There are a ton of underrated horror movies from the 1980s, but only one hidden gem feels like a mashup of David Lynch and Norman Rockwell. Though the formulaic slasher genre tends to dominate the conversation around 1980s horror, the decade produced its fair share of unorthodox chillers. Horror hit an imaginative peak during that era.
Though the ’80s had its own distinct culture and tone, it shared a lot of similarities to the 1950s. An unflinching optimism and overly rosy view of current affairs was all the rage, and popular culture reflected that urge to return to “normalcy” after a few turbulent decades. However, not all creative types were swept up in ’80s idealism.
Not only was it common to see movies lambasting contemporary culture in the ’80s, many of those films directly juxtaposed the ’80s and the ’50s. Even horror got in on the trend, and there was a rash of films that remade classic ’50s movies with a modern edge. Many of those films intentionally attempted to shatter the mythology of nostalgia.
Out of that crowded field, one horror movie created a category all its own. That criminally underrated gem poked holes in the idealism of the 1950s (and 1980s by proxy) while incorporating dreamlike imagery for a wholly unique cinematic experience. Clearly inspired by the works of David Lynch and Norman Rockwell, the 1989 cult classic is both nightmarish and beautiful.
Parents Is The Best ’80s Horror Movie You’ve Never Seen
With the internet ravenous for the next great hidden gem from the 1980s, Parents is still shockingly overlooked. Bob Balaban’s pitch-black horror comedy is set in a California suburb in the 1950s, and concerns a socially-awkward boy who comes to believe his parents might be cannibals. What follows is a surreal dive into a child’s imagination.
The movie’s deliberate pace creates an overwhelming sense of foreboding, and it never goes too far into absurdist camp. Though it’s described as a horror comedy, the humor is much subtler than the usual laugh-out-loud fare. Instead, the audience is inspired to think about the film’s themes, which are cleverly used to pick apart recognizable shortcomings in American culture.
Parents flopped, and it left many critics confused. It’s a hidden gem with class, and it’s closer to an art film than a video nasty. That’s not to say that it isn’t scary, but its scares come from a place of thoughtful complexity. To get the most out of Parents, one must be fully engaged with its messaging.
Parents Is A Little Bit Of David Lynch & A Little Bit Of Norman Rockwell
With its stylized visuals and surrealist imagery, Parents took a page from David Lynch’s playbook. The film has often been compared to Lynch’s Blue Velvet, and both films are designed to dissect the rosy idealism of Americana. However, the comparison goes deeper to include themes of voyeurism and the loss of innocence.
On the other hand, Parents clearly modeled some of its visual style on the works of painter Norman Rockwell, whose charming works helped to further mythologize the post-war years. Rockwell is so synonymous with that era that any film attempting to parody the ’50s must borrow from the beloved illustrator.
The real brilliance of Parents comes from the synthesis of its ideas. It borrows heavily from the aforementioned artists, but creates something new from the purloined elements. It takes horror in a new direction, and though few filmmakers would follow, it deserves credit for being a pioneer. It’s high time that the hidden gem gets its laurels.
This story originally appeared on Screenrant
