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10 Most Underrated Doctor Who Stories Of All Time

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While there are plenty of memorable Doctor Who episodes, there are also several underrated stories that simply aren’t as appreciated as they should be. The greatest Doctor Who stories of all time stand out for their iconic villains, gripping plots, and brilliant characters. However, there are other installments from both the classic and modern eras of the show that also contain these elements, yet are underrated by audiences for various reasons.

The post 2005 reboot of Doctor Who is typically remembered better by current audiences, and while there are some harsh realities of Doctor Who’s classic era, there are still many great stories to enjoy. Every incarnation of the Doctor has a serial or episode that isn’t as well received as others, but this doesn’t mean they’re terrible, either. Regardless of why, it’s important to know that these underrated Doctor Who serials are still endearing and fantastic watches, and many just don’t realize it yet.

10

“Invasion of the Dinosaurs”

Classic Era – Third Doctor – Season 11, Serial 2

“Invasion of the Dinosaurs” is often mocked because of the poor visual effects, especially for the prehistoric creatures. Of course, this serial is from the ‘70s, and the appearance is pretty bad even by classic Doctor Who standards, but this doesn’t necessarily make the story awful. “Invasion of the Dinosaurs” is the Third Doctor’s most underrated Doctor Who story because it delves into the complications of altering human history.

With some of the Doctor’s allies at UNIT unexpectedly being the villains of the serial, this story offers a refreshing change of pace. “Invasion of the Dinosaurs” contains an Earth invasion in Doctor Who many should remember, but don’t necessarily, and it’s fascinating to see humanity at risk from something other than an alien threat.

While it’s one of the campiest inventions Doctor Who ever introduces, watching the Third Doctor drive around in the Whomobile is brilliantly comical. Sarah Jane is also as fantastic as ever, pushes on even when she is injured, and uses her investigative skills to help save the day.

9

“Paradise Towers”

Classic Era – Seventh Doctor – Season 24, Serial 2

“Paradise Towers,” from Sylvester McCoy’s first season of Doctor Who as the Seventh incarnation of the Time Lord, often receives a lot of hate. This is generally because the classic era’s season 24 is considered terrible, but “Paradise Towers” is the shining gem of the Doctor Who installment. The titular setting is an unusual one for Doctor Who, but it highlights the eeriness of the story well.

“Paradise Towers” begins as a slice-of-life story, with Mel wanting to go swimming at the titular complex, but it quickly turns into an investigation into the mysterious caretakers. “Paradise Towers” has great characterizations, and Kroagnon is an intriguing example of the evil architect sci-fi trope.

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Exclusive: Classic Doctor Who star Bonnie Langford breaks down how working with multiple Doctors has affected her character Mel Bush over the years.

There’s no doubt that plenty of moments are cheesy, but there’s also dark undertones, especially with the cannibalistic elements of the serial. Although “Paradise Towers” is a typical Doctor Who story in many ways, it also mixes things up. It may not be received as a brilliant story in the classic era, but if it were to be attempted again in the modern era, it would likely be a standout.

8

“Boom Town”

Modern Era – Ninth Doctor – Season 1, Episode 11

“Boom Town” is an amazingly underrated story and one of the best Doctor Who episodes by Russell T Davies. The season 1 episode is a great standalone story, and it’s easy to understand what’s happening when the Ninth Doctor unexpectedly reunites with Margaret the Slitheen, even if audiences haven’t seen “Aliens of London” and “”World War Three.”

“Boom Town” is the only adventure with Jack travelling in the TARDIS that isn’t his introductory or departure story, delves into how Rose leaving with the Doctor impacts her relationship with Mickey, and also establishes the Cardiff Space-Time Rift. Many think that “Boom Down” doesn’t provide much to the overall season arc, but it does.

The Ninth Doctor’s moral dilemma over Margaret is gripping, but the overall excitement of the episode, sharp dialogue, and comical moments are what makes “Boom Town” such a fantastic story.

The events of the episode are crucial to how Team TARDIS end up on the Bad Wolf station, and the Doctor also gains the extrapolator, a piece of equipment that is essential to the Time Lord’s survival in later seasons. The Ninth Doctor’s moral dilemma over Margaret is gripping, but the overall excitement of the episode, sharp dialogue, and comical moments are what makes “Boom Town” such a fantastic story.

7

“Gridlock”

Modern Era – Tenth Doctor – Season 3, Episode 3

“Gridlock” is fascinating because it revisits a location from the previous season, New New York from “New Earth,” but with a twist. With New New York barely standing anymore, the Doctor realizes how his involvement in the events of “New Earth” not only causes the downfall of the planet’s civilization, but it also sends him on a wild goose chase to save Martha.

“Gridlock” sees the return of the Macra for the first time since the classic Doctor Who era’s “The Macra Terror.” The Doctor Who monster redesign means the Macra are bigger than ever, too. The crab-like creatures may not come face-to-face with the Doctor, but the fact they are lurking in the shadows of the motorway is even more unsettling. “Gridlock” is inventive with its locations, and it takes the basic concept of a traffic jam and adds a fearful sci-fi twist.

Plus, this episode marks an important moment in the Tenth Doctor’s story. The Time Lord finally allows himself to open up to Martha about Gallifrey and the Time War, something that he and audiences don’t expect from him, especially since losing Rose.

6

“42”

Modern Era – Tenth Doctor – Season 3, Episode 7

“42” shows the Tenth Doctor in one of his most vulnerable moments, and Martha is forced to keep him safe, a common occurrence that happens more than once throughout season 3. With the sun being the main villain of the episode, and not having a physical form, the limited amount of time to save the SS Pentallian creates a ridiculously intense atmosphere.

The premise is both simple and complex, and Captain McDonnell’s dedication to save her husband is a great layer to the story. As the crew members die off one-by-one, the stakes are raised, and the ticking clock doesn’t make things easier. “42” is Martha’s first official trip as the Doctor’s companion, and she immediately proves why she’s the right person for the job.

She doesn’t hesitate to bite back and is tough, and without Martha, the Doctor would likely burn to death. “42” humbles the Doctor too, as by the end of the episode, he discovers he needs Martha more than he realizes, and despite what he projects to the universe, he isn’t immortal.

5

“The Unicorn And The Wasp”

Modern Era – Tenth Doctor – Season 4, Episode 7

“The Unicorn and the Wasp” sees the Doctor encounter a historical figure in Doctor Who, the iconic author Agatha Christie. What’s great about this episode is that Christie isn’t just a cameo or a gag, she’s a fully fleshed out character who plays an important part in the story. The Cluedo-style murder mystery is a great premise, and the addition of an alien insect antagonist makes it even better.

“The Unicorn and the Wasp” is also a fantastic episode for the Tenth Doctor and Donna’s friendship. Donna provides some hysterical moments throughout, like when she is trapped in a bedroom with the Vespiform, or when she kisses the Doctor to shock him and help save his life.

All the supporting characters are unique and offer something new to the story, but Christie is always the main focus. This episode highlights how important Christie and her works are to history, and while many remember season 5’s “Vincent and the Doctor” because the Doctor shows a famous figure the impact they have on society, they forget that “The Unicorn and the Wasp” tries to do the same.

4

“A Town Called Mercy”

Modern Era – Eleventh Doctor – Season 7, Episode 3

The Doctor breaks his own rules in Doctor Who when he visits the titular location during the season 7 episode “A Town Called Mercy.” This Western-style episode is often forgotten by many because Doctor Who doesn’t often delve into this kind of genre, but this doesn’t mean it’s a bad story. The gun-slinging Eleventh Doctor is a new and darker side to the character, and paired with the backdrop of the wild west, “A Town Called Mercy” is a brilliant entry to the Ponds’ final episodes.

Related


22 Times Doctor Who Proved The Doctor Does Use Guns

Throughout Doctor Who’s 60-year run, the Time Lord has been insistent on being a pacifist and anti-weapon, but some moments prove otherwise.

The Gunslinger is a brilliant villain, both design-wise and in terms of his dialogue. His prompting pushes the Doctor to lose it over memories of Doctor Who’s Time War, and it demonstrates a fascinating parallel between the Time Lord and the Gunslinger. Despite the heaviness of the episode, “A Town Called Mercy” also has plenty of hilarious moments, like when the Doctor orders tea at the saloon or talks with Susan the horse.

3

“The Power Of Three”

Modern Era – Eleventh Doctor – Season 7, Episode 4

The episode after “A Town Called Mercy” is also massively underrated. “The Power of Three” is a great way to show audiences how much Amy and Rory change and develop from their introduction in “The Eleventh Hour” to their heartbreaking departure from Doctor Who in “The Angels Take Manhattan.”

The progression of Amy and Rory’s relationship in Doctor Who is clearer than ever in this episode, as the Eleventh Doctor gets to experience their normal day-to-day lives on Earth as they investigate the arrival of the mysterious cubes. Not only is “The Power of Three” an enjoyable slice-of-life episode, but it also introduces UNIT’s Kate Lethbridge-Stewart for the first time in Doctor Who’s modern era.

While there are plenty of funny and endearing moments, the most important part of “The Power of Three” is the Doctor realizing his companions have a life without him.

This is a brilliant way for the show to connect the modern and classic eras, and despite being the Brigadier’s daughter, Kate initially hides her parentage and stands as one of the strongest members of Doctor Who’s UNIT team all by herself. While there are plenty of funny and endearing moments, the most important part of “The Power of Three” is the Doctor realizing his companions have a life without him.

2

“Under The Lake” & “Before the Flood”

Modern Era – Twelfth Doctor – Season 9, Episodes 3 & 4

Season 9’s “Under The Lake” and “Before the Flood” make up one of Doctor Who’s best two-part stories. The Twelfth Doctor adventure is an unusual take on a ghost story, and Toby Whithouse’s eerie narrative is nothing short of enthralling. It’s a shame more viewers don’t discuss this two-parter, especially because of the brilliant deaf representation through the character of Cass.

Cass’ disability isn’t glorified or depicted as a hindrance, simply a part of her, and even in moments where her lack of hearing puts her in danger, the life skills she has help ensure her survival. Some of the Twelfth Doctor’s best lines of dialogue come from these episodes, too, like when he refers to Clara as his carer.

Doctor Who often contains moments that aren’t realistic or logical, but these episodes are a great example of when the show thinks these elements through, like when Clara has to leave the Faraday cage to get a phone signal in order to contact the Doctor. Although the Tivolian ghosts aren’t the real villains, their threatening aura and the fact the Doctor and the crew can’t communicate with them makes everything that much more unsettling.

1

“It Takes You Away”

Modern Era – Thirteenth Doctor – Season 11, Episode 9

“It Takes You Away” is underrated because viewers often focus on the strange frog than the true meaning and underlying message of the episode. This story sees some much-needed development in the relationship between Graham and Ryan. Graham faces his grief over Grace once again when the Solitract takes on the form of his late wife, who later battles with the decision of whether to stay with an image of her, or return home with the Doctor.

This episode shows how important it is that Graham and Ryan keep the other afloat after losing Grace. They aren’t the only prominent familial connection, however, and guest characters Hanne and Erik’s story is also deeply emotional.

Related


Doctor Who’s 15 Best Seasons Of All Time

Doctor Who is a show that has run for a very long time. Because of this, the series has both incredible seasons and some really weak seasons as well.

Other than the powerful narrative, “It Takes You Away” produces some beautiful cinematography in the picturesque Norwegian setting, and it also provides intriguing lore about the Doctor’s upbringing on Gallifrey, which hints toward Doctor Who’s Timeless Child storyline. Although a lot of Doctor Who episodes are underrated for being unmemorable, this one is such because audiences simply focus on the wrong qualities.

  • Doctor Who (1963)

    Doctor Who (1963) is a British sci-fi television show that follows the adventures of the Time Lord known as the Doctor, who travels through time and space in the TARDIS, a time-traveling ship disguised as a British police box. The Doctor, played by various actors over the years, encounters numerous foes and allies while striving to right wrongs and save civilizations.

    Release Date

    November 23, 1963

    Cast

    William Hartnell
    , Patrick Troughton
    , Jon Pertwee
    , Tom Baker
    , Frazer Hines
    , Nicholas Courtney
    , Pat Gorman
    , Elisabeth Sladen

    Seasons

    26

    Creator(s)

    Donald Wilson

  • doctor who 2005

    An alien from the planet Gallifrey travels through time and space to explore, solve problems and fight injustice while also making friends with human beings. His spaceship, called TARDIS, resembles a police box, but it is much more than it appears to be.
     

    Release Date

    March 26, 2005

    Cast

    Jodie Whittaker
    , Christopher Eccleston
    , David Tennant
    , Matt Smith
    , Peter Capaldi
    , Billie Piper
    , Karen Gillan
    , Catherine Tate
    , Jenna Coleman
    , Alex Kingston
    , John Barrowman
    , Tosin Cole
    , Arthur Darvill

    Seasons

    13

    Creator(s)

    Donald Wilson
    , Sydney Newman



This story originally appeared on Screenrant

Lakers coach JJ Redick’s family evacuated due to L.A. fires

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Lakers coach JJ Redick said his family was evacuated from their home in Pacific Palisades on Tuesday and offered his thoughts and prayers for everyone impacted by fires in the Los Angeles area.

Golden State Warriors coach Steve Kerr also shared concern about the fires after his team played Tuesday night. He said his mother was evacuated from her home in Pacific Palisades and Golden State video coordinator Everett Dayton’s family lost their home.

“I want to acknowledge and send thoughts and prayers to everyone in Palisades right now,” Redick said before the Lakers lost to the Dallas Mavericks. “It’s where I live. My family, my wife’s family, my wife’s twin sister. They’ve evacuated. I know there are a lot of people freaking out right now, including my family.

“And from the sound of things with the winds coming tonight, I know a lot of people are scared. I just want to acknowledge that. Thoughts and prayers for sure and I hope everybody stays safe.”

Kerr opened his news conference after the Warriors lost to the Miami Heat by addressing the fires.

“I want to send my thoughts and condolences to everybody in Los Angeles dealing with the fires,” Kerr said. “My mom lives in Pacific Palisades. She had to evacuate.

“Everett Dayton on our staff, he grew up in Pacific Palisades. From what I gather, his family home is lost. And everything I’m seeing and reading is just terrifying what’s happening down there.

“Just want to send thoughts to everyone who is going through the devastation of the fire.”



This story originally appeared on LA Times

Lakers’ momentum stalls in 118-97 loss to Mavericks

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DALLAS — The Los Angeles Lakers‘ growing momentum came to a screeching halt Tuesday with a 118-97 loss to an undermanned Dallas Mavericks team, dropping L.A. to 0-2 on its Texas two-step trip that started with a defeat in Houston.

“I mean, it sucks, obviously, especially knowing where we were and how well we’ve been playing,” LeBron James said after the Lakers dropped to No. 6 in the Western Conference standings.

They started the trip No. 4 in the West, having won eight of 11 games while upgrading the roster, acquiring Dorian Finney-Smith and Shake Milton for D’Angelo Russell, Maxwell Lewis and three second-round picks.

But things took a turn for the worse. Los Angeles trailed by as many as 22 in the first half before losing 119-115 to the Houston Rockets — a team that came into the game having lost three of four games and missing Jabari Smith Jr. (fractured left hand).

The Lakers’ stumble continued in Dallas against a Mavericks team that came in having lost six of seven games. Despite the Mavs playing without Luka Doncic (left calf strain), Kyrie Irving (bulging disk in back) and Daniel Gafford (left ankle injury), Dallas outscored L.A. 63-47 in the second half to run away with the win.

“Obviously, they killed us with any iso stuff,” Lakers coach JJ Redick said after his team allowed the Mavs to shoot 52.3% from the field and nearly as well from 3, going 18-for-38 (47.4%).

James (18 points, 10 rebounds, 8 assists), credited Mavs coach Jason Kidd — a former Lakers assistant coach — for his “great game plan” against the Lakers’ defense.

Specifically, Kidd directed his players to target Austin Reaves in isolation situations.

“I felt like they just put people in pick-and-roll who they wanted in pick-and-roll and they tried to exploit matchups,” James said. “And when we got into rotations, we didn’t make enough second efforts.”

Reaves took accountability for his performance.

“The first half was god-awful,” said Reaves, who finished with a plus/minus of minus-25 in 32 minutes. “The second half I thought was better. But I can’t allow that. I was just really, really bad on both sides of the ball tonight.”

Reaves scored 15 points, going 5-for-14 from the field (4-for-11 from 3).

The Lakers’ most consistent player this season, Anthony Davis, didn’t fare much better. He scored 21 points on 7-for-18 shooting with 12 rebounds and 2 blocks but was partially responsible for Dallas outscoring 52-40 in the paint.

Redick pointed to the bevy of bunnies the Lakers missed at the rim — Davis included — sapping their energy on the defensive end.

Davis declined to speak to reporters after the game.

Finney-Smith said the Lakers could have used Davis and the rest of the team being more vocal on defense, to help out players like Reaves when they were targeted in pick-and-rolls.

“We got to do a better job of talking behind guys, giving them confidence so defenders can crawl up in ball handlers and force them to the rim,” Finney-Smith said. “And we got AD down there, so we got to use it.”

The Lakers return to Los Angeles for their next eight games — seven at Crypto.com Arena and their debut at Intuit Dome to play the LA Clippers — starting with the Charlotte Hornets.

“We got another game in, s—, less than 48 hours,” James said. “So, we can’t really dwell on it too much. That’s the name of the game of the NBA. You see what you could’ve done better, but you got to get ready for the next opponent and we got another game coming on Thursday in our home building.”



This story originally appeared on ESPN

Aberg, The Bay kick off inaugural TGL season with dominant win

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PALM BEACH GARDENS, Fla. — Ludvig Åberg will be the answer to a trivia question: He made the first birdie in TGL history.

And with that, the indoor golf competition that Tiger Woods and Rory McIlroy had envisioned for years was finally underway.

TGL had its debut match Tuesday night, with Rickie Fowler, Matt Fitzpatrick and Xander Schauffele of New York Golf Club taking on Shane Lowry, Wyndham Clark and Aberg of The Bay Golf Club in the opener. The 15-hole match took just under two hours, which is exactly how TGL envisioned this to work. Final score: The Bay 9, New York 2.

“The last time I’ve had that much fun was probably last September,” Lowry said, turning toward Clark as he said that — the obvious reference being how he and Aberg were part of the European Ryder Cup team that beat Clark and the United States in the fall of 2023.

Yes, trash talk is part of TGL as well — even among teammates.

“Look, I had an amazing two hours,” Lowry said.

Lowry struck the first shot at 9:15 p.m. Four minutes later, the first hole in TGL history was complete when Aberg rolled in a 9-footer for the first point in league play. Yes, it moves that quickly.

“This was just a dream conjured up,” Woods said on the ESPN broadcast. “Rory and I were talking about it; it’s hard to believe that dream came into reality and we were able to take golf into another stratosphere, really.”

Woods and McIlroy — part of the brain trust that put together this venture — were there, as expected. DJ Khaled was there too, milling about while players were warming up, showing off his swing with an imaginary club.

The venue is a 250,000-square-foot facility at Palm Beach State College. Players hit some shots into a video screen, some off real grass, some off turf, and the bunkers are not just real sand — it’s sand from Augusta National Golf Club, the same sand Woods has at his home practice facility. It’s super-high-tech, with data collected off every shot.

“Nobody had more fun than us,” Clark said.

Players wore microphones, there were betting options and fans surrounded the “course” in an intimate arena where music blared and noise was welcomed.

“A glorified man cave in a way,” Fowler said.

Once teams moved within 50 yards of the pin, they headed to a short-game complex — with a green that sits on a 41-yard-wide turntable and has about 600 devices underneath to change the contours. Players said it was difficult to make putts, which might be understandable.

Fans cheered. And they booed — a little, anyway. Schauffele heard those after he botched a chip, part of a night when not much went right for his team.

“I probably would have booed me too,” Schauffele said.

The players seemed to love it. Lowry had one-liner after one-liner. A couple of examples:

  • “I’m going to be the Scottie Scheffler of indoor golf.”

  • “A bit like myself. A bit chunky,” he said after one shot came up a touch short.

It ended with a 729-yard par-5 — a reachable 729-yard par-5, if that makes any sense. Handshakes and cheers all around when it was over, Lowry gave a big wave to the fans and the night was done.

“So much fun,” Aberg said.

Woods loved it when some fans were, let’s say, not exactly quiet as Clark lined up a putt on one of the early holes.

“You don’t normally hear that at events,” Woods said. “You’re going to hear that here.”

Woods is expected to debut for his Jupiter Links club Jan. 14. McIlroy’s debut could be Jan. 27 when Boston Common plays Jupiter Links. The regular season goes until March 4. There are 24 players — six teams of four — and the top four teams advance to the playoffs with a best-of-three championship series two weeks before the Masters.

Each team activates three players for a match, and the 15-hole competitions will be done in about two hours. It’ll all be shown on ESPN platforms, often in prime time. The league has been in the works for a few years; the original plan was for it to start last year, but a storm slowed construction and organizers pushed the debut back to 2025.

“It’s not traditional golf, yes,” Woods said. “But it is golf. And that’s the main thing.”

And, as Fowler pointed out, the crowd in the arena is one thing, but how television viewers accept it will be the big test.

“If it does well there, the sky’s the limit with what you can do,” Fowler said. “You can put up arenas in different places. This is just the start.”



This story originally appeared on ESPN

Audio Up, Jingle Punks exec allegedly raped songwriter, lawsuit says

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A new lawsuit accuses Jared Gutstadt, an L.A. music publishing and podcast executive who founded the firms Audio Up and Jingle Punks, of raping and assaulting one of his company’s songwriters.

In the suit, filed Dec. 31 in Los Angeles Superior Court, Mary Koons (known professionally as Scarlett Burke), alleges that Gutstadt subjected her to “years of psychological manipulation, physical violence and sexual abuse.” Those claims include “repeated sexual assaults, including rape”; sex trafficking; thwarting professional opportunities when she declined his advances; and “stalking, harassment, intimidation and retaliation when Ms. Koons attempted to distance herself from him.”

“I felt so disgusted and ashamed,” Koons said in an interview, speaking about her experience with Gutstadt. “It was so difficult to stand up to this person. It was like he felt entitled to my entire life and body.”

Representatives for Gutstadt declined to comment on the suit.

“We are proud of our courageous client, Scarlett Burke, for coming forward to stop what she experienced at the hands of Mr. Gutstadt from ever happening to another young artist again,” said Gabrielle Rosen Harvey, an attorney at Filippatos PLLC, who is representing Koons.

Gutstadt rose to prominence in the music and audio industries with companies that promised lucrative opportunities to emerging songwriters and performers. He founded Jingle Punks, a library music and licensing firm for film and TV, in 2008, and sold a majority stake to WME in a reported eight-figure deal in 2012. He launched Audio Up, a platform for musicians to write and perform scripted podcast musicals, in 2020 with a $4.5-million investment from MGM and other investors. Audio Up has released projects featuring Miranda Lambert and Machine Gun Kelly, attracted investment from the Weeknd and partnered with music publishing firm Anthem Entertainment.

Jared Gutstadt, known as “Jingle Jared,” photographed at his Mandeville Canyon compound in Los Angeles.

(Mel Melcon / Los Angeles Times)

Koons, an actor, songwriter and model, said in her suit that she met Gutstadt at the Peppermint Club in West Hollywood in 2017. His firm placed a song she recorded on the Netflix series “Girls Incarcerated,” and he soon “overwhelmed Ms. Koons with lavish gifts and gestures.” The two would later work on the podcast musical “Make It Up as We Go,” a series about a fictional singer-songwriter that recalls “A Star Is Born.”

Koons alleges in her suit that, on a work trip to Nashville in 2017, Gutstadt brought her to his hotel room and “forcibly grabbed her hand and put it on his penis,” the first of several alleged assaults. “Because Mr. Gutstadt was deeply entrenched in every aspect of Ms. Koons’ life, he wielded his control with constant threats to destroy her career,” her suit said.

In 2019, after a meeting when Koons asked to renegotiate her contract, Koons alleges in her suit that “Mr. Gutstadt became violent, hitting Ms. Koons, her dog, and breaking her property.” Later that year, after an argument in a Santa Barbara hotel room, she alleges in her suit that Gutstadt “violently tackled her to the ground, pinning her wrists to the bed, leaving visible bruises.” Koons said she would often “barricade herself in a guest bedroom at the Audio Up compound to escape from Mr. Gutstadt,” but “in a drunken rampage, Gutstadt would break through … and pick the lock.”

Koons alleges in her suit that Gutstadt sexually assaulted her in 2022 in Los Angeles after a recording session, when she claims she woke up to “Mr. Gutstadt on top of her, raping her in her sleep. When Ms. Koons realized what was happening, she froze … until Mr. Gutstadt finished, fearful of what more he could do to her.” After she confronted him, Koons alleges that Gustadt told her, “Shut up … nobody raped you.” She alleges in her suit that he raped her again in a Pasadena hotel room in 2023 before an Audio Up songwriting retreat.

Koons finally cut ties with Gutstadt and Audio Up this year, and said in her suit that her PTSD from her time with him “permeates every aspect of her life.”

“I’ve had so many nightmares about this,” Koons said in an interview. “I can’t tell you about all the anxiety. I’m afraid to walk my dog because I’m still afraid of him harming me. But I’m trying to figure out who I am without this person ruining my life and relationships. I’ve started to remember the person and the songwriter I was before I met him, and I want to be that person again.”



This story originally appeared on LA Times

Halsey and Benson Boone Headline Coca-Cola’s Sips & Sounds Festival

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Coca-Cola’s Sips & Sounds Music Festival is making its way back to Austin, Texas, for its third year on March 7-8, 2025, at Auditorium Shores.

This year’s headliners include Grammy-nominated stars Halsey and Benson Boone, with a lineup featuring Khalid, AJR, Suki Waterhouse, Chelsea Cutler & Jeremy Zucker (performing as brent), Ashe, Nessa Barrett, Gus Dapperton, Paul Russell, and Claire Rosinkranz.

Halsey has been a Billboard chart mainstay since her debut. Her 2015 album Badlands reached No. 2 on the Billboard 200, and her 2020 single “Without Me” became her first solo No. 1 on the Billboard Hot 100. Her 2021 album If I Can’t Have Love, I Want Power peaked at No. 2, and her most recent album, The Great Impersonator, debuted at No. 1 on Billboard’s Top Rock & Alternative Albums and Top Alternative Albums charts and entered the Billboard 200 at No. 2, selling 93,000 equivalent album units in its first week.

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Benson Boone made his Billboard debut with “Ghost Town” (2021) on the Hot 100. His hit “In the Stars” (2022) reached No. 82 and charted globally, while his 2024 single “Beautiful Things” climbed to No. 2 on the Hot 100 and became the top song of 2024 on the Billboard Global 200.

Since its launch in 2023, the Sips & Sounds Music Festival has become a highlight of Austin’s music calendar. Alongside an incredible lineup, festival-goers can explore immersive Coca-Cola activations, and sample food from local vendors on the lakefront setting at Auditorium Shores.

“We are thrilled to return to Austin, TX, in celebration of music and togetherness for the third iteration of our Sips & Sounds Music Festival,” said Derek Alexander, VP of Commercial & Digital at Coca-Cola Southwest Beverages. “Our exciting new lineup and on-site activations paired with a move to Auditorium Shores in the Spring will make for a memorable experience for fans of the brand and music lovers alike.”

Tickets are on sale now, with single-day and two-day general admission options available. Admission includes access to all performances, free water refill stations, and food concessions. Children under 2 are admitted free with a ticketed adult.

For more information and tickets, visit www.sipssoundsfest.com.



This story originally appeared on Billboard

One common daily drink could cut risk of one type of cancer by almost a fifth

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The largest single study of diet and bowel cancer to date has revealed how different foods and beverages can dramatically influence your risk of developing the disease.

A study funded by Cancer Research UK analysed data from more than 542,000 women over 16 years to investigate the link between the disease and 97 products and nutrients.

The findings revealed that drinking a large glass of milk every day may cut risk of developing bowel cancer by 17%. The protective effect was associated with consuming an extra 300mg of calcium per day.

Dr Keren Papier, lead researcher and senior nutritional epidemiologist at Oxford Population Health, said: “This is the most comprehensive single study ever conducted into the relationship between diet and bowel cancer, and it highlights the protective role of calcium in the development of this disease.

“Further research is needed to understand the health impacts of increasing calcium in different populations.”

However, not all of the effects were positive. The study found that drinking an additional 20g of alcohol a day – equivalent to a large class of wine – appeared to increase risk of bowl cancer by 15%.

And eating 30g more red and processed meat was linked to an 8% higher risk.

There are around 44,000 cases of bowel cancer every year, making it the fourth most common cancer in the UK. More than half of cases are thought to be preventable.

Sophia Lowes, senior health information manager at Cancer Research UK, said:“Bowel cancer is one of the most common cancers affecting people in the UK, which is why it’s so vital that we know how to prevent it.

“Maintaining a healthy, balanced diet, alongside keeping a healthy weight and stopping smoking, is one of the best ways to lower your risk of bowel cancer.

“This includes cutting down on alcohol and red and processed meat, and eating lots of fruit, vegetables, and wholegrains.

“Dairy products like milk can also be part of a diet which reduces bowel cancer risk. We look forward to further research, including into the effects of specific ingredients like calcium, to ensure fewer people are impacted by this devastating disease.”

The findings were published in the journal Nature Communications.



This story originally appeared on Express.co.uk

This FTSE 250 stock has a P/E ratio of 8.8 and a 5.6% yield! Should I be interested?

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Image source: Getty Images

While comparing price-to-earnings (P/E) ratios this morning, a lesser-known FTSE 250 stock caught my attention.

With a low P/E ratio of 8.8 and a meaty 5.6% dividend yield, I was intrigued. Either it’s a solid dividend stock with strong earnings… or a crashing share price has pushed the yield up and the P/E down.

I had to find out.

A lender-turned-challenger bank

Paragon Banking Group (LSE: PAG) may seem like the latest in a long line of UK challenger banks. But it’s far from a new player on the market.

Once solely a buy-to-let (BTL) lender, Paragon received a UK banking license in 2014. It now serves over 1.5m customers with £15bn in loans.

Like most challenger banks, it differs from high street banks in that it has no branches. Rather than offer typical savings accounts, it focuses on specialised lending for landlords, SMEs and commercial equipment.

CEO Nigel Terrington has helmed the bank for almost 20 years, having initially helped it navigate the early 90s recession. Having held the position so long speaks volumes to his commitment — but how has the bank fared in that time?

Slow and steady growth

Surviving both the 90s recession and the 2008 Financial Crisis, Paragon’s made steady progress. It’s up 77.6% in the past decade, equating to annualised growth of 5.93%. It recovered rapidly after Covid, climbing from £2.57 a share to a five-year high of £8.03 last month (6 December).

But past performance is no indication of future results. If the housing market slips, mortgage lenders could take a hit. Even mildly rising interest rates could put significant pressure on the company’s profits.

What’s more, it’s facing up against the big boys like Lloyds and NatWest. Specialist lenders have a place but the growth potential’s limited. During tough economic times, consumers tend to prefer established brands over lesser-known ones.

What’s the alternative?

When assessing a stock, it’s equally important to look for reasons NOT to buy it, rather than vice-versa. One of the key reasons not to invest in one stock is the potential to better allocate capital elsewhere.

Looking at the UK’s diversified finance sector, one key competitor sticks out: OSB Group. Like Paragon, it offers BTL and commercial mortgages in the UK along with additional services like savings accounts.

Both share similar market-caps (£1.5bn) and profit margins (40-50%) but OSB enjoys considerably higher revenue and earnings. It also has a slightly higher 10-year annualised growth rate of 6.4%.

Most notably, OSB has a lower P/E ratio (3.8) and a higher dividend yield (8.3%). Given that those were my initial criteria, it seems OSB’s the obvious choice. 

However, the share price is down 20% in the past six months leading to the inflated yield. What’s more, it has a short dividend history, limiting any assurance of future payments.

Final thoughts

Despite the lower yield, Paragon may be more reliable for dividends. That said, it offers fewer diversified products, leaving it more exposed to the housing market.

Overall, with strong earnings growth and a history of stable management, I think it’s a stock worth considering. I’m not currently looking to diversify more into finance but it’s certainly one I’ll keep an eye on.



This story originally appeared on Motley Fool

Ariana Grande Shows Off Tattooed Back in Pastel Pink Dress

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On January 7, Ariana Grande flaunted her tattoos in a backless dress at the National Board of Review Awards Gala 2025. She ‘Glindafied’ her red carpet look yet again, looking pretty in a pink gown with a matching shawl. The satin piece showed off several of her arm and back tattoos, with the singer proudly showcasing her intricate inkwork in the red carpet photos.

Ariana Grande arrives at National Board of Review Awards in a striking pink dress

Ariana Grande’s National Board of Review Awards dress was nothing short of stunning. She looked elegant and regal in the pastel pink satin piece, looking very much like her character from her latest work, “Wicked.” According to PEOPLE, the gown was a custom LOEWE. The ensemble was completely backless, allowing the singer to flaunt some of her inkwork that usually stays hidden.

The pastel pink gown was made of satin, and it featured a square bodice that cinched in at the waist. The entire silhouette was supported by two barely-there spaghetti straps. The piece closely hugged her curves, with its shiny material flawlessly flowing over her body. Moreover, the star further elevated her LOEWE fit with a matching shawl. It was elegantly draped over her arms for the entirety of the annual event.

While her tattoos stole the show, Grande accessorized the gown with white pumps and a fun handbag. It featured a gold chain handle and floral embroidery, adding a hint of coziness to the otherwise regal fit. The singer also included some bling to the look, opting for an eye-catching diamond choker necklace. She paired it with matching diamond stud earrings and rings. In addition, one of those rings was pink in color, adding to the Glinda-coded ensemble.

Grande went with her signature high ponytail for the awards ceremony. However, she wore her baby bangs parted to the side, which helped frame her face beautifully. She also curled the ends of her hair, adding massive volume to the sleek hairdo.

For makeup, she opted for false lashes that gave her eyes a doe-eyed look, something she reached out for time and again throughout her “Wicked” promo tour. She also highlighted the eyes with white shimmery eyeshadow and cheeks with bright pink blush. Grande completed the look with super glossy lips in a pretty pink shade that complemented her LOEWE gown.

Originally reported by Namrata Padhee on Mandatory.



This story originally appeared on Realitytea

Maahra Hill Talks Marisa’s ‘Intense’ Backstory and Opening up to Rose

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[Warning: The below contains MAJOR spoilers for The Irrational Season 2 Episode 8 “Lost Souls.”]

Marisa (Maahra Hill) reveals a heartbreaking part of her past, something that only her ex-husband Alec (Jesse L. Martin) knows, in the midseason premiere of The Irrational.

Marisa and Alec’s girlfriend Rose (Karen David) team up to find a missing girl when the professor is sidelined. During their search, while camped out in the woods after finding her, Marisa reveals that after her father died when she was 16 (line of duty), she was a mess and felt trapped by her mother and their grief. She rebelled, and she ran away with boy her mom said was bad news (she was right). She got pregnant, and he left her alone at 17. She found a shelter for girls in her situation, and she went into early labor in the woods behind the house. She managed to get to the road and flag down a car, and the baby survived.

The shelter helped her find a good home for him, but Marisa never got to hold him and the adoption records were closed so she wouldn’t be tempted to look back. She never even told her mom. Alec calls it her secret origin story. Marisa then went back to school, studied, and decided to use her attraction to danger for good, joining the FBI.

It’s a backstory that Hill appreciates, she tells TV Insider. “You can see the flaws in her and also the experiences that she’s had until that point make her who she is. I just tried to pick up as many of the details of that experience as I possibly could and what that would feel like for her,” she explains. “As I was telling the story, I just was picturing all of it. And it was, for quite a while after that, still a very raw spot for me for just being able to experience that level of emotional pain that she went through. She also felt a certain need to or desire to kind of try to keep it together. So it was very tense. It was a very intense scene for me, but I really appreciate her being able to explore that and express that. I think you get to see some nice colors for the character there.”

Sergei Bachlakov / NBC

So why did Marisa confide in Rose? “Alec was her safe place, and now he’s in a relationship with Rose, who I think Marisa has come to grow more fond of, an appreciation for why that relationship is so significant and so special,” says Hill. “They have such great chemistry, they get along really well, and I think Marisa just wants the best for Alec, too. So there’s just this positive point of view I think that she’s aiming to have and has been able to have about Rose.”

Hill also gives credit to the environment, calling it “one when I think she was beginning to implode a bit, and so it wasn’t something she could stand to keep inside anymore.” (Ideally, she would have spoken about it in therapy or to her mother.) She says that in that moment with Rose, after they found the girl, “we were kind of exhaling, but not really. It was a ride that culminated in just having to share what was on her heart, and I think she did it in a safe space. I think that she realized that at that point Rose was a safe space.”

That was one of David’s favorite scenes from the episode. “It’s such a big deal for Marisa to feel that she’s in a safe space with Rose to include her in this very painful part of her life. I thought Maahra did such a beautiful job in that moment. It was just the two of us and just listening, woman to woman and seeing a fellow sister — because we are all part of a sisterhood — go through such pain alone, I think it was the loneliness that really moved Rose to tears because that is something that is so palpable and that she can relate to is feeling lonely, feeling like you have to deal with something so heavy like this and life-changing and feeling that you’re on your own and you can only do it by yourself,” she shares.

David admits that she had to check in with herself to make sure she was “getting quite teary” as Rose, not herself. “Rose doesn’t allow herself to show emotion,” she explains. “But I love, I love that Rose showed emotion with Marisa for the first time and not Alec. I love that so much. It was a really, really beautiful moment where two amazing women could be there for each other. Those are gifts of scenes and when you get them as actors, we’re just like, yay! It just brings so much depth, I feel, to the storyline, to their relationship, and I’m excited to see where the relationship goes between these two ladies.”

After all, as this episode shows, Marisa and Rose make a great team! “They see each other and Rose admires Marisa so much. She knows Marisa’s very strong, successful, focused,” says David. “They share the same common values in a lot of things. I think they keep each other on each other’s toes, and that makes for interesting television.”

What did you think of Marisa and Rose teaming up and Marisa opening up about her past? Let us know in the comments section below.

The Irrational, Tuesdays, 10/9c, NBC




This story originally appeared on TV Insider