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The Golden Globes’ Biggest Film and TV Winners are Both Streaming Now

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The 82nd Golden Globes is now in the books, and two nominees, in particular, have a lot to celebrate — Emilia Pérez and Shōgun. Both the film and television series led the night with four Golden Globes wins each.

Emilia Pérez came into the Awards show with a whopping 10 nominations, so its success shouldn’t come as too much of a surprise, and Shōgun was the second-most-nominated television series behind The Bear. However, Shōgun won each of its four nominations — Best Television Series – Drama, Best Performance by a Female Actor in a Television Series – Drama, Best Performance by a Male Actor in a Television Series – Drama, and Best Performance by a Male Actor in a Supporting Role on Television. Notably, both the acclaimed film and television series are already on streaming platforms.

As a Netflix original film, Emilia Pérez has been streaming on the platform since November 13, 2024, following its limited theatrical run just a couple of weeks earlier. Meanwhile, the FX hit Shōgun is streaming on Hulu (or Disney+ for those with connected Hulu accounts). The first season of Shōgun is reaching the end of its award run; the acclaimed drama already won 18 Emmys last Fall. Now, eyes are on the film industry leading up to the Academy Awards.

‘Emilia Pérez’ and ‘Shōgun’ Tied for Most Golden Globe Wins

With four wins each, Emilia Pérez and Shōgun led film and television, respectively, at the 82nd Golden Globes. In the film category, The Brutalist came in a close second with three wins for Best Director – Drama, Best Performance by Male Actor in a Motion Picture – Drama, and Best Motion Picture – Drama. In television, the next closest contenders were Hacks and Baby Reindeer, each with two wins a piece.

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Of all the films and television series mentioned above, The Brutalist is the only one not currently available on streaming as it is still in its theatrical run. Like Emilia Pérez, Baby Reindeer is available on Netflix, and all three seasons of Hacks are available to stream on MAX.

Netflix is a great place to binge some of the Golden Globe-nominated films and television series. Series and movies such as Squid Game, The Diplomant, Nobody Wants This, Dune: Part Two, Ripley, Black Doves, Wallace & Gromit: Vengeance Most Fowl, and a handful of stand-up specials join Emilia Pérez and Baby Reindeer as nominees that you can watch on the streamer right now.



This story originally appeared on Movieweb

Jasmine Pineda Confirms Shocking Relationship Status With Matt Branis After Rumors She’s Pregnant

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90 Day Fiancé star Jasmine Pineda has revealed her real relationship status with Matt Branis amid multiple sources claiming that she is having a baby. Jasmine from Panama married Gino Palazzolo from Michigan in June 2023. The couple had been together for 18 months before the wedding and their entire relationship was documented in various 90 Day Fiancé spin-offs. Jasmine always seemed dissatisfied in the relationship, often showing her disappointment in Gino, who never made her his priority. After they married, Jasmine complained that Gino was not showing her intimacy.

Jasmine revealed that Gino had not touched her for nine months and that she was open to exploring an open marriage.

Jasmine was linked to a man named Matt who she introduced as a friend during 90 Day: The Last Resort. Matt was supportive of Jasmine and wished for therapy to be able to fix her marriage with Gino. However, online reports claimed Matt was her boyfriend and possible baby daddy, and she had been living with him for a year, since December 2023. Jasmine has not commented on the matter yet. Instead, she posted a comment, “My bestie” with an angel-face emoji on Matt’s latest Instagram upload. The selfie shows Matt in a light blue t-shirt posing with a serious expression.

What Jasmine Claiming Matt Is Her Friend & Not Boyfriend Means For Her

Jasmine Could Be Throwing Fans Off The Scent

Jasmine has also sparked pregnancy rumors lately. Fans noticed she had a baby bump in her red dress during Between The Sheets. Jasmine has also been posting pictures of herself on Instagram where she hides her tummy area. Bloggers have found pictures of her where Jasmine, who is known for her fitness, has a bit of roundness in her mid-section. Jasmine also included baby furniture in her Amazon Wishlist. Bloggers received anonymous messages from people claiming they’d spotted Jasmine in Florida with a baby bump.

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It appears Jasmine may have moved from Michigan to Hollywood, Florida, recently. She’s not alone, and she has been enjoying the company of Matt. It is rumored that Matt is a mechanic and a struggling actor. He met Jasmine at the Planet Fitness gym which she often visited in her first year in the U.S. Jasmine supposedly cheated on Gino with Matt, who believed that Matt was not interested in women. The most difficult part about these rumors is that nothing has been discussed on the show yet.

Our Take On Jasmine Trying To Hide Her Relationship Amid Pregnancy Rumors

Is Jasmine’s Boyfriend & Baby Rumor, Just A Rumor?

Gino and Jasmine are still pretending to be together on social media, despite their once-in-a-while passive-aggressive comments on Stories. Gino even has their wedding photo pinned on his Instagram page. It ends up looking like these rumors about Jasmine having a boyfriend and a baby might be something Jasmine and Gino concocted to get 90 Day Fiancé fans interested in their storyline. They’ve seen Angela Deem and Michael Ilesanmi’s popularity soaring after news of Michael going missing and could be trying to create some imaginary drama to become the next king and queen of reality TV.

90 Day Fiancé: Before The 90 Days airs Sundays at 8 p.m. EST on TLC.

Source: Matt Branis/Instagram

90 Day Fiance Season 10 Poster


90 Day Fiancé is a reality TV series that follows the trials and tribulations of Non-U.S. citizens who travel from abroad each season to meet their potential spouses utilizing a K-1 visa. This three-month visa gives the pair 90 days to determine whether or not their romantic and life goals are aligned before they’re forced to return home unmarried. Drama and tension unfold as the couples navigate the tricky dynamics of international marriage.

Release Date

January 12, 2014




This story originally appeared on Screenrant

News Analysis: It’s a big month for the Lakers as trade deadline looms

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Forget good. The Lakers want to be great.

That was coach JJ Redick’s halftime message Friday night to the Lakers, his frustration with the team’s lack of attention to defensive details boiling over first into a couple of rage-induced timeouts and later into a challenge to his group to be better.

The timing, which came with the Lakers leading a game they’d eventually win 119-102 against Atlanta, indicates something that’s been percolating behind the scenes over the last month, that the Lakers might actually be on to something worth investing in.

Since the team moved Max Christie into the starting lineup on Dec. 8, the Lakers are 8-3. They’re sixth in the NBA in defensive efficiency during that stretch. Over the last seven games, their offense has awoken. And their acquisition of Dorian Finney-Smith, one of the premier role players available on the trade market, not only gives clues to the type of team they’re trying to build, but also cleared a runway for Austin Reaves to try to become the team’s third star.

All of it has sort of uncluttered things for Redick, general manager and vice president of basketball operations Rob Pelinka and the organization. With a month until the NBA trade deadline and a favorable schedule, the next move has people around the league curious about what direction the Lakers will go in the build to the Feb. 6 trade deadline.

Instead of frantically hunting for a third star or pushing chips in on a starting-caliber center, the Lakers, rival executives believe, will move in different ways than it might’ve seemed earlier this season.

The emergence of third-year guard Max Christie (12) as a starter has allowed Austin Reaves (14) to become more of a third weapon on offense.

(Wally Skalij / Los Angeles Times)

Christie has given the Lakers the kind of defensive speed and shooting they wanted in their backcourt, playing himself out of any marginal trade conversations. And the Lakers’ resistance to a third maximum-salary contract has only gone up since their failed Russell Westbrook experience, the constraints of the new salary-cap rules making that kind of roster construction more of an albatross than a luxury. (Sorry, Jimmy Butler fans.)

There had been some early-season consensus that the Lakers would be aggressive in their pursuit of a center to either play with Anthony Davis or behind him, but the Finney-Smith acquisition makes that seem unlikely.

Long linked to a player like Washington’s Jonas Valanciunas, a target for the team this summer in free agency, it’s become clear that the Lakers’ needs to get bigger aren’t as important to them as their desires to get faster, more athletic and more dynamic.

While teams have expressed interest in Utah center Walker Kessler — the Lakers included — the belief in NBA circles is that he’s not available in any realistic trade scenarios, Utah electing to keep one of the NBA’s top rim protectors through the deadline.

The team also probably used its most practical trade chip — D’Angelo Russell’s expiring contract — in the Finney-Smith deal.

Multiple rival executives have said that they don’t think the Lakers should invest some of their limited draft capital (and tradeable contracts) for a player who slows them down — and one who, in a playoff series, would have a limited role considering the overwhelming bulk of center minutes will still fall to Davis.

While the Lakers, and Redick has said it, do need more toughness, finding it on the perimeter instead of in the paint seems to be the goal.

Even as the Lakers’ offense has spiked over the last seven games, they’ve done it while still being in the bottom half of the league in three-pointers attempted and made. Targeting shooting and athleticism on the perimeter — particularly in the form of a player who can operate off the ball — is something the Lakers should have their eyes on. Rival scouts and executives who agree with that are always quick to point out that virtually every contending team is trying to add athletic shooters to their roster.

Instead of rushing into a deal for a backup big man, the Lakers do have a real desire to see what their second unit looks like once Jarred Vanderbilt and Gabe Vincent are on the court together — something that happened just once a season ago.

And Finney-Smith is a tough, switchable, defensive-minded player who can make corner threes at a high volume. He’s very much the kind of player Redick wants to have in his system, and even after three games (and zero real practices), it’s obvious how comfortable Redick is in coaching his former teammate in Dallas.

He challenged him by name after the win over the Hawks, directly holding him to accountability for his first-half defense while going out of his way to praise him for how he recovered in the second half.

There’s also the recent run of play from LeBron James to consider, his week absence at the start of the Lakers’ 8-3 stretch leading to a run of All-NBA-level play from him while passing his 40th birthday last week. If this level is sustainable to some degree, the Lakers’ chances at working themselves into a “great” team go up.

“We’re a ways [from being great] to be honest with you,” Reaves said after the Lakers beat Atlanta. “But everybody’s working in the right direction to becoming that.”

Sunday’s game at Houston will be a real challenge, the Lakers having to conquer what’s become a bad matchup because of the Rockets’ size and athleticism. And Tuesday, against a short-handed Dallas team playing without Luka Doncic, the Lakers’ defense will have to consistently handle the types of details they messed up early on Friday.

After that, the Lakers play their next eight games in Los Angeles — a real chance to cement these last four weeks as more than a blip in their season.

The changes the Lakers have already made to their roster will ultimately dictate the ways they decide to move next — if they move at all.



This story originally appeared on LA Times

Kevin Love references Boyz II Men following Jimmy Butler trade rumors

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Jimmy Butler’s wish to be traded from the Miami Heat seems to be placing the six-time All-Star’s teammates in their feelings — something like a ’90s R&B music group.

After Miami’s 128-115 loss to the Indiana Pacers on Thursday night — where the small forward scored his second consecutive nine-point game — Butler expressed that he lost his joy of playing basketball in Miami.

“I want to see me getting my joy back playing basketball. Wherever that may be, we’ll find out here pretty soon,” Butler said. “I’m happy here off the court, but I want to be back to somewhat dominant, I want to hoop and I want to help this team win, and right now I’m not doing it.”

Following Butler’s comments about his joy dwindling in a Heat jersey, power forward Kevin Love took his feelings to social media Friday, seemingly foreshadowing Butler’s departure with a recreation of the R&B group Boyz II Men’s 1997 album “Evolution.”

The artwork featured Heat guard Tyler Herro, Love, Butler, and Philadelphia 76ers guard Kyle Lowry, who was traded to the Charlotte Hornets for Terry Rozier and a protected 2027 first-round pick in Jan. 2024.

Love posted a snippet of the Boyz II Men hit song “End of the Road” earlier in the day, but the post was removed due to copyright issues. Love posted on his Instagram story.

Butler has hinted about his exit from Miami. On Christmas Day, it was reported that Butler preferred a trade, with the Phoenix Suns, Dallas Mavericks, Houston Rockets and Golden State Warriors on his preferred destinations. Heat president Pat Riley followed with a statement saying: “We will make it clear — we are not trading Jimmy Butler.”

Team officials also speculated that Butler didn’t play his hardest in Miami’s 119-108 win over the New Orleans Pelicans on Wednesday, where he finished with nine points.

The All-Star guard also received a seven-game suspension for multiple instances of conduct detrimental to the team.

Butler is in the final year of his contract with a player option for next season for $52 million. Sources told ESPN’s Shams Charania and Brian Windhorst that teams have been informed that Butler intends to decline his player option for the 2025-26 season and become a free agent in July.




This story originally appeared on ESPN

Matsuyama maintains 1-shot lead over Morikawa at the Sentry

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KAPALUA, Hawaii — Collin Morikawa had to judge how his ball would come out of the first cut of rough on the 16th hole at Kapalua, and it was close to perfect, settling 20 inches away for a sure birdie in his terrific duel with Hideki Matsuyama.

Matsuyama was some 20 yards closer. He sent his lob wedge over the pin and used a combination of spin and slope for the shot to roll past Morikawa’s ball and stop 8 inches away.

It was like that all day Saturday at the Sentry.

Matsuyama had a personal best with 11 birdies in his bogey-free round of 62, setting the Plantation course record for 54 holes at 27-under 192.

All that got him was a one-shot lead over Morikawa, who matched his 62 and just about everything else Matsuyama did on another day of virtually no wind and ridiculously low scoring in the PGA Tour opener.

“Collin played well and I just kind of followed him, so good day,” said Matsuyama, a Japanese star of few words and plenty of birdies.

Morikawa played so well at the start that it wasn’t until the sixth hole that he hit a shot he didn’t like, a wedge to 25 feet and a birdie chance that rimmed around the cup. In 54 holes, he has missed only two greens.

“Today was really, really good. Couple shots out there a little squirrely, but for the most part the irons were center face, knew where they were going,” Morikawa said.

He briefly took the lead on the front nine by starting 5 under in five holes, including a 25-foot eagle putt on the fifth hole during a display of sublime shotmaking. Matsuyama caught him on the next hole and they were tight the rest of the way.

The low scoring was reminiscent of 2022, when Cameron Smith set the tournament record — and PGA Tour record to par — at 34-under 258. The conditions were abnormally calm that year, and this year hasn’t been much different.

There was barely any wind on the western edge of Maui, and the Plantation course was built for fierce wind out of any direction. This became target practice for the world’s best players, particularly on a course with the widest fairways on the PGA Tour.

Three years ago, Smith and Jon Rahm were tied for the lead five shots clear of everyone else. Matsuyama was one ahead of Morikawa. Thomas Detry was next at 22-under 197, one ahead of Sungjae Im, who also had a 62.

The average score was 67.49, another record since this tournament moved to Kapalua in 1999.

Detry had a 65 and wound up losing ground.

“I shot 8 under today, but didn’t really feel like I shot 8 under,” he said. “Other courses when you shoot 8 under you really fell like, ‘Oh, yeah, I played unreal golf here.’ I just felt like I played some really steady golf.”

Matsuyama and Morikawa kept piling up birdies and pulling away. What separated them was the reachable par-4 14th, where Matsuyama chipped to 3 feet for birdie and Morikawa drove into a bunker, blasted out to 10 feet and missed the birdie putt.

Such a high level of golf brought importance to every shot, and they were up to the task. Morikawa talked about being in the zone, and with another player at his side in the same place, it created quite the stripe show.

“It was a lot of fun,” Matsuyama said, “but I would like for him to take it easy tomorrow.”

Morikawa has worked on his swing during the offseason, and the bigger work might have been on his attitude. He wants to pour everything into every shot, every day, every tournament and see where it leads.

That makes Sunday a big test.

“You look back at the greats, they did that,” Morikawa said. “You look back at Tiger, he did that every single week. I think if I asked myself, ‘Did I do that the past six years, every time?’ Probably not, you know. But it’s hard. It’s hard to do that, but that’s what I’m going into this year is saying, ‘You know, I’ve got four days, let’s see what I can do.'”

Morikawa has had his chances at Kapalua. He had a six-shot lead two years ago until closing with a 72 and finishing behind Rahm, who had a 63.

He played in the final group three times at big events last year — one behind Scottie Scheffler at the Masters, tied with Xander Schauffele at the PGA Championship and four shots behind Scheffler at the Memorial.

Now he’s trying to track down Matsuyama, who is going for his third win in the past 10 months. That goes back to Morikawa’s focus, and it reminded him of when he first turned pro in 2019.

“I had seven opportunities for sponsor exemptions, didn’t know if I was going to get my card or not, and you’re going to put everything out there because you have that goal,” Morikawa said. “Well, I’m going to put everything out there tomorrow because I have the goal to win.”



This story originally appeared on ESPN

Brenton Wood, crooner who captivated Latino listeners, dies

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In 1967, Brenton Wood looked as if he was on the cusp of mainstream success.

The Compton crooner’s single “The Oogum Boogum Song” became a hit and ranked 34th and 19th on the Billboard’s Hot 100 and Top Selling R&B Singles charts, respectively. A few months later, Wood debuted his second hit, “Gimme Little Sign,” which peaked at No. 9 on Billboard’s Hot 100.

Wood, who was born Alfred Jesse Smith, died Friday of natural causes at his home in Moreno Valley, his manager and assistant Manny Gallegos confirmed to Variety. He was 83.

Wood’s slinky and upbeat tunes are infectious. His seductive and affable manner of describing the essence of a budding romance in layman’s terms is inviting. Whether solo or with a partner, it’s easy to groove to the beat.

Wood continued releasing tracks but none ever garnered similar success. Frustrated with the music industry, he quit for a couple of years, then inched back onto the club circuit. There, he found an audience that would sustain him for decades: Latinos.

He would play major California cities, then travel through Mexico and into Arizona before returning home. As his audience aged, Wood began to perform on themed cruises and at festivals with Chicano musical luminaries including Los Lobos, Thee Midniters and Ozomatli. Wood’s romantic oldies resonated with a new generation of lovebirds, becoming a soundtrack of Southern California life — literally, as Wood found a third career as a performer at weddings, quinceañeras and anniversary parties.

Bob Merlis, a former executive for Warner Bros. Records and co-author of “Heart & Soul: A Celebration of Black Music Style in America 1930-1975,” described the artist as a “local hero” to L.A. — a “standard bearer for the Southern California pop soul scene.”

“Nothing else sounded like them,” said Merlis, who now runs a public relations and consulting firm. “It was so different and that instrumentation is very unusual.”

“They’ve kind of picked me out of the whole batch, and they keep me going,” Wood told The Times in 1992. “I appreciate it, because if I was waiting for the big boys to call, I’d have died a long time ago.”

Wood’s lyrics captured the cat-and-mouse chase of a first love, the kind of infatuation that makes people act a fool. He encapsulated that all-too-familiar yearning to whisk away a lover to bask in their honeymoon paradise. But he also wrote about heartache — and the triumphant moment when the pain wears off.

“Latinos like to dedicate songs, and his songs are good for that,” radio veteran Art Laboe told The Times in 1992. “It’s not the big hits they like. It’s songs like ‘Take a Chance,’ ‘I Think You’ve Got Your Fools Mixed Up’ — if a girl’s having trouble with her boyfriend, she’ll dedicate that to him.”

The songwriter was born July 26, 1941, in Shreveport, La., and moved west to San Pedro when he was 3. He moved throughout L.A.’s inner cities, selling papers and fish and shining shoes until he created a career in the music industry.

Wood was 7 when a pianist mesmerized him. Without a television set at home, he spent hours at the park, watching and mimicking the performer, using two fingers to tap on imaginary keys until he got his own piano. At 10, Brenton Wood wrote his first song about a man who wanted to be a bird. It was cheerful and rhymed but lacked oomph.

He found his groove when he met his first girlfriend. Then, the words flowed out.

The Compton High School graduate enrolled at East Los Angeles College and sang in local R&B groups such as Little Freddie and the Rockets and the Quotations in the 1950s before he went solo. He took on his stage name, Brenton Wood, from the wealthy L.A. enclave of Brentwood, where a manager lived.

Wood’s “The Oogum Boogum Song” came entirely by accident. He was working the graveyard shift at Harvey Aluminum in Torrance when the melody came to him.

“It took me about six weeks, because I had to switch the verses around about a hundred times,” he told the San Diego Union-Tribune in 2000. “That was a song about fashion changes in the ’60s with bell-bottom hip-huggers and high-heeled boots and all the different styles of clothes the girls were wearing — hot pants and all that stuff.”

The bouncy track was later featured in Cameron Crowe’s “Almost Famous” and Olivia Wilde’s “Don’t Worry Darling.”

“It was one of the best feelings you could have,” Wood told Cal State Fullerton’s Titan TV in 2014.

By 1970, he founded Mr. Wood Records and produced other artists’ singles. Latino listeners were already embracing him as one of their own.

Chicano music historian Gene Aguilera recalls being “glued up” to his little transistor radio as a teen, listening to Wood’s “Gimmie Little Sign” mixed in with the Beatles and the Supremes on KRLA-AM 1110 all within an hour. Walking his neighborhood, he would hear Wood’s voice along with Thee Midniters wafting in the background, emanating from nearby parties or from lowriders cruising down Whittier Boulevard, bumping his tunes.

“Even though he wasn’t born here, he’s just forever going to be etched in our consciousness,” said Aguilera, who last saw the artist perform at a local park in Baldwin Park before the pandemic.

“His music was really accepted by East L.A. because of the slow groove he’s got, very soulful, that people from East L.A. just love.”

Vega is a former Times staff writer.



This story originally appeared on LA Times

Austin’s Waterloo Records Announces New Ownership and Relocation

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Austin’s Waterloo Records, a cornerstone of the city’s music scene since 1982, is entering a new chapter.

After over four decades as the heartbeat of Austin’s music culture, owner John Kunz has announced that he is passing the torch to new owners—Caren Kelleher, Founder & CEO of Gold Rush Vinyl, and Austin entrepreneur Trey Watson.

Along with the change in ownership, Waterloo Records will also be relocating to a new, larger space at 1105 North Lamar this spring.

Waterloo Records has long been a cultural hub for Austinites and visitors alike, hosting in-store performances by artists like Norah Jones, Willie Nelson, and Nirvana and playing a pivotal role in co-founding Record Store Day in 2008.

“My decades-long hope, dream and endeavor, has been for Waterloo Records & Video to live on forever, continuing to promote Austin’s vibrant music culture and community,” said John Kunz.

“Now with this transition, all of my boxes are checked: a new larger home, just five blocks away; Caren and Trey buy in as my new, talented, local music industry partners; all of my team are retained and they will gain the opportunity for store ownership; all of the Waterloo Records hallmarks and traditions continue on, including innovation; and now as a minority partner and not sole proprietor, I get to work less, and play more. So thank you Austin!”

“John, Trey and I recognized this as a once-in-a-lifetime opportunity to guard and grow an iconic music business and to get to do so in a town we all love,” said Caren Kelleher. “John was one of the first people to welcome me to Austin when I moved here to start Gold Rush Vinyl and his friendship has been so important over the years. It means so much to me that he and his wife Kathy Marcus trust me to be part of the next chapter of Waterloo.”

Trey Watson, a longtime Austin entrepreneur with a background in music and media, said the store’s legacy is part of the city’s fabric.

“Since 1982, Waterloo Records has been a large part of the fabric of that soul as a small business and as a place where people gather as a community to celebrate music. I’m honored and grateful that John Kunz has entrusted our team with guiding Waterloo into the future. We have great things planned for all to experience.”

The move to 1105 North Lamar marks a significant upgrade for Waterloo, expanding its current 6,400 sq. ft. space by 50% to allow for larger events, enhanced in-store performances, and improved parking options.

The location, previously occupied by Louis Shanks Furniture and later a Whole Foods regional office, provides modern amenities while maintaining the store’s proximity to downtown Austin and nearby music venues. This expansion underscores the commitment to keeping Waterloo a key destination for music fans and artists alike.

The transition comes at a pivotal moment for Austin, a city known for its deep musical roots but also experiencing rapid growth as a global tech hub. “Austin has a soul about it that attracted me to move here over 25 years ago and continues to draw people here today,” said Watson.



This story originally appeared on Billboard

World-first dementia study finds simple habits can improve sleep

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Couple Philip and Charman took part in the groundbreaking research (Image: Philip Robinson)

Simple changes to sleep habits can improve the lives of people with dementia and their family carers, a pioneering study has found.

Scientists at UCL developed a world-first programme which provides six hours of support for carers to learn about and test new techniques.

Philip Robinson, 70, and his wife Charman, 73, were among hundreds of volunteers who trialled methods including use of light boxes, increasing daytime activity and building bedtime routines.

Former dyslexia tutor Charman was diagnosed with primary progressive aphasia, a rare form of Alzheimer’s that affects speech and language, 10 years ago.

Philip said: “As things progressed, Charman slept much more lightly, would find it difficult getting to sleep and often woke early. It grew as a problem.

“She was waking up at night, sometimes having some behavioural problems, she was unstable on her feet. If she got up there was a risk that she would have a fall.”

Charman was diagnosed aged 64 after she began struggling with mathematics and finding the right words. She is now unable to speak or write and has difficulty walking.

The couple, of New Malden, in Surrey, are passionate about taking part in research so enrolled in the DREAMS START sleep study.

Philip took part in six guided sessions, which helped him better understand how dementia affects sleep, and trialled a range of interventions.

They implemented changes such as reducing stimulation an hour before bed, listening to classical music and drinking hot chocolate.

Philip said: “When you’re living with someone with dementia, your routine gets knocked for six. So re-establishing, particularly that night-time routine, was one of the first things we did.”

Philip and Charman, who have been married for 40 years and have three children, also tried to be more active, such as doing some light work in the garden during the day. And they used a light box to reset Charman’s circadian rhythm.

“We achieved better sleep for both, and for me a sense of being able to help Charman,” Philip said. “Having this support for six weeks brought me a bit more back into control.

“The situation when you’re living with someone with dementia can often feel like, where do I go next? This gave me some techniques.”

Philip said he would recommend the programme to others, adding: “Every single person is different with dementia but this is definitely something that has worked for us – and it could work for you.”

The UCL trial involved 377 people with dementia recruited from NHS memory and older adult mental health services, and their family carers.

Half received standard care while the rest took part in the DREAMS START intervention. Their sleep was assessed before and after using a measure called the Sleep Disorders Inventory.

Levels of sleep disturbance were significantly lower among both people with dementia and carers who completed the programme, at four and eight months later.

Dr Penny Rapaport, a professor of psychological interventions in dementia at UCL, said sleep disturbances were a common problem and can mean sufferers have to leave their homes and move into care facilities.

She added: “Sleep medication can make people more likely to fall over and increases their risk of things like heart problems and death. It also doesn’t work very well so there’s a need for something to help people who are living at home.”

The team will check in with participants after two years to evaluate the long-term benefits. And they are considering whether the programme could be adapted for other conditions such as Parkinson’s disease.

It was delivered by facilitators who have a background in psychology but are not clinical specialists, making it cheaper to deliver than interventions requiring a doctor or nurse’s supervision, Dr Rapaport said.

She added: “It’s safe, it doesn’t cause harm. It has the potential to be rolled out widely in the NHS and make a real difference to the NHS.”

The findings were published in the The Lancet Healthy Longevity journal. The research was funded by the National Institute for Health and Care Research Health Technology Assessment programme.



This story originally appeared on Express.co.uk

Angelina Jolie & Daughter Zahara Pose Together at Golden Globe Awards 2025

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On January 5, Angelina Jolie and Zahara had a cute mother-daughter moment at the Golden Globe Awards 2025. The duo showed up at the Los Angeles event in complementary fits. The actor wore a dark beaded gown, while Zahara donned a full-length dress that incorporated similar-looking detailing on white. The pair’s ensembles went really well together, creating an eye-catching contrast in the red carpet photos.

Angelina and Zahara Jolie stun in bedazzled dresses at Golden Globe Awards 2025

Photo Credit: Etienne Laurent | AFP via Getty Images

Angelina Jolie brought along her daughter Zahara to walk down the red carpet at the Golden Globe Awards 2025 on Sunday. The duo served high fashion at the event, with the actor showing up in an Alexander McQueen gown. The entire piece had a bedazzled look to it, as the gems interacted brilliantly with the lights for a sparkly fit.

Jolie’s gown was a moment. Moreover, the sheer panels provided a peek of her fit physique. The Alexander McQueen piece was also laden with beads and crystals, using a mix of gray and white for a textured look. In addition, the gown had an interesting hemline to give it an almost tattered look. Jolie accessorized the gown with shiny pointed-toe heels and minimalistic jewelry pieces. Her bling even included an edgy cuff earring that had a bedazzled chain attached to it.

Zahara’s dress took a page from her mom’s ensemble, featuring black embroidery on a white full-length dress. It tied in well with Jolie’s gown, delivering a complementary mother-daughter look. Besides, the embroidery was in the shape of a flowering tree, adding a hint of softness to the black-and-white fit.

Angelina Jolie and her daughter Zahara kept their beauty choices minimal for the Golden Globe Awards 2025. The actor flaunted her new bangs in a chic half-up half-down hairdo. Meanwhile, her daughter decided to keep her hair swept away from her face in a sleek updo. To add some flair to her hairstyle, Zahara let a few delicate tendrils graze the nape of her neck to complete the look.

Originally reported by Namrata Padhee on Momtastic.



This story originally appeared on Realitytea

Golden Globes 2025: The Complete Winners List

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Just as we’re all putting our holiday ornaments away and finishing off the last of the leftovers, awards season comes roaring in! The first event, the 82nd Annual Golden Globe Awards, airs live on Sunday, January 5 at 8 p.m. ET/5 p.m. PT, on CBS and streaming on Paramount+.

The Hollywood Foreign Press Association (HFPA) likely had a tough time picking its 2025 nominees in television and film after a strong year in both, with The Bear, Baby Reindeer, Slow Horses, and Shogun among those with multiple nods in the TV categories. On the movies front, films like Dune: Part Two, Wicked, Emilia Pérez, The Brutalist, and more are up for awards.

The Roast of Tom Brady breakout Nikki Glaser will bring her signature edge as host of the night’s proceedings, who has promised more (light) roasting of celebs — could she match fan-favorite past host Ricky Gervais? — and lots of laughs. “I understand the assignment that I’ve been given,” she told CNN recently.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Selena Gomez, Emilia Pérez

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Margaret Qualley, The Substance

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez — WINNER

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY

Kristen Bell, Nobody Wants This

Quinta Brunson, Abbott Elementary

Ayo Edebiri, The Bear

Selena Gomez, Only Murders in the Building

Kathryn Hahn, Agatha All Along

Jean Smart, Hacks — WINNER

Hilary Bronwyn Gayle/Max

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE

Yura Borisov, Anora 

Kieran Culkin, A Real Pain — WINNER

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice 

Denzel Washington, Gladiator II

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES, DRAMA

Donald Glover, Mr and Mrs Smith

Jake Gyllenhaal, Presumed Innocent

Gary Oldman, Slow Horses

Eddie Redmayne, Day of the Jackal

Hiroyuki Sanada, Shogun — WINNER

Billy Bob Thornton, Landman

Hiroyuki Sanada as Lord Toranaga in the 'Shōgun' series finale

FX

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE ON TELEVISION

Liza Colón-Zayas, The Bear

Hannah Einbinder, Hacks

Dakota Fanning, Ripley

Jessica Gunning, Baby Reindeer — WINNER

Allison Janney, The Diplomat

Kali Reis, True Detective: Night Country

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE ON TELEVISION

Tadanobu Asano, Shōgun — WINNER

Javier Bardem, Monsters: The Lyle and Erik Menendez Story

Harrison Ford, Shrinking

Jack Lowden, Slow Horses

Diego Luna, La Maquina

Ebon Moss-Bachrach, The Bear

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES, MUSICAL OR COMEDY

Adam Brody, Nobody Wants This

Ted Danson, A Man on the Inside

Steve Martin, Only Murders in the Building

Jason Segel, Shrinking

Martin Short, Only Murders in the Building

Jeremy Allen White, The Bear — WINNER

Jeremy Allen White and Ayo Edebiri in 'The Bear'

Chuck Hodes/FX

BEST SCREENPLAY, MOTION PICTURE

Emilia Pérez, Jacques Audiard

Anora, Sean Baker

The Brutalist, Brady Corbet, Mona Fastvold

A Real Pain, Jesse Eisenberg

The Substance, Coralie Fargeat

Conclave, Peter Straughan — WINNER

BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION

Jamie Foxx, What Had Happened Was

Nikki Glaser, Someday You’ll Die

Seth Meyers, Dad Man Walking

Adam Sandler, Love You

Ali Wong, Single Lady — WINNER

Ramy Youssef, More Feelings

BEST MOTION PICTURE, FOREIGN LANGUAGE

All We Imagine As Light

Emilia Pérez — WINNER

The Girl With the Needle

I’m Still Here

The Seed of the Sacred Fig

Vermiglio

Jodie Foster in 'True Detective: Night Country'

HBO

BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Cate Blanchett, Disclaimer

Jodie Foster, True Detective: Night Country — WINNER

Cristin Milioti, The Penguin

Sofía Vergara, Griselda

Naomi Watts, Feud: Capote vs. the Swans

Kate Winslet, The Regime

BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Colin Farrell, The Penguin — WINNER

Richard Gadd, Baby Reindeer

Kevin Kline, Disclaimer

Cooper Koch, Monsters: The Lyle and Erik Menendez Story

Ewan McGregor, A Gentleman in Moscow

Andrew Scott, Ripley 

Colin Farrell in 'The Penguin' finale

HBO

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL OR COMEDY

Amy Adams, Nightbitch

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance — WINNER

Zendaya, Challengers

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL OR COMEDY

Jesse Eisenberg, A Real Pain

Hugh Grant, Heretic

Gabriel Labelle, Saturday Night

Jesse Plemons, Kinds of Kindness

Glen Powell, Hit Man

Sebastian Stan, A Different Man — WINNER

BEST MOTION PICTURE, ANIMATED

Flow — WINNER

Inside Out 2

Memoir of a Snail

Moana 2

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Eddie Redmayne as the Jackal in Day of the Jackal

Marcell Piti / Carnival Film & Television Limited

BEST DIRECTOR, MOTION PICTURE

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist — WINNER

Coralie Fargeat, The Substance

Payal Kapadia, All We Imagine as Light

BEST ORIGINAL SCORE, MOTION PICTURE

Volker Bertelmann, Conclave

Daniel Blumberg, The Brutalist

Kris Bowers, The Wild Robot

Clément Ducol, Camille, Emilia Pérez

Trent Reznor, Atticus Ross, Challengers — WINNER

Hans Zimmer, Dune: Part Two

Mike Faist, Zendaya, and Josh O'Connor in 'Challengers'

Challengers; MGM /Courtesy Everett Collection

BEST ORIGINAL SONG, MOTION PICTURE

The Last Showgirl, “Beautiful That Way” by Miley Cyrus, Lykke Li, and Andrew Wyatt

Challengers, “Compress/Regress”

Emilia Pérez, “El Mal” by Clément Ducol, Camille and Jacques Audiard — WINNER

Better Man, “Forbidden Road” by Robbie Williams, Freddy Wexler & Sacha Skarbek

The Wild Robot, “Kiss the Sky”

Emilia Pérez, “Mi Camino” by Clément Ducol and Camille

CINEMATIC AND BOX OFFICE ACHIEVEMENT, MOTION PICTURE

Alien: Romulus

Beetlejuice Beetlejuice  

Deadpool & Wolverine

Gladiator 2

Inside Out 2

Twisters

Wicked — WINNER

The Wild Robot

Richard Gadd and Jessica Gunning in 'Baby Reindeer'

Netflix

BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION

Baby Reindeer — WINNER

Disclaimer

Monsters: The Lyle and Erik Menendez Story

The Penguin

Ripley

True Detective: Night Country

BEST TELEVISION SERIES – MUSICAL OR COMEDY

Abbott Elementary

The Bear

The Gentlemen

Hacks — WINNER

Nobody Wants This

Only Murders in the Building

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES, DRAMA

Kathy Bates, Matlock

Emma D’Arcy, House of the Dragon

Maya Erskine, Mr. and Mrs. Smith

Keira Knightley, Black Doves

Keri Russell, The Diplomat

Anna Sawai, Shōgun — WINNER

BEST TELEVISION SERIES, DRAMA

The Day of the Jackal

The Diplomat

Mr. and Mrs. Smith 

Shōgun — WINNER

Slow Horses

Squid Game

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA

Pamela Anderson, The Last Showgirl 

Angelina Jolie, Maria

Nicole Kidman, Babygirl

Tilda Swinton, The Room Next Door

Fernanda Torres, I’m Still Here — WINNER

Kate Winslet, Lee

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA

Adrien Brody, The Brutalist — WINNER

Timothée Chalamet, A Complete Unknown

Daniel Craig, Queer

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Timothée Chalamet and Zendaya in 'Dune: Part Two'

Niko Tavernise / © Warner Bros. / Everett Collection

BEST MOTION PICTURE, DRAMA

The Brutalist — WINNER

A Complete Unknown

Conclave

Dune: Part Two

Nickel Boys

September 5

BEST MOTION PICTURE, MUSICAL OR COMEDY

Anora

Challengers

Emilia Pérez – WINNER

A Real Pain

The Substance

Wicked

82nd Annual Golden Globe Awards, Sunday, January 5, CBS




This story originally appeared on TV Insider