which offered the perfect locale, outside the battlefield, to maintain a certain levity while also addressing tragedy and social commentary surrounding war.

The Most Watched Series Finale in TV History

M*A*S*H would redefine how sitcoms could be made, particularly in how they could play a pivotal role in social discourse while still delivering comedic gold. Here, whether the final seasons of the hit program are “perfect” is debatable, with some not enjoying how the show took a more serious turn from seasons eight to eleven. Still, the final season for many was a cultural event and a chance to spend a little more time with the members of the 4077th Mobile Army Surgical Hospital; the show still holds the record for a finale, with over 100 million people tuning in.

‘Star Trek: Deep Space Nine’ (1993 – 1999)

Season 7

Taking a different approach, not boldly going where no one has gone before, Star Trek: Deep Space Nine instead centered itself on a space station, the titular Deep Space Nine, located near the planet Bajor and beside a newly discovered, stable wormhole. This setting allowed for a more mature and character-driven show for a series already known for being exemplary in delivering just that. Over seven seasons, Deep Space Nine emerged as the forefront of essential galactic politics and prosperity.

Tieing Together Everything Perfectly

In the long history of Star Trek, there has been more disappointment in final seasons than praise, from the original series offering its weakest episodes to Star Trek: Enterprise being canceled before it could complete a major arc. Star Trek: Deep Space Nine has its share of critics, but overall, the series is considered to have one of the best final seasons in the franchise. Offering a closure to the long-running Dominion War arc and allowing key characters to have an emotional farewell has left the final season of the series as one of the best.

‘Frasier’ (1993 – 2004)

Season 11

Cheers spun off into what is arguably the greatest sitcom of the ’90s, when Dr. Frasier Crane (Kelsey Grammer) got his own show, Frasier. As the host of a radio call-in psychiatry show, Frasier would be quick to dish out advice he had a hard time taking himself while dealing with his divorce and his family. The show offered up clever writing that set itself apart from many other sitcoms, focusing on intellectual wordplay, class contrasts, and navigating complex emotions (while being hilarious the entire time).

A Comeback Final Season to Give a Proper Farewell

Here, we will overlook the 2023 reboot of the sitcom on Paramount+, which ultimately fizzled. Instead, the original series is a masterclass in redemption and honoring everything that came before. After a few less-than-stellar seasons compared to the show’s early years, Season 11 offered a more balanced, emotionally resonant, and focused final season. All this would lead up to the monumental two-part “Goodnight, Seattle” final episodes, which is still considered among the best ever committed to the medium.

‘Angel’ (1999 – 2004)

Season 5

Taking fan-favorite Angel (David Boreanaz) from Buffy the Vampire Slayer and giving him his own series offered up a fresh and exciting take on an already adored character. Here, Angel would establish an investigative team in Los Angeles, offering assistance to those dealing with paranormal or malevolent forces in an effort to find redemption for his past.

Learning From Past Mistakes To Deliver an Iconic Final Season

Seemingly learning from the mistake of Buffy the Vampire Slayer, whose final season felt relatively rushed and low-stakes for what had come before it, Angel nailed its final season. The final season of Angel remained tense throughout, with high-stakes scenarios that lacked a clear-cut path to victory for Angel and his team. It is wonderfully intense, emotionally impactful, and pays homage to the dark and gritty tone of the Buffy world that the original series abandoned for its season finale.

‘The Shield’ (2002 – 2008)

Season 7

Bringing the police procedural into a more gritty realm, The Shield would turn Vic Mackey (Michael Chiklis) into a complex protagonist, delivering a corrupt yet effective officer leading an elite anti-gang unit in Los Angeles. The show thrived on moral ambiguity, blurring the lines between right and wrong, crime and justice —a theme that only escalated throughout its run.

Staying True to What Came Before It

The constant tension between Mackey’s struggles and questionable methods came to a head in season 7, culminating in a tragic yet satisfying final episode. Here, the show never lost sight of its high-stakes, morally ambiguous structure centered around a flawed antihero. Everything comes to a head, not just for Vic, but for those around him. The Shield highlighted that it is essential to remain consistent and not deviate for the sake of trying to do something different for the final season.

‘The Wire’ (2002 – 2008)

Season 5

Across its five seasons, The Wire evolved in various ways, with each season offering another angle to examine crime in Baltimore, Maryland, through multiple institutions. Considered by many to be the greatest television series of all time, The Wire thrived on authenticity and realism, backed by an ensemble cast and a deeply researched and well-executed story that shifted its focus throughout its five seasons.

Critical and Poignant From Start to Finish

By focusing on the media and its consequences for season five, The Wire was able to tie together many of its long-running themes and stories throughout. Moreover, the final season did not rely on providing emotional closure; instead, it remained true to its focus on systemic corruption. At the same time, the show offered closure for certain characters while maintaining a realistic tone consistent with what came before. The Wire perfectly balanced various elements and past seasons to make an unforgettable finale.

‘Six Feet Under’ (2001 – 2005)

Season 5

Must-watch and highly talked-about TV in the early 2000s, Six Feet Under brought a delicately dark wit to drama television as it followed the Fisher family’s struggles running a funeral home in Los Angeles. Created by Alan Ball, every episode would open with a death, serving as a means to explore different dynamics about our relationship with mortality as the Fishers dealt with the aftermath in some form or another.

A Final Season as Inevitable as Death Itself

Despite its somewhat episodic set-up for each episode, the series effectively continued building on its lore through phenomenal character development. This led to the final season, ensuring that every character received some closure on their arc, culminating in the meticulously crafted final episode, “Everyone’s Waiting.” Even better in keeping to its dark comedy roots, the show offered a glimpse of how everyone was going to die, never losing sight of its focus on mortality.

‘Mad Men’ (2007 – 2015)

Season 7

For those who were not around when Mad Men first appeared on TV screens, it is difficult to convey its impact on both the medium and pop culture. Set in 1960s New York City, the series would explore both the career and personal life of Don Draper (Jon Hamm) and several other ad executives pioneering the way America interacted with products. With money, however, comes power struggles and personal hardship, which the series never shied away from.

A Fitting Reprise After a Decade of Hard Work

The seventh season of Mad Men would see closure in various ways, marking the shift into the 1970s and a sort of personal awakening for many of the characters involved. Whether it be Peggy (Elisabeth Moss) finding romantic and professional fulfillment, or Draper finally facing his demons and finding a moment of zen, the series tied up everything perfectly.

‘Breaking Bad’ (2008 – 2013)

Season 5

The five seasons of Breaking Bad will forever remain among the best television has ever created. Starting with Walter White’s (Bryan Cranston) shift from teacher to meth seller alongside Jesse Pinkman (Aaron Paul) in a bid to secure a future after being diagnosed with cancer, there was always a sense of immediacy that would only grow with each subsequent season.

Masterful From Start to Finish

Breaking Bad would only continue to escalate up to its final season, which saw Walter White placed in a situation where he had to make a series of difficult choices to save and set his family up for a better future. It is utterly flawless in building upon the previous seasons, packed full of emotion and tension, and remains exemplary of how to conclude an already beloved series. Creator Vince Gilligan would also go on to prove it was not a fluke, with the spin-off Better Call Saul equally deserving of a spot on this list.



This story originally appeared on Movieweb

Doomsday Writer’s Glen Powell MCU Casting Comments, His Best Role Is At DC

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An Avengers: Doomsday writer has commented on Glen Powell joining the Marvel Cinematic Universe, and while the role suggested for the actor would be great, I feel like Powell’s talents would be better suited for a character confirmed for the new DC Universe. So far, Powell’s experience in the superhero realm comes from playing a stockbroker in The Dark Knight Rises.

In recent years, the actor has become one of Hollywood’s most in-demand stars, being part of hits like Anyone but You, Top Gun: Maverick, and Twisters. That has led to many asking for Powell to join the MCU’s upcoming movies or James Gunn’s DCU.

While Powell has yet to be cast as a superhero, there is a perfect one for him at DC, but a Marvel writer wants him for the MCU. Both of the roles would come from superhero series at different stages of development. I’m sure Powell could excel at Marvel, and the role could be a major one, but I hope his DC past speaks louder.

Avengers: Doomsday’s Writer Suggested Glen Powell For A Major Marvel Hero

Cosmic Marvel hero Nova floating above Earth

Michael Waldron, who developed Loki for Marvel Studios, is one of the writers working on Avengers: Doomsday. He penned the script for Avengers: The Kang Dynasty before the project changed course, with Waldron now returning to assist the Russo Brothers and writer Stephen McFeely on Doomsday. Waldron also wrote Doctor Strange in the Multiverse of Madness. He knows the MCU well.

Now, Waldron has suggested that Glen Powell should join the MCU, saying,He’d be a pretty good Nova.” Besides knowing Marvel, Waldron also knows Powell’s talents up close, as the two are co-creators of the sports comedy series Chad Powers. A Nova series was previously in development for Disney+, though that has since been put on pause.

Powell has the charisma and the star quality to make Nova a leading member of the MCU’s cosmic corner. His comedic timing would make Nova bounce off Chris Pratt’s Star-Lord incredibly well. He could even be his replacement in the Guardians of the Galaxy, as Peter Quill left Rocket Raccoon’s team, which Nova was a part of in the comics.

Glen Powell’s Best Superhero Role Is At DC, Not Marvel

Comic book art: Booster Gold wears his gold-and-blue costume in DC Comics
Booster Gold in gold-and-blue costume in DC Comics

Sure, Nova would be an exciting role for Powell in the MCU. However, his perfect character is DC’s Booster Gold. Chad Powers shows that, as Powell plays a former star quarterback who sees his life turned upside down and decides to pretend to be someone he is not to be loved once again.

Booster Gold was also a skilled quarterback before his fall from grace, later using technology and time travel to go to the past and become a superhero. Powell has shown that is a character he can make work, having the comedic timing to make Booster Gold as hilarious as he should be.

Ever since a Booster Gold series was announced for the DCU, Powell has become a top choice among fans for the role. Powell has even commented on the Booster Gold rumors, saying, “Booster Gold is really funny.” With development on the series moving slowly, having someone like Glen Powell lead the show would surely help Booster Gold speed along, and I hope that happens.



This story originally appeared on Screenrant

Danny Elfman still hasn’t woken up from his ‘Nightmare Before Christmas’

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For the composer/star of “Tim Burton’s The Nightmare Before Christmas in Concert,” the annual Santa-centric holiday proved a bit scary as a kid growing up in Los Angeles.

“Halloween was always my favorite night,” admits Danny Elfman, who is reprising his singing role as Jack Skellington, the Pumpkin King, for the 10th anniversary of the star-studded live version of 1993’s “The Nightmare Before Christmas” film. “Christmas time, I was a lonely Jewish kid with no friends to play with, and it would just be me and my brother looking at each other, and he’s like, ‘I’m gonna kick your ass.’”

The Elfman of today — who, at 72, counts more than 100 feature film scores, themes for “The Simpsons,” “Spider-Man” and leading the lauded L.A. cult band Oingo Boingo among his numerous plaudits — could hardly have imagined his success.

In fact, he says, “It’s amazing that I’m still alive, because I used to irradiate insects and try to create little mutants. This is like when I’m 14, and I built my own Geiger counter. I was a weird little kid. I had radioactive isotopes in my room. In the ’60s, you could just order some strontium-90, cobalt-60 and little packets of radioactive test site sand.”

The self-confessed teenage nerd was dedicated to weird science as a vocation. “Music didn’t seem like an option to me when I got to high school, because all my musician friends started when they were kids, like most musicians do, right? So for me, the ship had sailed. I’m too late.”

But fate intervened at West L.A.’s University High School in the form of a classmate who would also become an icon. “My girlfriend turned me on to early jazz,” Elfman remembers. “She used to listen to Billie Holiday and got me deep into that, because my first stuff I ever did was actually transcribing old jazz arrangements. But Kim Gordon [of Sonic Youth] was my first girlfriend. She already, by the age of 17, was like —.” Here Elfman pauses, recalling, “I don’t know how we got together, because I was the most awkward, uncool kid on the planet, and she was the coolest person then and now.”

Clearly, his manic creativity, work ethic and obsession with radioactivity, Django Reinhardt and Cab Calloway — “the original old arrangements of ‘St. James Infirmary’ from the early ’30s … I didn’t even like the late ’30s; my music is like ’31 to ’33, thank you very much!” — set him up perfectly for what’s proven a lengthy and prolific collaboration with director Tim Burton.

Elfman, 72, returns as Jack Skellington for the 10th anniversary of “The Nightmare Before Christmas in Concert” at the Hollywood Bowl from Oct. 25-26.

(Ethan Benavidez / For The Times)

Underneath Elfman’s shock of red hair and cheerful demeanor is a creator who has “been playing and flirting with death since I was 20. Honestly, I’ve always felt that the Grim Reaper was right behind me and trying to catch me. Every birthday celebration is my way of saying, ‘F— you, death.’”

His huge Hollywood studio/office/de facto museum speaks to Elfman’s preoccupation with mortality and the delightfully bizarre, with what seems like acres of heads in jars, Mark Ryden artwork, life-size wooden legs, Henry Darger prints, skulls, an antique pommel horse and Famous Monsters magazines on display. Seated in a hushed recording studio that will see him link up with Sydney, Australia, for a remote session at 4 p.m., the man with a physique that nearly broke the internet during his 2022 Coachella performance is voluble and easygoing and with a slightly mischievous air.

If he’s the perfect Pumpkin King of Halloween Town for the Hollywood Bowl production, each year he’s working with a different cast. Past performances have seen a who’s who of stage and screen, including Paul Reubens (Pee-wee Herman), Catherine O’Hara, the late Ken Page, Phoebe Bridgers and local girl Billie Eilish. “Billie Eilish did a great Sally,” recalls Elfman, noting that the producers give him a list of potential cast members to consider for that year’s production. “It’s kind of just looking at possibilities, and then hoping, and then keeping my fingers crossed.”

The 2025 cast includes Janelle Monáe as Sally, Keith David as Oogie Boogie, John Stamos as Lock and Riki Lindhome as Shock. As always, Elfman and the cast will be accompanied by a live orchestra and choir while the film plays on large screens.

Elfman first saw Monáe at Coachella in 2019. “So when they offered up Janelle’s name, I just said, immediately, ‘Yes!’ She’s multi-talented, like Prince — plays guitar, sings, she could move, she could do whatever. She’s just so spectacular.”

Stamos’ talent and star power is far-reaching — from TV’s “Full House” to performing with the Beach Boys — though he’s mostly known for his screen work. So when Elfman first saw a video of Stamos singing, he needed to make sure the actor was a strong harmony singer. “You have to be able to hold the harmony to do Lock, Shock and Barrel [“Nightmare’s” mischievous troublemakers], because we’re switching up harmonies and octaves.”

Stamos joins a list of previous luminaries that include Fred Armisen, who was Lock in 2022 and 2023. “We did two years with Fred. And his wife, she’s so talented — I didn’t know they were married at first — Lindhome is Shock this year. I’d seen ‘Garfunkel and Oates’ [Lindhome’s comedy folk duo with Kate Micucci], so I knew Riki and knew that she had the personality.”

While the Hollywood Bowl run is brief — Oct. 25 and 26 — it’s stressful for all involved, especially syncing up the live singing with the film. They weren’t even sure the 2015 debut could be pulled off successfully.

“You know, most normal musicals, songs and music are more spread out,” Elfman explains. “But first off, there’s 10 songs. And secondly, there’s huge stretches with almost no breaks, so just the musicians literally having time to turn the page can be challenging.”

Composer Danny Elfman

“Honestly, I’ve always felt that the Grim Reaper was right behind me and trying to catch me,” Elfman said. “Every birthday celebration is my way of saying, ‘F— you, death.’”

(Ethan Benavidez / For The Times)

Plus, it’s not like there are weeks of rehearsal time. “For me,” Elfman said, “the day before. This is the world of symphony, of orchestra music. There’s no weeks before. There’s no months before. The Elfman-Burton show at Albert Hall [first performed in 2013] had never been played before. We got two days instead of one to learn two hours of music that had never been done before by an orchestra, without any idea if my arrangements were gonna work. That’s the world of orchestras.”

That said, Elfman was relieved to find that his audiences are forgiving. “One night at the Bowl, we got off so badly on a song that I just had to go, ‘Stop, stop.’ I said, ‘Sorry, folks, this is live.’ And [conductor] John [Mauceri] was like, ‘Look, go back to the beginning.’ They lined up the video, counted it off again,” recalls Elfman. “I swear it was the biggest ovation in that moment, restarting from a mistake. Again, it’s this reminder that they’re there for me. They’re not there to watch you fail, or to watch me fail. And if I fail, they’re with me, there to help me get past it.

“It’s like walking a tightrope without a safety net and theater is the same way,” he furthers. “It’s what makes live so exciting. As my wife [Bridget Fonda] has put it to me, she said, ‘The audience is your safety net.’ It really is true.”

And while the sing-along and dress-up aspects of “The Nightmare Before Christmas in Concert” are life-affirming and family-friendly despite an inherent darkness, it’s often the shadows where Elfman likes to dwell.

He explains that “death is a fascination and a fear. It’s like the tenuousness of life. And, you know, in the year I spent in Africa [busking with his violin after high school], I almost died at least once, and I didn’t give a s—. From illness or seeing a black mamba cross the road a couple feet from me and going, ‘Ok, whatever, not this time.’

“It’s always been a thing with me. And so the fact that I’m still here is a miracle. My view of life is that we’re on an escalator, but we can only see behind us. You can’t see how many levels are in front of you until you get to that level where somebody taps you on the shoulder and goes, ‘You’re getting off here, Danny.’ So every year it’s like you’ve made it up another notch.”

As for who might be waiting when he gets that tap, Elfman hopes for musical spirit guides. He breaks into an accent for each potential otherworldly greeter: “It might be [composer/conductor] Bernard Herrmann going, ‘Yeah, you did ok.’ It might be Stravinsky saying, ‘You never did get it right, did you? But it’s ok, we’ll talk.’ Or,” he concludes, “it might be Cab Calloway going, ‘Danny, you weren’t as good as me, but you were ok. You did alright.’”



This story originally appeared on LA Times

Olivia Rodrigo Ends Guts Tour With Surprise NYC Show

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Olivia Rodrigo closed out her blockbuster Guts World Tour with a secret show in New York City on Thursday night (Oct. 23), playing to an intimate crowd of fans, friends, and celebrity guests inside the historic Park Avenue Armory.

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The invite-only event, hosted by American Express, featured a setlist packed with fan favorites — including “Drivers License,” “Vampire,” “Deja Vu” and “Sour” — as well as the rare live performance of “Lacy,” a track that has taken on a viral life of its own since being featured on the TV series The Summer I Turned Pretty.

“Ever since it was in that show, people have been chanting at me at concerts to sing this song if I wasn’t going to sing it,” Rodrigo told the crowd. “And so I’m really grateful to that show, and I’m really grateful to you guys for listening to this song and streaming it, because it’s always been one of my favorites.”

The “Good 4 U” singer also welcomed young fans from the Make-A-Wish Foundation, meeting with several attendees before the show. Proceeds from ticket sales benefited Rodrigo’s own Fund 4 Good, an initiative launched to support education, reproductive rights, and young women’s leadership programs.

Among those in attendance were Emily in Paris star Ashley Park, The Bear’s Molly Gordon, Vampire Diaries alum Nina Dobrev, makeup artist Patrick Ta, Good American founder Emma Grede, and interior designer Jeremiah Brent.

Rodrigo performed beneath the soaring arches of the Armory’s Drill Hall — a venue steeped in New York military history — which once housed the Seventh Regiment of the National Guard, the first volunteer militia to answer Abraham Lincoln’s call in 1861.

The secret concert marked the final stop on Rodrigo’s Guts World Tour, which kicked off earlier this year in Palm Springs and has since spanned over 75 dates across North America and Europe.

Rodrigo has placed 30 songs on the Billboard Hot 100. Her 2021 hit “Drivers License” was No. 1 for a whopping eight weeks. In total so far, she has three Hot 100 No. 1s and made headlines for her 2025 Lollapalooza performance, including a set during which she brought out Weezer.



This story originally appeared on Billboard

Whitney Leavitt, Mark Ballas Cancel Ticket Giveaway

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Dancing With the Stars fans will just have to find another invitation to the ballroom after Season 34 contestant Whitney Leavitt and pro partner Mark Ballas had to call off their ticket giveaway.

“So, we have some bad news,” Leavitt, a really star from The Secret Lives of Mormon Wives, said in a TikTok video she posted on Friday. “We just got out of rehearsal, and we were both informed that we actually can’t do a giveaway for the Dancing with the Stars live show.”

A day earlier, Leavitt and Ballas announced they were giving away tickets to the live show, Deadline reports, and according to a fan on Reddit, they said in a now-deleted TikTok video that flights and accommodations were included.

@whitneyleavittwe’re gunna get creative and find a way to make it up to you! 💕💗love you guys!

♬ original sound – Whitney Leavitt

In Friday’s video, however, the duo revealed that ABC, the network that airs Dancing with the Stars, and BBC Studios, the production company behind the reality competition, put the kibosh on the giveaway.

“This has come directly from ABC and BBC, and is completely out of our hands,” Ballas said.

Leavitt added, “It just really sucks because Mark and I just want to do something really special for you guys that have shown us so much support and love, for us and the show. We’re gonna get creative. We’re gonna think of something to give away.”

And Ballas said, “We’ll think of something else to do for you guys to show how grateful we are.”

In the Reddit thread, fans speculated about the news. “I feel like the there was an issue with it being a contest. So production made them cancel it,” one commenter wrote. “I don’t think Mark knew, though, because pros [have] invited fans to live shows before. Mark invited a fan last week. Val [Chmerkovskiy] also invited and got flights/hotels for one of his biggest fans. But both those situations were on the DL.”

Another person wrote, “Yeah, I think those situations being on the DL [plus] being a specific gift to one person made a big difference. Though I wouldn’t be surprised if production will clamp down on pros giving fans tickets or makes the pros/fans follow certain rules. They won’t want to go anywhere near the implication that pros are ‘buying’ votes.”

Dancing With the Stars, Season 34, Tuesdays, 8/7c, ABC




This story originally appeared on TV Insider

ICE Arrests Repeat SEX PREDATOR Shielded for YEARS by Democrat Sanctuary Policies | The Gateway Pundit

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Jose Orellana-Pena, 53, an El Salvadoran national, has prior convictions for indecent assault, assault to rape, breaking and entering, failure to register as a sex offender, and illegal reentry after deportation. (Credit: ICE)

Federal authorities announced that Operation Patriot 2.0 led to the arrest of Jose Orellana-Pena, a 53-year-old citizen of El Salvador with a long history of violent sexual crimes. 

Orellana-Pena’s case underscores why Immigration and Customs Enforcement (ICE) officials continue to warn about the dangers of sanctuary policies that release dangerous individuals back into communities.

Orellana-Pena’s record reveals multiple convictions that extend far beyond simple immigration violations. 

WATCH: GOP Candidate Holds AI DEBATE After Democrat REFUSES to Debate

In Worcester, he was convicted of indecent assault and battery, assault to rape, and assault and battery, receiving a one-year sentence. He was later convicted of breaking and entering and of failing to register as a sex offender, which resulted in probation. 

Orellana-Pena’s disregard for U.S. law continued with a conviction for illegal reentry, showing a pattern of defiance toward court orders and immigration proceedings. 

Each release allowed him to return to society despite being a known predator.

ICE confirmed that Orellana-Pena had already been removed from the United States in the past, only to reenter illegally.

His presence in Massachusetts during Operation Patriot 2.0 demonstrates how sanctuary jurisdictions undermine federal enforcement by failing to cooperate with ICE detainers. 

Local agencies had previously released Orellana-Pena, forcing federal agents to track him down in the community. This creates more risk for officers and endangers civilians who should never have been exposed to his crimes in the first place.

Officials said that Orellana-Pena was one of more than 1,400 illegal aliens arrested in Massachusetts during a special operation that targeted “the worst of the worst.” 

Among those taken into custody, hundreds had convictions for violent crimes such as rape, homicide, drug trafficking, and child exploitation. Yet cases like Orellana-Pena stand out because of his repeated offenses against women and his blatant disregard for the legal system.

THESE ARE JUST SOME OF THE CHILD RAPISTS, DRUG DEALERS, GANG MEMBERS, MURDERERS, AND THIEVES THAT ICE IS ARRESTING. DEMOCRATS STILL WANT THEM IN OUR COUNTRY.

Posted by Gregory Lyakhov on Friday, October 24, 2025

ICE’s Boston field office stressed that Orellana-Pena’s case is not unique. Sanctuary policies allowed him to avoid accountability and remain in the country long after his crimes should have triggered removal. 

For victims, his ability to reoffend represents a complete failure of public safety policy. Federal officials argue that if local jurisdictions had honored ICE detainers, offenders like Orellana-Pena would have been deported long ago, preventing repeated victimization.

Orellana-Pena is now in ICE custody pending removal. 

Federal agents say his arrest is another reminder of the risks Massachusetts faces when politics take priority over the rule of law. 

His history of assault, failure to register, and illegal reentry exposes a cycle of crime that sanctuary practices enable. 

ICE leaders maintain that without strong federal enforcement, violent offenders such as Orellana-Pena will continue to target innocent Americans.




This story originally appeared on TheGateWayPundit

'Every reason' to expect attacks inside Venezuela, expert warns as US escalates operations

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The Pentagon has deployed an aircraft carrier strike group to counter what it claims are drug-trafficking organisations in Latin America, escalating a military build-up that has fuelled fears of conflict. Earlier, the US targeted boats in international waters, killing those on board. Cynthia J. Arnson, Director of the Latin American Programme at the Wilson Centre, said there is “very little evidence” the vessels were involved in drug trafficking, calling the legality of the strikes questionable. She added that the operation appears to be “far beyond a counter–drug-trafficking operation” and warned: “There is, I think, every reason to believe or expect that there will be attacks inside Venezuelan territory aimed at deposing the current dictatorship of Nicolás Maduro.”


This story originally appeared on France24