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US warship arrives in Trinidad and Tobago – as Venezuela hits out at ‘military provocation’ | World News

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A US warship has docked in the capital of Trinidad and Tobago, as US President Donald Trump increases military pressure on Venezuela.

The guided missile destroyer, USS Gravely, is in addition to the aircraft carrier USS Gerald R Ford, which is moving closer to Venezuela.

Image:
USS Gerald R Ford arrives in Mallorca in early October. File pic: AP

President Trump has accused the country’s president, Nicolas Maduro, of being the leader of an organised crime gang but has not offered any evidence.

President Maduro has called the deployment of warships an attempt by the US government to “invent a new eternal war” against his country.

Government officials in Trinidad and Tobago and from the US said the warship will remain in Trinidad until Thursday for training exercises.

Venezuela’s government has since issued a statement condemning what it called a military provocation by Trinidad and Tobago and the US.

The country claimed it captured a group of mercenaries “with direct information of the American intelligence agency” who intended to carry out a false flag attack in the region.

The statement from vice president Delcy Rodriguez did not give any details or evidence of the alleged false flag attack.

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Is America about to invade Venezuela?

Jenifer Neidhart de Ortiz, the US Embassy’s charge d’affaires, said the exercises sought to “address shared threats like transnational crime and build resilience through training, humanitarian missions, and security efforts”.

A senior military official, speaking on condition of anonymity, said the move was only recently scheduled.

Read more: Inside Pablo Escobar’s home city where drugs are readily available

The presence of the ship is controversial for some.

“This is a warship in Trinidad, which will be anchored here for several days just miles off Venezuela when there’s a threat of war,” said David Abdulah, leader of the Movement for Social Justice political party.

“That’s an abomination.”

Read more:
US accused of ‘inventing a war’
Survivors reported after boat strike
US destroys ‘drug smuggling submarine’

Trinidad and Tobago’s Prime Minister Kamla Persad-Bissessar is a supporter of the deadly US strikes on suspected drug boats in waters off Venezuela.

On Friday, the US secretary of war claimed six “narco-terrorists” had been killed in a strike on an alleged drug smuggling boat in the Caribbean Sea.

Trump may have another motive


Stuart Ramsey

The question is simple – is this really all about President Trump’s war on drugs in South America?

I doubt it. A sledgehammer to crack a nut that isn’t even there.

There are a few reasons to doubt the American government’s stated aim of wiping out these so-called “narco terrorist” gangs threatening the US from Venezuela, even after one takes out of the equation the sort of equipment the military is deploying – which isn’t what they would need for effective drug smuggling interdiction.

While the president acknowledges that the synthetic opioid fentanyl is a huge killer in the US (which it is) and is supplied by drug gangs (which it is), to blame Venezuela for fentanyl production is simply incorrect.

Mexican cartels produce fentanyl with precursors largely supplied from China, and it is from Mexico – America’s neighbour – that the fentanyl is smuggled directly into the US across its southern border.

Venezuela isn’t involved in this fentanyl business in any meaningful way, and I know this because I have reported from the Sinaloa cartel’s fentanyl production labs in Mexico.

Read the full analysis here

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Trump’s war on drug cartels in South America

Pete Hegseth said his military had bombed a vessel, which he claimed was operated by Tren de Aragua – a Venezuelan gang that was designated a terror group by Washington in February.

Speaking during a White House news conference last week, Donald Trump argued the campaign against suspected smugglers from Venezuela would help tackle the opioid crisis in the US.

“Every boat that we knock out, we save 25,000 American lives. So every time you see a boat, and you feel badly you say, ‘Wow, that’s rough’. It is rough, but if you lose three people and save 25,000 people,” he said.

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Six ‘narco-terrorists’ killed in US strike

Some Democratic politicians have expressed concerns that the strikes risk dragging the US into a war with Venezuela because of their proximity to the South American country’s coast.

Others have condemned the attacks as extrajudicial killings that would not stand up in a court of law.



This story originally appeared on Skynews

California euthanizes 4 gray wolves after ‘unprecedented’ surge in livestock kills : NPR

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Gray wolves are slowly repopulating California after being extirpated from the state in the early 1900s. This wolf, known as OR93, pictured in 2021, was born in Oregon but traveled through California before being killed by a vehicle collision.

California Department of Fish and Wildlife via AP


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California Department of Fish and Wildlife via AP

Gray wolves are slowly repopulating California after being extirpated from the state in the early 1900s. This wolf, known as OR93, pictured in 2021, was born in Oregon but traveled through California before being killed by a vehicle collision.

Gray wolves are slowly repopulating California after being extirpated from the state in the early 1900s. This wolf, known as OR93, pictured in 2021, was born in Oregon but traveled through California before being killed by a vehicle collision.

California Department of Fish and Wildlife via AP

After being wiped out in California for nearly a century, the gray wolf has been making a comeback in the state, in a change that’s been celebrated by conservationists and wildlife lovers. But as their population has grown over the last decade, so too has the number of conflicts between wolves and ranchers.

It’s a pattern that’s played out in other states, where wolf populations have rebounded in recent years.

The latest example comes from Northern California, where state wildlife officials announced on Friday that they made the difficult decision to euthanize four wolves following an “unprecedented level” of attacks on livestock.

Between late March and early September, the gray wolves from the Beyem Seyo pack — one of 10 wolf packs now confirmed in California — were responsible for 70 total livestock losses, the California Department of Fish and Wildlife (CDFW) said. The losses represented nearly two-thirds of the state’s total wolf-caused livestock depredations during that time period, according to the agency.

“This decision was not made lightly nor was it easy,” said CDFW director Charlton Bonham in a statement. “Despite extensive non-lethal efforts … these wolves continued to prey on livestock.”

Wildlife officials can use a variety of non-lethal tools to try to deter predators like wolves from attacking livestock, including firing guns into the air, hanging brightly colored flagging around grazing areas, and driving around herds with ATVs and trucks.

Despite those efforts, the wolves had become so reliant on cattle as a food source that “we could not break the cycle,” Bonham said. “Which ultimately is not good for the long-term recovery of wolves or for people.”

Gray wolves were largely hunted, trapped and poisoned out of the lower 48 U.S. states by the early 20th century. It’s believed the last wolves in California were extirpated by the 1920s. Wolves have since returned to the state on their own, dispersing from packs in Oregon and spreading as far south as the southern end of the Sierra Nevada.

In other parts of the country, most recently in Colorado and most notably in Yellowstone National Park, gray wolves have been reintroduced by wildlife officials in an effort to restore the areas’ natural ecosystems.

The reintroductions and recolonizations have followed a similar pattern: conservationists celebrating the return of the apex predator, while ranchers in largely rural areas criticize their impact on their livelihoods.

In 2020, during the first Trump administration, the U.S. Fish and Wildlife Service removed gray wolves from the Endangered Species Act in the lower 48 states, citing increases in wolf populations in parts of the Western U.S. and the Upper Midwest — a move that ended federal protections for the species. Environmental groups sued over the decision, and a judge ordered protections reinstated in 2022.



This story originally appeared on NPR

The little UK town that’s home to ‘country’s best fish and chips’ | Travel News | Travel

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A little town is home to the country’s best fish and chips. Blaenavon is a town in Torfaen, Wales. It is on a hillside near the source of the Afon Lwyd, and the town’s name means “head of the river”.

The town is home to Elgam Fish Bar, which was named the Best Fish and Chips Establishment at the Food Awards Wales in 2025 and 2024, and was a finalist in 2022. The chippy was opened in 1995 by Janet and John Bright, who then passed it on to their son Paul and his wife Jemma in 2000. It is now run by their son Scott and his wife Kim. Elgam Fish Bar said of the win: “Best Fish & Chip Shop in Wales! Massive thank you to all our lovely customers that’s voted for us! We appreciate you so much! And most importantly, a big thank you to our amazing team – we wouldn’t have done it without you, you all work so hard. We are so grateful to have been awarded Best Fish & Chip Shop in Wales for the last two years

“This would not have been possible without our amazing team who work incredibly hard week in week out. We have the best team and also a big shout to our amazing customers.”

With a 4.9 score on Google Reviews, customers said: “Good food and great staff, couldn’t recommend more.” Another said: “It didn’t disappoint, absolutely fabulous! I can see why they’ve won awards.”

Parts of the town and surrounding country form the Blaenavon Industrial Landscape, a UNESCO World Heritage Site chosen for its evidence of the pre-eminence of South Wales as the world’s major producer of iron and coal in the 19th century.

All the necessary elements can still be seen – coal and ore mines, quarries, a primitive railway system, furnaces, workers’ homes, and the social infrastructure of their community.

Attractions connected to the site include the Big Pit National Coal Museum (an Anchor Point of the European Route of Industrial Heritage), the Blaenavon Ironworks, the Pontypool and Blaenavon Railway, and Blaenavon World Heritage Centre. 

The town is also situated next to the Bannau Brycheiniog National Park, with mountains and woodland cut up by many trails for walking and cycling.



This story originally appeared on Express.co.uk

15 Best B-Movies on Netflix to Stream Right Now, Ranked

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Netflix has become known as a platform that prioritizes quality, focusing on big-budget features and in-house originals with some of the most recognizable names in cinema. However, this has not always been the case, and the platform has also built up a substantial library of B-movies among its early original content. Viewers looking for cinema a bit off the beaten path can find some hidden low-budget gems in various genres throughout the platform.

After a deep dive into the Netflix catalog to look at some of the less-discussed originals with a smaller budget and smaller productions tucked away on the streaming service. These are the 15 best B-movies on Netflix.

15

‘Mako’ (2021)

Wanting to explore the infamous sunken Elsalam ship, eight businessmen hire a team and embark on an underwater expedition to create a documentary about the craft. However, when they enter the deep, they are confronted by all manner of threats, including a giant shark that threatens to swallow up the entire crew. Mako is a bit of an oddity in the shark genre, originating from Egypt rather than the West, which has traditionally dominated the niche B-movie shark space.

Shark Bait

Mako was poorly received on its release, and much of the surrounding critique stating it presented a bland story with insufficient shark action is warranted. However, for those shark film fanatics who will watch everything and anything with the ‘terror of the deep,’ it is still worth a watch. This is particularly true for those seeking more international cinema that tackles the micro-genre of shark horror.

14

‘Choose or Die’ (2022)

After unearthing a retro ’80s horror game, Isaac and Kayla discover that the game is beginning to seep into their reality, causing death and chaos. Becoming aware of the heightened stakes of the game, with the choices presented becoming more extreme, the duo races to find the source of the anomaly in the hopes of stopping its effects.

Video Games Kill

Toby Meakins’s Choose or Die certainly has that lower-budgeted charm, leaning into the nostalgia of text-based games and the retrospective humor surrounding the fear that the medium would corrupt the youth with satanic messaging. Moreover, there are some legitimately scary moments where others find themselves unwilling contestants in a game with ghastly and gory results. Still, the movie is a bit of a dud, tripping itself up in the final act and having a few groan-worthy twists. If you want to tune out, have some fun, and enjoy the odd bit of bloody chaos, Choose or Die is an excellent choice for a movie night if you approach it with lower expectations.

13

‘The Violence Action’ (2022)

Based on the manga of the same name, The Violence Action follows a young girl named Kei, who leads a double life as an assassin while attending college. Keeping the upbeat tone and over-the-top nature of its source material, the action flick follows Kei as she navigates various layers of the Yakuza, all while trying to balance her personal and academic life.

High Octane Silliness

The Violence Action is, in part, a lesson in working within a budget and realizing sometimes you need to cut back to ensure a more defined cinematic experience. In short, this one is rough around the edges and sometimes struggles to hide its limitations. Still, the action here is gratifying and explosive, the performances perfectly fit their comic counterparts, and the movie charges forward at an exciting pace. If your idea of fun is a kawaii (cute) character kicking some serious a**, then The Violence Action is an ideal watch.

12

‘The Block Island Sound’ (2020)

Mysterious and disturbing events are happening around the island of Block Sound, and in the middle of them is a fisherman, Tom Lynch, who is dealing with personal demons. The events agitate his already fragile psyche, and he becomes paranoid of a mysterious force in the sea that is potentially behind the occurrences throughout the town. As he begins to lash out violently, the lines between truth and reality blur as others desperately try to help him while figuring out the source of the tragedy befalling Block Island.

Hearing Is Believing

Kevin and Matthew McManus’s The Block Island Sound suffered a similar fate to many of the earlier Netflix Original movies, failing to strike the intended note with the audience and faltering in its execution. However, this one stands out in how well scripted, acted, and conceptualized it is, with most of the movie encased in a fascinating mystery. Actor Chris Sheffield also gives a memorable performance as Tom, delivering a believable descent into Lovecraftian-inspired madness.

11

‘Circle’ (2015)

The sci-fi psychological horror-thriller Circle follows a group of 50 strangers who awake in a mysterious room and are tasked with playing a game. In the blackened space, they must stand in their designated area, unable to move, and choose another contestant to be ‘eliminated,’ which causes them to disappear, presumably killed. As the numbers start to whittle down, people become more desperate while others try to figure a way out of the predicament.

360 Degrees of Mystery

A clever yet straightforward mash-up of genres, Aaron Hann & Mario Miscione’s 2015 film Circle unfolds more like a social experiment than a horror movie. Still, those who love to see people go up against each other and examine what they do under extreme circumstances will find the film deeply engaging. It may be a bit of a ‘one-trick pony’ that hides in ambiguity to avoid leading to more significant questions (how they got there, who is making them play, etc.). Still, it is delightful as a character study and a short piece of suspenseful cinema, running under 90 minutes.

10

‘Girls With Balls’ (2018)

This French-Belgian dark comedy by director Olivier Afonso follows the members of an all-girls volleyball team, “The Falcons,” who find themselves stranded in the middle of nowhere after their van breaks down. Things become more complicated when they find themselves hunted by all manner of backwoods sociopaths, and the team has to band together to use their athletic prowess to defend against the attackers.

Balls to the Wall Horror Comedy

Girls With Balls is a hidden gem in the Netflix catalog, presenting a giddy mix of horror, blood, gore, and dark humor. At the same time, the French language film does lean big into genre clichés, and lacks much depth beyond the chaos it presents. This has given the movie a love/hate relationship with horror fans. Still, it is an undeniably perfect popcorn flick for those who like horror-comedy that delivers a simple plot to get to the ‘gory bits.’ Moreover, the film boasts a strong cast, shucking the last girl trope of the slasher genre and presenting an army of elite athletes fighting back.

9

‘Manson Family Vacation’ (2015)

Two brothers, Nick and Conrad, have grown estranged due to the carefree life of one, while the other has settled into the role of husband and father. They decide to take a road trip together to reconnect. As the two begin to rebuild their relationship on a tour of Manson’s notable sites, Conrad confesses that he believes that he is the son of Charles Manson and that he is going to connect with his followers to speak to his father.

Manson Family Values

A lo-fi comedy/drama, The Manson Family Vacation, was partly produced by Mark and Jay Duplass (Jay wrote the script and stars in the film). Those familiar with the brothers’ other works, either as producers or writers, such as Jeff Who Lives at Home, The Overnight, and The One I Love, should have an idea of what they are getting into, as their signature dry and awkward humor is the driving force in The Manson Family Vacation. Don’t expect a laugh-out-loud comedy, but its subtle approach to humor, combined with an exciting family drama, makes the movie worth checking out.

8

‘Creep’ (2014)

Looking for a gig, videographer Aaron answers an online ad for work filming a video diary for a client. Once he arrives, he meets the eccentric and off-putting Josef, who claims to be dying and wants to leave behind a memoir for his family. However, as the filming progresses, Josef becomes more erratic, and his claims of illness become questionable, as the video diary turns into a means to harass Aaron and make him as uncomfortable as possible.

Starring Mark Duplass (who was also involved with the previously mentioned Manson Family Vacation), Creep is easily the most beloved of the actor’s works. This is due to the interesting take on the found-footage genre, where Duplass puts everything into his performance (much of it impressively improvised) to convince the viewer his character is both malicious and unhinged in a cold, calculating way. It is challenging to prepare viewers for his portrayal in Creep. Still, if you enjoy moments of awkward dark comedy with a layer of thick uneasiness, you have to experience Duplass’s portrayal of the troubled Josef.

7

‘Bad Trip’ (2020)

Part hidden camera comedy and part scripted, Bad Trip follows two best friends, Chris and Bud (played by Eric André and Lil Rel Howery), who go on a road trip so that Chris can connect with an old crush. The trip becomes a game of cat and mouse, though, when they are hunted down by Bud’s sister, Trina, played by Tiffany Haddish, for stealing her car.

It’s Just a Prank, Bro

Bad Trip will be a slightly contentious inclusion in this list, as Eric Andre’s comedic stylings, best known for The Eric Andre Show, are somewhat divisive. Even as the movie offers more narrative and a wonderfully comedic performance from Tiffany Haddish, the same awkward, dangerous, and confrontational humor exists throughout the film. Still, those who love the prank format will find the absurd set-ups hilarious, while those looking for a more straightforward comedy will appreciate the scripted elements. Go in expecting crass, silly, and awkward, and the movie will deliver.

6

‘Cam’ (2018)

An ambitious cam-girl named Alice has garnered a decent following, but as the emphasis is put on more salacious content, she begins to feel the pressure to surpass her rival. When her account appears to be seized by a duplicate willing to take those next steps, Alice’s mental state slowly diminishes, as she sees her doppelgänger climb to fame while stealing her source of revenue.

Losing Oneself Online

Cam works both as a chilling horror film about a character declining under extreme circumstances and as a social commentary on the perils of online life. In a minimalistic setting with a small cast, Cam also has an oppressive, claustrophobic atmosphere, forcing the audience to focus on Madeline Brewer’s portrayal of a troubled and scared Alice. This one won’t be for everyone, as it’s split on Rotten Tomatoes, with 93% fresh with critics and 53% with the audience, showing it is more of a critical darling than a favorite among the horror fandom. Still, those who appreciate a good slow burn and socially conscious horror will enjoy Cam.



This story originally appeared on Movieweb

Top 10 Ubisoft Games: Ranking the Best Titles

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Ubisoft has been involved in so many different games that curating a list of its greatest titles is a little tricky. Not only did it publish just about every movie and TV tie-in game throughout the early 2000s – Lost: Via Domus, anyone – but it is also responsible for creating some of the most iconic and groundbreaking franchises of all time. Its influence within the open-world genre especially, is immense, even if, as of late, it has felt like the quality of its titles has slipped.

Still, if you’re looking for a collection of truly fantastic Ubisoft games, then you’ve come to the right place. As much as I’d like to put in some of Ubisoft’s lesser-known titles – you won’t find any CSI games, Rayman Raving Rabbids, or that one Naruto game here – these games are truly the very best that Ubisoft has created. In no particular order, these are the titles Ubisoft should be extremely proud of and we as players grateful we got to experience.

10

Just Dance

It Is An Iconic Series That Deserves Recognition

A group of dancers on a colorful pink and purple background. 

As much as people may bemoan the addition of Just Dance on a list of Ubisoft’s greatest games, it’s hard not to recognize just how influential and prevalent the franchise has been since it first launched back in 2009. It likely exists in practically every house, bundled with dusty Wii remotes and the Xbox Connect. Just Dance is iconic for a reason, each entry more or less doing the same thing, but mastering it practically every time.

While it’s hard to pinpoint a specific entry that outshines the rest – for they are all largely the same – Just Dance 2014 featured a plethora of engaging content and a strong selection of songs genuinely worth dancing to. The dances, vivid colors, and generally positive tone of the series have made each game a memorable experience. Of course, later entries have dipped in quality somewhat, but it is hard to deny just how actually fun the Just Dance series has been for nearly two decades.

9

Far Cry 3

The Best In The Series & Revolutionary For Open-World FPS Games

Vaas holding a gun to his head in Far Cry 3.
Vaas holding a gun to his head in Far Cry 3.

Far Cry 3 may be the first game people think of when they are choosing Ubisoft’s greatest hits. It is not only one of the most recognizable titles, jettisoning the series into the realm of mass appeal with its memorable villains and enchanting world, but also a truly remarkable title that dictated the direction of almost every open-world game until Breath of the Wild came out.

We now lament the inclusion of radio towers in games, with even Far Cry 5 poking fun at them, but they were a fun innovation at the time, and, frankly, Far Cry 3’s version of them is easily the best. From Vaas to the delightful and secret-laden Rook Islands, Far Cry 3 isn’t just one of Ubisoft’s best; it may indeed be its very best. It also spawned a handful of decent sequels, many of which became some of the best co-op shooters, of which, frankly, there aren’t enough.

8

Assassin’s Creed IV: Black Flag

The Most Beloved In The Series

Assassin's Creed Black Flag protagonist Edward Kenway wielding a pistol in front of a pirate flag.
Assassin’s Creed Black Flag protagonist Edward Kenway wielding a pistol in front of a pirate flag.

It wouldn’t be a Ubisoft list without Assassin’s Creed. While each entry has its strengths – perhaps, in my opinion, aside from the first and Valhalla Black Flag has to be the most discussed and beloved. The sheer number of rumors surrounding an alleged Black Flag remake, alongside the mere existence of Skull and Bones, Ubisoft’s failed attempt at recapturing Assassin’s Creed’s best entry, proves that AC: IV is a game worth caring about.

It is one of the few games that nailed naval combat, made exploring far too many islands actually fun, and, one of the few Assassin’s Creed games that actually has a good story. Assassin’s Creed IV: Black Flag introduced us to one of gaming’s best protagonists, genuinely engaging parkour, and set the standard for this type of open-world game for years to come.

7

Rayman Legends

An Underrated Classic

Rayman Legends key art of Rayman in combat

Ubisoft isn’t particularly well known, anymore, for games outside the open-world RPG genre. However, once upon a time, it experimented quite a bit with platformers, puzzle titles, stealth experiences, and so much more. Rayman Legends is proof that Ubisoft is capable of so much more than just copying and pasting the Assassin’s Creed formula.

It is a colorful, frenetic, action-packed platformer with some of the most fluid, creative, and engaging level design in the history of the genre. Rayman Legends isn’t particularly overlooked – there are far more obscure Ubisoft hidden gems out there – but it doesn’t get nearly as much attention or praise as it deserves. Frankly, it should be uttered in the same breath as Ori and the Will of the Wisps.

6

Splinter Cell: Chaos Theory

Still One Of The Greatest Stealth Games

Splinter Cell Chaos Theory promotional photo of Sam Fisher with night vision goggles on
Splinter Cell Chaos Theory promotional photo of Sam Fisher with night vision goggles on

There’s quite a considerable amount of desire for a new Splinter Cell game from its most dedicated fans, and it isn’t hard to see why. While not every game in the series is perfect, those that really nailed the formula have proven to be some of the greatest stealth games of all time. Chaos Theory, which really refined the series’ trademark gameplay, should be the blueprint for all games like it. It is genuinely that good.

It cleverly integrates both stealth and action mechanics to emphasize the former while still catering to the latter. It ditches the instant fail state when caught, and inside allows tension to build and players to wrangle their way out of difficult situations as they see best. Splinter Cell: Chaos Theory is creative, gritty, dark, fun, and a genuinely compelling game that remembers that stealth mechanics have to be more than just throwing stones to distract enemies and attacking them when their backs are turned.

5

Driver: San Francisco

A Truly Inventive Driving Game

The logo for Driver San Francisco featuring a car and the game name.
The logo for Driver San Francisco featuring a car and the game name.

Driver is one of Ubisoft’s most underrated series, and I wish more people talked about it. It is the precursor to Ubisoft’s The Crew, although minus the online-only requirement and poorly implemented microtransactions. Instead, Driver is just a really great series about driving across beautiful cities with excellent handling, and fun novel additions to help spice things up.

Case in point is Driver: San Francisco, a game that not only features some of the best driving mechanics in all gaming, but also the fun gameplay feature of teleporting between cars, allowing you to switch vehicles literally on the fly. It is as fun as it sounds, and the game’s gorgeous version of the titular city makes for an excellent sandbox to drive around in. With explosive missions to complete, a fun story that ties into Driver 3, San Francisco is easily one of Ubisoft’s best games.

4

Rainbow Six Siege

One Of The Greatest Comback Stories In Gaming

A soldier outside of a house being attacked in Rainbow Six Siege.
A soldier outside of a house being attacked in Rainbow Six Siege.

It is easy to forget that Rainbow Six Siege, a game that still ranks as one of the best multiplayer shooters of all time, launched in a pretty dire state. Six Siege was not favorably received at launch and required a serious amount of hard work and dedication from Ubisoft to turn it around. Fortunately, the developer managed to make it not just a great game, but a ridiculously profitable one too.

Rainbow Six Siege may have had its ups and downs over the years – and a rather bafflingly bad extraction spin-off game – but it still remains a consistently excellent game that manages to meaningfully integrate tactical gameplay, environmental destruction, and interesting character design in a way few other games have dared. Rainbow Six Siege isn’t for everyone, but Ubisoft genuinely did an amazing job with it, at least eventually.

3

Prince of Persia: The Lost Crown

A Modern Classic

Prince of Persia allies looking at enemy

There are lots of great Prince of Persia games, but none are as good as one of its most recent entries, The Lost Crown. Once again, Ubisoft proved it can make decent games outside its well-known and familiar formulas with this masterfully crafted MetroidVania. Its precision platforming, interesting abilities, captivating boss fights, and unique art style put a fun spin on the franchise that I’m not sure any of us saw coming.

It is a shame that the team behind it was disbanded and moved to other projects, despite a sequel allegedly having been pitched and rejected. There was a lot of potential for this universe to have more great games like it that we’ll never get to see realized. Regardless, Prince of Persia: The Lost Crown is another feather in Ubisoft’s very versatile cap, and a great showcase for what the publisher can do when it lets its most creative developers break away from the formula.

2

Child of Light

A Hidden Ubisoft Gem

The main promotional image for Child of Light shows a pink-haired princess wielding a sword.
The main promotional image for Child of Light shows a pink-haired princess wielding a sword.

Child of Light is the Ubisoft hidden gem you’ve maybe heard of the most. It, alongside the likes of Valiant Hearts, makes up what feels like the studio’s most indie experiences. Child of Light is perhaps Ubisoft’s best-looking game, despite the fact that it doesn’t conform to the studio’s desire to make the most realistic worlds imaginable. It is colorful, creative, vibrant, and often jaw-droppingly engrossing, making for a fantastical world that actually immerses you.

Child of Light is a fairly experimental RPG for Ubisoft, veering more into JRPG territory with its active-time battle system. That sense of being so far removed from anything else the studio does is what makes it one of its greatest games. It is inventive in a way Ubisoft hasn’t been in quite some time, and, thus, a remarkable achievement. Honestly, if you were to play any Ubisoft game, I’d probably recommend this.

1

Beyond Good And Evil

Ubisoft’s Cult Classic Masterpiece

breath-attack-beyond-good-and-evil-black-isle-boss.jpg
breath-attack-beyond-good-and-evil-black-isle-boss.jpg

Beyond Good and Evil is probably the closest Ubisoft has to a cult classic game. It is from that truly exceptional era of adventure games with impeccably inventive art styles that feel like nothing else available. Beyond Good and Evil’s world is so unique, oozing with atmosphere, tantalizingly engrossing worldbuilding, and a cast of incredibly memorable characters.

It is no wonder that so many people constantly latch onto any Beyond Good and Evil 2 rumors that occasionally circulate on the internet before fading into obscurity. This is the type of game Ubisoft, and really the gaming world at large, should be making. It is the game I think of the most when I reflect on Ubisoft’s wasted potential as a developer. Beyond Good and Evil is definitely one of Ubisoft’s greatest games, and I sincerely hope it is remembered as such.

Ubisoft Poster

Date Founded

March 28, 1986

CEO

Yves Guillemot

Services

Ubisoft+




This story originally appeared on Screenrant

On ‘100 Sound Effects,’ Fred Armisen resurrects the long-dead haunted mansion album

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Fred Armisen loves doing interviews. It’s a rare trait for someone of Armisen’s stature in Hollywood: an A-list comedy giant who spent more than a decade on “Saturday Night Live,” skewered hipster culture for eight seasons on IFC’s sketch staple “Portlandia” and who currently stars as the lovably deranged Uncle Fester on Netflix’s Addams Family revival, “Wednesday.”

And yet Armisen is completely sincere when he insists he’s delighted to be in press mode for his new album, “100 Sound Effects.” “I love it,” Armisen promises as our Zoom conversation goes over the hour mark and I apologize for keeping him. “When I was growing up — [and] I think about this all the time — if a David Byrne interview or a Mark Mothersbaugh interview came on the radio or whatever, I really consumed every word of it,” Armisen says. “It was as important as whatever they were promoting. I already had the album, but I wanted to hear what went into this record.”

Armisen is equally forthcoming about the creation of “100 Sound Effects,” a literal catalog of highly specific noises that could occur across a variety of settings, such as music venues and stores (“Music Venue Employee Kicking Everyone Out While Throwing Away Bottles”), airplanes (“Overhead Compartment Closing”) and haunted houses (“Haunted House Demonic Voices”), the latter of which was top of mind as he conceptualized the project.

“It was a feeling of something that was missing,” Armisen says. “I just remember sound effects — or specifically haunted mansion albums were just around. It was a little bit of a nagging whim. Like, ‘Huh, whatever happened to those? Where do the new ones live? Where do people get sound effects now?’ I’m sure there is a place, but it didn’t feel like there was a hard-copy version. I’m sure there are sound libraries you could go to online, but I was like, ‘Where’s the actual album?’ It just kept popping up in my head. Like, ‘Man, I wonder what it’s like to record those? Maybe I’ll do one.’”

To move the idea along, Armisen went to pick the brain of his longtime Chicago friend, prolific recording engineer Steve Albini, who founded the recording studio Electrical Audio in 1995 and famously recorded Nirvana’s “In Utero,” among hundreds of other era-defining rock albums. (Albini died of a heart attack in 2024 at the age of 61.) Albini connected Armisen with Dave Grohl, whom he thought might be able to point Armisen in the direction of an L.A.-based producer who wouldn’t mind working on “100 Sound Effects” in piecemeal fashion — two weeks here, two weeks there — whenever Armisen got a break in his schedule. That’s how Armisen started working with producer Darrell Thorp (Foo Fighters, Beck, Radiohead), who the comedian describes as laser-focused on the job at hand, despite his rock ’n’ roll pedigree. “He’s worked with Paul McCartney and Dave Grohl and all the greats, and never was he like, ‘I’ve got some rock ’n’ roll stories for you,’” Armisen says. “He’s all about, ‘How can we make this sound really authentic?’ … As much as this word gets used — ‘professional’ — Darrell is a real producer and recording engineer. He really is there for the job.”

Fred Armisen and Riki Lindhome

(Ali Gradischer / Getty Images)

Armisen also pulled together a team of friends and collaborators, including his wife (and fellow comedian-actor), Riki Lindhome, Tim Heidecker, Bill Hader, Mary Lynn Rajskub, Amber Coffman and Alice Carbone Tench. Lindhome assisted in capturing sounds while on vacation (“Outdoor Event Walking On Pebbles”) and in hotels. Track 80, “Room Service Ooh,” is exactly what it sounds like, with a clattering lid being lifted off a plate followed by Lindhome’s exclamation at what’s underneath. Meanwhile, Heidecker, who has worked with Armisen on a few past projects, like the 2020 Showtime comedy “Moonbase 8,” helped with the camping sound effects, which, for the record, took place in Armisen’s backyard. (Armisen is ardently anti-camping.) “Someday we’ll do an album together of just me and [Heidecker] talking,” Armisen says. “He really is the funniest person I’ve ever met.”

For anyone who has followed Armisen’s unconventional road to comedy, “100 Sound Effects” almost comes across like a Venn diagram of his varied interests. He’s certainly no stranger to a recording studio; long before Armisen moved to Los Angeles in the late 1990s to pursue a career in TV and comedy, Armisen spent his early life in and around punk-rock scenes. Growing up in Long Island, he was obsessed with the drums and sat behind the kit in high school bands, and in the late ’80s, he moved to Chicago to drum in the punk outfit Trenchmouth. When the group broke up around 1996, Armisen took on gigs as a background drummer for the Blue Man Group and even formed a salsa band.

As Armisen’s comedy career eventually eclipsed his music background, he still found ways to weave the latter part into his projects and sketches; one of his better-known SNL characters was Ian Rubbish, an ’80s British punk with a predilection for singing flattering songs about Margaret (a.k.a. “Maggie”) Thatcher. In 2018, Armisen released a Netflix special called “Standup for Drummers,” which was also released as a record and won the comedy album Grammy the following year.

Though “100 Sound Effects” might not appear like it has much in common with “Standup for Drummers,” the throughline is Armisen’s observational humor, which are communicated across a handful of winking (but true-to-life) scenarios. For example, in a series of sound effects set within a music venue, there is a “Guitar Tuned but Still Somehow Out of Tune” and a “Sparsely Attended Show Encore With Someone Shouting ‘Where’s Jim?’”

Armisen acknowledges that there is a comedic element within “100 Sound Effects” — but he also hopes filmmakers will find the collection genuinely useful, especially since his effects are intended to be hyperrealistic when the majority of available effects tend to sound staged. “There’s a tone to applause in movies and TV that I don’t think exists in real life,” Armisen says. “You can actually feel a director going, ‘Action!,’ especially in scenes with a band playing, and the crowd is going too crazy. In my concertgoing experience, I don’t think people go crazy in that way. It sounds like someone going, ‘Come on, you really love this band!’ And it never feels real.”

A man on stage holding a guitar

Fred Armisen in his Netflix special “Standup for Drummers.”

(David Moir)

Even as Armisen moves past the album-release stage and into promoting far less niche projects, he says he’ll always be thinking of Albini, to whom “100 Sound Effects” is dedicated. Armisen says he most admired Albini’s (at times infamous) directness and commitment to making clients’ work sound the best it could.

“As I would be going into working on a TV show or whatever, I sometimes think, ‘What would Steve Albini do in this situation?’” Armisen says. And most of it is figuring out the power of the word ‘no.’ That really helped me. If I was too afraid to say no about a scene or a project, I would think, ‘OK, what would I do if I was Steve Albini?’ And all of a sudden, I had a voice.”

Armisen continues: “But the real soul of our friendship is how much Steve made me laugh … He knew his job. He was like, ‘My only role is to make you sound the best you can.’ And I try to approach work that way. Even on SNL, I was like, ‘This is for Lorne [Michaels]. How can I be a soldier to this show? How can I deliver? [It’s] the same thing with working on ‘Wednesday’ — how can I do my best for what they’re asking me to do?’

“But I miss Steve all the time. And as has been explained to me, he’s still a part of me. Whenever I do stuff, he’s still alive.”



This story originally appeared on LA Times

LE SSERAFIM, J-Hope’s ‘Spaghetti’ Voted This Week’s Favorite New Music

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LE SSERAFIM’s new collaboration with BTSj-hope has topped this week’s new music poll.

In a poll published Friday (Oct. 24) by Billboard, music fans chose the powerhouse team-up’s “Spaghetti” as their favorite new release of the week.

“Spaghetti” earned 77% of the vote, beating out new projects from Demi Lovato (It’s Not That Deep), Megan Thee Stallion (“LOVER GIRL”), Bruce Springsteen (Nebraska ’82), Daniel Caesar (Son of Spergy), Leon Thomas (Pholks), and more.

The track serves as the lead single from LE SSERAFIM’s eight-track HYBE compilation of the same name and marks j-hope’s first-ever feature on a K-pop girl group song.

Earlier in the week, the song was teased through a YouTube video titled “The Kick,” featuring j-hope in a Matrix-inspired outfit and shades, surrounded by flashing strobe lights. The clip ends with a snippet of LE SSERAFIM members — KIM CHAEWON, SAKURA, HUH YUNJIN, KAZUHA, and HONG EUNCHAE — delivering the line “eat it up.”

Speaking with Billboard Philippines, LE SSERAFIM shared insights into the making of “Spaghetti.” The song “expresses LE SSERAFIM’s charm that you just can’t get away from, like spaghetti that’s stuck in your teeth,” SAKURA said. “The part where we sing ‘eat it up’ over and over is the highlight, and since each of us members delivers it in our own styles, it adds even more playfulness to the song.”

LE SSERAFIM have been on a hot streak this year. In March, the group’s album HOT debuted at No. 1 on Billboard’s Top Album Sales chart, marking their fifth top 10 entry and second chart-topper after 2024’s Crazy.

Placing second in this week’s poll was Lovato’s new album, It’s Not That Deep, which secured 7% of the vote.

Check out the full results of this week’s poll below, and visit Billboard’s Friday Music Guide for more must-hear new releases.



This story originally appeared on Billboard

Do Geralt and Yennefer End Up Together? Their Relationship History

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Geralt and Yennefer’s love story in The Witcher is just as complicated as the world they live in. Like many fantasy shows with sprawling timelines, overlapping storylines, and big battles, it can be easy to lose track of the relationships. That’s where Swooon comes in. We’re focused on all things romance all the time, so we’ve paid close attention to Geralt (Liam Hemsworth, formerly Henry Cavill) and Yen’s (Anya Chalotra) love story over the past three seasons.

With The Witcher‘s fourth and final season arriving in a matter of days, we’ve put together everything you need to remember about Geralt and Yen’s romance. When did they meet? When did they officially get together? What are the most important moments they’ve had together so far? Keep reading for the full romance recap.




This story originally appeared on TV Insider

Barclays’ share price rallies: opportunity or risk for investors?

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Image source: Getty Images

The Barclays (LSE: BARC) share price has enjoyed a strong run in recent months, supported by steady profits, share buybacks, and robust net interest income. Yet, with high mortgage costs and household finances under pressure, investors may wonder whether this momentum can continue – or if optimism is already fully priced in.

Q3 results

Earlier in the week, the blue eagle bank reported a strong set of quarterly results. Group income rose 11% year on year to £7.2bn, driven by a resilient UK business and improving momentum in the US.

Stable deposits and robust UK lending resulted in a surge in net interest income (NII) of 16%, prompting management to raise full-year 2025 NII guidance to more than £12.6bn.

Despite every business division delivering a double-digit return on tangible equity (RoTE), the group RoTE fell from 12.3% to 10.6%. This decline was largely due to two factors:

  1. An 8% increase in tangible equity (book value), which raises the denominator of the RoTE calculation.
  2. A one-off impairment of £235m relating to a motor finance provision.

I am not overly concerned about this fall in RoTE, since management is still guiding for a return of more than 12% by 2026.

Structural hedge

The most important driver of NII remains the structural hedge. This smooths income over time by investing customer deposits into fixed-rate instruments.

A key enabler of the hedge is stable customer deposits, which allow the bank to invest a significant portion of this cash into longer-term, higher-yielding assets. Think of it like a jar of cash earning a fixed rate over several years.

At Q3, the total hedge stood at £233bn, with an average duration of 3.5 years and an average yield of around 3.8%. As older, lower-yielding hedges mature, they are replaced by higher-yielding ones. So even if interest rates fall, Barclays has effectively locked in elevated income for several years.

Economic health

In the wake of Covid, governments flooded the UK and US economies with liquidity. Over time, lower-income households have drawn down these excess savings, but wealthier cohorts – who hold a larger share of bank deposits – remain cash-rich.

At the same time, rising stock and property prices have inflated asset values, enabling higher earners to keep spending and propping up demand across the economy.

Banks, for now, sit in what I describe as a ‘sweet spot’: balance sheets are strong, impairments are low, and margins remain wide. But the question is how long this can last.

Each quarter, more borrowers are refinancing debt at higher rates. This gradual repricing is like a slow-moving wave — or even a tsunami — building beneath the surface. Higher mortgage costs will squeeze consumers, businesses will face larger interest bills, and governments will struggle with mounting debt-service burdens.

Bottom line

For me, the risks are starting to stack up. That doesn’t mean Barclays isn’t a good business, or that its shares cannot go higher in the short term. But it does suggest the best of the interest-rate windfall may already be behind us.

Investors chasing the rally should stay alert to the lagged effects of higher rates, which may eventually show up in credit losses, slower deposit growth, or weaker consumer sentiment.

For now, I’m neutral on Barclays. It’s a well-managed bank, but I see better risk-reward opportunities elsewhere in the market.



This story originally appeared on Motley Fool

Staffing issues trigger temporary ground stop at LAX

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A staffing shortage at Los Angeles International Airport prompted a temporary ground stop affecting flights Sunday morning.

The restriction began around 8:45 a.m. affecting departing flights for Oakland and was lifted at 10:30 a.m. with a possibility of being extended until 2 p.m., according to an FAA Air Traffic Control System Command Center advisory.

Even after the resumption of flights, travelers were instructed to check the status of their flights.

The stoppage affected most of Southern California, leaving passengers experiencing flight delays of around 49 minutes, with some waiting up to 87 minutes, according to KTLA.

California Gov. Gavin Newsom’s press office was quick to seize on news of the problems and goad President Trump’s Secretary of Transportation Sean Duffy.

“Hell of a job, @SecDuffy,” Newsom’s office posted on X, sharing a news story about the LAX ground stop. “Can’t wait to see what you do with NASA.”

The federal government shutdown, now in its fifth week, has forced air traffic controllers to work without pay.

Hollywood Burbank Airport’s air traffic control tower was temporarily unstaffed due to shortages earlier this month, with outgoing flights delayed an average of two hours and 31 minutes, and 12 flights were canceled.



This story originally appeared on LA Times